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	<title>Raghunath Pandit - Revision history</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Raghunath Pandit&amp;#039;&amp;#039;&amp;#039; was a 17th-century [[Marathi language|Marathi]] poet. He was born in a [[Deshastha Brahmin|Deshastha Rigvedi Brahmin]] (DRB) family of scholars.&amp;lt;ref&amp;gt;{{cite book|title=Language and Literature|url=https://books.google.com/books?id=CAQIAQAAIAAJ|page=7|publisher=Directorate of Government Printing, Stationery and Publications, Maharashtra State|year=1971}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|title=Mahārāshṭra sāhitya patrikā , Volumes 34-36|url=https://books.google.com/books?id=Ce8ZAAAAMAAJ|page=75|publisher=Mahārashṭra Sāhitya Parishada|year=1961|quote=रघुनाथ पंडित हा देशस्थ ब्राह्मण असून तो कवि मोरोपंताच्या ह्यातीतच झाला असावा व त्याचा काल इ. स.}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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[[Marathi poetry]] went through a phase where text drew heavily on religious mythology and was dominated by language influenced by [[Sanskrit]], a language which few in contemporary times understand. This literature is called Pant-Sahitya. Raghunath Pandit was one of its major practitioners, writing the Nal-Damayanti Swayamwar Akhyan.&lt;br /&gt;
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Other exponents of Pant-Sahitya were [[Vaman Pandit]] (1608–1695), [[Shridhar Pandit]] (1658-1729) and [[Moropant]] (Paradkar) (1729–1794).&amp;lt;ref&amp;gt;{{cite web|url=http://indiaheritage.org/creative/creative_literature_gujarati%20_marathi.htm |title=Gujarati Language Literature,Marathi Language Literature,Gujarati Literature History |publisher=Indiaheritage.org |date= |accessdate=2012-03-06|archiveurl=https://web.archive.org/web/20120209135010/http://indiaheritage.org/creative/creative_literature_gujarati%20_marathi.htm|archivedate=2012-02-09}}&amp;lt;/ref&amp;gt; Several scholars were experts in this field around the year 1900 but slowly their numbers dwindled. Laxman Ramchand (La Raa) Pangarkar was an authority on Sant-Sahitya and Pant-Sahitya. Tukaram and Ramdas were the last major poets of Sant-Sahitya and Bhakti Parampara. The next phase of Bhakti was marked by Pant-Sahitya. Around this time, other forms of poetry such as [[Powada]], Phatka, Lavani also existed. Starting with Keshavasut in the late 19th century, Marathi poetry made a departure from Pant parampara. It became more modern in outlook, easier to understand, expanded its horizons, and the new brigade of poets was also influenced by English poetry.&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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[[Category:Marathi-language writers]]&lt;/div&gt;</summary>
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