Sadarang - Revision history

Gary Sahota: Fix date in template

2023-07-04T08:18:25Z

Fix date in template

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	{{Infobox musical artist		{{Infobox musical artist
	\|name = Sadarang		\|name = Sadarang
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	}}		}}


	'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref>		'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref>

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2021-10-25T19:12:36Z

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← Older revision		Revision as of 00:42, 26 October 2021
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	'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref>		'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref>
	Naimat khan was the descendant of [[Naubat Khan]].<ref>{{Cite book\|url=https://books.google.com/books?id=7o8HAQAAMAAJ\|title=Dhrupad: Tradition and Performance in Indian Music\|~~last~~=Sanyal\|~~first~~=Ritwik\|last2=Widdess\|first2=Richard\|date=2004-01-01\|publisher=Ashgate\|isbn=9780754603795\|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)\|Wazir Khan]] of Rampur.{{~~fact~~\|~~date~~=~~July 2021~~}}		Naimat khan was the descendant of [[Naubat Khan]].<ref>{{Cite book\|url=https://books.google.com/books?id=7o8HAQAAMAAJ\|title=Dhrupad: Tradition and Performance in Indian Music\|last1=Sanyal\|first1=Ritwik\|last2=Widdess\|first2=Richard\|date=2004-01-01\|publisher=Ashgate\|isbn=9780754603795\|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)\|Wazir Khan]] of Rampur.<ref>{{Cite book\|url=https://books.google.com/books?id=JP5Wzqq7I80C&q=wazir+khan+shah+sadarang&pg=PA20\|title=Sitar Music in Calcutta: An Ethnomusicological Study\|isbn=9788120812109\|last1=Hamilton\|first1=James Sadler\|year=1994}}</ref>

	==See also==		==See also==

imported>AnomieBOT: Dating maintenance tags: {{Fact}}

2021-07-28T00:03:59Z

Dating maintenance tags: {{Fact}}

← Older revision		Revision as of 05:33, 28 July 2021
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	{{Use dmy dates\|date=July 2019}}		{{Use dmy dates\|date=July 2019}}
	~~{{more citations needed\|date=December 2009}}~~
	{{Infobox musical artist		{{Infobox musical artist
	\|name = Sadarang		\|name = Sadarang
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	\| caption = Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A.		\| caption = Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A.
	\|background = non_performing_personnel		\|background = non_performing_personnel
	\|birth_name = ~~Niyamat~~ Khan		\|birth_name = Naimat Khan
	\|alias =		\|alias =
	\| birth_date = 1670		\| birth_date = 1670
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	\|website =		\|website =
	}}		}}
	'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref> Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between ~~1737~~ and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref> ~~Niyamat~~ khan was the descendant of [[Naubat Khan]].<ref>{{Cite book\|url=https://books.google.com/books?id=7o8HAQAAMAAJ\|title=Dhrupad: Tradition and Performance in Indian Music\|last=Sanyal\|first=Ritwik\|last2=Widdess\|first2=Richard\|date=2004-01-01\|publisher=Ashgate\|isbn=9780754603795\|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)\|Wazir Khan]] of Rampur.

			'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music\|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive \|url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html \|date=December 29, 2007 \|title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book\|url=https://books.google.com/books?id=utw9AAAAMAAJ\|title=Musical Heritage of Lucknow\|last=Misra\|first=Susheela\|date=1991-01-01\|publisher=Harman Publishing House\|language=en}}</ref> He served in the court of [[Mughal Empire\|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web\|url=http://www.geocities.com/nadsadhna/lifesketches.html \|title=WebCite query result \|website=www.webcitation.org \|access-date=2016-05-07 \|url-status=unfit \|archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html \|archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book\|url=https://books.google.com/books?id=MiE9AAAAIAAJ\|title=Khyal: Creativity Within North India's Classical Music Tradition\|last=Wade\|first=Bonnie C.\|date=1984-01-01\|publisher=CUP Archive\|isbn=9780521256599\|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book\|url=https://books.google.com/books?id=qjJmzdJFOHwC\|title=Dictionary of Indo-Persian Literature\|last=Hadi\|first=Nabi\|date=1995-01-01\|publisher=Abhinav Publications\|isbn=9788170173113\|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book\|url=https://books.google.com/books?id=4nPHTCS8vfUC\|title=Sitar and Sarod in the 18th and 19th Centuries\|last=Miner\|first=Allyn\|date=2004-04-01\|publisher=Motilal Banarsidass\|isbn=9788120814936\|language=en}}</ref>
			Naimat khan was the descendant of [[Naubat Khan]].<ref>{{Cite book\|url=https://books.google.com/books?id=7o8HAQAAMAAJ\|title=Dhrupad: Tradition and Performance in Indian Music\|last=Sanyal\|first=Ritwik\|last2=Widdess\|first2=Richard\|date=2004-01-01\|publisher=Ashgate\|isbn=9780754603795\|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)\|Wazir Khan]] of Rampur.{{fact\|date=July 2021}}

	==See also==		==See also==
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	[[Category:18th-century Indian composers]]		[[Category:18th-century Indian composers]]
	[[Category:Bandish composers]]		[[Category:Bandish composers]]

	~~{{India-musician-stub}}~~
	~~{{en-Wikipedia}}~~

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New page

{{Use dmy dates|date=July 2019}}
{{more citations needed|date=December 2009}}
{{Infobox musical artist
|name = Sadarang
|image =Sadarang,Descendant of Naubat Khan.jpg
| caption = Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A.
|background = non_performing_personnel
|birth_name = Niyamat Khan
|alias =
| birth_date = 1670
| death_date = 1748
|origin = [[India]]
|genre = [[Hindustani classical music]]
|occupation = [[Hindustani classical music]] [[composer]]
|years_active =
|label =
|website =
}}
'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive |url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html |date=December 29, 2007 |title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book|url=https://books.google.com/books?id=utw9AAAAMAAJ|title=Musical Heritage of Lucknow|last=Misra|first=Susheela|date=1991-01-01|publisher=Harman Publishing House|language=en}}</ref> He served in the court of [[Mughal Empire|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web|url=http://www.geocities.com/nadsadhna/lifesketches.html |title=WebCite query result |website=www.webcitation.org |access-date=2016-05-07 |url-status=unfit |archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html |archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book|url=https://books.google.com/books?id=MiE9AAAAIAAJ|title=Khyal: Creativity Within North India's Classical Music Tradition|last=Wade|first=Bonnie C.|date=1984-01-01|publisher=CUP Archive|isbn=9780521256599|language=en}}</ref> Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1737 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i Dehli:<ref>{{Cite book|url=https://books.google.com/books?id=qjJmzdJFOHwC|title=Dictionary of Indo-Persian Literature|last=Hadi|first=Nabi|date=1995-01-01|publisher=Abhinav Publications|isbn=9788170173113|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book|url=https://books.google.com/books?id=4nPHTCS8vfUC|title=Sitar and Sarod in the 18th and 19th Centuries|last=Miner|first=Allyn|date=2004-04-01|publisher=Motilal Banarsidass|isbn=9788120814936|language=en}}</ref> Niyamat khan was the descendant of [[Naubat Khan]].<ref>{{Cite book|url=https://books.google.com/books?id=7o8HAQAAMAAJ|title=Dhrupad: Tradition and Performance in Indian Music|last=Sanyal|first=Ritwik|last2=Widdess|first2=Richard|date=2004-01-01|publisher=Ashgate|isbn=9780754603795|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)|Wazir Khan]] of Rampur.

==See also==
*[[Hindustani classical music]]
*[[Naubat Khan]]

==References==
{{reflist}}

{{authority control}}

[[Category:1670 births]]
[[Category:1748 deaths]]
[[Category:Indian male composers]]
[[Category:Hindustani singers]]
[[Category:Hindustani instrumentalists]]
[[Category:17th-century Indian composers]]
[[Category:18th-century Indian composers]]
[[Category:Bandish composers]]

{{India-musician-stub}}