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	<title>Qareeb - Revision history</title>
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	<updated>2026-08-24T07:46:57Z</updated>
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		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-05-01T15:14:07Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:44, 1 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| next_year  = 1988&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| next_year  = 1988&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;&#039;Qareeb&#039;&#039;&#039;&#039;&#039; is an album by the British Indian singer [[Najma Akhtar|Najma]], released in 1987.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.allmusic.com/artist/najma-mn0000366528/biography|title=Najma &amp;amp;#124; Biography &amp;amp; History|website=AllMusic}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;LA&quot;&amp;gt;{{cite news |last1=Snowden |first1=Don |title=Najma Popularizes Sounds of India |work=Los Angeles Times |date=18 May 1991 |location=Calendar |page=11}}&amp;lt;/ref&amp;gt; It was issued in England by Triple Earth Records before being picked up for an American release by [[Shanachie Records]].&amp;lt;ref&amp;gt;{{Cite web|url=https://books.google.com/books?id=QzX8THIgRjUC&amp;amp;pg=PA90|title=The Rough Guide to World Music|first=Mark|last=Ellingham|date=July 25, 1999|publisher=Rough Guides|via=Google Books}}&amp;lt;/ref&amp;gt; Songs from the album appear in the [[Stephen Frears]] film &#039;&#039;[[Sammy and Rosie Get Laid]]&#039;&#039;.&amp;lt;ref name=CL/&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Blend of Jazz and poetry makes East meets West |work=Toronto Star |date=4 Aug 1989 |page=E4}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Production==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The album was produced by Bunt Stafford Clark and Iain Scott.&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{Cite web|url=https://www.nytimes.com/1989/04/02/arts/recordings-najma-an-old-new-voice-in-international-pop-music.html|title=RECORDINGS; Najma: An Old-New Voice In International Pop Music|first=James|last=Hunter|date=April 2, 1989|via=NYTimes.com}}&amp;lt;/ref&amp;gt; It was recorded in England, with Najma setting traditional [[ghazals]] to her own melodies.&amp;lt;ref name=CL/&amp;gt; Triple Earth envisioned a jazzy recording, while Najma fought to keep the emphasis on her voice and the poetic recitation.&amp;lt;ref name=LA/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Critical reception==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{album ratings&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{album ratings&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev1 = [[AllMusic]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev1 = [[AllMusic]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev2score = A-&amp;lt;ref name=&amp;quot;auto1&amp;quot;&amp;gt;{{Cite web|url=https://www.robertchristgau.com/get_artist.php?name=Najma|title=Robert Christgau: CG: Najma|website=www.robertchristgau.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev2score = A-&amp;lt;ref name=&amp;quot;auto1&amp;quot;&amp;gt;{{Cite web|url=https://www.robertchristgau.com/get_artist.php?name=Najma|title=Robert Christgau: CG: Najma|website=www.robertchristgau.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev3 = &amp;#039;&amp;#039;[[The Encyclopedia of Popular Music]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev3 = &amp;#039;&amp;#039;[[The Encyclopedia of Popular Music]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev3score = {{rating|4|5}}&amp;lt;ref name=&quot;CL&quot;&amp;gt;{{cite book |last1=Larkin |first1=Colin |title=The Encyclopedia of Popular Music |date=2006 |publisher=MUZE |&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;location&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Volume &lt;/del&gt;6 |page=108}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev3score = {{rating|4|5}}&amp;lt;ref name=&quot;CL&quot;&amp;gt;{{cite book |last1=Larkin |first1=Colin |title=The Encyclopedia of Popular Music |date=2006 |publisher=MUZE |&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;volume&lt;/ins&gt;=6 |page=108}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev4 = &amp;#039;&amp;#039;[[The Rolling Stone Album Guide]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev4 = &amp;#039;&amp;#039;[[The Rolling Stone Album Guide]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev4score = {{rating|3.5|5}}&amp;lt;ref name=&amp;quot;RS&amp;quot;&amp;gt;{{cite book |title=The Rolling Stone Album Guide |date=1992 |publisher=Random House |page=495}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rev4score = {{rating|3.5|5}}&amp;lt;ref name=&amp;quot;RS&amp;quot;&amp;gt;{{cite book |title=The Rolling Stone Album Guide |date=1992 |publisher=Random House |page=495}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;&#039;Qareeb&#039;&#039;&#039;&#039;&#039; is an album by the British Indian singer [[Najma Akhtar|Najma]], released in 1987.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.allmusic.com/artist/najma-mn0000366528/biography|title=Najma &amp;amp;#124; Biography &amp;amp; History|website=AllMusic}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;LA&quot;&amp;gt;{{cite news |last1=Snowden |first1=Don |title=Najma Popularizes Sounds of India |work=Los Angeles Times |date=18 May 1991 |location=Calendar |page=11}}&amp;lt;/ref&amp;gt; It was issued in England by Triple Earth Records before being picked up for an American release by [[Shanachie Records]].&amp;lt;ref&amp;gt;{{Cite web|url=https://books.google.com/books?id=QzX8THIgRjUC&amp;amp;pg=PA90|title=The Rough Guide to World Music|first=Mark|last=Ellingham|date=July 25, 1999|publisher=Rough Guides|via=Google Books}}&amp;lt;/ref&amp;gt; Songs from the album appear in the [[Stephen Frears]] film &#039;&#039;[[Sammy and Rosie Get Laid]]&#039;&#039;.&amp;lt;ref name=CL/&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Blend of Jazz and poetry makes East meets West |work=Toronto Star |date=4 Aug 1989 |page=E4}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Production==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The album was produced by Bunt Stafford Clark and Iain Scott.&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{Cite web|url=https://www.nytimes.com/1989/04/02/arts/recordings-najma-an-old-new-voice-in-international-pop-music.html|title=RECORDINGS; Najma: An Old-New Voice In International Pop Music|first=James|last=Hunter|date=April 2, 1989|via=NYTimes.com}}&amp;lt;/ref&amp;gt; It was recorded in England, with Najma setting traditional [[ghazals]] to her own melodies.&amp;lt;ref name=CL/&amp;gt; Triple Earth envisioned a jazzy recording, while Najma fought to keep the emphasis on her voice and the poetic recitation.&amp;lt;ref name=LA/&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Critical reception==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Robert Christgau]] wrote that &amp;quot;the overall effect is twofold: gentle culture clash and sheer physical beauty.&amp;quot;&amp;lt;ref name=&amp;quot;auto1&amp;quot;/&amp;gt; &amp;#039;&amp;#039;[[The New York Times]]&amp;#039;&amp;#039; thought that &amp;quot;in [Najma&amp;#039;s] lower and middle ranges, she commands the solid aim and tonality of a pop professional, yet she bounds off up the scale like a rock singer who wants to see how far she might go ... Najma&amp;#039;s producers are right up-to-date in this era of digitally influenced recorded pop; in strongly etched strokes, they exaggerate the presence of a few instruments rather than accumulate a mesh of many textures.&amp;quot;&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Robert Christgau]] wrote that &amp;quot;the overall effect is twofold: gentle culture clash and sheer physical beauty.&amp;quot;&amp;lt;ref name=&amp;quot;auto1&amp;quot;/&amp;gt; &amp;#039;&amp;#039;[[The New York Times]]&amp;#039;&amp;#039; thought that &amp;quot;in [Najma&amp;#039;s] lower and middle ranges, she commands the solid aim and tonality of a pop professional, yet she bounds off up the scale like a rock singer who wants to see how far she might go ... Najma&amp;#039;s producers are right up-to-date in this era of digitally influenced recorded pop; in strongly etched strokes, they exaggerate the presence of a few instruments rather than accumulate a mesh of many textures.&amp;quot;&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Qareeb&amp;diff=161438&amp;oldid=prev</id>
		<title>imported&gt;Caro7200: add ref</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Qareeb&amp;diff=161438&amp;oldid=prev"/>
		<updated>2021-07-25T14:28:53Z</updated>

		<summary type="html">&lt;p&gt;add ref&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Infobox album&lt;br /&gt;
| name       = Qareeb&lt;br /&gt;
| type       = studio&lt;br /&gt;
| artist     = [[Najma Akhtar|Najma]]&lt;br /&gt;
| cover      = &lt;br /&gt;
| alt        =&lt;br /&gt;
| released   = 1987&lt;br /&gt;
| recorded   = &lt;br /&gt;
| venue      =&lt;br /&gt;
| studio     =&lt;br /&gt;
| genre      = [[Urdu poetry]], [[Indian music]], [[ghazals]]&lt;br /&gt;
| length     =&lt;br /&gt;
| label      = Triple Earth Records&amp;lt;br&amp;gt;[[Shanachie Records]]&lt;br /&gt;
| producer   = Bunt Stafford Clark, Iain Scott&lt;br /&gt;
| prev_title =&lt;br /&gt;
| prev_year  = &lt;br /&gt;
| next_title = Ghazals By Najma&lt;br /&gt;
| next_year  = 1988&lt;br /&gt;
}}&lt;br /&gt;
{{album ratings&lt;br /&gt;
|rev1 = [[AllMusic]]&lt;br /&gt;
|rev1score = {{rating|5|5}}&amp;lt;ref&amp;gt;{{Cite web|url=https://www.allmusic.com/album/qareeb-mw0000093485|title=Qareeb - Najma &amp;amp;#124; Songs, Reviews, Credits &amp;amp;#124; AllMusic|via=www.allmusic.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
|rev2 = [[Robert Christgau]]&lt;br /&gt;
|rev2score = A-&amp;lt;ref name=&amp;quot;auto1&amp;quot;&amp;gt;{{Cite web|url=https://www.robertchristgau.com/get_artist.php?name=Najma|title=Robert Christgau: CG: Najma|website=www.robertchristgau.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
|rev3 = &amp;#039;&amp;#039;[[The Encyclopedia of Popular Music]]&amp;#039;&amp;#039;&lt;br /&gt;
|rev3score = {{rating|4|5}}&amp;lt;ref name=&amp;quot;CL&amp;quot;&amp;gt;{{cite book |last1=Larkin |first1=Colin |title=The Encyclopedia of Popular Music |date=2006 |publisher=MUZE |location=Volume 6 |page=108}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
|rev4 = &amp;#039;&amp;#039;[[The Rolling Stone Album Guide]]&amp;#039;&amp;#039;&lt;br /&gt;
|rev4score = {{rating|3.5|5}}&amp;lt;ref name=&amp;quot;RS&amp;quot;&amp;gt;{{cite book |title=The Rolling Stone Album Guide |date=1992 |publisher=Random House |page=495}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Qareeb&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is an album by the British Indian singer [[Najma Akhtar|Najma]], released in 1987.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.allmusic.com/artist/najma-mn0000366528/biography|title=Najma &amp;amp;#124; Biography &amp;amp; History|website=AllMusic}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;LA&amp;quot;&amp;gt;{{cite news |last1=Snowden |first1=Don |title=Najma Popularizes Sounds of India |work=Los Angeles Times |date=18 May 1991 |location=Calendar |page=11}}&amp;lt;/ref&amp;gt; It was issued in England by Triple Earth Records before being picked up for an American release by [[Shanachie Records]].&amp;lt;ref&amp;gt;{{Cite web|url=https://books.google.com/books?id=QzX8THIgRjUC&amp;amp;pg=PA90|title=The Rough Guide to World Music|first=Mark|last=Ellingham|date=July 25, 1999|publisher=Rough Guides|via=Google Books}}&amp;lt;/ref&amp;gt; Songs from the album appear in the [[Stephen Frears]] film &amp;#039;&amp;#039;[[Sammy and Rosie Get Laid]]&amp;#039;&amp;#039;.&amp;lt;ref name=CL/&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Blend of Jazz and poetry makes East meets West |work=Toronto Star |date=4 Aug 1989 |page=E4}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
The album was produced by Bunt Stafford Clark and Iain Scott.&amp;lt;ref name=&amp;quot;auto&amp;quot;&amp;gt;{{Cite web|url=https://www.nytimes.com/1989/04/02/arts/recordings-najma-an-old-new-voice-in-international-pop-music.html|title=RECORDINGS; Najma: An Old-New Voice In International Pop Music|first=James|last=Hunter|date=April 2, 1989|via=NYTimes.com}}&amp;lt;/ref&amp;gt; It was recorded in England, with Najma setting traditional [[ghazals]] to her own melodies.&amp;lt;ref name=CL/&amp;gt; Triple Earth envisioned a jazzy recording, while Najma fought to keep the emphasis on her voice and the poetic recitation.&amp;lt;ref name=LA/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Critical reception==&lt;br /&gt;
[[Robert Christgau]] wrote that &amp;quot;the overall effect is twofold: gentle culture clash and sheer physical beauty.&amp;quot;&amp;lt;ref name=&amp;quot;auto1&amp;quot;/&amp;gt; &amp;#039;&amp;#039;[[The New York Times]]&amp;#039;&amp;#039; thought that &amp;quot;in [Najma&amp;#039;s] lower and middle ranges, she commands the solid aim and tonality of a pop professional, yet she bounds off up the scale like a rock singer who wants to see how far she might go ... Najma&amp;#039;s producers are right up-to-date in this era of digitally influenced recorded pop; in strongly etched strokes, they exaggerate the presence of a few instruments rather than accumulate a mesh of many textures.&amp;quot;&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[The Washington Post]]&amp;#039;&amp;#039; wrote that &amp;quot;sweetly insinuating tones waft above the lilting electronic keyboards and skipping percussion of the tablas on tracks like &amp;#039;Neend Koyi&amp;#039;.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |title=SIRENS OF THE OLD WORLD |url=https://www.washingtonpost.com/archive/lifestyle/1989/04/12/sirens-of-the-old-world/73d052cc-56ec-4f3c-8312-19e582e45a88/ |website=The Washington Post |access-date=25 July 2021}}&amp;lt;/ref&amp;gt; The &amp;#039;&amp;#039;[[Chicago Reader]]&amp;#039;&amp;#039; praised &amp;#039;&amp;#039;Qareeb&amp;#039;&amp;#039;&amp;#039;s &amp;quot;rolling, funky bass, its circular violin figures, and its expressive saxophone,&amp;quot; writing that Najma&amp;#039;s &amp;quot;incredible&amp;quot; voice &amp;quot;never grew tiresome.&amp;quot;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.chicagoreader.com/chicago/pop-year-of-the-woman-ii/Content?oid=874963|title=Pop: Year of the Woman II|first=Ted|last=Cox|website=Chicago Reader}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;[[The Gazette (Montreal)|The Gazette]]&amp;#039;&amp;#039; deemed it &amp;quot;a unique and masterful release.&amp;quot;&amp;lt;ref&amp;gt;{{cite news |last1=Feist |first1=Daniel |title=WORLD BEAT: Beating a track to the world sounds begins with research |work=The Gazette |date=11 June 1989 |page=H6}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Track listing==&lt;br /&gt;
{{Track listing&lt;br /&gt;
| all_writing = &lt;br /&gt;
| title1 = Neend Koyi&lt;br /&gt;
| length1 = 6:42&lt;br /&gt;
| title2 = Jane Kis Tarha&lt;br /&gt;
| length2 = 6:17&lt;br /&gt;
| title3 = Dil Laga Ya Tha&lt;br /&gt;
| length3 = 5:48&lt;br /&gt;
| title4 = &amp;#039;Apne Hathon&amp;#039;&lt;br /&gt;
| length4 = 5:26&lt;br /&gt;
| title5 = Zikar Hai Apna Mehfil Mehfil&lt;br /&gt;
| length5 = 6:29&lt;br /&gt;
| title6 = Karoon Na Yad Maga&lt;br /&gt;
| length6 = 8:54&lt;br /&gt;
| title7 = 	Har Sitam Aap Ka&lt;br /&gt;
| length7 = 9:11&lt;br /&gt;
| total_length = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:1987 albums]]&lt;br /&gt;
[[Category:Shanachie Records albums]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Caro7200</name></author>
	</entry>
</feed>