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	{{India-music-stub}} sargam we used to do warm up of our vocals usually the first notes are Sa re ga ma pa dha ni sa in reverse sa ni dha pa ma ga re sa, etc		{{India-music-stub}} sargam we used to do warm up of our vocals usually the first notes are Sa re ga ma pa dha ni sa in reverse sa ni dha pa ma ga re sa, etc
			{{en-Wikipedia}}

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'''Sargam''' refers to singing the [[swara|note]]s instead of the words of a [[bandish|composition]], with use of various ornamentations such as [[meend]], [[gamak]], kan and khatka, as part of a [[khyal]] performance.<ref>[http://www.itcsra.org/sra_faq_index.html Sargam] at the [[ITC Sangeet Research Academy]]</ref> This is generally done in medium-tempo as a bridge between the [[alap]] and [[taan]] portions.

As an example, one could sing PmRSnSRRSRnSPnmPgmnnPmgmRSnS in [[raga]] [[Adana (raga)|Adana]], given that raga's [[Vadi (music)|vadi]]-[[samvadi]] and the rules of the raga (see ''[[swara]]'' for explanation of the notes).

The musical octave is said to have evolved from the elaborate and elongated chants of Sama Veda, based on these basic swaras. Siksha is the subject that deals with phonetics and pronunciation. Naradiya Siksha elaborately discusses the nature of swaras, both Vedic chants and the octave.
==References==
{{Reflist}}

==MANNAT==
*[[Solfege]]
*[[Solmization]]

[[Category:Hindustani music]]
[[Category:Hindustani music terminology]]
[[Category:Musical terminology]]

{{India-music-stub}} sargam we used to do warm up of our vocals usually the first notes are Sa re ga ma pa dha ni sa in reverse sa ni dha pa ma ga re sa, etc

Sargam (music) - Revision history

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