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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:35, 19 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Indian genre of inscriptions}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=July 2019}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=July 2019}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{italics title}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{italics title}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ashoka_Rock_Edict_at_Junagadh.jpg|thumb|The [[Junagadh rock inscription of Rudradaman]] contains an early Prashasti, by [[Western Satrap]] ruler [[Rudradaman I]], circa 150 CE.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ashoka_Rock_Edict_at_Junagadh.jpg|thumb|The [[Junagadh rock inscription of Rudradaman]] contains an early Prashasti, by [[Western Satrap]] ruler [[Rudradaman I]], circa 150 CE.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Prashasti&#039;&#039;&#039;&#039;&#039; ([[IAST]]: Praśasti, [[Sanskrit]] for &quot;praise&quot;) is an Indian genre of inscriptions composed by poets in praise of their rulers. Most date from the 6th century CE onwards. Written in the form of poetry or ornate prose, the &#039;&#039;prashastis&#039;&#039; stereotypically constructed a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;geneology&lt;/del&gt;, the ruler&#039;s attributes, eulogize victories, piety and typically ended with one or more announcements of generous gifts and rewards he has given.&amp;lt;ref name=&quot;Kumkum_2008&quot;&amp;gt;{{cite book |author=Kumkum Roy |title=Historical Dictionary of Ancient India |url=https://books.google.com/books?id=pOgbXu_o4uwC&amp;amp;pg=PA252 |year=2008 |publisher=Scarecrow Press |isbn=978-1-4616-5917-4 |page=252 }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=sircar/&amp;gt; They differ from the so-called &quot;Cultic&quot; genre of Indian inscriptions which praise a deity, religious founder (Buddha, Tirthankara, sub-tradition of Hinduism), guru, or sages then typically announces gifts or donations to a monastery, school, temple or a generous cause.{{sfn|Salomon|1998|pp=122–124}} In some epigraphic literature, a &#039;&#039;prashasti&#039;&#039; is considered synonymous with a &#039;&#039;kirti&#039;&#039; or &#039;&#039;purva&#039;&#039;, and is related to the word &#039;&#039;kirtana&#039;&#039; which  implies &quot;songs and praises of&quot; someone or a deity.&amp;lt;ref &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name&lt;/del&gt;&amp;gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}, pages 3–4 with footnotes&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Prashasti&#039;&#039;&#039;&#039;&#039; ([[IAST]]: Praśasti, [[Sanskrit]] for &quot;praise&quot;) is an Indian genre of inscriptions composed by poets in praise of their rulers. Most date from the 6th century CE onwards. Written in the form of poetry or ornate prose, the &#039;&#039;prashastis&#039;&#039; stereotypically constructed a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;genealogy&lt;/ins&gt;, the ruler&#039;s attributes, eulogize victories, piety and typically ended with one or more announcements of generous gifts and rewards he has given.&amp;lt;ref name=&quot;Kumkum_2008&quot;&amp;gt;{{cite book |author=Kumkum Roy |title=Historical Dictionary of Ancient India |url=https://books.google.com/books?id=pOgbXu_o4uwC&amp;amp;pg=PA252 |year=2008 |publisher=Scarecrow Press |isbn=978-1-4616-5917-4 |page=252 }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=sircar/&amp;gt; They differ from the so-called &quot;Cultic&quot; genre of Indian inscriptions which praise a deity, religious founder (Buddha, Tirthankara, sub-tradition of Hinduism), guru, or sages then typically announces gifts or donations to a monastery, school, temple or a generous cause.{{sfn|Salomon|1998|pp=122–124}} In some epigraphic literature, a &#039;&#039;prashasti&#039;&#039; is considered synonymous with a &#039;&#039;kirti&#039;&#039; or &#039;&#039;purva&#039;&#039;, and is related to the word &#039;&#039;kirtana&#039;&#039; which  implies &quot;songs and praises of&quot; someone or a deity.&amp;lt;ref&amp;gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}, pages 3–4 with footnotes&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Quote box&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Quote box&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039; generally contained ornate titles, links to mythical legends or comparisons to deities, and often fabricated stories about wars, victories, loot and attributes.&amp;lt;ref name=sircar&amp;gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}, pp. 24–28&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;&amp;gt;{{cite book |author=Bernard Bate |title=Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India |url=https://books.google.com/books?id=8uP7LHS3cDMC&amp;amp;pg=PT151 |year=2013 |publisher=Columbia University Press |isbn=978-0-231-51940-3 |page=151 }}&amp;lt;/ref&amp;gt; For example, they would create genealogies of the rulers linked to solar or lunar dynasties, and in their praise allude to legendary heroes from Indian myths and legends such as those found in Epics and the Puranas.&amp;lt;ref name=&amp;quot;Kumkum_2008&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039; generally contained ornate titles, links to mythical legends or comparisons to deities, and often fabricated stories about wars, victories, loot and attributes.&amp;lt;ref name=sircar&amp;gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}, pp. 24–28&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;&amp;gt;{{cite book |author=Bernard Bate |title=Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India |url=https://books.google.com/books?id=8uP7LHS3cDMC&amp;amp;pg=PT151 |year=2013 |publisher=Columbia University Press |isbn=978-0-231-51940-3 |page=151 }}&amp;lt;/ref&amp;gt; For example, they would create genealogies of the rulers linked to solar or lunar dynasties, and in their praise allude to legendary heroes from Indian myths and legends such as those found in Epics and the Puranas.&amp;lt;ref name=&amp;quot;Kumkum_2008&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The earliest well known example of an extensive &#039;&#039;prashasti&#039;&#039; is the [[Hathigumpha inscription]] of Kharavela inscribed in or about the 1st-century BCE in Prakrit language and Brahmi script.&amp;lt;ref&amp;gt;{{citation |last=Singh |first=Upinder |author-link=Upinder Singh |title=A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century |url=https://books.google.com/books?id=Pq2iCwAAQBAJ | year=2016 |isbn=978-81-317-1677-9| pages=47–49 }}&amp;lt;/ref&amp;gt; The earliest &#039;&#039;prashastic&#039;&#039; inscription in classical Sanskrit language is the [[Junagadh rock inscription of Rudradaman]] (circa 150 CE), which became a prototype for Gupta era poetic prashastis in Sanskrit. According to [[Richard G. Salomon (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;academic&lt;/del&gt;)|Richard G. Salomon]] – a scholar of South Asian inscriptions, the inscription is the first extensive panegyric record in the poetic style. The style of [[Rudradaman I|Rudradaman]]&#039;s inscription is seen in later &#039;&#039;prashasti&#039;&#039; inscriptions.{{sfn|Salomon|1998|p=89}}&amp;lt;ref name=&quot;SI&quot;&amp;gt;{{cite book |last1=Ichimura |first1=Shōhei |title=Buddhist Critical Spirituality: Prajñā and Śūnyatā |date=2001 |publisher=Motilal Banarsidass Publisher |isbn=9788120817982 |page=45 |url=https://books.google.com/books?id=xTW6XNxOxbkC&amp;amp;pg=PA45 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The earliest well known example of an extensive &#039;&#039;prashasti&#039;&#039; is the [[Hathigumpha inscription]] of Kharavela inscribed in or about the 1st-century BCE in Prakrit language and Brahmi script.&amp;lt;ref&amp;gt;{{citation |last=Singh |first=Upinder |author-link=Upinder Singh |title=A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century |url=https://books.google.com/books?id=Pq2iCwAAQBAJ | year=2016 |isbn=978-81-317-1677-9| pages=47–49 }}&amp;lt;/ref&amp;gt; The earliest &#039;&#039;prashastic&#039;&#039; inscription in classical Sanskrit language is the [[Junagadh rock inscription of Rudradaman]] (circa 150 CE), which became a prototype for Gupta era poetic prashastis in Sanskrit. According to [[Richard G. Salomon (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;professor of Asian studies&lt;/ins&gt;)|Richard G. Salomon]] – a scholar of South Asian inscriptions, the inscription is the first extensive panegyric record in the poetic style. The style of [[Rudradaman I|Rudradaman]]&#039;s inscription is seen in later &#039;&#039;prashasti&#039;&#039; inscriptions.{{sfn|Salomon|1998|p=89}}&amp;lt;ref name=&quot;SI&quot;&amp;gt;{{cite book |last1=Ichimura |first1=Shōhei |title=Buddhist Critical Spirituality: Prajñā and Śūnyatā |date=2001 |publisher=Motilal Banarsidass Publisher |isbn=9788120817982 |page=45 |url=https://books.google.com/books?id=xTW6XNxOxbkC&amp;amp;pg=PA45 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Tamil language|Tamil]] &amp;#039;&amp;#039;[[meikeerthi|meykeerthi]]&amp;#039;&amp;#039; inscriptions are similar to the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039;, but feature far more standardized formats.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Tamil language|Tamil]] &amp;#039;&amp;#039;[[meikeerthi|meykeerthi]]&amp;#039;&amp;#039; inscriptions are similar to the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039;, but feature far more standardized formats.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Gautamiputra Satakarni#Imperial extent according to Nashik prashasti|Nashik prashasti]] (2nd century CE), [[Satavahana dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Gautamiputra Satakarni#Imperial extent according to Nashik prashasti|Nashik prashasti]] (2nd century CE), [[Satavahana dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Prayaga prashasti]] (4th century CE), [[Gupta &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dynasty&lt;/del&gt;]]: Lists the rulers against whom the Gupta king [[Samudragupta]] fought. It also describes the policy that he followed toward each set of rulers.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Prayaga prashasti]] (4th century CE), [[Gupta &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Empire&lt;/ins&gt;]]: Lists the rulers against whom the Gupta king [[Samudragupta]] fought. It also describes the policy that he followed toward each set of rulers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Velvikudi inscription]] (c. 8th century CE), [[Pandya dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Velvikudi inscription]] (c. 8th century CE), [[Pandya dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Deopara Prashasti]] (12th century CE), [[Sena dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Deopara Prashasti]] (12th century CE), [[Sena dynasty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Raj Prashasti]] (17th century CE), [[Kingdom of Mewar|Mewar dynasty]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Gadhwa Stone Inscriptions]] ([[Garhwa Fort]]) (5th century CE).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>YvetteSawtell2</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Prashasti&amp;diff=156533&amp;oldid=prev</id>
		<title>imported&gt;WikiCleanerBot: v2.04b - Bot T19 CW#83 - Fix errors for CW project (Heading start with three &quot;=&quot; and later with level two)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Prashasti&amp;diff=156533&amp;oldid=prev"/>
		<updated>2021-08-31T02:50:19Z</updated>

		<summary type="html">&lt;p&gt;v2.04b - &lt;a href=&quot;/w/index.php?title=User:WikiCleanerBot&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User:WikiCleanerBot (page does not exist)&quot;&gt;Bot T19 CW#83&lt;/a&gt; - Fix errors for &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:WCW&quot; class=&quot;extiw&quot; title=&quot;wp:WCW&quot;&gt;CW project&lt;/a&gt; (Heading start with three &amp;quot;=&amp;quot; and later with level two)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:20, 31 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{italics title}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{italics title}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ashoka_Rock_Edict_at_Junagadh.jpg|thumb|The [[Junagadh rock inscription of Rudradaman]] contains an early Prashasti, by [[Western Satrap]] ruler [[Rudradaman I]], circa 150 CE.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ashoka_Rock_Edict_at_Junagadh.jpg|thumb|The [[Junagadh rock inscription of Rudradaman]] contains an early Prashasti, by [[Western Satrap]] ruler [[Rudradaman I]], circa 150 CE.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Prashasti&#039;&#039;&#039;&#039;&#039; ([[IAST]]: Praśasti, [[Sanskrit]] for &quot;praise&quot;) inscriptions &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;are [[eulogy|euologistic]] inscriptions issued &lt;/del&gt;by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian &lt;/del&gt;rulers from 6th century CE onwards. Written in form of poetry or ornate prose, the &#039;&#039;prashastis&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;were generally composed by &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;court poets&lt;/del&gt;.&amp;lt;ref name=&quot;Kumkum_2008&quot;&amp;gt;{{cite book |author=Kumkum Roy |title=Historical Dictionary of Ancient India |url=https://books.google.com/books?id=pOgbXu_o4uwC&amp;amp;pg=PA252 |year=2008 |publisher=Scarecrow Press |isbn=978-1-4616-5917-4 |page=252 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Prashasti&#039;&#039;&#039;&#039;&#039; ([[IAST]]: Praśasti, [[Sanskrit]] for &quot;praise&quot;) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is an Indian genre of &lt;/ins&gt;inscriptions &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;composed &lt;/ins&gt;by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poets in praise of their &lt;/ins&gt;rulers&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Most date &lt;/ins&gt;from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;6th century CE onwards. Written in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;form of poetry or ornate prose, the &#039;&#039;prashastis&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stereotypically constructed a geneology, &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ruler&#039;s attributes, eulogize victories, piety and typically ended with one or more announcements of generous gifts and rewards he has given&lt;/ins&gt;.&amp;lt;ref name=&quot;Kumkum_2008&quot;&amp;gt;{{cite book |author=Kumkum Roy |title=Historical Dictionary of Ancient India |url=https://books.google.com/books?id=pOgbXu_o4uwC&amp;amp;pg=PA252 |year=2008 |publisher=Scarecrow Press |isbn=978-1-4616-5917-4 |page=252 }}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref name=sircar/&amp;gt; They differ from the so-called &quot;Cultic&quot; genre of Indian inscriptions which praise a deity, religious founder (Buddha, Tirthankara, sub-tradition of Hinduism), guru, or sages then typically announces gifts or donations to a monastery, school, temple or a generous cause.{{sfn|Salomon|1998|pp=122–124}} In some epigraphic literature, a &#039;&#039;prashasti&#039;&#039; is considered synonymous with a &#039;&#039;kirti&#039;&#039; or &#039;&#039;purva&#039;&#039;, and is related to the word &#039;&#039;kirtana&#039;&#039; which  implies &quot;songs and praises of&quot; someone or a deity.&amp;lt;ref name&amp;gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}, pages 3–4 with footnotes&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;prashastis&#039;&#039; generally contained &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;genealogies of the rulers (&lt;/del&gt;or &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;other issuers subordinate &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;them)&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;their achievements (especially military activities)&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;their comparisons with legendary heroes &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;other details&lt;/del&gt;.&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Kumkum_2008&quot;/&lt;/del&gt;&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The inscriptions issued by the subordinates often recognized the rulers as the descendant of a deity&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and bestowed titles and honours upon them&lt;/del&gt;.&amp;lt;ref name=&quot;Bernard_2013&quot;&amp;gt;{{cite book |author=Bernard Bate |title=Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India |url=https://books.google.com/books?id=8uP7LHS3cDMC&amp;amp;pg=PT151 |year=2013 |publisher=Columbia University Press |isbn=978-0-231-51940-3 |page=151 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Quote box&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; |quote  = &amp;lt;poem&amp;gt;He is the King of Peace, the King of Prosperity, &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the King of Monks (bhikshus), the King of Religion (Dharma), &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who has been seeing, hearing and realising blessings (kalyanas),&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(... lost ...) accomplished in extraordinary virtues, &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;respector of every sect, the repairer of all temples, &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one whose chariot and army are irresistible, &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one whose empire is protected by the chief of the empire (himself), &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;descended from the family of the Royal Sage Vasu, &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the Great conqueror, the King, the illustrious Kharavela.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/poem&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; |source = — Lines 16–17, c. 1st-century BCE [[Hathigumpha inscription]]&amp;lt;ref&amp;gt;{{cite book |author1= K P Jayaswal| author2 = R D Banerji|title= Epigraphia Indica Volume XX |year=1920 |url= https://archive.org/details/epigrahiaindicav014769mbp |publisher=Archaeological Survey of India |pages= 75–89 with footnotes}}, {{PD-notice}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; |bgcolor=#FFD0AA&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; |align  = left&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;prashastis&#039;&#039; generally contained &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ornate titles, links to mythical legends &lt;/ins&gt;or &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;comparisons &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;deities, and often fabricated stories about wars&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;victories&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;loot &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attributes&lt;/ins&gt;.&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sircar&lt;/ins&gt;&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sircar, D.C. (1996), Indian Epigraphy, Motilal Banarsidass, {{ISBN|978-81-208-1166-9}}&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pp&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;24–28&amp;lt;/ref&amp;gt;&lt;/ins&gt;&amp;lt;ref name=&quot;Bernard_2013&quot;&amp;gt;{{cite book |author=Bernard Bate |title=Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India |url=https://books.google.com/books?id=8uP7LHS3cDMC&amp;amp;pg=PT151 |year=2013 |publisher=Columbia University Press |isbn=978-0-231-51940-3 |page=151 }}&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; For example, they would create genealogies of the rulers linked to solar or lunar dynasties, and in their praise allude to legendary heroes from Indian myths and legends such as those found in Epics and the Puranas.&amp;lt;ref name=&quot;Kumkum_2008&quot;/&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One &lt;/del&gt;of the first &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;known &lt;/del&gt;prashastic inscription in Sanskrit is the [[Junagadh rock inscription of Rudradaman]] (circa 150 CE)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, the first long inscription in fairly standard [[Sanskrit]] that has survived into the modern era&lt;/del&gt;, which became a prototype for Gupta era poetic prashastis. According to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;American scholar &lt;/del&gt;[[Richard G. Salomon (academic)|Richard G. Salomon]], the inscription &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;represents a turning point in the history of epigraphic Sanskrit. This &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the first long inscription recorded entirely in more or less standard Sanskrit, as well as &lt;/del&gt;the first extensive record in the poetic style. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Although further specimens &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;such poetic prasastis in Sanskrit are not found until the Gupta era, from a stylistic point of view &lt;/del&gt;[[Rudradaman I|Rudradaman]]&#039;s inscription is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;clearly their prototype&quot;&lt;/del&gt;.{{sfn|Salomon|1998|p=89}}&amp;lt;ref name=&quot;SI&quot;&amp;gt;{{cite book |last1=Ichimura |first1=Shōhei |title=Buddhist Critical Spirituality: Prajñā and Śūnyatā |date=2001 |publisher=Motilal Banarsidass Publisher |isbn=9788120817982 |page=45 |url=https://books.google.com/books?id=xTW6XNxOxbkC&amp;amp;pg=PA45 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The earliest well known example of an extensive &#039;&#039;prashasti&#039;&#039; is the [[Hathigumpha inscription]] &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kharavela inscribed in or about &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1st-century BCE in Prakrit language and Brahmi script.&amp;lt;ref&amp;gt;{{citation |last=Singh |&lt;/ins&gt;first&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=Upinder |author-link=Upinder Singh |title=A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century |url=https://books.google.com/books?id=Pq2iCwAAQBAJ | year=2016 |isbn=978-81-317-1677-9| pages=47–49 }}&amp;lt;/ref&amp;gt; The earliest &#039;&#039;&lt;/ins&gt;prashastic&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;inscription in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;classical &lt;/ins&gt;Sanskrit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;language &lt;/ins&gt;is the [[Junagadh rock inscription of Rudradaman]] (circa 150 CE), which became a prototype for Gupta era poetic prashastis &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in Sanskrit&lt;/ins&gt;. According to [[Richard G. Salomon (academic)|Richard G. Salomon]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– a scholar of South Asian inscriptions&lt;/ins&gt;, the inscription is the first extensive &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;panegyric &lt;/ins&gt;record in the poetic style. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The style &lt;/ins&gt;of [[Rudradaman I|Rudradaman]]&#039;s inscription is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seen in later &#039;&#039;prashasti&#039;&#039; inscriptions&lt;/ins&gt;.{{sfn|Salomon|1998|p=89}}&amp;lt;ref name=&quot;SI&quot;&amp;gt;{{cite book |last1=Ichimura |first1=Shōhei |title=Buddhist Critical Spirituality: Prajñā and Śūnyatā |date=2001 |publisher=Motilal Banarsidass Publisher |isbn=9788120817982 |page=45 |url=https://books.google.com/books?id=xTW6XNxOxbkC&amp;amp;pg=PA45 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Tamil language|Tamil]] &amp;#039;&amp;#039;[[meikeerthi|meykeerthi]]&amp;#039;&amp;#039; inscriptions are similar to the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039;, but feature far more standardized formats.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Tamil language|Tamil]] &amp;#039;&amp;#039;[[meikeerthi|meykeerthi]]&amp;#039;&amp;#039; inscriptions are similar to the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039;, but feature far more standardized formats.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian inscriptions]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian inscriptions]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{India-hist-stub}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
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{{italics title}}&lt;br /&gt;
[[File:Ashoka_Rock_Edict_at_Junagadh.jpg|thumb|The [[Junagadh rock inscription of Rudradaman]] contains an early Prashasti, by [[Western Satrap]] ruler [[Rudradaman I]], circa 150 CE.]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Prashasti&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ([[IAST]]: Praśasti, [[Sanskrit]] for &amp;quot;praise&amp;quot;) inscriptions are [[eulogy|euologistic]] inscriptions issued by Indian rulers from 6th century CE onwards. Written in form of poetry or ornate prose, the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039; were generally composed by the court poets.&amp;lt;ref name=&amp;quot;Kumkum_2008&amp;quot;&amp;gt;{{cite book |author=Kumkum Roy |title=Historical Dictionary of Ancient India |url=https://books.google.com/books?id=pOgbXu_o4uwC&amp;amp;pg=PA252 |year=2008 |publisher=Scarecrow Press |isbn=978-1-4616-5917-4 |page=252 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039; generally contained genealogies of the rulers (or other issuers subordinate to them), their achievements (especially military activities), their comparisons with legendary heroes and other details.&amp;lt;ref name=&amp;quot;Kumkum_2008&amp;quot;/&amp;gt; The inscriptions issued by the subordinates often recognized the rulers as the descendant of a deity, and bestowed titles and honours upon them.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;&amp;gt;{{cite book |author=Bernard Bate |title=Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India |url=https://books.google.com/books?id=8uP7LHS3cDMC&amp;amp;pg=PT151 |year=2013 |publisher=Columbia University Press |isbn=978-0-231-51940-3 |page=151 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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One of the first known prashastic inscription in Sanskrit is the [[Junagadh rock inscription of Rudradaman]] (circa 150 CE), the first long inscription in fairly standard [[Sanskrit]] that has survived into the modern era, which became a prototype for Gupta era poetic prashastis. According to American scholar [[Richard G. Salomon (academic)|Richard G. Salomon]], the inscription &amp;quot;represents a turning point in the history of epigraphic Sanskrit. This is the first long inscription recorded entirely in more or less standard Sanskrit, as well as the first extensive record in the poetic style. Although further specimens of such poetic prasastis in Sanskrit are not found until the Gupta era, from a stylistic point of view [[Rudradaman I|Rudradaman]]&amp;#039;s inscription is clearly their prototype&amp;quot;.{{sfn|Salomon|1998|p=89}}&amp;lt;ref name=&amp;quot;SI&amp;quot;&amp;gt;{{cite book |last1=Ichimura |first1=Shōhei |title=Buddhist Critical Spirituality: Prajñā and Śūnyatā |date=2001 |publisher=Motilal Banarsidass Publisher |isbn=9788120817982 |page=45 |url=https://books.google.com/books?id=xTW6XNxOxbkC&amp;amp;pg=PA45 |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The [[Tamil language|Tamil]] &amp;#039;&amp;#039;[[meikeerthi|meykeerthi]]&amp;#039;&amp;#039; inscriptions are similar to the &amp;#039;&amp;#039;prashastis&amp;#039;&amp;#039;, but feature far more standardized formats.&amp;lt;ref name=&amp;quot;Bernard_2013&amp;quot;/&amp;gt;&lt;br /&gt;
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== Examples ==&lt;br /&gt;
* [[Gautamiputra Satakarni#Imperial extent according to Nashik prashasti|Nashik prashasti]] (2nd century CE), [[Satavahana dynasty]]&lt;br /&gt;
* [[Prayaga prashasti]] (4th century CE), [[Gupta dynasty]]: Lists the rulers against whom the Gupta king [[Samudragupta]] fought. It also describes the policy that he followed toward each set of rulers.&lt;br /&gt;
* [[Velvikudi inscription]] (c. 8th century CE), [[Pandya dynasty]]&lt;br /&gt;
* [[Deopara Prashasti]] (12th century CE), [[Sena dynasty]]&lt;br /&gt;
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== References ==&lt;br /&gt;
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==Sources==&lt;br /&gt;
* {{Cite book | last=Salomon | first=Richard | title=Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages | publisher=Oxford University Press | place=Oxford | year=1998 | isbn=0-19-509984-2}}&lt;br /&gt;
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[[Category:Indian inscriptions]]&lt;br /&gt;
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