https://en.bharatpedia.org/w/index.php?action=history&feed=atom&title=Pather_PanchaliPather Panchali - Revision history2026-11-15T11:22:43ZRevision history for this page on the wikiMediaWiki 1.43.6https://en.bharatpedia.org/w/index.php?title=Pather_Panchali&diff=547556&oldid=prev85.255.237.127 at 03:29, 9 May 20262026-05-09T03:29:13Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:59, 9 May 2026</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Monroe Wheeler]], head of the department of exhibitions and publications at New York's [[Museum of Modern Art]] (MoMA),<ref>{{cite news | url=https://query.nytimes.com/gst/fullpage.html?res=940DE2DC143DF935A2575BC0A96E948260 | title=Monroe Wheeler, Board Member of Modern Museum, Is Dead at 89 | last=McGill | first=Douglas c. | date=16 August 1988 | access-date=13 June 2008 | newspaper=The New York Times | archive-url=https://web.archive.org/web/20131208051113/http://www.nytimes.com/1988/08/16/obituaries/monroe-wheeler-board-member-of-modern-museum-is-dead-at-89.html | archive-date=8 December 2013}}</ref> who was in Calcutta in 1954, heard about the project and met Ray. He considered the incomplete footage to be of very high quality and encouraged Ray to finish the film so that it could be shown at a MoMA exhibition the following year.{{sfn|Robinson|1989|p=83}} Six months later, American director [[John Huston]] visited India for some early [[location scouting]] for ''[[The Man Who Would Be King (film)|The Man Who Would Be King]]'' (eventually made in 1975).{{sfn|Robinson|1989|p=87}} Wheeler had asked Huston to check the progress of Ray's project.{{sfn|Robinson|1989|p=86}} Huston saw excerpts of the unfinished film and recognised "the work of a great film-maker".{{sfn|Robinson|1989|p=87}} Because of Huston's positive feedback, MoMA helped Ray with additional money.<ref>[[Amitav Ghosh]] in his essay "Satyajit Ray" in {{Harvnb|Khair|2005|pp=3–4}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Monroe Wheeler]], head of the department of exhibitions and publications at New York's [[Museum of Modern Art]] (MoMA),<ref>{{cite news | url=https://query.nytimes.com/gst/fullpage.html?res=940DE2DC143DF935A2575BC0A96E948260 | title=Monroe Wheeler, Board Member of Modern Museum, Is Dead at 89 | last=McGill | first=Douglas c. | date=16 August 1988 | access-date=13 June 2008 | newspaper=The New York Times | archive-url=https://web.archive.org/web/20131208051113/http://www.nytimes.com/1988/08/16/obituaries/monroe-wheeler-board-member-of-modern-museum-is-dead-at-89.html | archive-date=8 December 2013}}</ref> who was in Calcutta in 1954, heard about the project and met Ray. He considered the incomplete footage to be of very high quality and encouraged Ray to finish the film so that it could be shown at a MoMA exhibition the following year.{{sfn|Robinson|1989|p=83}} Six months later, American director [[John Huston]] visited India for some early [[location scouting]] for ''[[The Man Who Would Be King (film)|The Man Who Would Be King]]'' (eventually made in 1975).{{sfn|Robinson|1989|p=87}} Wheeler had asked Huston to check the progress of Ray's project.{{sfn|Robinson|1989|p=86}} Huston saw excerpts of the unfinished film and recognised "the work of a great film-maker".{{sfn|Robinson|1989|p=87}} Because of Huston's positive feedback, MoMA helped Ray with additional money.<ref>[[Amitav Ghosh]] in his essay "Satyajit Ray" in {{Harvnb|Khair|2005|pp=3–4}}</ref></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kishore Kumar]], a close friend and relative of Ray who he had immense respect for him gave 5000 rupees to save the film from being shut down.<ref>{{cite web |title=Kishore Kumar gave Satyajit Ray Rs 5,000 to save Pather Panchali; his first wife lived at Ray’s house for 3 years after they separated: Amit Kumar |url=https://indianexpress.com/article/entertainment/bollywood/kishore-kumar-gave-satyajit-ray-rs-5000-to-save-pather-panchali-his-first-wife-lived-at-rays-house-for-3-years-after-they-separated-amit-kumar-10129654/ |website=The Indian Express |publisher=Entertainment Desk |access-date=May 8, 2026}}</ref></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Including the delays and hiatuses in production, it took three years to complete the shooting of {{Lang|bn-latn|Pather Panchali}}.{{sfn|Mehta|1998|p=222}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Including the delays and hiatuses in production, it took three years to complete the shooting of {{Lang|bn-latn|Pather Panchali}}.{{sfn|Mehta|1998|p=222}}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The international success of [[Akira Kurosawa]]'s Japanese film ''[[Rashomon (film)|Rashomon]]'' (1950) and [[Bimal Roy]]'s 1953 Hindi film ''[[Do Bigha Zamin]]'' (which was shot partly on location and was about a peasant family) led Ray to believe that {{Lang|bn-latn|Pather Panchali}} would find an international audience.{{sfn|Robinson|1989|p=82}} Ray also had more indigenous influences, such as Bengali literature and the native [[Theatre of India|Indian theatrical tradition]], particularly the ''[[Rasa (aesthetics)|rasa]]'' theory of classical [[Sanskrit drama]]. Darius Cooper describes the complicated doctrine of ''rasa'' as "{{nowrap|center[ed]}} predominantly on feelings experienced not only by the characters but also conveyed in a certain artistic way to the spectator".{{sfn|Cooper|2000|pp=1–4}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The international success of [[Akira Kurosawa]]'s Japanese film ''[[Rashomon (film)|Rashomon]]'' (1950) and [[Bimal Roy]]'s 1953 Hindi film ''[[Do Bigha Zamin]]'' (which was shot partly on location and was about a peasant family) led Ray to believe that {{Lang|bn-latn|Pather Panchali}} would find an international audience.{{sfn|Robinson|1989|p=82}} Ray also had more indigenous influences, such as Bengali literature and the native [[Theatre of India|Indian theatrical tradition]], particularly the ''[[Rasa (aesthetics)|rasa]]'' theory of classical [[Sanskrit drama]]. Darius Cooper describes the complicated doctrine of ''rasa'' as "{{nowrap|center[ed]}} predominantly on feelings experienced not only by the characters but also conveyed in a certain artistic way to the spectator".{{sfn|Cooper|2000|pp=1–4}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">9 years later, [[Kishore Kumar]] made the movie [[Door Gagan Ki Chhaon Mein]], he was heavily influenced by Pather Panchali, and before making the film, he watched Pather Panchali 13 times before making the film Door Gagan Ki Chhaon Mein.<ref>{{cite web |title=In Focus - How Kishore Kumar Left His Son Speechless |url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/in-focus-how-kishore-kumar-left-his-son-speechless/articleshow/47782866.cms |website=India Times |publisher=Roshmila Bhattacharya |access-date=May 8, 2026}}</ref></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Soundtrack==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Soundtrack==</div></td></tr>
</table>85.255.237.127https://en.bharatpedia.org/w/index.php?title=Pather_Panchali&diff=524755&oldid=prevRajeev067: new first bio initial version2026-04-21T12:06:19Z<p>new first bio initial version</p>
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