Rani Padmini - Revision history

Trueth: Mistake sources removed

2023-11-04T13:46:39Z

Mistake sources removed

← Older revision		Revision as of 19:16, 4 November 2023
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	== Versions of the legend ==		== Versions of the legend ==
	~~[[File:Rani padmini.png\|thumb\|upright\|[[Rani Padmini]]]]~~
	Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>		Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>

Trueth at 02:48, 24 August 2023

2023-08-24T02:48:05Z

← Older revision		Revision as of 08:18, 24 August 2023
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	== Versions of the legend ==		== Versions of the legend ==
			[[File:Rani padmini.png\|thumb\|upright\|[[Rani Padmini]]]]
	Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>		Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>

Trueth: | title= Rani of Mewar

2023-07-14T07:03:14Z

| title= Rani of Mewar

← Older revision		Revision as of 12:33, 14 July 2023
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	== Versions of the legend ==		== Versions of the legend ==
	~~[[File:Rani padmini.png\|thumb\|upright\|[[Rani Padmini]]]]~~
	Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>		Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>

Trueth at 06:31, 13 May 2023

2023-05-13T06:31:14Z

← Older revision		Revision as of 12:01, 13 May 2023
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	== Versions of the legend ==		== Versions of the legend ==
			[[File:Rani padmini.png\|thumb\|upright\|[[Rani Padmini]]]]
	Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>		Several 16th-century texts survive that offer varying accounts of Rani Padmini's life.{{sfn\|Ramya Sreenivasan\|2007\|pp=2-3, Quote: "Multiple narratives of Padmini of Chitor first emerged in the sixteenth century, and survived over the next four centuries."}} Of these, the earliest is the [[Awadhi language]] ''[[Padmavat]]'' (1540 CE) of the Sufi composer [[Malik Muhammad Jayasi]], likely composed originally in the Persian script.{{sfn\|Ramya Sreenivasan\|2007\|pp=2, 9}} The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of [[Chittorgarh]] make no mention of this queen.{{sfn\|Ramya Sreenivasan\|2007\|p=4}} Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.<ref name=TOI_1>{{cite web\|url=https://timesofindia.indiatimes.com/city/jaipur/khilji-did-not-attack-chittor-for-padmini/articleshow/57154581.cms\|title="Khilji did not attack Chittor for Padmini"\|date=2017-02-15\|work=The Times of India}}</ref>

Trueth at 06:23, 10 May 2023

2023-05-10T06:23:40Z

← Older revision		Revision as of 11:53, 10 May 2023
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	===Gallery===		===Gallery===
	<gallery>		<gallery>
	File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|(रानी पद्मिनी का शैल-चित्र, बिरला मंदिर, दिल्ली में)[[Rock art]] of Queen Padmini, at Birla Mandir, Delhi		File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|(रानी पद्मिनी का शैल-चित्र, बिरला मंदिर, दिल्ली में)Rock art of Queen Padmini, at Birla Mandir, Delhi
	File:Rani padmini.png\|Rani Padmini legendary queen was known mostly for her exceptional divine beauty,bravery and wisdom		File:Rani padmini.png\|Rani Padmini legendary queen was known mostly for her exceptional divine beauty,bravery and wisdom
	</gallery>		</gallery>

Trueth: /Bengali versions/

2023-05-10T06:19:57Z

Bengali versions

← Older revision		Revision as of 11:49, 10 May 2023
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	<gallery>		<gallery>
	File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|(रानी पद्मिनी का शैल-चित्र, बिरला मंदिर, दिल्ली में)[[Rock art]] of Queen Padmini, at Birla Mandir, Delhi		File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|(रानी पद्मिनी का शैल-चित्र, बिरला मंदिर, दिल्ली में)[[Rock art]] of Queen Padmini, at Birla Mandir, Delhi
	File:Rani padmini.png\|Rani Padmini ~~(or Padmavati) was a~~ legendary queen ~~& wife of King Rawal Ratan Singh of Chittor (Mewar). Rani Padmini~~ was known mostly for her exceptional divine beauty and wisdom		File:Rani padmini.png\|Rani Padmini legendary queen was known mostly for her exceptional divine beauty,bravery and wisdom
	</gallery>		</gallery>

Trueth: /* In popular culture */

2023-05-10T06:11:36Z

In popular culture

← Older revision		Revision as of 11:41, 10 May 2023
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	===Gallery===		===Gallery===
	<gallery>		<gallery>
	File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|Rock~~-painting~~ of Queen Padmini, at Birla Mandir, Delhi		File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|(रानी पद्मिनी का शैल-चित्र, बिरला मंदिर, दिल्ली में)[[Rock art]] of Queen Padmini, at Birla Mandir, Delhi
	File:Rani padmini.png\|Rani Padmini (or Padmavati) was a legendary queen & wife of King Rawal Ratan Singh of Chittor (Mewar). Rani Padmini was known mostly for her exceptional divine beauty and wisdom		File:Rani padmini.png\|Rani Padmini (or Padmavati) was a legendary queen & wife of King Rawal Ratan Singh of Chittor (Mewar). Rani Padmini was known mostly for her exceptional divine beauty and wisdom
	</gallery>		</gallery>

	==See also==		==See also==
	{{commons category}}		{{commons category}}

Trueth at 06:07, 10 May 2023

2023-05-10T06:07:40Z

← Older revision		Revision as of 11:37, 10 May 2023
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	{{Short description\|Indian queen (13-14th century C.E.)}}		{{Short description\|Indian queen (13-14th century C.E.)}}
	{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}		{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}
	~~{{pp-pc1}}~~
	~~{{Use dmy dates\|date=April 2022}}~~
	~~{{Use Indian English\|date=December 2015}}~~
	{{Infobox royalty		{{Infobox royalty
	\| image= 22Princess Padmavati ca. 1765 Bibliothèque nationale de France, Paris.jpg		\| image= 22Princess Padmavati ca. 1765 Bibliothèque nationale de France, Paris.jpg
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	== In popular culture ==		== In popular culture ==

	Several films based on the legend of Padmini have been made in India. These include [[Baburao Painter]]'s ''Sati Padmini'' (1924), [[Debaki Bose]]'s ''Kamonar Agun'' or ''Flames of Flesh'' (1930),{{sfn\|Kishore Valicha\|1980\|p=124}} Daud Chand's ''Padmini'' (1948), and the Hindi language ''Maharani Padmini'' (1964).{{sfn\|Rajendra Ojha\|1998\|p=91}}		Several films based on the legend of Padmini have been made in India. These include [[Baburao Painter]]'s ''Sati Padmini'' (1924), [[Debaki Bose]]'s ''Kamonar Agun'' or ''Flames of Flesh'' (1930),{{sfn\|Kishore Valicha\|1980\|p=124}} Daud Chand's ''Padmini'' (1948), and the Hindi language ''Maharani Padmini'' (1964).{{sfn\|Rajendra Ojha\|1998\|p=91}}
	* In 1963, for the first time, this story was made into film in Tamil as ''[[Chittoor Rani Padmini]]'' written by [[C. V. Sridhar]] and directed by [[Chitrapu Narayana Rao]] starring [[Sivaji Ganesan]] and [[Vyjayanthimala]] in lead roles.<ref>[http://www.thehindu.com/features/cinema/blast-from-the-past-chitoor-rani-padmini-1963/article7312841.ece Chitoor Rani Padmini (1963)]</ref>		* In 1963, for the first time, this story was made into film in Tamil as ''[[Chittoor Rani Padmini]]'' written by [[C. V. Sridhar]] and directed by [[Chitrapu Narayana Rao]] starring [[Sivaji Ganesan]] and [[Vyjayanthimala]] in lead roles.<ref>[http://www.thehindu.com/features/cinema/blast-from-the-past-chitoor-rani-padmini-1963/article7312841.ece Chitoor Rani Padmini (1963)]</ref>
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	* In 2009, ''[[Chittod Ki Rani Padmini Ka Johur]]'', a Hindi-language television series aired on [[Sony Entertainment Television\|Sony TV]], in which Tejaswini Lonari played the role of Princess Padmavati.		* In 2009, ''[[Chittod Ki Rani Padmini Ka Johur]]'', a Hindi-language television series aired on [[Sony Entertainment Television\|Sony TV]], in which Tejaswini Lonari played the role of Princess Padmavati.
	* In 2017, film director [[Sanjay Leela Bhansali]] decided to make Hindi-language film ''[[Padmavati (film)\|Padmavati]]'' where [[Deepika Padukone]] played the character. The film has been controversial, and led sharply divided populace. Prior to its release, a section of the population felt that the movie presented the Jayasi version and denigrated the Rajput queen. Some political leaders demanded clarification, while others supported its release.<ref>[https://www.indiatoday.in/pti-feed/story/people-feel-padmini-has-been-denigrated-in-padmavati-nitish-1099879-2017-12-04 People feel Padmini has been denigrated in Padmavati: Nitish], Press Trust of India, India Today (4 December 2017)</ref> Protests spread with groups petitioning a ban, alleging that the movie distorts history by including a romance scene between Khalji and Padmini. The film director clarified that there is no such scene in the movie. The petition to ban the movie was rejected by the [[Supreme Court of India\|Indian Supreme Court]], with the ruling that movies are a form of free speech right protected by the [[Constitution of India\|Indian constitution]]. The movie was released in many parts of India in late January 2018 as ''Padmaavat''.<ref>[https://www.indiatoday.in/movies/bollywood/story/padmaavat-box-office-collection-previews-deepika-padukone-ranveer-singh-shahid-kapoor-1153784-2018-01-25 Padmaavat previews box office collection: Deepika film opens to terrific response], India Today (25 January 2018)</ref><ref>[https://www.bbc.com/news/world-asia-india-42732022 Padmavat: Controversial film cleared by India's top court], BBC News (18 January 2018)</ref>		* In 2017, film director [[Sanjay Leela Bhansali]] decided to make Hindi-language film ''[[Padmavati (film)\|Padmavati]]'' where [[Deepika Padukone]] played the character. The film has been controversial, and led sharply divided populace. Prior to its release, a section of the population felt that the movie presented the Jayasi version and denigrated the Rajput queen. Some political leaders demanded clarification, while others supported its release.<ref>[https://www.indiatoday.in/pti-feed/story/people-feel-padmini-has-been-denigrated-in-padmavati-nitish-1099879-2017-12-04 People feel Padmini has been denigrated in Padmavati: Nitish], Press Trust of India, India Today (4 December 2017)</ref> Protests spread with groups petitioning a ban, alleging that the movie distorts history by including a romance scene between Khalji and Padmini. The film director clarified that there is no such scene in the movie. The petition to ban the movie was rejected by the [[Supreme Court of India\|Indian Supreme Court]], with the ruling that movies are a form of free speech right protected by the [[Constitution of India\|Indian constitution]]. The movie was released in many parts of India in late January 2018 as ''Padmaavat''.<ref>[https://www.indiatoday.in/movies/bollywood/story/padmaavat-box-office-collection-previews-deepika-padukone-ranveer-singh-shahid-kapoor-1153784-2018-01-25 Padmaavat previews box office collection: Deepika film opens to terrific response], India Today (25 January 2018)</ref><ref>[https://www.bbc.com/news/world-asia-india-42732022 Padmavat: Controversial film cleared by India's top court], BBC News (18 January 2018)</ref>
			===Gallery===
			<gallery>
			File:Rani padmini chittaur Birla mandir 6 dec 2009 (46).JPG\|Rock-painting of Queen Padmini, at Birla Mandir, Delhi
			File:Rani padmini.png\|Rani Padmini (or Padmavati) was a legendary queen & wife of King Rawal Ratan Singh of Chittor (Mewar). Rani Padmini was known mostly for her exceptional divine beauty and wisdom
			</gallery>
	==See also==		==See also==
	{{commons category}}		{{commons category}}

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2022-06-20T15:48:54Z

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CleanupBot: clean up, removed: {{pp-pc1}}

2021-08-12T09:36:37Z

clean up, removed: {{pp-pc1}}

← Older revision		Revision as of 15:06, 12 August 2021
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	{{short description\|Indian queen (13-14th century C.E.)}}		{{short description\|Indian queen (13-14th century C.E.)}}
	~~{{pp-pc1}}~~
	{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}		{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}
	{{Use dmy dates\|date=February 2013}}		{{Use dmy dates\|date=February 2013}}
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	# '''Bengali adaptions''' - From late 19th century onward, several [[Bengali language\|Bengali]] versions of legend were produced, when James Tod's work reached [[Calcutta]], the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.{{sfn\|Ramya Sreenivasan\|2007\|p=3}}		# '''Bengali adaptions''' - From late 19th century onward, several [[Bengali language\|Bengali]] versions of legend were produced, when James Tod's work reached [[Calcutta]], the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.{{sfn\|Ramya Sreenivasan\|2007\|p=3}}

	In addition to these various literary accounts, a variety of legends are located in vernacular [[oral tradition~~\|oral traditions~~]] from about 1500 or later; these have evolved over time.{{sfn\|Ramya Sreenivasan\|2007\|pp=3-4}}{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} The oral legends and the literary accounts share the same characters and general plot, but diverge in the specifics and how they express the details. The oral versions narrate the social group's perspective while the early literary versions narrate the author's court-centric context.{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} According to Ramya Sreenivasan, the oral and written legends about Rani Padmini likely fed each other, each version of her life affected by the sensitivities of the audience or the patron, with [[Muslim]] versions narrating the conquest of Chitor by [[Delhi Sultanate]] under Alauddin Khalji, while the [[Hindu]] and [[Jain]] versions narrating the local resistance to the sultan of Delhi exemplified in the life of Padmini.{{sfn\|Ramya Sreenivasan\|2007\|pp=7-12}}		In addition to these various literary accounts, a variety of legends are located in vernacular [[oral tradition]]s from about 1500 or later; these have evolved over time.{{sfn\|Ramya Sreenivasan\|2007\|pp=3-4}}{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} The oral legends and the literary accounts share the same characters and general plot, but diverge in the specifics and how they express the details. The oral versions narrate the social group's perspective while the early literary versions narrate the author's court-centric context.{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} According to Ramya Sreenivasan, the oral and written legends about Rani Padmini likely fed each other, each version of her life affected by the sensitivities of the audience or the patron, with [[Muslim]] versions narrating the conquest of Chitor by [[Delhi Sultanate]] under Alauddin Khalji, while the [[Hindu]] and [[Jain]] versions narrating the local resistance to the sultan of Delhi exemplified in the life of Padmini.{{sfn\|Ramya Sreenivasan\|2007\|pp=7-12}}

	== Accounts ==		== Accounts ==

← Older revision		Revision as of 15:06, 12 August 2021
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	{{short description\|Indian queen (13-14th century C.E.)}}		{{short description\|Indian queen (13-14th century C.E.)}}
	~~{{pp-pc1}}~~
	{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}		{{About\|the Queen of Mewar\|the Indian actress\|Rani Padmini (actress)\|the Malayalam film\|Rani Padmini (film)}}
	{{Use dmy dates\|date=February 2013}}		{{Use dmy dates\|date=February 2013}}
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	# '''Bengali adaptions''' - From late 19th century onward, several [[Bengali language\|Bengali]] versions of legend were produced, when James Tod's work reached [[Calcutta]], the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.{{sfn\|Ramya Sreenivasan\|2007\|p=3}}		# '''Bengali adaptions''' - From late 19th century onward, several [[Bengali language\|Bengali]] versions of legend were produced, when James Tod's work reached [[Calcutta]], the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.{{sfn\|Ramya Sreenivasan\|2007\|p=3}}

	In addition to these various literary accounts, a variety of legends are located in vernacular [[oral tradition~~\|oral traditions~~]] from about 1500 or later; these have evolved over time.{{sfn\|Ramya Sreenivasan\|2007\|pp=3-4}}{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} The oral legends and the literary accounts share the same characters and general plot, but diverge in the specifics and how they express the details. The oral versions narrate the social group's perspective while the early literary versions narrate the author's court-centric context.{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} According to Ramya Sreenivasan, the oral and written legends about Rani Padmini likely fed each other, each version of her life affected by the sensitivities of the audience or the patron, with [[Muslim]] versions narrating the conquest of Chitor by [[Delhi Sultanate]] under Alauddin Khalji, while the [[Hindu]] and [[Jain]] versions narrating the local resistance to the sultan of Delhi exemplified in the life of Padmini.{{sfn\|Ramya Sreenivasan\|2007\|pp=7-12}}		In addition to these various literary accounts, a variety of legends are located in vernacular [[oral tradition]]s from about 1500 or later; these have evolved over time.{{sfn\|Ramya Sreenivasan\|2007\|pp=3-4}}{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} The oral legends and the literary accounts share the same characters and general plot, but diverge in the specifics and how they express the details. The oral versions narrate the social group's perspective while the early literary versions narrate the author's court-centric context.{{sfn\|Ramya Sreenivasan\|2007\|pp=6-8}} According to Ramya Sreenivasan, the oral and written legends about Rani Padmini likely fed each other, each version of her life affected by the sensitivities of the audience or the patron, with [[Muslim]] versions narrating the conquest of Chitor by [[Delhi Sultanate]] under Alauddin Khalji, while the [[Hindu]] and [[Jain]] versions narrating the local resistance to the sultan of Delhi exemplified in the life of Padmini.{{sfn\|Ramya Sreenivasan\|2007\|pp=7-12}}

	== Accounts ==		== Accounts ==