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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:03, 6 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image              = Pashupatinath Mandsaur.jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image              = Pashupatinath Mandsaur.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| alt          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| alt          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption            = Eight faced &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;Shiva Linga&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption            = Eight faced &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;Shiva Linga&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| map_type        =  India #India Madhya Pradesh&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| map_type        =  India #India Madhya Pradesh&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;__NOTOC__&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;__NOTOC__&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Pashupatinath Temple at Mandsaur&#039;&#039;&#039;, also referred to as the &#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;Shiva temple&#039;&#039;&#039;, is a [[Hindu temple]] dedicated to Lord [[Shiva]] in [[Mandsaur]], [[Madhya Pradesh, India]]. It belongs to [[Pashupata Shaivism|Pashupatinath]] tradition which is one of 6 major tradition within [[Shaivism]]. It is located on Shivna River, and is known for its eight-faced [[lingam|Shiva Linga]]. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the [[Rajasthan]] border in the historic region of Malwa, about {{convert|200|km}} from [[Indore]], about {{convert|340|km}} west of Udaigiri Caves and about {{convert|220|km}} east of Shamalaji ancient sites, both a significant source of [[Gupta Empire]] era archaeological discoveries.&amp;lt;ref name=&quot;Collins1988p97&quot;/&amp;gt;&amp;lt;ref name=&quot;Schastok1985p43&quot;&amp;gt;{{cite book|author=Sara L. Schastok|title=The Śāmalājī Sculptures and 6th Century Art in Western India|url=https://books.google.com/books?id=jh1fF8HvJmMC&amp;amp;pg=PA43|year=1985|publisher=BRILL Academic|isbn=90-04-06941-0|pages=43–52}}&amp;lt;/ref&amp;gt; The site has been important to dating and the architectural studies of some distant sites such as the [[Elephanta Caves]].&amp;lt;ref name=&quot;Schastok1985p43&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Pashupatinath Temple at Mandsaur&#039;&#039;&#039;, also referred to as the &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;Shiva temple&#039;&#039;&#039;, is a [[Hindu temple]] dedicated to Lord [[Shiva]] in [[Mandsaur]], [[Madhya Pradesh, India]]. It belongs to [[Pashupata Shaivism|Pashupatinath]] tradition which is one of 6 major tradition within [[Shaivism]]. It is located on Shivna River, and is known for its eight-faced [[lingam|Shiva Linga]]. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the [[Rajasthan]] border in the historic region of Malwa, about {{convert|200|km}} from [[Indore]], about {{convert|340|km}} west of Udaigiri Caves and about {{convert|220|km}} east of Shamalaji ancient sites, both a significant source of [[Gupta Empire]] era archaeological discoveries.&amp;lt;ref name=&quot;Collins1988p97&quot;/&amp;gt;&amp;lt;ref name=&quot;Schastok1985p43&quot;&amp;gt;{{cite book|author=Sara L. Schastok|title=The Śāmalājī Sculptures and 6th Century Art in Western India|url=https://books.google.com/books?id=jh1fF8HvJmMC&amp;amp;pg=PA43|year=1985|publisher=BRILL Academic|isbn=90-04-06941-0|pages=43–52}}&amp;lt;/ref&amp;gt; The site has been important to dating and the architectural studies of some distant sites such as the [[Elephanta Caves]].&amp;lt;ref name=&quot;Schastok1985p43&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The site&#039;s history is traceable to the 2nd-century CE when it was already a Hindu pilgrimage site.&amp;lt;ref name=williamsp55/&amp;gt; It is mentioned by the ancient Indian poet [[Kalidasa]], who praises the women of Dashapura as &quot;so practiced in their seductive movements&quot;. Ten inscriptions found in the area suggest the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;site was an important cultural and religious center in the first half of the 1st millennium CE.&amp;lt;ref name=williamsp55/&amp;gt; Nine of these inscriptions are Sanskrit poems, most dated between 404 and 487 CE, and all include invocations to Hindu gods such as Vasudeva and Shiva in various forms. They mention kings of Gupta Empire era, as well as temples of Dashapura.&amp;lt;ref name=williamsp55&amp;gt;Joanna Williams (1973), [https://www.jstor.org/stable/20111042 The Sculpture of Mandasor], Archives of Asian Art, Vol. 26 (1972/1973), Duke University Press, pp. 50-66&amp;lt;/ref&amp;gt; Together with dozens of temples discovered at a number of sites in western Madhya Pradesh, eastern Rajasthan and northern [[Gujarat]] region, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;site with the Shiva Stele and the temple reflect what Stella Kramrisch called one of the &quot;Western schools&quot; of ancient and early medieval Indian art.&amp;lt;ref name=&quot;Kramrisch1983p202&quot;&amp;gt;{{cite book|author=Stella Kramrisch|authorlink=Stella Kramrisch|title=Exploring India&#039;s Sacred Art |url=https://books.google.com/books?id=pQN7O3hEzpQC&amp;amp;pg=PA202 |year =1983|publisher= Motilal Banarsidass  |isbn= 978-0-8122-7856-9|pages =202–203}}&amp;lt;/ref&amp;gt; James Harle concurs and includes the nearby Sondni and Kilchipura sites to the Western school along with regions farther west.&amp;lt;ref name=&quot;Harle1974p27&quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=27–28}}&amp;lt;/ref&amp;gt; According to Harle, the sculpture from the temple and other archaeological findings such as the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;inscriptions – one of which he calls &quot;the longest and certainly the most beautiful of the Gupta inscriptions&quot; – reflect the &quot;flavor of life at its best in Gupta times&quot;.&amp;lt;ref name=&quot;Harle1974p3&quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=3–4}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The site&#039;s history is traceable to the 2nd-century CE when it was already a Hindu pilgrimage site.&amp;lt;ref name=williamsp55/&amp;gt; It is mentioned by the ancient Indian poet [[Kalidasa]], who praises the women of Dashapura as &quot;so practiced in their seductive movements&quot;. Ten inscriptions found in the area suggest the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;site was an important cultural and religious center in the first half of the 1st millennium CE.&amp;lt;ref name=williamsp55/&amp;gt; Nine of these inscriptions are Sanskrit poems, most dated between 404 and 487 CE, and all include invocations to Hindu gods such as Vasudeva and Shiva in various forms. They mention kings of Gupta Empire era, as well as temples of Dashapura.&amp;lt;ref name=williamsp55&amp;gt;Joanna Williams (1973), [https://www.jstor.org/stable/20111042 The Sculpture of Mandasor], Archives of Asian Art, Vol. 26 (1972/1973), Duke University Press, pp. 50-66&amp;lt;/ref&amp;gt; Together with dozens of temples discovered at a number of sites in western Madhya Pradesh, eastern Rajasthan and northern [[Gujarat]] region, the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;site with the Shiva Stele and the temple reflect what Stella Kramrisch called one of the &quot;Western schools&quot; of ancient and early medieval Indian art.&amp;lt;ref name=&quot;Kramrisch1983p202&quot;&amp;gt;{{cite book|author=Stella Kramrisch|authorlink=Stella Kramrisch|title=Exploring India&#039;s Sacred Art |url=https://books.google.com/books?id=pQN7O3hEzpQC&amp;amp;pg=PA202 |year =1983|publisher= Motilal Banarsidass  |isbn= 978-0-8122-7856-9|pages =202–203}}&amp;lt;/ref&amp;gt; James Harle concurs and includes the nearby Sondni and Kilchipura sites to the Western school along with regions farther west.&amp;lt;ref name=&quot;Harle1974p27&quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=27–28}}&amp;lt;/ref&amp;gt; According to Harle, the sculpture from the temple and other archaeological findings such as the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;inscriptions – one of which he calls &quot;the longest and certainly the most beautiful of the Gupta inscriptions&quot; – reflect the &quot;flavor of life at its best in Gupta times&quot;.&amp;lt;ref name=&quot;Harle1974p3&quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=3–4}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The inscriptions, state Harle and other scholars, suggest that the sculpture and temples of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;were built with resources pooled by the common people, such as silk weavers of Dashapura (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor&lt;/del&gt;) who had settled there from Gujarat.&amp;lt;ref name=&quot;Harle1974p3&quot;/&amp;gt;&amp;lt;ref name=&quot;Ayyar1987p17&quot;/&amp;gt; However, these inscriptions mention a [[Surya]] (Sun) temple, a [[Vishnu]] temple and others. They do not mention the Pashupatinath temple. Excavations have yielded several brick temples of Shiva which have been dated to the 6th century, suggesting that Shiva was a prominent deity along with others in ancient Mandasor.&amp;lt;ref name=&quot;Ayyar1987p17&quot;&amp;gt;{{cite book|author=Sulochana Ayyar|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|url=https://books.google.com/books?id=G9eHPXL6UE0C&amp;amp;pg=PA17 |year=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|pages=17–19}}&amp;lt;/ref&amp;gt; Additionally, only the foundations of most early temples and monuments are presently identifiable, as the Buddhist, Hindu and [[Jainism|Jain]] temples in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;were demolished and its stones and relief panels used to build a [[Muslim]] fort after the region was conquered in the late medieval era.&amp;lt;ref name=&quot;Ayyar1987p17&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The inscriptions, state Harle and other scholars, suggest that the sculpture and temples of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;were built with resources pooled by the common people, such as silk weavers of Dashapura (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur&lt;/ins&gt;) who had settled there from Gujarat.&amp;lt;ref name=&quot;Harle1974p3&quot;/&amp;gt;&amp;lt;ref name=&quot;Ayyar1987p17&quot;/&amp;gt; However, these inscriptions mention a [[Surya]] (Sun) temple, a [[Vishnu]] temple and others. They do not mention the Pashupatinath temple. Excavations have yielded several brick temples of Shiva which have been dated to the 6th century, suggesting that Shiva was a prominent deity along with others in ancient Mandasor.&amp;lt;ref name=&quot;Ayyar1987p17&quot;&amp;gt;{{cite book|author=Sulochana Ayyar|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|url=https://books.google.com/books?id=G9eHPXL6UE0C&amp;amp;pg=PA17 |year=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|pages=17–19}}&amp;lt;/ref&amp;gt; Additionally, only the foundations of most early temples and monuments are presently identifiable, as the Buddhist, Hindu and [[Jainism|Jain]] temples in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;were demolished and its stones and relief panels used to build a [[Muslim]] fort after the region was conquered in the late medieval era.&amp;lt;ref name=&quot;Ayyar1987p17&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The eight face Shiva found in the reconstructed Pashupatinath temple is from the 1st millennium CE and a rare iconography. It is {{convert|4.5|m}} tall and was discovered in the river bed of the Shivana.&amp;lt;ref name=goyala172/&amp;gt; It has been reconsecrated into the temple. The upper part of the linga has four heads in a line, while the other four heads are carved below them in the second line. The faces have open eyes, with the third eye on their forehead visible.&amp;lt;ref name=&quot;Bajpai2003p38&quot;/&amp;gt; Each face has elaborate hair probably reflecting the culture of its time for men. Each wears jewelry such as earlobes, necklace and more. The eight faces represent the various aspects of Shiva in regional Shaivism theology: Bhava, Pashupati, Mahadeva, Isana, Rudra, Sharva, Ugra and Asani. It is sometimes referred to as &#039;&#039;Ashtamukha&#039;&#039; or &#039;&#039;Ashtamurti&#039;&#039;. According to Goyala, this &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandasor &lt;/del&gt;linga is likely from the early 6th century.&amp;lt;ref name=goyala172&amp;gt;{{cite book|author=S Goyala|title=Indian Art of the Gupta Age: From Pre-classical Roots to the Emergence of Medieval Trends|url= https://books.google.com/books?id=qKjpAAAAMAAJ|year=2000|publisher=Kusumanjali |page=172}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Bajpai2003p38&quot;&amp;gt;{{cite book|author1=K. D. Bajpai|author2=Santosha Kumāra Vājapeyī|title=Indological researches in India: selected works of Prof. K.D. Bajpai|url=https://books.google.com/books?id=MOJtAAAAMAAJ|year=2003|publisher=Eastern Book |isbn=978-81-7854-025-2|pages=38–40, 78–79, 397}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The eight face Shiva found in the reconstructed Pashupatinath temple is from the 1st millennium CE and a rare iconography. It is {{convert|4.5|m}} tall and was discovered in the river bed of the Shivana.&amp;lt;ref name=goyala172/&amp;gt; It has been reconsecrated into the temple. The upper part of the linga has four heads in a line, while the other four heads are carved below them in the second line. The faces have open eyes, with the third eye on their forehead visible.&amp;lt;ref name=&quot;Bajpai2003p38&quot;/&amp;gt; Each face has elaborate hair probably reflecting the culture of its time for men. Each wears jewelry such as earlobes, necklace and more. The eight faces represent the various aspects of Shiva in regional Shaivism theology: Bhava, Pashupati, Mahadeva, Isana, Rudra, Sharva, Ugra and Asani. It is sometimes referred to as &#039;&#039;Ashtamukha&#039;&#039; or &#039;&#039;Ashtamurti&#039;&#039;. According to Goyala, this &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mandsaur &lt;/ins&gt;linga is likely from the early 6th century.&amp;lt;ref name=goyala172&amp;gt;{{cite book|author=S Goyala|title=Indian Art of the Gupta Age: From Pre-classical Roots to the Emergence of Medieval Trends|url= https://books.google.com/books?id=qKjpAAAAMAAJ|year=2000|publisher=Kusumanjali |page=172}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Bajpai2003p38&quot;&amp;gt;{{cite book|author1=K. D. Bajpai|author2=Santosha Kumāra Vājapeyī|title=Indological researches in India: selected works of Prof. K.D. Bajpai|url=https://books.google.com/books?id=MOJtAAAAMAAJ|year=2003|publisher=Eastern Book |isbn=978-81-7854-025-2|pages=38–40, 78–79, 397}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Pashupatinath_Temple,_Mandsaur&amp;diff=145702&amp;oldid=prev</id>
		<title>imported&gt;Notfrompedro: Restored revision 1022064124 by HerbertCattington (talk): Rv spam</title>
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		<summary type="html">&lt;p&gt;Restored revision 1022064124 by &lt;a href=&quot;/wiki/Special:Contributions/HerbertCattington&quot; title=&quot;Special:Contributions/HerbertCattington&quot;&gt;HerbertCattington&lt;/a&gt; (&lt;a href=&quot;/w/index.php?title=User_talk:HerbertCattington&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User talk:HerbertCattington (page does not exist)&quot;&gt;talk&lt;/a&gt;): Rv spam&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Infobox religious building&lt;br /&gt;
| name               = Pashupatinath Temple&lt;br /&gt;
| image              = Pashupatinath Mandsaur.jpg&lt;br /&gt;
| alt          = &lt;br /&gt;
| caption            = Eight faced Mandasor Shiva Linga&lt;br /&gt;
| map_type        =  India #India Madhya Pradesh&lt;br /&gt;
| relief             = yes&lt;br /&gt;
| religious_affiliation = [[Shaivism]]([[Hinduism]])&lt;br /&gt;
| other_names        = &lt;br /&gt;
| proper_name        = &lt;br /&gt;
| coordinates        = {{coord|24|03|17|N|75|04|22.5|E|display=inline,title}}&lt;br /&gt;
| country            = [[India]]&lt;br /&gt;
| state              = [[Madhya Pradesh]]&lt;br /&gt;
| location           = [[Mandsaur]]&lt;br /&gt;
| elevation_m        = &lt;br /&gt;
| deity      = [[Shiva]], others&lt;br /&gt;
| festivals= &lt;br /&gt;
| architecture       = &lt;br /&gt;
| year_completed         = 5th or 6th-century&amp;lt;ref name=&amp;quot;Collins1988p97&amp;quot;&amp;gt;{{cite book|author=Charles Dillard Collins|title=The Iconography and Ritual of Siva at Elephanta|url=https://books.google.com/books?id=shgtik9gYnIC&amp;amp;pg=PA97|year=1988|publisher=State University of New York Press|isbn=978-0-7914-9953-5|pages=97–120}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| creator            = &lt;br /&gt;
| website            = &lt;br /&gt;
}}&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Pashupatinath Temple at Mandsaur&amp;#039;&amp;#039;&amp;#039;, also referred to as the &amp;#039;&amp;#039;&amp;#039;Mandasor Shiva temple&amp;#039;&amp;#039;&amp;#039;, is a [[Hindu temple]] dedicated to Lord [[Shiva]] in [[Mandsaur]], [[Madhya Pradesh, India]]. It belongs to [[Pashupata Shaivism|Pashupatinath]] tradition which is one of 6 major tradition within [[Shaivism]]. It is located on Shivna River, and is known for its eight-faced [[lingam|Shiva Linga]]. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the [[Rajasthan]] border in the historic region of Malwa, about {{convert|200|km}} from [[Indore]], about {{convert|340|km}} west of Udaigiri Caves and about {{convert|220|km}} east of Shamalaji ancient sites, both a significant source of [[Gupta Empire]] era archaeological discoveries.&amp;lt;ref name=&amp;quot;Collins1988p97&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;Schastok1985p43&amp;quot;&amp;gt;{{cite book|author=Sara L. Schastok|title=The Śāmalājī Sculptures and 6th Century Art in Western India|url=https://books.google.com/books?id=jh1fF8HvJmMC&amp;amp;pg=PA43|year=1985|publisher=BRILL Academic|isbn=90-04-06941-0|pages=43–52}}&amp;lt;/ref&amp;gt; The site has been important to dating and the architectural studies of some distant sites such as the [[Elephanta Caves]].&amp;lt;ref name=&amp;quot;Schastok1985p43&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The site&amp;#039;s history is traceable to the 2nd-century CE when it was already a Hindu pilgrimage site.&amp;lt;ref name=williamsp55/&amp;gt; It is mentioned by the ancient Indian poet [[Kalidasa]], who praises the women of Dashapura as &amp;quot;so practiced in their seductive movements&amp;quot;. Ten inscriptions found in the area suggest the Mandasor site was an important cultural and religious center in the first half of the 1st millennium CE.&amp;lt;ref name=williamsp55/&amp;gt; Nine of these inscriptions are Sanskrit poems, most dated between 404 and 487 CE, and all include invocations to Hindu gods such as Vasudeva and Shiva in various forms. They mention kings of Gupta Empire era, as well as temples of Dashapura.&amp;lt;ref name=williamsp55&amp;gt;Joanna Williams (1973), [https://www.jstor.org/stable/20111042 The Sculpture of Mandasor], Archives of Asian Art, Vol. 26 (1972/1973), Duke University Press, pp. 50-66&amp;lt;/ref&amp;gt; Together with dozens of temples discovered at a number of sites in western Madhya Pradesh, eastern Rajasthan and northern [[Gujarat]] region, the Mandasor site with the Shiva Stele and the temple reflect what Stella Kramrisch called one of the &amp;quot;Western schools&amp;quot; of ancient and early medieval Indian art.&amp;lt;ref name=&amp;quot;Kramrisch1983p202&amp;quot;&amp;gt;{{cite book|author=Stella Kramrisch|authorlink=Stella Kramrisch|title=Exploring India&amp;#039;s Sacred Art |url=https://books.google.com/books?id=pQN7O3hEzpQC&amp;amp;pg=PA202 |year =1983|publisher= Motilal Banarsidass  |isbn= 978-0-8122-7856-9|pages =202–203}}&amp;lt;/ref&amp;gt; James Harle concurs and includes the nearby Sondni and Kilchipura sites to the Western school along with regions farther west.&amp;lt;ref name=&amp;quot;Harle1974p27&amp;quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=27–28}}&amp;lt;/ref&amp;gt; According to Harle, the sculpture from the temple and other archaeological findings such as the Mandasor inscriptions – one of which he calls &amp;quot;the longest and certainly the most beautiful of the Gupta inscriptions&amp;quot; – reflect the &amp;quot;flavor of life at its best in Gupta times&amp;quot;.&amp;lt;ref name=&amp;quot;Harle1974p3&amp;quot;&amp;gt;{{cite book|author=James C. Harle|title=Gupta sculpture: Indian sculpture of the fourth to the sixth centuries A.D.|url=https://books.google.com/books?id=_m3qAAAAMAAJ|year=1996|publisher=Oxford University Press (Reprinted by Munshiram Manoharlal from 1976 edition)|isbn=978-8121506410|pages=3–4}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The inscriptions, state Harle and other scholars, suggest that the sculpture and temples of Mandasor were built with resources pooled by the common people, such as silk weavers of Dashapura (Mandasor) who had settled there from Gujarat.&amp;lt;ref name=&amp;quot;Harle1974p3&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;Ayyar1987p17&amp;quot;/&amp;gt; However, these inscriptions mention a [[Surya]] (Sun) temple, a [[Vishnu]] temple and others. They do not mention the Pashupatinath temple. Excavations have yielded several brick temples of Shiva which have been dated to the 6th century, suggesting that Shiva was a prominent deity along with others in ancient Mandasor.&amp;lt;ref name=&amp;quot;Ayyar1987p17&amp;quot;&amp;gt;{{cite book|author=Sulochana Ayyar|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|url=https://books.google.com/books?id=G9eHPXL6UE0C&amp;amp;pg=PA17 |year=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|pages=17–19}}&amp;lt;/ref&amp;gt; Additionally, only the foundations of most early temples and monuments are presently identifiable, as the Buddhist, Hindu and [[Jainism|Jain]] temples in Mandasor were demolished and its stones and relief panels used to build a [[Muslim]] fort after the region was conquered in the late medieval era.&amp;lt;ref name=&amp;quot;Ayyar1987p17&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The eight face Shiva found in the reconstructed Pashupatinath temple is from the 1st millennium CE and a rare iconography. It is {{convert|4.5|m}} tall and was discovered in the river bed of the Shivana.&amp;lt;ref name=goyala172/&amp;gt; It has been reconsecrated into the temple. The upper part of the linga has four heads in a line, while the other four heads are carved below them in the second line. The faces have open eyes, with the third eye on their forehead visible.&amp;lt;ref name=&amp;quot;Bajpai2003p38&amp;quot;/&amp;gt; Each face has elaborate hair probably reflecting the culture of its time for men. Each wears jewelry such as earlobes, necklace and more. The eight faces represent the various aspects of Shiva in regional Shaivism theology: Bhava, Pashupati, Mahadeva, Isana, Rudra, Sharva, Ugra and Asani. It is sometimes referred to as &amp;#039;&amp;#039;Ashtamukha&amp;#039;&amp;#039; or &amp;#039;&amp;#039;Ashtamurti&amp;#039;&amp;#039;. According to Goyala, this Mandasor linga is likely from the early 6th century.&amp;lt;ref name=goyala172&amp;gt;{{cite book|author=S Goyala|title=Indian Art of the Gupta Age: From Pre-classical Roots to the Emergence of Medieval Trends|url= https://books.google.com/books?id=qKjpAAAAMAAJ|year=2000|publisher=Kusumanjali |page=172}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Bajpai2003p38&amp;quot;&amp;gt;{{cite book|author1=K. D. Bajpai|author2=Santosha Kumāra Vājapeyī|title=Indological researches in India: selected works of Prof. K.D. Bajpai|url=https://books.google.com/books?id=MOJtAAAAMAAJ|year=2003|publisher=Eastern Book |isbn=978-81-7854-025-2|pages=38–40, 78–79, 397}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Telika Mandir]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist|30em}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{Commons category inline|Pashupatinath Temple, Mandsaur}}&lt;br /&gt;
&lt;br /&gt;
{{Hindu inscriptions and arts|state=autocollapse}}&lt;br /&gt;
{{Hindudharma}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Temples in Madhya Pradesh]]&lt;br /&gt;
[[Category:Gupta art]]&lt;br /&gt;
[[Category:Mandsaur]]&lt;br /&gt;
[[Category:Tourist attractions in Mandsaur district]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Notfrompedro</name></author>
	</entry>
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