Paripāṭal - Revision history

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2021-10-27T14:01:22Z

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	The ''Paripatal'' manuscripts suggest that it was not purely an abstract literary work, rather a guide for devotional songs to be sung. The poems also mention temples and shrines, thereby suggesting that the Tamil people had already built temples for Vishnu, Murugan and other deities in the Sangam era.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}} The ''Paripatal'' anthology is likely a late Sangam literature, states Zvelebil, separated from the earliest Sangam work by at least three centuries. This is evidenced by the linguistic and grammatical innovations, and its mention of mural paintings in temples and other cultural innovations.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}} Takanobu Takahashi concurs that this is a late Sangam work, and adds that the poems were likely composed over several generations over 100–150 years (3rd century CE).{{sfn\|Takanobu Takahashi\|1995\|pp=17–19}} [[A. K. Ramanujan]] suggests this Sangam anthology may be from about the 6th century.<ref name="Ramanujan1"/> The poems allude to many pan-Indian legends, such as the ''samudra manthan'' (churning of cosmic ocean), Vishnu devotee Prahlada's struggle, Shiva and Murugan legends. The ''Paripatal'' collection may be the early buds of transitional poems that flowered into the Bhakti movement poetry.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}}<ref name="Prentiss2000p52">{{cite book\|author=Karen Pechilis Prentiss\|title=The Embodiment of Bhakti\|url=https://books.google.com/books?id=Vu95WgeUBfEC \|year=2000\|publisher=Oxford University Press\|isbn=978-0-19-535190-3\|pages=52–55}}</ref><ref>{{cite book\|author=David N. Lorenzen\|title=Religious Movements in South Asia, 600-1800\|url=https://books.google.com/books?id=0cAoAAAAYAAJ\|year=2004\|publisher=Oxford University Press\|isbn=978-0-19-566448-5\|pages=48–49, 67–70}}</ref>		The ''Paripatal'' manuscripts suggest that it was not purely an abstract literary work, rather a guide for devotional songs to be sung. The poems also mention temples and shrines, thereby suggesting that the Tamil people had already built temples for Vishnu, Murugan and other deities in the Sangam era.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}} The ''Paripatal'' anthology is likely a late Sangam literature, states Zvelebil, separated from the earliest Sangam work by at least three centuries. This is evidenced by the linguistic and grammatical innovations, and its mention of mural paintings in temples and other cultural innovations.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}} Takanobu Takahashi concurs that this is a late Sangam work, and adds that the poems were likely composed over several generations over 100–150 years (3rd century CE).{{sfn\|Takanobu Takahashi\|1995\|pp=17–19}} [[A. K. Ramanujan]] suggests this Sangam anthology may be from about the 6th century.<ref name="Ramanujan1"/> The poems allude to many pan-Indian legends, such as the ''samudra manthan'' (churning of cosmic ocean), Vishnu devotee Prahlada's struggle, Shiva and Murugan legends. The ''Paripatal'' collection may be the early buds of transitional poems that flowered into the Bhakti movement poetry.{{sfn\|Kamil Zvelebil\|1973\|pp=124–125}}<ref name="Prentiss2000p52">{{cite book\|author=Karen Pechilis Prentiss\|title=The Embodiment of Bhakti\|url=https://books.google.com/books?id=Vu95WgeUBfEC \|year=2000\|publisher=Oxford University Press\|isbn=978-0-19-535190-3\|pages=52–55}}</ref><ref>{{cite book\|author=David N. Lorenzen\|title=Religious Movements in South Asia, 600-1800\|url=https://books.google.com/books?id=0cAoAAAAYAAJ\|year=2004\|publisher=Oxford University Press\|isbn=978-0-19-566448-5\|pages=48–49, 67–70}}</ref>

	According to V. N. Muthukumar and Elizabeth Rani Segran, the Vishnu devotional poems in the ''Paripatal'' are some of "earliest and finest representations of devotional genre", while the poems dedicated to Vaikai (Vaiyai) river are "unbriddled celebration of sensuality and love".<ref name="Segran2012p1">{{cite book\|author1=V.N. Muthukumar\|author2=Elizabeth Rani Segran\|title=The River Speaks: The Vaiyai Poems from the Paripatal\|url=https://books.google.com/books?id=DnwruNVgFUkC \|year=2012\|publisher=Penguin Books\|isbn=978-81-8475-694-4\|pages=1–7}}</ref> The first Tamil edition of ''Paripatal'' from palm-leaf manuscripts discovered in 19th century was published by [[U. V. Swaminatha Iyer]] in 1918.{{sfn\|Kamil Zvelebil\|1973\|p=124}} A French translation was published in 1968 by François Gros.<ref>{{cite book\|author= François Gros\|title=Le Paripatal\| year=1968\|publisher= Institut Francais D'Indologie\|isbn= 978-8-18996-8359}}</ref> English translations of the collection has been published by Seshadri, Hikosaka et al in 1996,<ref>{{cite book\|author1=Shu Hikosaka\|author3=John Samuel\|author2=K.G. Seshadri\|editor= P. Thiagarajan and K. G. Seshadri\|title=Paripāṭal\|url=https://books.google.com/books?id=7HxkAAAAMAAJ\|year=1996\|publisher=Institute of Asian Studies}}</ref> as well as partly by Muthukumar and Segram in 2012.<ref>{{cite book\|author1=V.N. Muthukumar\|author2=Elizabeth Rani Segran\|title=The River Speaks: The Vaiyai Poems from the Paripatal\|url=https://books.google.com/books?id=DnwruNVgFUkC \|year=2012\|publisher=Penguin Books\|isbn=978-81-8475-694-4\|pages=15–16}}</ref>		According to V. N. Muthukumar and Elizabeth Rani Segran, the [[Vishnu]] devotional poems in the ''Paripatal'' are some of "earliest and finest representations of devotional genre", while the poems dedicated to Vaikai (Vaiyai) river are "unbriddled celebration of sensuality and love".<ref name="Segran2012p1">{{cite book\|author1=V.N. Muthukumar\|author2=Elizabeth Rani Segran\|title=The River Speaks: The Vaiyai Poems from the Paripatal\|url=https://books.google.com/books?id=DnwruNVgFUkC \|year=2012\|publisher=Penguin Books\|isbn=978-81-8475-694-4\|pages=1–7}}</ref> The first Tamil edition of ''Paripatal'' from palm-leaf manuscripts discovered in 19th century was published by [[U. V. Swaminatha Iyer]] in 1918.{{sfn\|Kamil Zvelebil\|1973\|p=124}} A French translation was published in 1968 by François Gros.<ref>{{cite book\|author= François Gros\|title=Le Paripatal\| year=1968\|publisher= Institut Francais D'Indologie\|isbn= 978-8-18996-8359}}</ref> English translations of the collection has been published by Seshadri, Hikosaka et al in 1996,<ref>{{cite book\|author1=Shu Hikosaka\|author3=John Samuel\|author2=K.G. Seshadri\|editor= P. Thiagarajan and K. G. Seshadri\|title=Paripāṭal\|url=https://books.google.com/books?id=7HxkAAAAMAAJ\|year=1996\|publisher=Institute of Asian Studies}}</ref> as well as partly by Muthukumar and Segram in 2012.<ref>{{cite book\|author1=V.N. Muthukumar\|author2=Elizabeth Rani Segran\|title=The River Speaks: The Vaiyai Poems from the Paripatal\|url=https://books.google.com/books?id=DnwruNVgFUkC \|year=2012\|publisher=Penguin Books\|isbn=978-81-8475-694-4\|pages=15–16}}</ref>

	==Examples==		==Examples==

imported>Rodw: Disambiguating links to Sangam (link changed to Sangam literature) using DisamAssist.

2021-02-21T16:04:51Z

Disambiguating links to Sangam (link changed to Sangam literature) using DisamAssist.

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{{Use dmy dates|date=August 2019}}
{{Sangam literature}}
{{Hindu scriptures}}
{{italic}}
The '''''Paripāṭal''''' ({{lang-ta|பரிபாடல்}}, meaning ''the paripatal-metre anthology'') is a classical [[Tamil language|Tamil]] poetic work and traditionally the fifth of the [[Eight Anthologies]] (''Ettuthokai'') in the [[Sangam literature]].{{sfn|Kamil Zvelebil|1973|pp=123–124}} It is an "akam genre", odd and hybrid collection which expresses love in the form of religious devotion ([[Bhakti movement|Bhakti]]) to gods and goddesses , according to [[Kamil Zvelebil]], a Tamil literature and history scholar.{{sfn|Kamil Zvelebil|1973|pp=123–124}}<ref name="Ramanujan1">{{cite book|author=A.K. Ramanujan|title=Hymns for the Drowning|url=https://books.google.com/books?id=9pa7-h0jhB0C |year=2005|publisher=Penguin Books|isbn=978-0-14-400010-4|pages=109–110}}</ref> This is the only anthology in the Eight Anthologies collection that is predominantly religious, though the other seven anthologies do contain occasional mentions and allusions to gods, goddesses and legends, along with invocatory poem to [[Shiva]].{{sfn|Kamil Zvelebil|1973|pp=31–33, 47, 53, 55, 57, 60, 87, 99, 123–124}}<ref>{{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url=https://books.google.com/books?id=DnwruNVgFUkC |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=1–17}}</ref>

The Tamil tradition believes that the ''Paripāṭal'' anthology originally contained 70 poems, of which 24 have survived in full and few others have survived in fragments into the modern era as evidenced by the quotes in the ''Tolkappiyam'' and the ''Purattirattu''. Of the 24 full poems that have survived, 7 are dedicated to [[Thirumal|Tirumal]] (Krishna, Vishnu), eight to [[Murugan]], and nine to river goddess Vaikai.{{sfn|Kamil Zvelebil|1973|pp=123–124}}<ref name="rdb2004p235">{{cite book|author1=A. K. Ramanujan|author2=Vinay Dharwadker|author3=Stuart H. Blackburn|title=The collected essays of A.K. Ramanujan|url=https://books.google.com/books?id=j2waAQAAIAAJ |year=2004|publisher=Oxford University Press|isbn=978-0-19-566896-4|page=235}}, Quote: "seventy poems dedicated to gods Tirumal (Visnu), Cevvel (Murukan) and the goddess, the river Vaiyai (presently known as Vaikai)."</ref> The nine river-related poems mention bathing festivals ([[Magh Mela]]),{{sfn|Kamil Zvelebil|1973|pp=123–124}}<ref>The festive bathing month is called ''Tai'' per the Tamil calendar (= Magh in northern Hindu calendar, January/February), particularly at the end of month Markali, and the poem also alludes to rebirths and merits in previous lives; ''Pari. 11:88–92'', {{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url=https://books.google.com/books?id=DnwruNVgFUkC&pg=PT104 |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=103–105 with notes on "Lines 184–91"}}</ref> as well as water sports, offerings of prayers at the river banks, playful lover's quarrel where the wife accuses her husband of bathing with his mistress.<ref>{{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url= https://books.google.com/books?id=DnwruNVgFUkC |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=3–11}}</ref>

The compilation is attributed to 13 poets, and each poem has a notable colophon. In these colophons, in addition to the poet's name is included the music and tune (melodic mode, ''raga'') for the poem, as well as the composer of that music.{{sfn|Kamil Zvelebil|1973|pp=123–124}} The ''Paripatal'' poems are longer than the poems in other major [[Sangam literature|Sangam]] anthologies. The typical poems have 60 lines, and the longest surviving poem has 140 lines. Like the ''[[Kalittokai]]'' anthology, this collection also includes dialogue-based poems.<ref name="Segran2012p1">{{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url=https://books.google.com/books?id=DnwruNVgFUkC |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=1–7}}</ref> Beyond the 24 surviving poems, from the fragmentary records about the other 46 original poems, 1 additional poem was to Tirumal, 23 more to [[Kartikeya|Murugan]], 1 to [[Korravai|Kottravai]], 17 more to [[Vaigai River|Vaikai]] and 4 to [[Madurai]]. The Tirumal devotional poems <ref>{{cite book|author=Kamil Zvelebil|title=Tamil Literature|url=https://books.google.com/books?id=OQ33i496MsIC&pg=PA48 |year=1974| publisher =Otto Harrassowitz Verlag|isbn=978-3-447-01582-0|pages=48–49}}</ref>

The ''Paripatal'' manuscripts suggest that it was not purely an abstract literary work, rather a guide for devotional songs to be sung. The poems also mention temples and shrines, thereby suggesting that the Tamil people had already built temples for Vishnu, Murugan and other deities in the Sangam era.{{sfn|Kamil Zvelebil|1973|pp=124–125}} The ''Paripatal'' anthology is likely a late Sangam literature, states Zvelebil, separated from the earliest Sangam work by at least three centuries. This is evidenced by the linguistic and grammatical innovations, and its mention of mural paintings in temples and other cultural innovations.{{sfn|Kamil Zvelebil|1973|pp=124–125}} Takanobu Takahashi concurs that this is a late Sangam work, and adds that the poems were likely composed over several generations over 100–150 years (3rd century CE).{{sfn|Takanobu Takahashi|1995|pp=17–19}} [[A. K. Ramanujan]] suggests this Sangam anthology may be from about the 6th century.<ref name="Ramanujan1"/> The poems allude to many pan-Indian legends, such as the ''samudra manthan'' (churning of cosmic ocean), Vishnu devotee Prahlada's struggle, Shiva and Murugan legends. The ''Paripatal'' collection may be the early buds of transitional poems that flowered into the Bhakti movement poetry.{{sfn|Kamil Zvelebil|1973|pp=124–125}}<ref name="Prentiss2000p52">{{cite book|author=Karen Pechilis Prentiss|title=The Embodiment of Bhakti|url=https://books.google.com/books?id=Vu95WgeUBfEC |year=2000|publisher=Oxford University Press|isbn=978-0-19-535190-3|pages=52–55}}</ref><ref>{{cite book|author=David N. Lorenzen|title=Religious Movements in South Asia, 600-1800|url=https://books.google.com/books?id=0cAoAAAAYAAJ|year=2004|publisher=Oxford University Press|isbn=978-0-19-566448-5|pages=48–49, 67–70}}</ref>

According to V. N. Muthukumar and Elizabeth Rani Segran, the Vishnu devotional poems in the ''Paripatal'' are some of "earliest and finest representations of devotional genre", while the poems dedicated to Vaikai (Vaiyai) river are "unbriddled celebration of sensuality and love".<ref name="Segran2012p1">{{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url=https://books.google.com/books?id=DnwruNVgFUkC |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=1–7}}</ref> The first Tamil edition of ''Paripatal'' from palm-leaf manuscripts discovered in 19th century was published by [[U. V. Swaminatha Iyer]] in 1918.{{sfn|Kamil Zvelebil|1973|p=124}} A French translation was published in 1968 by François Gros.<ref>{{cite book|author= François Gros|title=Le Paripatal| year=1968|publisher= Institut Francais D'Indologie|isbn= 978-8-18996-8359}}</ref> English translations of the collection has been published by Seshadri, Hikosaka et al in 1996,<ref>{{cite book|author1=Shu Hikosaka|author3=John Samuel|author2=K.G. Seshadri|editor= P. Thiagarajan and K. G. Seshadri|title=Paripāṭal|url=https://books.google.com/books?id=7HxkAAAAMAAJ|year=1996|publisher=Institute of Asian Studies}}</ref> as well as partly by Muthukumar and Segram in 2012.<ref>{{cite book|author1=V.N. Muthukumar|author2=Elizabeth Rani Segran|title=The River Speaks: The Vaiyai Poems from the Paripatal|url=https://books.google.com/books?id=DnwruNVgFUkC |year=2012|publisher=Penguin Books|isbn=978-81-8475-694-4|pages=15–16}}</ref>

==Examples==
To திருமால் ([[Vishnu]]):
{{Verse translation|italicsoff=y|
{{lang|ta|தீயினுள் தெறல் நீ;
பூவினுள் நாற்றம் நீ;
கல்லினுள் மணியும் நீ;
சொல்லினுள் வாய்மை நீ;
அறத்தினுள் அன்பு நீ;
மறத்தினுள் மைந்து நீ;
வேதத்து மறை நீ;
பூதத்து முதலும் நீ;
வெஞ் சுடர் ஒளியும் நீ;
திங்களுள் அளியும் நீ;
அனைத்தும் நீ;
அனைத்தின் உட்பொருளும் நீ;}}
|attr1=''Paripadal, iii: 63-68''|
In fire, you are the heat;
in blossoms, the fragrance;
among the stones, you are the diamond;
in speech, truth;
among virtues, you are love;
in valour—strength;
in the Veda, you are the secret;
among elements, the primordial;
in the burning sun, the light;
in moonshine, its sweetness;
you are all,
and you are the substance and meaning of all.
|attr2=F Gros, K Zvelebil<ref name=kz49>{{cite book|author=Kamil Zvelebil|title=Tamil Literature|url=https://books.google.com/books?id=OQ33i496MsIC&pg=PA48 |year=1974| publisher =Otto Harrassowitz Verlag|isbn=978-3-447-01582-0|page=49}}</ref>}}

To [[Murugan]]:
{{Quote|
<poem>
We pray you not for wealth,
not for gold, not for pleasure;
But for your grace, for love, for virtue,
these three,
O god with the rich garland of ''kaṭampu'' flowers
with rolling clusters!
</poem>
– ''Pari. v.: 78–81''<ref name=kz49/>
}}

==See also==
* [[Ancient Tamil music]]
* [[Eight Anthologies]]
* [[Eighteen Greater Texts]]
* [[Sangam literature]]

==References==
{{reflist}}

;Bibliography
{{refbegin|}}
* Mudaliyar, Singaravelu A., Apithana Cintamani, An encyclopaedia of Tamil Literature, (1931) - Reprinted by Asian Educational Services, New Delhi (1983)
* {{cite book|title=Tamil Literature|last=Pillai|first=M. S. Purnalingam|year=1994|pages=115|publisher=Asian Educational Services|url=https://books.google.com/books?id=QIeqvcai5XQC&pg=PA115|isbn=81-206-0955-7}}
* {{cite book|title=The archaeology of seafaring in ancient South Asia|last=Ray|first=Himanshu Prabha |year=2003|publisher=Press Syndicate of the University of Cambridge|location=Cambridge|url= https://books.google.com/books?id=iHHzP4uVpn4C |isbn=9780521011099}}
* Selby, Martha Ann (2011) Tamil Love Poetry: The Five Hundred Short Poems of the Aiṅkuṟunūṟu, an Early Third-Century Anthology. Columbia University Press, {{ISBN|9780231150651}}
*{{cite book|author=Takanobu Takahashi|title=Tamil Love Poetry and Poetics|url=https://books.google.com/books?id=wgCHuVGyZoEC|year=1995|publisher=BRILL Academic|isbn=90-04-10042-3}}
* {{cite book|author=Kamil Zvelebil|title=The Smile of Murugan: On Tamil Literature of South India|url=https://books.google.com/books?id=degUAAAAIAAJ|year=1973|publisher=BRILL|isbn=90-04-03591-5}}
* {{cite book|title=Companion studies to the history of Tamil literature|last=Zvelebil|first=Kamil|author-link=Kamil Zvelebil|year=1992|pages=73|publisher=BRILL|url=https://books.google.com/books?id=qAPtq49DZfoC&pg=PA73|isbn=90-04-09365-6}}
{{refend}}

{{Tamil language}}

{{DEFAULTSORT:Paripatal}}
[[Category:Sangam literature]]
[[Category:Tamil music]]
[[Category:Tamil Hindu literature]]