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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Phouleima</id>
	<title>Phouleima - Revision history</title>
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	<updated>2026-08-20T08:10:39Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304674&amp;oldid=prev</id>
		<title>CleanupBot: clean up</title>
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		<updated>2022-02-25T08:53:27Z</updated>

		<summary type="html">&lt;p&gt;clean up&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:23, 25 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Worship and hymns ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Worship and hymns ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Poinu&#039;&#039; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;November-December &lt;/del&gt;interface month) is the [[Meitei calendar|Meitei lunar month]] of harvesting and the granary must not be disturbed. Its subsequent month &#039;&#039;Wakching&#039;&#039; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;December-January &lt;/del&gt;interface month) is the time during which Goddess Phouleima is worshipped.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=gxqeDwAAQBAJ&amp;amp;pg=PA37&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj03pyQv5D1AhUCH7cAHYoWAi44FBDoAXoECAQQAw#v=onepage&amp;amp;q=Poinu%20is%20the%20month%20of%20harvest%20when%20the%20granary%20must%20not%20be%20disturbed%20and%20Wakching%20is%20the%20month%20during%20which%20Phouoibi%20the%20goddess%20of%20paddy%20is%20worshipped.&amp;amp;f=false|title=Glimpses of Manipuri Culture|last=Devi|first=Dr Yumlembam Gopi|publisher=Lulu.com|isbn=978-0-359-72919-7|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=Snipp23..081213.dec13|title=Irat Thouni of Phouoibi|website=e-pao.net}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Poinu&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;November–December &lt;/ins&gt;interface month) is the [[Meitei calendar|Meitei lunar month]] of harvesting and the granary must not be disturbed. Its subsequent month &#039;&#039;Wakching&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;December–January &lt;/ins&gt;interface month) is the time during which Goddess Phouleima is worshipped.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=gxqeDwAAQBAJ&amp;amp;pg=PA37&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj03pyQv5D1AhUCH7cAHYoWAi44FBDoAXoECAQQAw#v=onepage&amp;amp;q=Poinu%20is%20the%20month%20of%20harvest%20when%20the%20granary%20must%20not%20be%20disturbed%20and%20Wakching%20is%20the%20month%20during%20which%20Phouoibi%20the%20goddess%20of%20paddy%20is%20worshipped.&amp;amp;f=false|title=Glimpses of Manipuri Culture|last=Devi|first=Dr Yumlembam Gopi|publisher=Lulu.com|isbn=978-0-359-72919-7|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=Snipp23..081213.dec13|title=Irat Thouni of Phouoibi|website=e-pao.net}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Page 447 illustration Folk-Lore, vol. 24.png|thumb|300px|Plan of the ceremony dedicated to goddess Phouleima (Phauwoibi), sketch drawn by Col. John Shakespear in 1913]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Page 447 illustration Folk-Lore, vol. 24.png|thumb|300px|Plan of the ceremony dedicated to goddess Phouleima (Phauwoibi), sketch drawn by Col. John Shakespear in 1913]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A - A mat with the offerings of fruits and vegetables at the 4 corners.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A - A mat with the offerings of fruits and vegetables at the 4 corners.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l127&quot;&gt;Line 127:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 127:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1979, &#039;&#039;&#039;Phouoibi (formerly known as KD6-2-1)&#039;&#039;&#039; and &#039;&#039;&#039;Punshi (formerly known as KD6-18-7)&#039;&#039;&#039; were developed in Manipur State Rice Research Center, Wangbal. After these rice varieties were released, 75 percent of the areas planting high yielding crops constitute 25 percent of Phouoibi rice. Phouoibi matures in 135 days (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4-5 &lt;/del&gt;months).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=fA7WoWucXDoC&amp;amp;pg=PA8&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgGEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 5|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=LFLNO4m53Y0C&amp;amp;pg=PA10&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgFEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 8 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt; These rice varieties were found to be more likely to be affected by the insects as compared to the local varieties like &#039;&#039;Phourel&#039;&#039; and &#039;&#039;Moirang Phou&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=s0iMSgdmp9cC&amp;amp;pg=PA14&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj10viuz5D1AhXyyzgGHbYcAuI4ChDoAXoECAgQAw#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1979, &#039;&#039;&#039;Phouoibi (formerly known as KD6-2-1)&#039;&#039;&#039; and &#039;&#039;&#039;Punshi (formerly known as KD6-18-7)&#039;&#039;&#039; were developed in Manipur State Rice Research Center, Wangbal. After these rice varieties were released, 75 percent of the areas planting high yielding crops constitute 25 percent of Phouoibi rice. Phouoibi matures in 135 days (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4–5 &lt;/ins&gt;months).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=fA7WoWucXDoC&amp;amp;pg=PA8&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgGEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 5|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=LFLNO4m53Y0C&amp;amp;pg=PA10&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgFEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 8 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt; These rice varieties were found to be more likely to be affected by the insects as compared to the local varieties like &#039;&#039;Phourel&#039;&#039; and &#039;&#039;Moirang Phou&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=s0iMSgdmp9cC&amp;amp;pg=PA14&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj10viuz5D1AhXyyzgGHbYcAuI4ChDoAXoECAgQAw#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304098&amp;oldid=prev</id>
		<title>SonOfZeus at 14:17, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304098&amp;oldid=prev"/>
		<updated>2022-02-19T14:17:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:47, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot;&gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, she glared at the deer. She cursed the deer and all its species that if they tried to eat her creation - paddy, then all their teeth will be fallen. So, still today, the deers never eat paddy because of the fear that their teeth will fall off.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=XxovEAAAQBAJ&amp;amp;pg=PT30&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj2m9WLppD1AhWuIbcAHec-BQcQ6AF6BAgDEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=And That Is Why... Manipuri Myths Retold|last=Roy|first=L. Somi|date=2021-06-21|publisher=Penguin Random House India Private Limited|isbn=978-93-91149-65-9|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, she glared at the deer. She cursed the deer and all its species that if they tried to eat her creation - paddy, then all their teeth will be fallen. So, still today, the deers never eat paddy because of the fear that their teeth will fall off.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=XxovEAAAQBAJ&amp;amp;pg=PT30&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj2m9WLppD1AhWuIbcAHec-BQcQ6AF6BAgDEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=And That Is Why... Manipuri Myths Retold|last=Roy|first=L. Somi|date=2021-06-21|publisher=Penguin Random House India Private Limited|isbn=978-93-91149-65-9|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Worship ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Worship &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and hymns &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Poinu&amp;#039;&amp;#039; (November-December interface month) is the [[Meitei calendar|Meitei lunar month]] of harvesting and the granary must not be disturbed. Its subsequent month &amp;#039;&amp;#039;Wakching&amp;#039;&amp;#039; (December-January interface month) is the time during which Goddess Phouleima is worshipped.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=gxqeDwAAQBAJ&amp;amp;pg=PA37&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj03pyQv5D1AhUCH7cAHYoWAi44FBDoAXoECAQQAw#v=onepage&amp;amp;q=Poinu%20is%20the%20month%20of%20harvest%20when%20the%20granary%20must%20not%20be%20disturbed%20and%20Wakching%20is%20the%20month%20during%20which%20Phouoibi%20the%20goddess%20of%20paddy%20is%20worshipped.&amp;amp;f=false|title=Glimpses of Manipuri Culture|last=Devi|first=Dr Yumlembam Gopi|publisher=Lulu.com|isbn=978-0-359-72919-7|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=Snipp23..081213.dec13|title=Irat Thouni of Phouoibi|website=e-pao.net}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Poinu&amp;#039;&amp;#039; (November-December interface month) is the [[Meitei calendar|Meitei lunar month]] of harvesting and the granary must not be disturbed. Its subsequent month &amp;#039;&amp;#039;Wakching&amp;#039;&amp;#039; (December-January interface month) is the time during which Goddess Phouleima is worshipped.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=gxqeDwAAQBAJ&amp;amp;pg=PA37&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj03pyQv5D1AhUCH7cAHYoWAi44FBDoAXoECAQQAw#v=onepage&amp;amp;q=Poinu%20is%20the%20month%20of%20harvest%20when%20the%20granary%20must%20not%20be%20disturbed%20and%20Wakching%20is%20the%20month%20during%20which%20Phouoibi%20the%20goddess%20of%20paddy%20is%20worshipped.&amp;amp;f=false|title=Glimpses of Manipuri Culture|last=Devi|first=Dr Yumlembam Gopi|publisher=Lulu.com|isbn=978-0-359-72919-7|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=Snipp23..081213.dec13|title=Irat Thouni of Phouoibi|website=e-pao.net}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Page 447 illustration Folk-Lore, vol. 24.png|thumb|300px|Plan of the ceremony dedicated to goddess Phouleima (Phauwoibi), sketch drawn by Col. John Shakespear in 1913]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Page 447 illustration Folk-Lore, vol. 24.png|thumb|300px|Plan of the ceremony dedicated to goddess Phouleima (Phauwoibi), sketch drawn by Col. John Shakespear in 1913]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304097&amp;oldid=prev</id>
		<title>SonOfZeus: /* Worship */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304097&amp;oldid=prev"/>
		<updated>2022-02-19T14:13:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Worship&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:43, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l97&quot;&gt;Line 97:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 97:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;&amp;#039;Phou Kouba&amp;#039;&amp;#039;&amp;#039; (calling the paddy/rice) ceremony is more frequently performed in case of mis-happenings to the farmers. Mis-happenings may be theft or burning of the paddy/rice, an animal like cow trespasses the threshing ground, etc. People believe that these are all because of the absence of the goddess. So, they perform the rites and rituals to induce the goddess to stay at their places.&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.ernet.108375/page/93/mode/1up?q=Phou+kouba+threshing+rice+mishap+theft+burning+paddy+cow+trespasses+sareng+fish&amp;amp;view=theater|title=Religion Of Manipur|last=Parratt|first=Saroj Nalini|date=1980|publisher=Firma Klm|pages=93}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;&amp;#039;Phou Kouba&amp;#039;&amp;#039;&amp;#039; (calling the paddy/rice) ceremony is more frequently performed in case of mis-happenings to the farmers. Mis-happenings may be theft or burning of the paddy/rice, an animal like cow trespasses the threshing ground, etc. People believe that these are all because of the absence of the goddess. So, they perform the rites and rituals to induce the goddess to stay at their places.&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.ernet.108375/page/93/mode/1up?q=Phou+kouba+threshing+rice+mishap+theft+burning+paddy+cow+trespasses+sareng+fish&amp;amp;view=theater|title=Religion Of Manipur|last=Parratt|first=Saroj Nalini|date=1980|publisher=Firma Klm|pages=93}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:WallagoAttuDay.jpg|thumb|300px|Sareng fish (Wallago attu, helicopter catfish) with rice is the most important offering to goddess Phouleima.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In such cases, Sareng fish (Wallago attu, helicopter catfish) with rice is the most important offering to goddess Phouleima. It should be cooked with herbs and not with spices.&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.ernet.108375/page/93/mode/1up?q=Phou+kouba+threshing+rice+mishap+theft+burning+paddy+cow+trespasses+sareng+fish&amp;amp;view=theater|title=Religion Of Manipur|last=Parratt|first=Saroj Nalini|date=1980|publisher=Firma Klm|pages=93}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In such cases, Sareng fish (Wallago attu, helicopter catfish) with rice is the most important offering to goddess Phouleima. It should be cooked with herbs and not with spices.&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.ernet.108375/page/93/mode/1up?q=Phou+kouba+threshing+rice+mishap+theft+burning+paddy+cow+trespasses+sareng+fish&amp;amp;view=theater|title=Religion Of Manipur|last=Parratt|first=Saroj Nalini|date=1980|publisher=Firma Klm|pages=93}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304096&amp;oldid=prev</id>
		<title>SonOfZeus: /* In commerce */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304096&amp;oldid=prev"/>
		<updated>2022-02-19T14:09:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;In commerce&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:39, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l130&quot;&gt;Line 130:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 130:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Imphal, Manipur (62).jpeg|thumb|300px|One of the three building complexes of the Ima Keithel (Women&#039;s Market) in [[Imphal]]]]   &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Ima Keithel]] ({{lang-en|[[Mothers&amp;#039; Market]]}}), the world&amp;#039;s only women run market, has three major building complexes.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=eENU_a8c79MC&amp;amp;pg=PA974&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjG3bnvrpfzAhVDjeYKHRZQCUk4UBDoAXoECAkQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20khwairamband%20only%20women%20world&amp;amp;f=false|title=Encyclopaedia of India, Pakistan and Bangladesh|last=Gupta|first=Om|date=2006|publisher=Gyan Publishing House|isbn=978-81-8205-389-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vjzcDAAAQBAJ&amp;amp;pg=PT37&amp;amp;dq=ima+market+nupi+keithel&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjaxPvFr5fzAhWjjuYKHV8rBMkQ6AF6BAgDEAM#v=onepage&amp;amp;q=ima%20market%20nupi%20keithel%20only%20women%20world&amp;amp;f=false|title=Vyapar Shastra|last=Shivhare|first=Vishal|date=2016-08-17|publisher=Jaico Publishing House|isbn=978-81-8495-898-0|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt; Phouoibi Ima Keithel is the Complex Number 3, preceded by [[Leimarel Sidabi|Leimarel Sidabi Ima Keithel]] (Complex Number 1) and [[Imoinu|Imoinu Ima Keithel]] (Complex Number 2).&amp;lt;ref&amp;gt;{{Cite web|url=https://m.timesofindia.com/city/imphal/all-women-imphal-market-reopens-after-10-months/amp_articleshow/80974793.cms|title=All-women Imphal market reopens after 10 months|website=m.timesofindia.com}}&amp;lt;/ref&amp;gt; This 500 years old market is in the center of [[Imphal]], the metropolis of [[Manipur]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Ima Keithel]] ({{lang-en|[[Mothers&amp;#039; Market]]}}), the world&amp;#039;s only women run market, has three major building complexes.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=eENU_a8c79MC&amp;amp;pg=PA974&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjG3bnvrpfzAhVDjeYKHRZQCUk4UBDoAXoECAkQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20khwairamband%20only%20women%20world&amp;amp;f=false|title=Encyclopaedia of India, Pakistan and Bangladesh|last=Gupta|first=Om|date=2006|publisher=Gyan Publishing House|isbn=978-81-8205-389-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vjzcDAAAQBAJ&amp;amp;pg=PT37&amp;amp;dq=ima+market+nupi+keithel&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjaxPvFr5fzAhWjjuYKHV8rBMkQ6AF6BAgDEAM#v=onepage&amp;amp;q=ima%20market%20nupi%20keithel%20only%20women%20world&amp;amp;f=false|title=Vyapar Shastra|last=Shivhare|first=Vishal|date=2016-08-17|publisher=Jaico Publishing House|isbn=978-81-8495-898-0|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt; Phouoibi Ima Keithel is the Complex Number 3, preceded by [[Leimarel Sidabi|Leimarel Sidabi Ima Keithel]] (Complex Number 1) and [[Imoinu|Imoinu Ima Keithel]] (Complex Number 2).&amp;lt;ref&amp;gt;{{Cite web|url=https://m.timesofindia.com/city/imphal/all-women-imphal-market-reopens-after-10-months/amp_articleshow/80974793.cms|title=All-women Imphal market reopens after 10 months|website=m.timesofindia.com}}&amp;lt;/ref&amp;gt; This 500 years old market is in the center of [[Imphal]], the metropolis of [[Manipur]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Reflist}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304090&amp;oldid=prev</id>
		<title>SonOfZeus at 13:47, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304090&amp;oldid=prev"/>
		<updated>2022-02-19T13:47:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:17, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Phouleima&amp;#039;&amp;#039;&amp;#039; ({{lang-omp|ꯐꯧꯂꯩꯃ|phou-lei-ma}}) or &amp;#039;&amp;#039;&amp;#039;Phouoibi&amp;#039;&amp;#039;&amp;#039; ({{lang-mni|ꯐꯧꯑꯣꯢꯕꯤ|phou-oi-bee}}) is the goddess of agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in [[Meitei mythology]] and [[Meitei religion|religion]] of [[Ancient Kangleipak]] ([[Antique Manipur]]).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Phouleima&amp;#039;&amp;#039;&amp;#039; ({{lang-omp|ꯐꯧꯂꯩꯃ|phou-lei-ma}}) or &amp;#039;&amp;#039;&amp;#039;Phouoibi&amp;#039;&amp;#039;&amp;#039; ({{lang-mni|ꯐꯧꯑꯣꯢꯕꯤ|phou-oi-bee}}) is the goddess of agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in [[Meitei mythology]] and [[Meitei religion|religion]] of [[Ancient Kangleipak]] ([[Antique Manipur]]).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She is the lover of [[Akongjamba]], a nobleman &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/del&gt;[[Ancient Moirang]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=X31aDwAAQBAJ&amp;amp;pg=PT236&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiutvjxyZD1AhUy7XMBHVnhDMM4MhDoAXoECAcQAw#v=onepage&amp;amp;q=Akongjamba%20(hero)%20and%20Phouoibi%20(heroine)&amp;amp;f=false|title=Northeast India: A Reader|last=Oinam|first=Bhagat|last2=Sadokpam|first2=Dhiren A.|date=2018-05-11|publisher=Taylor &amp;amp; Francis|isbn=978-0-429-95320-0|language=en}}&amp;lt;/ref&amp;gt; But fate doesn&#039;t permit the lovers to unite. So, she reincarnated with Akongjamba in the legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She is the lover of [[Akongjamba]], a nobleman &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of &lt;/ins&gt;[[Ancient Moirang]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=X31aDwAAQBAJ&amp;amp;pg=PT236&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiutvjxyZD1AhUy7XMBHVnhDMM4MhDoAXoECAcQAw#v=onepage&amp;amp;q=Akongjamba%20(hero)%20and%20Phouoibi%20(heroine)&amp;amp;f=false|title=Northeast India: A Reader|last=Oinam|first=Bhagat|last2=Sadokpam|first2=Dhiren A.|date=2018-05-11|publisher=Taylor &amp;amp; Francis|isbn=978-0-429-95320-0|language=en}}&amp;lt;/ref&amp;gt; But fate doesn&#039;t permit the lovers to unite. So, she reincarnated with Akongjamba in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Moirang Shayon]] &lt;/ins&gt;legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She was sent by [[Thangjing]] to [[Ancient Moirang|Kege Moirang (Keke Moilang)]] to prosper the human world.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vDduAAAAMAAJ&amp;amp;dq=thangjing&amp;amp;focus=searchwithinvolume&amp;amp;q=Lord+Thangjing+made+incarnated+moirang+|title=Proceedings of North East India History Association|last=Session|first=North East India History Association|date=1999|publisher=The Association|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She was sent by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;God &lt;/ins&gt;[[Thangjing]] to [[Ancient Moirang|Kege Moirang (Keke Moilang)]] to prosper the human world.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vDduAAAAMAAJ&amp;amp;dq=thangjing&amp;amp;focus=searchwithinvolume&amp;amp;q=Lord+Thangjing+made+incarnated+moirang+|title=Proceedings of North East India History Association|last=Session|first=North East India History Association|date=1999|publisher=The Association|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The lives of the two legendary lovers were believed to be enacted by God [[Thangjing]] as a part of the [[Moirang Shayon|Moirang Saiyon]] of the [[Moirang Kangleirol]] legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=Z6d-IyINtk4C&amp;amp;pg=PA678&amp;amp;dq=akongjamba+phaoibi+legendary+love+stories+enacted+kangleirol+saion&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjGvPT7wpX1AhX2yjgGHTEQBF0Q6AF6BAgDEAM#v=onepage&amp;amp;q=akongjamba%20phaoibi%20legendary%20love%20stories%20enacted%20kangleirol%20saiyon&amp;amp;f=false|title=Encyclopaedia Of Manipur (3 Vol.)|last=Lisam|first=Khomdan Singh|date=2011|publisher=Gyan Publishing House|isbn=978-81-7835-864-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The lives of the two legendary lovers were believed to be enacted by God [[Thangjing]] as a part of the [[Moirang Shayon|Moirang Saiyon]] of the [[Moirang Kangleirol]] legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=Z6d-IyINtk4C&amp;amp;pg=PA678&amp;amp;dq=akongjamba+phaoibi+legendary+love+stories+enacted+kangleirol+saion&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjGvPT7wpX1AhX2yjgGHTEQBF0Q6AF6BAgDEAM#v=onepage&amp;amp;q=akongjamba%20phaoibi%20legendary%20love%20stories%20enacted%20kangleirol%20saiyon&amp;amp;f=false|title=Encyclopaedia Of Manipur (3 Vol.)|last=Lisam|first=Khomdan Singh|date=2011|publisher=Gyan Publishing House|isbn=978-81-7835-864-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304089&amp;oldid=prev</id>
		<title>SonOfZeus at 13:44, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304089&amp;oldid=prev"/>
		<updated>2022-02-19T13:44:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:14, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox deity&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox deity&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|name=Phouleima  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|name=Phouleima  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|type=Meitei&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|member_of=[[Lairembi]]s&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|member_of=[[Lairembi]]s&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|deity_of=Goddess of agriculture, crops, fertility, grains, harvesting, paddy, rice and wealth&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|deity_of=Goddess of agriculture, crops, fertility, grains, harvesting, paddy, rice and wealth&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304088&amp;oldid=prev</id>
		<title>SonOfZeus at 13:41, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304088&amp;oldid=prev"/>
		<updated>2022-02-19T13:41:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:11, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|artefacts=Round black stone kept inside a pot&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|artefacts=Round black stone kept inside a pot&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Phouleima&#039;&#039;&#039; or &#039;&#039;&#039;Phouoibi&#039;&#039;&#039; is the goddess of agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in [[Meitei mythology]] and [[Meitei religion|religion]] of [[Ancient Kangleipak]] ([[Antique Manipur]]).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Phouleima&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;({{lang-omp|ꯐꯧꯂꯩꯃ|phou-lei-ma}}) &lt;/ins&gt;or &#039;&#039;&#039;Phouoibi&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;({{lang-mni|ꯐꯧꯑꯣꯢꯕꯤ|phou-oi-bee}}) &lt;/ins&gt;is the goddess of agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in [[Meitei mythology]] and [[Meitei religion|religion]] of [[Ancient Kangleipak]] ([[Antique Manipur]]).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She is the lover of [[Akongjamba]], a nobleman in [[Ancient Moirang]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=X31aDwAAQBAJ&amp;amp;pg=PT236&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiutvjxyZD1AhUy7XMBHVnhDMM4MhDoAXoECAcQAw#v=onepage&amp;amp;q=Akongjamba%20(hero)%20and%20Phouoibi%20(heroine)&amp;amp;f=false|title=Northeast India: A Reader|last=Oinam|first=Bhagat|last2=Sadokpam|first2=Dhiren A.|date=2018-05-11|publisher=Taylor &amp;amp; Francis|isbn=978-0-429-95320-0|language=en}}&amp;lt;/ref&amp;gt; But fate doesn&amp;#039;t permit the lovers to unite. So, she reincarnated with Akongjamba in the legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She is the lover of [[Akongjamba]], a nobleman in [[Ancient Moirang]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=X31aDwAAQBAJ&amp;amp;pg=PT236&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiutvjxyZD1AhUy7XMBHVnhDMM4MhDoAXoECAcQAw#v=onepage&amp;amp;q=Akongjamba%20(hero)%20and%20Phouoibi%20(heroine)&amp;amp;f=false|title=Northeast India: A Reader|last=Oinam|first=Bhagat|last2=Sadokpam|first2=Dhiren A.|date=2018-05-11|publisher=Taylor &amp;amp; Francis|isbn=978-0-429-95320-0|language=en}}&amp;lt;/ref&amp;gt; But fate doesn&amp;#039;t permit the lovers to unite. So, she reincarnated with Akongjamba in the legends.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=tIBymmBWqgsC&amp;amp;pg=PA14&amp;amp;dq=Phouoibi+goddess+wealth+Fouoibi+akong+jamba&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjUsNONnJD1AhXJkNgFHfeGDXIQ6AF6BAgDEAM#v=onepage&amp;amp;q=Phouoibi%20goddess%20wealth%20Fouoibi%20akong%20jamba&amp;amp;f=false|title=The Lois of Manipur: Andro, Khurkhul, Phayeng and Sekmai|last=Devi|first=Lairenlakpam Bino|date=2002|publisher=Mittal Publications|isbn=978-81-7099-849-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She was sent by [[Thangjing]] to [[Ancient Moirang|Kege Moirang (Keke Moilang)]] to prosper the human world.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vDduAAAAMAAJ&amp;amp;dq=thangjing&amp;amp;focus=searchwithinvolume&amp;amp;q=Lord+Thangjing+made+incarnated+moirang+|title=Proceedings of North East India History Association|last=Session|first=North East India History Association|date=1999|publisher=The Association|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She was sent by [[Thangjing]] to [[Ancient Moirang|Kege Moirang (Keke Moilang)]] to prosper the human world.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vDduAAAAMAAJ&amp;amp;dq=thangjing&amp;amp;focus=searchwithinvolume&amp;amp;q=Lord+Thangjing+made+incarnated+moirang+|title=Proceedings of North East India History Association|last=Session|first=North East India History Association|date=1999|publisher=The Association|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304087&amp;oldid=prev</id>
		<title>SonOfZeus at 13:39, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304087&amp;oldid=prev"/>
		<updated>2022-02-19T13:39:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:09, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l126&quot;&gt;Line 126:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 126:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1979, &#039;&#039;&#039;Phouoibi (formerly known as KD6-2-1)&#039;&#039;&#039; and &#039;&#039;&#039;Punshi (formerly known as KD6-18-7)&#039;&#039;&#039; were developed in Manipur State Rice Research Center, Wangbal. After these &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;rice&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;varieties were released, 75 percent of the areas planting high yielding crops constitute 25 percent of Phouoibi rice. Phouoibi matures in 135 days (4-5 months).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=fA7WoWucXDoC&amp;amp;pg=PA8&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgGEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 5|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=LFLNO4m53Y0C&amp;amp;pg=PA10&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgFEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 8 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt; These rice varieties were found to be more likely to be affected by the insects as compared to the local varieties like &#039;&#039;Phourel&#039;&#039; and &#039;&#039;Moirang Phou&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=s0iMSgdmp9cC&amp;amp;pg=PA14&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj10viuz5D1AhXyyzgGHbYcAuI4ChDoAXoECAgQAw#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1979, &#039;&#039;&#039;Phouoibi (formerly known as KD6-2-1)&#039;&#039;&#039; and &#039;&#039;&#039;Punshi (formerly known as KD6-18-7)&#039;&#039;&#039; were developed in Manipur State Rice Research Center, Wangbal. After these rice varieties were released, 75 percent of the areas planting high yielding crops constitute 25 percent of Phouoibi rice. Phouoibi matures in 135 days (4-5 months).&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=fA7WoWucXDoC&amp;amp;pg=PA8&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgGEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 5|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=LFLNO4m53Y0C&amp;amp;pg=PA10&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjCgfWyzJD1AhWczTgGHY31BkIQ6AF6BAgFEAM#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 8 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt; These rice varieties were found to be more likely to be affected by the insects as compared to the local varieties like &#039;&#039;Phourel&#039;&#039; and &#039;&#039;Moirang Phou&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=s0iMSgdmp9cC&amp;amp;pg=PA14&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwj10viuz5D1AhXyyzgGHbYcAuI4ChDoAXoECAgQAw#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=International Rice Research Notes Vol 7 No 1|publisher=IRRI|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In commerce ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Ima Keithel]] ({{lang-en|[[Mothers&amp;#039; Market]]}}), the world&amp;#039;s only women run market, has three major building complexes.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=eENU_a8c79MC&amp;amp;pg=PA974&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjG3bnvrpfzAhVDjeYKHRZQCUk4UBDoAXoECAkQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20khwairamband%20only%20women%20world&amp;amp;f=false|title=Encyclopaedia of India, Pakistan and Bangladesh|last=Gupta|first=Om|date=2006|publisher=Gyan Publishing House|isbn=978-81-8205-389-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vjzcDAAAQBAJ&amp;amp;pg=PT37&amp;amp;dq=ima+market+nupi+keithel&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjaxPvFr5fzAhWjjuYKHV8rBMkQ6AF6BAgDEAM#v=onepage&amp;amp;q=ima%20market%20nupi%20keithel%20only%20women%20world&amp;amp;f=false|title=Vyapar Shastra|last=Shivhare|first=Vishal|date=2016-08-17|publisher=Jaico Publishing House|isbn=978-81-8495-898-0|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt; Phouoibi Ima Keithel is the Complex Number 3, preceded by [[Leimarel Sidabi|Leimarel Sidabi Ima Keithel]] (Complex Number 1) and [[Imoinu|Imoinu Ima Keithel]] (Complex Number 2).&amp;lt;ref&amp;gt;{{Cite web|url=https://m.timesofindia.com/city/imphal/all-women-imphal-market-reopens-after-10-months/amp_articleshow/80974793.cms|title=All-women Imphal market reopens after 10 months|website=m.timesofindia.com}}&amp;lt;/ref&amp;gt; This 500 years old market is in the center of [[Imphal]], the metropolis of [[Manipur]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Ima Keithel]] ({{lang-en|[[Mothers&amp;#039; Market]]}}), the world&amp;#039;s only women run market, has three major building complexes.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=eENU_a8c79MC&amp;amp;pg=PA974&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjG3bnvrpfzAhVDjeYKHRZQCUk4UBDoAXoECAkQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20khwairamband%20only%20women%20world&amp;amp;f=false|title=Encyclopaedia of India, Pakistan and Bangladesh|last=Gupta|first=Om|date=2006|publisher=Gyan Publishing House|isbn=978-81-8205-389-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vjzcDAAAQBAJ&amp;amp;pg=PT37&amp;amp;dq=ima+market+nupi+keithel&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjaxPvFr5fzAhWjjuYKHV8rBMkQ6AF6BAgDEAM#v=onepage&amp;amp;q=ima%20market%20nupi%20keithel%20only%20women%20world&amp;amp;f=false|title=Vyapar Shastra|last=Shivhare|first=Vishal|date=2016-08-17|publisher=Jaico Publishing House|isbn=978-81-8495-898-0|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt; Phouoibi Ima Keithel is the Complex Number 3, preceded by [[Leimarel Sidabi|Leimarel Sidabi Ima Keithel]] (Complex Number 1) and [[Imoinu|Imoinu Ima Keithel]] (Complex Number 2).&amp;lt;ref&amp;gt;{{Cite web|url=https://m.timesofindia.com/city/imphal/all-women-imphal-market-reopens-after-10-months/amp_articleshow/80974793.cms|title=All-women Imphal market reopens after 10 months|website=m.timesofindia.com}}&amp;lt;/ref&amp;gt; This 500 years old market is in the center of [[Imphal]], the metropolis of [[Manipur]].&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=kbu_AwAAQBAJ&amp;amp;pg=PA4&amp;amp;dq=ima+keithel+market&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwi_76qlrpfzAhXs73MBHd92Cnc4PBDoAXoECAoQAw#v=onepage&amp;amp;q=ima%20keithel%20market%20only%20women%20world&amp;amp;f=false|title=The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India|last=Singh|first=Dr Th Suresh|date=2014-06-02|publisher=Quills Ink Publishing|isbn=978-93-84318-00-0|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304086&amp;oldid=prev</id>
		<title>SonOfZeus at 13:39, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304086&amp;oldid=prev"/>
		<updated>2022-02-19T13:39:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:09, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l119&quot;&gt;Line 119:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 119:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;&amp;#039;Loyumba Shinyen&amp;#039;&amp;#039;&amp;#039; mentions that people of a family named [[Sorokhaibam|Sharotkhaibam (Sorokhaibam)]] used to invoke the goddess of paddy in ancient times.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;&amp;#039;Loyumba Shinyen&amp;#039;&amp;#039;&amp;#039; mentions that people of a family named [[Sorokhaibam|Sharotkhaibam (Sorokhaibam)]] used to invoke the goddess of paddy in ancient times.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=vO-vtI8NuxIC&amp;amp;pg=PA4&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjJ2P_zmZD1AhWijuYKHTgoDV0Q6AF6BAgDEAM#v=snippet&amp;amp;q=phouoibi%20goddess%20paddy%20sharotkhaibam%20invoke&amp;amp;f=false|title=Manipur: Treatise &amp;amp; Documents|last=Sanajaoba|first=Naorem|date=1993|publisher=Mittal Publications|isbn=978-81-7099-399-5|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== In contemporary culture ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== In contemporary culture ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;[[Phou-oibi, the rice goddess]] is a 2009 ballad opera performed by the [[Laihui Ensemble]]. It is based on the story of the goddess and her sisters.&amp;lt;ref&amp;gt;{{Cite web|url=http://www.manipur.org/news/2013/03/22/laihui-ensemble-manipur-%E2%80%93-phou-oibi-the-rice-goddess-to-perform-at-esplanade-theatre-studio-singapore/|title=Laihui Ensemble Manipur – Phou-oibi, the Rice Goddess to perform at Esplanade Theatre Studio Singapore|website=www.manipur.org}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://sgmagazine.com/events/singapore-music-festivals/phou-oibi-rice-goddess-laihui-ensemble|title=Phou-Oibi, the Rice Goddess by Laihui Ensemble|website=sgmagazine.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Phou-oibi, the rice goddess ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;[[Phouoibi Shayon]] is a 2017 [[Manipuri language|Manipuri]] mythology movie based on the story of the goddess and her sisters.&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=20..010417.apr17|title=Phouoibi Shayon to be shown at Shankar : 01st apr17 ~ E-Pao! Headlines|website=e-pao.net}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://www.manipur.org/news/2017/03/31/phouoibi-shayon-to-be-shown-at-shankar/|title=Phouoibi Shayon to be shown at Shankar – Manipur News}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.imphaltimes.com/news/item/8155-film-release|title=Film Release - Imphal Times|first=Maheshwar|last=Gurumayum|website=www.imphaltimes.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Phou-oibi, the rice goddess]] is a 2009 ballad opera performed by the [[Laihui Ensemble]]. It is based on the story of the goddess and her sisters.&amp;lt;ref&amp;gt;{{Cite web|url=http://www.manipur.org/news/2013/03/22/laihui-ensemble-manipur-%E2%80%93-phou-oibi-the-rice-goddess-to-perform-at-esplanade-theatre-studio-singapore/|title=Laihui Ensemble Manipur – Phou-oibi, the Rice Goddess to perform at Esplanade Theatre Studio Singapore|website=www.manipur.org}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://sgmagazine.com/events/singapore-music-festivals/phou-oibi-rice-goddess-laihui-ensemble|title=Phou-Oibi, the Rice Goddess by Laihui Ensemble|website=sgmagazine.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Phouoibi Shayon ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Phouoibi Shayon]] is a 2017 [[Manipuri language|Manipuri]] mythology movie based on the story of the goddess and her sisters.&amp;lt;ref&amp;gt;{{Cite web|url=http://e-pao.net/GP.asp?src=20..010417.apr17|title=Phouoibi Shayon to be shown at Shankar : 01st apr17 ~ E-Pao! Headlines|website=e-pao.net}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=http://www.manipur.org/news/2017/03/31/phouoibi-shayon-to-be-shown-at-shankar/|title=Phouoibi Shayon to be shown at Shankar – Manipur News}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.imphaltimes.com/news/item/8155-film-release|title=Film Release - Imphal Times|first=Maheshwar|last=Gurumayum|website=www.imphaltimes.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Namesakes ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In agriculture ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SonOfZeus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304085&amp;oldid=prev</id>
		<title>SonOfZeus at 13:37, 19 February 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Phouleima&amp;diff=304085&amp;oldid=prev"/>
		<updated>2022-02-19T13:37:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:07, 19 February 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l108&quot;&gt;Line 108:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 108:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goddess Phouleima often appears in ancient potteries. She is personified in a round black stone sitting in a pot. It is placed upon the bed of rice grains inside the granary. It is never kept directly on the ground. As long as the goddess is respected, the granary has no lack of grains.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=Cj5OAwAAQBAJ&amp;amp;pg=PA117&amp;amp;dq=phoureima&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjA0o2C0ZD1AhVmyDgGHTvhAeIQ6AF6BAgIEAM#v=onepage&amp;amp;q=phoureima%20round%20black%20stone%20sitting%20in%20a%20pot%20upon%20a%20bed%20of%20rice%20grains%20(never%20directly%20on%20the%20ground)%20within%20the%20granary.%20So%20long%20as%20the%20goddess%20is%20honored%20in%20this%20way,%20no%20shortage%20rice&amp;amp;f=false|title=Encyclopedia of Goddesses and Heroines|last=PhD|first=Patricia Monaghan|date=2014-04-01|publisher=New World Library|isbn=978-1-60868-218-8|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=yyQoAQAAMAAJ&amp;amp;q=phoureima&amp;amp;dq=phoureima&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjU0Pbbwq_uAhWRj-YKHZOdBkAQ6AEwAHoECAQQAg|title=The Art of Rice: Spirit and Sustenance in Asia|last=Hamilton|first=Roy W.|last2=Ammayao|first2=Aurora|date=2003|publisher=UCLA Fowler Museum of Cultural History|isbn=978-0-930741-98-3|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goddess Phouleima often appears in ancient potteries. She is personified in a round black stone sitting in a pot. It is placed upon the bed of rice grains inside the granary. It is never kept directly on the ground. As long as the goddess is respected, the granary has no lack of grains.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=Cj5OAwAAQBAJ&amp;amp;pg=PA117&amp;amp;dq=phoureima&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjA0o2C0ZD1AhVmyDgGHTvhAeIQ6AF6BAgIEAM#v=onepage&amp;amp;q=phoureima%20round%20black%20stone%20sitting%20in%20a%20pot%20upon%20a%20bed%20of%20rice%20grains%20(never%20directly%20on%20the%20ground)%20within%20the%20granary.%20So%20long%20as%20the%20goddess%20is%20honored%20in%20this%20way,%20no%20shortage%20rice&amp;amp;f=false|title=Encyclopedia of Goddesses and Heroines|last=PhD|first=Patricia Monaghan|date=2014-04-01|publisher=New World Library|isbn=978-1-60868-218-8|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=yyQoAQAAMAAJ&amp;amp;q=phoureima&amp;amp;dq=phoureima&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjU0Pbbwq_uAhWRj-YKHZOdBkAQ6AEwAHoECAQQAg|title=The Art of Rice: Spirit and Sustenance in Asia|last=Hamilton|first=Roy W.|last2=Ammayao|first2=Aurora|date=2003|publisher=UCLA Fowler Museum of Cultural History|isbn=978-0-930741-98-3|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Texts ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Texts ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In Phouoibi Waron ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;Phouoibi Waron ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Phouoibi Waron}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Phouoibi Waron}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&#039;Phouoibi Waron (Phouoibi Warol)&#039;&#039;&#039; is a 13-14th century [[Meitei language&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Meitei&lt;/del&gt;]] literary work that mentions Goddess Phouleima (Phouoibi) as a very tricky lady. According to the text, the goddess has love affairs with multiple partners and she always departs them.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.bengal.10689.12897/page/n392/mode/2up?q|title=MEDIEVAL INDIAN LITERATURE AN ANTHOLOGY VOL. 3|last=N.A|date=1959|publisher=SAHITYA AKADEMI, NEW DELHI}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=9sljAAAAMAAJ&amp;amp;q=phouoibi&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwA3oECAYQAg|title=Medieval Indian Literature: An Anthology|date=1997|publisher=Sahitya Akademi|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&#039;Phouoibi Waron (Phouoibi Warol)&#039;&#039;&#039; is a 13-14th century [[Meitei language]] literary work that mentions Goddess Phouleima (Phouoibi) as a very tricky lady. According to the text, the goddess has love affairs with multiple partners and she always departs them.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=KYLpvaKJIMEC&amp;amp;pg=PA334&amp;amp;dq=phou-oibi+waron+lady+paddy+plenty+rice+goddess+fickle&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiqwsXUtJD1AhXV6XMBHQaUAcIQ6AF6BAgJEAM#v=onepage&amp;amp;q=phou-oibi%20waron%20lady%20paddy%20plenty%20rice%20goddess%20fickle&amp;amp;f=false|title=Medieval Indian Literature: Surveys and selections|last=Paniker|first=K. Ayyappa|date=1997|publisher=Sahitya Akademi|isbn=978-81-260-0365-5|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=c276DwAAQBAJ&amp;amp;pg=PT137&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwAnoECAEQAg#v=onepage&amp;amp;q=phouoibi&amp;amp;f=false|title=The Cultural Heritage of Manipur|last=Meitei|first=Sanjenbam Yaiphaba|last2=Chaudhuri|first2=Sarit K.|last3=Arunkumar|first3=M. C.|date=2020-11-25|publisher=Routledge|isbn=978-1-000-29637-2|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=http://archive.org/details/dli.bengal.10689.12897/page/n392/mode/2up?q|title=MEDIEVAL INDIAN LITERATURE AN ANTHOLOGY VOL. 3|last=N.A|date=1959|publisher=SAHITYA AKADEMI, NEW DELHI}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.co.in/books?id=9sljAAAAMAAJ&amp;amp;q=phouoibi&amp;amp;dq=phouoibi&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjhq9ulwq_uAhU28HMBHVhDCoIQ6AEwA3oECAYQAg|title=Medieval Indian Literature: An Anthology|date=1997|publisher=Sahitya Akademi|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In the Ningthourol Lambuba ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In the Ningthourol Lambuba ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Ningthourol Lambuba}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Ningthourol Lambuba}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>SonOfZeus</name></author>
	</entry>
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