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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Sanjit_Narwekar</id>
	<title>Sanjit Narwekar - Revision history</title>
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	<updated>2026-09-07T14:24:39Z</updated>
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		<id>https://en.bharatpedia.org/w/index.php?title=Sanjit_Narwekar&amp;diff=240634&amp;oldid=prev</id>
		<title>94.204.249.96: /* Films: Documentaries */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Sanjit_Narwekar&amp;diff=240634&amp;oldid=prev"/>
		<updated>2021-11-10T09:58:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Films: Documentaries&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:28, 10 November 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Films: Documentaries==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Films: Documentaries==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Nani Palkhivala: The Man Who Defied Mrs G&#039;&#039; (Writer-Director) (2015)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Nations in Turmoil&amp;#039;&amp;#039; (Writer-Director) (2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Nations in Turmoil&amp;#039;&amp;#039; (Writer-Director) (2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{YouTube|0MtGTLv5wP0|&amp;#039;&amp;#039;The Pioneering Spirit: V.Shantaram&amp;#039;&amp;#039;}} (Writer-Producer-Director) (2010)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{YouTube|0MtGTLv5wP0|&amp;#039;&amp;#039;The Pioneering Spirit: V.Shantaram&amp;#039;&amp;#039;}} (Writer-Producer-Director) (2010)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot;&gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Saboot&amp;#039;&amp;#039; (Hindi telefilm) (1989)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Saboot&amp;#039;&amp;#039; (Hindi telefilm) (1989)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Samarpan&amp;#039;&amp;#039; (Hindi telefilm) (1988)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Samarpan&amp;#039;&amp;#039; (Hindi telefilm) (1988)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Online Presentations==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Curated and wrote six presentations on V Shantaram for the Google Arts &amp;amp; Culture (2018)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Life &amp;amp; Times of V Shantaram [https://artsandculture.google.com/exhibit/IAICzUD0r80sKQ]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* The Master Technician &amp;amp; His Technique (unpublished)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* The Face on the Screen (unpublished)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Women Characters in Shantaram&#039;s Cinema (unpublished)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* The Art of Song Picturisation (unpublished)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A Selection of Posters (unpublished)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Books: Biography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Books: Biography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>94.204.249.96</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Sanjit_Narwekar&amp;diff=174658&amp;oldid=prev</id>
		<title>2405:204:2211:B5CA:E536:1020:CD74:1C77: /* Awards */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Sanjit_Narwekar&amp;diff=174658&amp;oldid=prev"/>
		<updated>2020-02-28T14:12:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Awards&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=February 2019}}&lt;br /&gt;
{{Use Indian English|date=February 2019}}&lt;br /&gt;
{{autobiography|date=January 2011}}&amp;#039;&amp;#039;&amp;#039;Sanjit Narwekar&amp;#039;&amp;#039;&amp;#039; (born 8 May 1952) is an Indian documentary filmmaker scriptwriter and author.&amp;lt;ref&amp;gt;{{cite web|url=http://www.sanjitnarwekar.com/|title=Sanjit Narwekar Homepage&amp;lt;!-- Bot generated title --&amp;gt;|url-status=dead|archiveurl=https://web.archive.org/web/20071005202749/http://www.sanjitnarwekar.com/|archivedate=2007-10-05}}&amp;lt;/ref&amp;gt; A 1967 alumni of Bombay Scottish High School, Mumbai, he completed his Bachelor’s in Statistics (1974) and his Master’s in Economics (1976) from the University of Mumbai. &amp;lt;!-- Needs reference! --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Early career==&lt;br /&gt;
He began writing in 1969 while he was still in college and has more than 2500 articles to his credit in the last 50 years. During his post graduation he worked at the National Institute of Bank Management but opted to work in journalism soon after he had completed his Masters. He worked in a wide variety of newspaper organizations and has been News Editor of Screen (1980-1991), Editor of TV &amp;amp; Video World (1994–95) and Executive Editor of Documentary Today (2007-2012).&amp;lt;ref&amp;gt;{{cite web |url=http://www.greenwood.com/catalog/author/N/Sanjit_-_Narwekar.aspx |title=Sanjit Narwekar — www.greenwood.com |publisher=www.greenwood.com |accessdate=2010-01-24 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
Narwekar has authored/edited 20 books on [[History of film|film history]] and published more than 100 books for various organizations. He has also hosted interviews/magazine programs for [[All India Radio]] and Doordarshan. He has participated in several national and international seminars and conducted workshops on various aspects of [[Cinema of India|Indian cinema]], both in India and abroad.  He has also served on several selection committees and juries and has been a member of the Film Advisory Board of the Government of India (1992–93).&amp;lt;ref&amp;gt;http://www.sanjitnarwekar.com/html/html/films.htm{{dead link|date=May 2018 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.sanjitnarwekar.com/html/html/books.htm{{dead link|date=May 2018 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
He worked briefly as scriptwriter before turning to documentary films. He is based in [[Mumbai|Mumbai, India]] and heads his [[content management]] company Transedit.{{fact|date=February 2019}}&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
In 1996 he was awarded the Swarna Kamal (National Award) for the Best Book on Cinema for &amp;#039;&amp;#039;Marathi Cinema in Retrospect&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web |url=http://entertainment.indianet |title=Best Book on Cinema - National Film Awards |publisher=entertainment.indianet zone.com |accessdate=24 January 2010 }}{{dead link|date=May 2018 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;lt;/ref&amp;gt; The Delhi-based newspaper &amp;#039;&amp;#039;The Pioneer&amp;#039;&amp;#039; nominated it among the top five books on Indian cinema in post-independent India (1947–1997).&amp;lt;ref&amp;gt;http://www.sanjitnarwekar.com/html/html/honours.htm{{dead link|date=May 2018 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 2017 he was made Sanmanniya Sabhasad (Distinguished Fellow) of the Mumbai Marathi Patrakar Sangh.&lt;br /&gt;
&lt;br /&gt;
In 2020 he was conferred the Bimal Roy Memorial Award &amp;quot;for documenting Indian Cinema&amp;#039;s History with knowledge and scholarship&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Films: Documentaries==&lt;br /&gt;
* &amp;#039;&amp;#039;Nani Palkhivala: The Man Who Defied Mrs G&amp;#039;&amp;#039; (Writer-Director) (2015)&lt;br /&gt;
* &amp;#039;&amp;#039;Nations in Turmoil&amp;#039;&amp;#039; (Writer-Director) (2011)&lt;br /&gt;
* {{YouTube|0MtGTLv5wP0|&amp;#039;&amp;#039;The Pioneering Spirit: V.Shantaram&amp;#039;&amp;#039;}} (Writer-Producer-Director) (2010)&lt;br /&gt;
* &amp;#039;&amp;#039;Dreaming Movies&amp;#039;&amp;#039; (Writer-Director) (2007)&lt;br /&gt;
* &amp;#039;&amp;#039;Protecting Creativity&amp;#039;&amp;#039; (Writer-Director) (2005)&lt;br /&gt;
* &amp;#039;&amp;#039;Remembering Devendra Goel&amp;#039;&amp;#039; (Creative Consultant) (2005)&lt;br /&gt;
* &amp;#039;&amp;#039;Lavni Rupdarshan&amp;#039;&amp;#039; (Director) (2004)&lt;br /&gt;
* &amp;#039;&amp;#039;Life On The Edge&amp;#039;&amp;#039; (Writer-Director) (2002)&lt;br /&gt;
* &amp;#039;&amp;#039;Yes! I Am A Communist&amp;#039;&amp;#039; (Writer/Co-director: Vinay Newalkar) (2002)&lt;br /&gt;
* &amp;#039;&amp;#039;[https://vimeo.com/143024201 India Unveiled]&amp;#039;&amp;#039; (Writer-Director) (1998)&lt;br /&gt;
* &amp;#039;&amp;#039;Lavni&amp;#039;&amp;#039; (Executive Producer-Writer) (1998)&lt;br /&gt;
&lt;br /&gt;
==Films: Short Fiction==&lt;br /&gt;
* &amp;#039;&amp;#039;Mahilaone Thama Tha Akash&amp;#039;&amp;#039; (miniseries)(Executive Producer) (2002)&lt;br /&gt;
* &amp;#039;&amp;#039;Yeh Kal Kab Aayega&amp;#039;&amp;#039; (Writer-Director) (2001)&lt;br /&gt;
&lt;br /&gt;
==Film Scripts==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;Durghatna&amp;#039;&amp;#039; (Hindi) (1994/unproduced)&lt;br /&gt;
* &amp;#039;&amp;#039;Ghar Sansar&amp;#039;&amp;#039; (Marathi) (1993)&lt;br /&gt;
* &amp;#039;&amp;#039;Khulyancha Bazaar&amp;#039;&amp;#039; (Marathi) (1992)&lt;br /&gt;
* &amp;#039;&amp;#039;Premankur&amp;#039;&amp;#039; (Marathi) (1992)&lt;br /&gt;
* &amp;#039;&amp;#039;Anapekshit&amp;#039;&amp;#039; (Marathi) (1990)&lt;br /&gt;
* &amp;#039;&amp;#039;Saboot&amp;#039;&amp;#039; (Hindi telefilm) (1989)&lt;br /&gt;
* &amp;#039;&amp;#039;Samarpan&amp;#039;&amp;#039; (Hindi telefilm) (1988)&lt;br /&gt;
&lt;br /&gt;
==Online Presentations==&lt;br /&gt;
&lt;br /&gt;
Curated and wrote six presentations on V Shantaram for the Google Arts &amp;amp; Culture (2018)&lt;br /&gt;
* Life &amp;amp; Times of V Shantaram [https://artsandculture.google.com/exhibit/IAICzUD0r80sKQ]&lt;br /&gt;
* The Master Technician &amp;amp; His Technique (unpublished)&lt;br /&gt;
* The Face on the Screen (unpublished)&lt;br /&gt;
* Women Characters in Shantaram&amp;#039;s Cinema (unpublished)&lt;br /&gt;
* The Art of Song Picturisation (unpublished)&lt;br /&gt;
* A Selection of Posters (unpublished)&lt;br /&gt;
&lt;br /&gt;
==Books: Biography==&lt;br /&gt;
&lt;br /&gt;
* Ambalal Patel: A Visionary (2014)&lt;br /&gt;
* K.A.Abbas: The Celluloid Revolutionary (2009/unpublished)&lt;br /&gt;
* Bimal Roy: The Silent Thunder (2008/unpublished)&lt;br /&gt;
* Dilip Kumar: The Last Emperor (2003) {{ISBN|81-291-0886-0}}&lt;br /&gt;
* V.Shantaram: The Legacy of the Royal Lotus (2003) {{ISBN|81-291-0218-8}}&lt;br /&gt;
* Mother Shamala: A Gift Of Motherhood (1998)&lt;br /&gt;
* J.G.Bodhe: The Uncommon Common Man (1986)&lt;br /&gt;
&lt;br /&gt;
==Books: Film History==&lt;br /&gt;
* Nitrate Dreams: The Silent Film in India (work in progress)&lt;br /&gt;
* Eena Meena Deeka: The Story of Hindi Film Comedy (2005) {{ISBN|81-291-0859-3}}&lt;br /&gt;
* The Watchdogs of Democracy: The Story of Investigative Journalism (2005)&lt;br /&gt;
* Flashback: A Panorama of Indian Documentaries 1981-2001 (2001)&lt;br /&gt;
* Crafting Movies: Exploring Hindi Mainstream Cinema (2000)&lt;br /&gt;
* Directory of Indian Documentary (1998)&lt;br /&gt;
* The Arrival of Cinema in India (1996)&lt;br /&gt;
* Marathi Cinema: In Retrospect (1995)&lt;br /&gt;
* A Directory of Indian Filmmakers &amp;amp; Films (1994) {{ISBN|978-0313292842}}&lt;br /&gt;
* Films Division &amp;amp; The Indian Documentary (1992)&lt;br /&gt;
* Genres of Indian Cinema (Co-Editor: [[B. K. Karanjia]]) (1988)&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Narwekar, Sanjit}}&lt;br /&gt;
[[Category:Living people]]&lt;br /&gt;
[[Category:1952 births]]&lt;br /&gt;
[[Category:Indian documentary filmmakers]]&lt;br /&gt;
[[Category:University of Mumbai alumni]]&lt;br /&gt;
[[Category:Indian male screenwriters]]&lt;br /&gt;
[[Category:Indian film historians]]&lt;/div&gt;</summary>
		<author><name>2405:204:2211:B5CA:E536:1020:CD74:1C77</name></author>
	</entry>
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