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		<title>-&gt;Materialscientist: Reverted edits by 183.83.211.170 (talk) (HG) (3.4.10)</title>
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		<summary type="html">&lt;p&gt;Reverted edits by &lt;a href=&quot;/wiki/Special:Contributions/183.83.211.170&quot; title=&quot;Special:Contributions/183.83.211.170&quot;&gt;183.83.211.170&lt;/a&gt; (&lt;a href=&quot;/w/index.php?title=User_talk:183.83.211.170&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User talk:183.83.211.170 (page does not exist)&quot;&gt;talk&lt;/a&gt;) (&lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:HG&quot; class=&quot;extiw&quot; title=&quot;wp:HG&quot;&gt;HG&lt;/a&gt;) (3.4.10)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rupak Tala&amp;#039;&amp;#039;&amp;#039; (rupak taal) or also known as Roopak Taal is a popular [[tala (music)|tala]] in [[Hindustani music]] that is common in [[Bhajan]]s and [[Geet (music)|Geets]].&amp;lt;ref name=&amp;quot;RamAvatar&amp;quot;&amp;gt;Ram Avatar &amp;#039;Vir&amp;#039; 2002, p. 33&amp;lt;/ref&amp;gt; It has seven [[matra (music)|matras]] (beats) in three [[vibhag]]s (divisions). Unlike the popular [[Tintal]], the [[vibhag]]s of Rupak Tala are not of equal length. Also, both the [[khali (music)|khali]] and [[sam (music)|sam]] of Rupak Tala fall on the first [[matra (music)|matra]].&lt;br /&gt;
&lt;br /&gt;
==Aavartan==&lt;br /&gt;
&lt;br /&gt;
The [[aavaratan]] (cycle) of Rupak Tala has three vibhags (divisions).  The first vibhag has three matras and both the second and third vibhags have two matras.  [[Sam (music)|Sam]] is on the first matra of the first vibhag.  The aavaratan of Rupak Taal may be written as follows:&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{| align=center width=50% class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| align=center | 1 &lt;br /&gt;
|  align=center | 2 &lt;br /&gt;
|  align=center | 3 &lt;br /&gt;
|  align=center | 4 &lt;br /&gt;
|  align=center | 5 &lt;br /&gt;
|  align=center | 6 &lt;br /&gt;
|  align=center | 7&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;3&amp;quot;  align=center   | Tin Tin Na&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot;  align=center  | Dhin Na&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; align=center | Dhin Na &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Examples==&lt;br /&gt;
&lt;br /&gt;
There are numerous examples of Rupak Tala that differ based upon the instrument used.  The following examples apply for the [[tabla]].&lt;br /&gt;
&lt;br /&gt;
===Theka===&lt;br /&gt;
&lt;br /&gt;
The most common [[theka]] for Rupak tala contains the [[bol (music)|bols]] &amp;#039;Tin&amp;#039;, &amp;#039;Na&amp;#039;, and &amp;#039;Dhin&amp;#039; (the transliteration of these bols may differ quite a lot among individuals).  This theka is composed in the following manner &lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Tin Tin Na X| Dhin Na 2| Dhin Na 3&amp;lt;ref name=&amp;quot;RamAvatar&amp;quot; /&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Prakar===&lt;br /&gt;
&lt;br /&gt;
[[Prakar (music)|Prakars]] are fairly open to the individual performer&amp;#039;s flair.  That being said, however, the following is an example of three common Rupak Tala prakars.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Tin Tin Na | Dhin NaNa | Dhin NaNa&amp;lt;ref&amp;gt;&amp;#039;Chapter 21: Theka, Prakar, and Laggi&amp;#039;.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
Tin Tin Na | Dha Dha Tirkit | Dha Dha Tirkit&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Tin Tin Nana | Dhirkt NaNa | Dhirkt NaNa&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Tin Tin Nana | Dhirkt tktk | Dhirkt tktk&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Tihai===&lt;br /&gt;
{{cleanup rewrite|section=yes|date=February 2013}}&lt;br /&gt;
A [[tihai]] for Rupak Tala must begin on either the third or the sixth matra to end on sam.&amp;lt;ref&amp;gt;Lipiczky 1985, p. 163.&amp;lt;/ref&amp;gt;  The following is an example of a simple tihai for Rupak Tala that begins on matra three.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
X X Tr | kt Tr | kt Tr&amp;lt;br /&amp;gt;&lt;br /&gt;
Da X X | X X | X X&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* Courtney, D 2001, &amp;#039;&amp;#039;Learning the Tabla&amp;#039;&amp;#039;, Mel Bay Publications - [https://books.google.com/books?id=c3DJ5Pfrk6UC&amp;amp;printsec=frontcover Google Books Link]. (p.&amp;amp;nbsp;28 on Rupak Tala)&lt;br /&gt;
* [http://kksongs.org/tabla/ KKSongs Tabla Guide]. ([http://kksongs.org/tabla/chapter11.html Chapter 11 on Rupak tala])&lt;br /&gt;
* [https://www.youtube.com/results?search_query=rupak+tal Rupak Tala on YouTube].&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;Chapter 21: Theka, Prakar, and Laggi&amp;#039;, in &amp;#039;&amp;#039;KKSongs Tabla Guide&amp;#039;&amp;#039;, &amp;lt;[http://kksongs.org/tabla/chapter21.html http://kksongs.org/tabla/chapter21.html]&amp;gt;, viewed May 10, 2008.&lt;br /&gt;
* Lipiczky, T 1985, &amp;#039;Tihai Formulas and the Fusion of &amp;quot;Composition&amp;quot; and &amp;quot;Improvisation&amp;quot; in North Indian Music&amp;#039;, in &amp;#039;&amp;#039;The Music Quarterly&amp;#039;&amp;#039;, Vol. 71, No. 2, pp.&amp;amp;nbsp;157–171.&lt;br /&gt;
* Ram Avatar &amp;#039;Vir&amp;#039; 2002, &amp;#039;&amp;#039;Learn to Play on tabla - 2 (Advance Course)&amp;#039;&amp;#039;, Pankaj Publications, New Delhi.&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindustani talas]]&lt;/div&gt;</summary>
		<author><name>-&gt;Materialscientist</name></author>
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