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{{short description|Indian theatre actor (born 1941)}}
{{Infobox person
| name = Premanand Sangodkar
| image = Premanand Sangodkar at Lifetime Contribution to Tiatr Awards’ 2014 (cropped).jpg
| caption = Sangodkar at Ravindra Bhavan, [[Margao]] in 2014
| birth_name = Premananda Madco Sangoldacar
| birth_date = {{Birth date and age|1941|4|16|df=y}}
| birth_place = [[Sangolda]], [[Goa]], [[Portuguese India]], [[Portuguese Empire]] (now in India)
| organisation = [[Tiatr Academy of Goa]]
| employer = [[All India Radio]]
| occupation = {{hlist|Theatre actor|director|playwright|AIR artiste}}
| years_active = 1980–2015
| awards =
| website = {{URL|facebook.com/premanand.sangodkar.9}}
}}

'''Premanand M. Sangodkar''' (born '''Premananda Madco Sangoldacar'''; 16 April 1941) is an Indian former actor, director, playwright, and [[All India Radio]] artiste<ref>{{Cite book |url=https://books.google.com/books?id=45_WlAEACAAJ |title=Directory of Tiatr Artistes, 2012 |date=2012 |publisher=Tiatr Academy of Goa |language=en |access-date=2023-12-21 |archive-date=2023-11-07 |archive-url=https://web.archive.org/web/20231107222945/https://books.google.com/books?id=45_WlAEACAAJ&newbks=0&hl=en |url-status=live }}</ref> known for his work on the [[Tiatr|Konkani stage]]. He started his career by acting in [[Marathi theatre|Marathi nataks]] and later made his debut in the ''[[tiatr]]'' production ''Ekuch Rosto'' (Only One Way) by [[M. Boyer]] in 1980, as a ''[[tiatrist]]''.

==Early life==
He originally came from the village of [[Sangolda]] in [[Bardez]], and has resided in the city of [[Margao]] since 1947.<ref name=":0" />

==Career==
Sangodkar's artistic career took shape through his active involvement in numerous [[Marathi theatre|Marathi nattaks]], theatrical performances organized by Natekar in the village of [[Marcel, Goa|Marcel]]. These ''nattaks'' served as a platform for emerging talents, with the most talented groups earning the opportunity to compete in ''nattak'' competitions held at the nearby [[Kala Academy]], situated in close proximity to the EDC building.<ref name=":0">{{Cite web |title=An interesting journey to the tiatr stage |url=http://www.heraldgoa.in/m/details.php?n_id=117695 |access-date=2023-12-21 |website=oHeraldo |archive-date=2023-12-21 |archive-url=https://web.archive.org/web/20231221154644/http://www.heraldgoa.in/m/details.php?n_id=117695 |url-status=live }}</ref>

In 1980, [[M. Boyer]] undertook the staging of a ''[[tiatr]]'' titled ''Ekuch Rosto'' (Only One Way), which showcased the dynamics between two households-one [[Catholic]] and one [[Hindu]]. While Boyer was confident in finding suitable performers for the Catholic household, he faced challenges in sourcing artists who could effectively portray characters from the Hindu household. Ultimately, Boyer enlisted Tatoba and Alka Velingkar, a couple, for the lead roles, alongside [[Uday Bhembre]] and Ulhas Buyao, who were also cast members representing the Hindu family.<ref name=":0" />

However, a mere three days prior to the final performance, the couple withdrew from their roles due to prior commitments, leaving Boyer in a state of apprehension. The situation was further compounded by the fact that the first show was scheduled to take place in [[Bombay]] (now Mumbai), where all available tickets had already been sold. Seeking a solution, Boyer turned to Buyao and Bhembre for assistance, who suggested Sangodkar as a potential replacement for the vacant roles.<ref name=":0" />

Boyer, a discerning director, made a deliberate choice to observe the rehearsals of a [[Konkani language|Konkani]] play presented by the Konknni Bhasha Mandal at Damodar Vidya Bhavan in [[Margao]]. Following his assessment of the rehearsals, Boyer approached Sangodkar and provided him with a comprehensive briefing on the assigned role. [[Shalini Mardolkar]] was selected to portray the counterpart to Sangodkar, and after a three-day preparation period, the inaugural performance was scheduled to be held at St. Mary's Hall in [[Mazgaon]].<ref name=":0" />

Initially, Sangodkar, who was unfamiliar with his fellow ''[[tiatr]]'' artists, expressed hesitancy due to his lack of mental readiness. However, the encouragement and support from Buyao and Bhembre boosted his confidence. Owing to pre-existing business obligations, Sangodkar was unable to travel alongside the [[Goan]] artists, prompting Boyer to make special arrangements for a private cab. As some of the artists hailed from [[Goa]] while others resided in Bombay, rehearsals took place at [[Dhobitalao]]. Sangodkar was entrusted with the lead role of a ''bhatkar'' (landlord), but the coordination among the Hindu artists, who were all newcomers, displayed noticeable deficiencies. There were discussions among the other artists regarding the potential replacement of the lead actor, yet Boyer remained resolute in his decision and unwavering in his belief in Sangodkar's capability. In the meantime, Mardolkar, possessing confidence in both ''nattak'' and ''tiatr'', provided Sangodkar with the necessary encouragement and support.<ref name=":0" />

In order to confront [[stage fright]] and overcome various challenges, Sangodkar devised a strategy based on Mardolkar's suggestion. According to this approach, when one artist posed a question, they should respond with four queries. However, despite implementing this technique, Sangodkar encountered a negative reception from the audience during his performance, leaving the director and fellow artists disheartened. Subsequently, Mardolkar's spouse, A. Salam,<ref>{{Cite web |title=Diamond jubilee of 'Amchem Noxib' to be marked in Porvorim |url=https://www.thegoan.net/goa-news/diamond-jubilee-of-%E2%80%98amchem-noxib%E2%80%99-to-be-marked-in-porvorim/100179.html |access-date=2023-12-22 |website=The Goan EveryDay |language=en |archive-date=2023-06-14 |archive-url=https://web.archive.org/web/20230614082734/https://www.thegoan.net/goa-news/diamond-jubilee-of-%E2%80%98amchem-noxib%E2%80%99-to-be-marked-in-porvorim/100179.html |url-status=live }}</ref> a member of the film industry, extended an invitation to Sangodkar to visit his residence in [[Bandra]]. During their meeting, Salam offered Sangodkar the opportunity to observe a [[film shoot]] taking place in [[Juhu]]. It was during this visit that Sangodkar had the privilege of being introduced to the [[Bollywood]] actor [[Amjad Khan (actor)|Amjad Khan]], known for his transition from stage to screen. Khan emphasized the challenges of live theatrical presentations compared to the advantages of multiple takes in film. This conversation served as a source of inspiration for Sangodkar, and they bid farewell.<ref name=":0" />

During Boyer's subsequent performance at Dhobitalao, Sangodkar began receiving applause from the audience after delivering each dialogue. At this juncture, he realized that adhering strictly to the ''tiatr'' script was not obligatory. Instead, an artist's personal contributions played a vital role in elevating the quality of the ''tiatr''. As Sangodkar initiated the practice of incorporating his own input into the ''tiatr'', Boyer instructed his [[Prompter (theatre)|prompter]] to take note of the additional material integrated into the original dialogues. With Sangodkar's performances, the ''tiatr'' production swiftly gained popularity. Sangodkar made his debut on the ''tiatr'' stage in 1980, featuring in [[M. Boyer]]'s production titled ''Ekuch Rosto''. He continued to grace the same stage until 2015, when his final appearance was in [[Mario Menezes]]'s ''tiatr'', ''He Kaide Kosle?''.<ref name=":0" />

Sangodkar has had the privilege of working alongside notable figures in the field of ''tiatr'', such as Jacinto Vaz, [[Prem Kumar (Konkani actor)|Prem Kumar]], Remmie Colaco, [[John Claro]], Mike Mehta, Wilmix-Sharon, Anthony Sylvester, [[Patrick Dourado]], [[C. D'Silva]], as well as emerging directors like Michael Gracias, Lawry Travasso, Bonaventure D'Pietro, and Anil Kumar. He has demonstrated his acting prowess by portraying commanding characters including [[landlords]], judges, advocates, doctors, and priests. Noteworthy performances include his roles in Boyer's ''tiatrs Ekuch Rosto'' and ''Ghor Dukhi Ganv Sukhi'' (House Sad, Village Happy), Prem Kumar's ''tiatr'' ''Vauraddi'' (Worker), and Mike Mehta's ''tiatrs Papagay Canta E Bera'' and ''Grant Road''.<ref name=":0" />

==Personal life==
Reflecting on the evolution of ''[[tiatrs]]'', Sangodkar points out that the older productions had a more natural quality, characterized by memorable ''[[Tiatr#Songs|cantos]]'' written by [[C. Alvares]] and [[M. Boyer]]. However, he observes that modern ''tiatrs'' often prioritize disconnected jokes over cohesive storytelling, and lack the same attention to authentic character portrayal in terms of [[dress code]]. Despite this, Sangodkar acknowledges the progress made in contemporary ''tiatrs'' (1961–present), particularly in areas such as [[stage design]], [[background music]], lighting effects, and dialogue memorization. He highlights the dedication and education of today's ''[[tiatrist]]s'', who prioritize time management and punctuality.<ref name=":0" />

==Selected stage works==
{| class="wikitable sortable"
!Year
!Title
!Role
!Notes
!Ref
|-
|1980
|''Ekuch Rosto''
|Hindu landlord
|Debut ''tiatr''
|<ref name=":0" />
|-
|2000
|''Ghor Dukhi, Ganv Sukhi''
|
|
|<ref>{{Cite web |date=1974–1975 |title=KALA ACADEMY GOA 1st Tiatr 'A' Group Competition 1974–1975 |url=https://kalaacademygoa.co.in/wp-content/uploads/2021/04/Tiatr-A-Group-Competition-Programme-Results.pdf |access-date=10 December 2023 |website=Kala Academy Goa |archive-date=12 December 2023 |archive-url=https://web.archive.org/web/20231212055954/https://kalaacademygoa.co.in/wp-content/uploads/2021/04/Tiatr-A-Group-Competition-Programme-Results.pdf |url-status=live }}</ref>
|-
|
|''Vauraddi''
|
|
|rowspan="2"|<ref name=":0" />
|-
|
|''Papagay Canta E Bera''
|
|
|-
|1980s–2000s
|''Grant Road''
|
|
|<ref>{{Cite book |last=Sá |first=Mario Cabral e |url=https://books.google.com/books?id=yRluAAAAMAAJ&q=Mike+Mehta+Grant+Road+tiatr |title=Redefining Horizons: Goa, Four Decades of Freedom |date=2002 |publisher=Department of Information and Publicity, Government of Goa |language=en}}</ref><ref name=":0" />
|-
|2015
|''He Kaide Kosle?''
|
|Last production
|<ref name=":0" />
|}

==References==
{{reflist}}

{{authority control}}

{{DEFAULTSORT:Sangodkar, Premanand}}
[[Category:Living people]]
[[Category:1941 births]]
[[Category:Tiatrists]]
[[Category:People from South Goa district]]
[[Category:Indian male actors]]

Premanand Sangodkar - Revision history

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