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	<title>Saṃghabhadra - Revision history</title>
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		<title>MarcyThompson89 at 08:42, 11 January 2026</title>
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		<updated>2026-01-11T08:42:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:12, 11 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saṃghabhadra&lt;/del&gt;&#039;&#039;&#039; (5th century CE, [[Sanskrit]]: संघभद्र, Ch. 僧伽跋陀羅・衆賢, Japanese: &#039;&#039;Sōgyabaddara&#039;&#039; or &#039;&#039;Shugen&#039;&#039;)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/del&gt;was an Indian scholar monk of the [[Sarvastivada|Sarvāstivāda]] [[Vaibhāṣika]] and  &quot;undoubtedly one of the most brilliant [[Abhidharma]] masters in India&quot;.&amp;lt;ref name=&quot;:0&quot;&amp;gt;KL Dhammajoti. &#039;&#039;The Contribution of Saṃghabhadra to Our Understanding of Abhidharma Doctrines,&#039;&#039; in Bart Dessein and Weijen Teng (ed) &quot;Text, History, and Philosophy Abhidharma across Buddhist Scholastic Traditions.&quot;&amp;lt;/ref&amp;gt; Born in [[Kashmir]], he was a contemporary of the Buddhist philosopher [[Vasubandhu]]. According to [[K. L. Dhammajoti|K.L. Dhammajoti]], his work forms the most mature and refined form of Vaibhāṣika philosophy. His two main works, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;*Nyāyānusāra&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;(&#039;&#039;Shun zhengli lun&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;順正理論, &lt;/del&gt;&quot;In Accordance with the Truth&quot;) and the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;*Abhidharmasamayapradīpikā&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;(&#039;&#039;Apidamo xian zong lun&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;阿毘達磨顯宗論&lt;/del&gt;), are very important sources for late Vaibhāṣika thought.&amp;lt;ref&amp;gt;Willemen, Charles; Dessein, Bart; Cox, Collett (1998). &#039;&#039;Sarvāstivāda Buddhist Scholasticism&#039;&#039;, p. 242. Handbuch der Orientalistik. Zweite Abteilung. Indien.&amp;lt;/ref&amp;gt; He is referenced by various important Buddhist figures, such as [[Xuanzang]], [[Kuiji]], [[Sthiramati]], and [[Śāntarakṣita]] who see him as the most authoritative of the [[Vaibhāṣika]] Abhidharmikas.&amp;lt;ref name=&quot;:0&quot; /&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|5th century Buddhist monk}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sanghabhadra&lt;/ins&gt;&#039;&#039;&#039; (5th century CE, [[Sanskrit]]: संघभद्र, Ch. 僧伽跋陀羅・衆賢, Japanese: &#039;&#039;Sōgyabaddara&#039;&#039; or &#039;&#039;Shugen&#039;&#039;) was an Indian scholar monk of the [[Sarvastivada|Sarvāstivāda]] [[Vaibhāṣika]] and  &quot;undoubtedly one of the most brilliant [[Abhidharma]] masters in India&quot;.&amp;lt;ref name=&quot;:0&quot;&amp;gt;KL Dhammajoti. &#039;&#039;The Contribution of Saṃghabhadra to Our Understanding of Abhidharma Doctrines,&#039;&#039; in Bart Dessein and Weijen Teng (ed) &quot;Text, History, and Philosophy Abhidharma across Buddhist Scholastic Traditions.&quot;&amp;lt;/ref&amp;gt; Born in [[Kashmir]], he was a contemporary of the Buddhist philosopher [[Vasubandhu]]. According to [[K. L. Dhammajoti|K.L. Dhammajoti]], his work forms the most mature and refined form of Vaibhāṣika philosophy. His two main works, the *&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{IAST|&lt;/ins&gt;Nyāyānusāra&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}} &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ch. 順正理論, &lt;/ins&gt;&#039;&#039;Shun zhengli lun&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/ins&gt;&quot;In Accordance with the Truth&quot;) and the *&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{IAST|&lt;/ins&gt;Abhidharmasamayapradīpikā&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}} &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ch. 阿毘達磨顯宗論, &lt;/ins&gt;&#039;&#039;Apidamo xian zong lun&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &quot;Treatise Clarifying the Treasury of Abhidharma&quot;&lt;/ins&gt;), are very important sources for late Vaibhāṣika thought.&amp;lt;ref&amp;gt;Willemen, Charles; Dessein, Bart; Cox, Collett (1998). &#039;&#039;Sarvāstivāda Buddhist Scholasticism&#039;&#039;, p. 242. Handbuch der Orientalistik. Zweite Abteilung. Indien.&amp;lt;/ref&amp;gt; He is referenced by various important Buddhist figures, such as [[Xuanzang]], [[Kuiji]], [[Sthiramati]], and [[Śāntarakṣita]] who see him as the most authoritative of the [[Vaibhāṣika]] Abhidharmikas.&amp;lt;ref name=&quot;:0&quot; /&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saṃghabhadra&#039;s philosophical work was primarily an attempt to defend the orthodox doctrines of the Vaibhāṣika school from the attacks of its main opponents, the [[Sautrāntika|Sautrantikas]]—especially Vasubandhu, who had written the {{IAST|[[Abhidharmakośakārikā|Abhidharmakośabhasya]]}} as an exposition as well as a critique of Vaibhāṣika doctrine. Saṃghabhadra is said to have spent 12 years composing the *{{IAST|Nyāyānusāra}} (a commentary to Vasubandhu&#039;s verses) to refute Vasubandhu and other Sautrāntikas (such as the elder Śrīlāta, and his pupil Rāma).&amp;lt;ref&amp;gt;Dhammajoti, K.L. (2009). &#039;&#039;Sarvāstivāda Abhidharma&#039;&#039;. p. 110. Centre of Buddhist Studies, The University of Hong Kong. {{ISBN|978-988-99296-5-7}}.&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to Xuanzang&#039;s records, after composing his works, Saṃghabhadra sought out Vasubandhu in order to face him in public debate, but died before he was able to do so.&amp;lt;ref&amp;gt;Beal, Samuel (1906). &#039;&#039;Buddhist Records of the Western World: Volume I,&#039;&#039; p. 193. Kegan Paul, Trench, Trübner &amp;amp; co. ltd. London.&amp;lt;/ref&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saṃghabhadra&#039;s philosophical work was primarily an attempt to defend the orthodox doctrines of the Vaibhāṣika school from the attacks of its main opponents, the [[Sautrāntika|Sautrantikas]], especially Vasubandhu who had written the &#039;&#039;[[Abhidharmakośakārikā|Abhidharmakośabhasya]]&#039;&#039; as an exposition as well as a critique of many Vaibhāṣika doctrine. Saṃghabhadra is said to have spent 12 years composing the &#039;&#039;Nyāyānusāra&#039;&#039; (a commentary to Vasubandhu&#039;s verses) to refute Vasubandhu and other Sautrāntikas such as the elder Śrīlāta and his pupil Rāma.&amp;lt;ref&amp;gt;Dhammajoti, K.L. (2009). &#039;&#039;Sarvāstivāda Abhidharma&#039;&#039;. p. 110. Centre of Buddhist Studies, The University of Hong Kong. {{ISBN|978-988-99296-5-7}}.&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to Xuanzang&#039;s records, after composing his works, Saṃghabhadra sought out Vasubandhu in order to face him in public debate, but he died before he was able to do so.&amp;lt;ref&amp;gt;Beal, Samuel (1906). &#039;&#039;Buddhist Records of the Western World: Volume I,&#039;&#039; p. 193. Kegan Paul, Trench, Trübner &amp;amp; co. ltd. London.&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Notes ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Notes ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:5th-century Indian monks]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:5th-century Indian monks]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian royal advisors]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian royal advisors]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kashmiri people&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;5th-century Buddhist monks&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kashmiri writers]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian Buddhist monks&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Brahmins&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>MarcyThompson89</name></author>
	</entry>
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		<updated>2023-07-23T21:17:32Z</updated>

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Saṃghabhadra&amp;#039;&amp;#039;&amp;#039; (5th century CE, [[Sanskrit]]: संघभद्र, Ch. 僧伽跋陀羅・衆賢, Japanese: &amp;#039;&amp;#039;Sōgyabaddara&amp;#039;&amp;#039; or &amp;#039;&amp;#039;Shugen&amp;#039;&amp;#039;): was an Indian scholar monk of the [[Sarvastivada|Sarvāstivāda]] [[Vaibhāṣika]] and  &amp;quot;undoubtedly one of the most brilliant [[Abhidharma]] masters in India&amp;quot;.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;KL Dhammajoti. &amp;#039;&amp;#039;The Contribution of Saṃghabhadra to Our Understanding of Abhidharma Doctrines,&amp;#039;&amp;#039; in Bart Dessein and Weijen Teng (ed) &amp;quot;Text, History, and Philosophy Abhidharma across Buddhist Scholastic Traditions.&amp;quot;&amp;lt;/ref&amp;gt; Born in [[Kashmir]], he was a contemporary of the Buddhist philosopher [[Vasubandhu]]. According to [[K. L. Dhammajoti|K.L. Dhammajoti]], his work forms the most mature and refined form of Vaibhāṣika philosophy. His two main works, the &amp;#039;&amp;#039;*Nyāyānusāra&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Shun zhengli lun&amp;#039;&amp;#039; 順正理論, &amp;quot;In Accordance with the Truth&amp;quot;) and the &amp;#039;&amp;#039;*Abhidharmasamayapradīpikā&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Apidamo xian zong lun&amp;#039;&amp;#039; 阿毘達磨顯宗論), are very important sources for late Vaibhāṣika thought.&amp;lt;ref&amp;gt;Willemen, Charles; Dessein, Bart; Cox, Collett (1998). &amp;#039;&amp;#039;Sarvāstivāda Buddhist Scholasticism&amp;#039;&amp;#039;, p. 242. Handbuch der Orientalistik. Zweite Abteilung. Indien.&amp;lt;/ref&amp;gt; He is referenced by various important Buddhist figures, such as [[Xuanzang]], [[Kuiji]], [[Sthiramati]], and [[Śāntarakṣita]] who see him as the most authoritative of the [[Vaibhāṣika]] Abhidharmikas.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;br /&gt;
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Saṃghabhadra&amp;#039;s philosophical work was primarily an attempt to defend the orthodox doctrines of the Vaibhāṣika school from the attacks of its main opponents, the [[Sautrāntika|Sautrantikas]], especially Vasubandhu who had written the &amp;#039;&amp;#039;[[Abhidharmakośakārikā|Abhidharmakośabhasya]]&amp;#039;&amp;#039; as an exposition as well as a critique of many Vaibhāṣika doctrine. Saṃghabhadra is said to have spent 12 years composing the &amp;#039;&amp;#039;Nyāyānusāra&amp;#039;&amp;#039; (a commentary to Vasubandhu&amp;#039;s verses) to refute Vasubandhu and other Sautrāntikas such as the elder Śrīlāta and his pupil Rāma.&amp;lt;ref&amp;gt;Dhammajoti, K.L. (2009). &amp;#039;&amp;#039;Sarvāstivāda Abhidharma&amp;#039;&amp;#039;. p. 110. Centre of Buddhist Studies, The University of Hong Kong. {{ISBN|978-988-99296-5-7}}.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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According to Xuanzang&amp;#039;s records, after composing his works, Saṃghabhadra sought out Vasubandhu in order to face him in public debate, but he died before he was able to do so.&amp;lt;ref&amp;gt;Beal, Samuel (1906). &amp;#039;&amp;#039;Buddhist Records of the Western World: Volume I,&amp;#039;&amp;#039; p. 193. Kegan Paul, Trench, Trübner &amp;amp; co. ltd. London.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Notes ==&lt;br /&gt;
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{{Buddhism topics}}&lt;br /&gt;
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[[Category:5th-century Indian scholars]]&lt;br /&gt;
[[Category:5th-century Indian monks]]&lt;br /&gt;
[[Category:Indian royal advisors]]&lt;br /&gt;
[[Category:Kashmiri people]]&lt;br /&gt;
[[Category:Kashmiri writers]]&lt;br /&gt;
[[Category:Brahmins]]&lt;/div&gt;</summary>
		<author><name>Ajay Kumar</name></author>
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