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	<title>Paika akhada - Revision history</title>
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		<title>YushHush: Adding basic page v1</title>
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		<summary type="html">&lt;p&gt;Adding basic page v1&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{more citations needed|date=November 2013}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Paika akhada&amp;#039;&amp;#039;&amp;#039; is an [[Odia language|Odia]] term which roughly translates as &amp;quot;warrior gymnasium&amp;quot; or &amp;quot;warrior school&amp;quot;.&amp;lt;ref name=&amp;quot;iakoweb&amp;quot;&amp;gt;{{cite web|title=Paika Akhada|url=http://www.iakoweb.com/pakhada.html|publisher=Indian Association of Kickboxing Organisations|access-date=9 February 2013|url-status=dead|archive-url=https://web.archive.org/web/20110712234507/http://www.iakoweb.com/pakhada.html|archive-date=12 July 2011}}&amp;lt;/ref&amp;gt; The martial arts performed by the people of [[Khandayat (caste)|Khandayat]] caste and [[Gopal (caste)|Gopal]] caste (Cowherds)&amp;lt;ref name=&amp;quot;Tanabe2021&amp;quot;&amp;gt;{{cite book | author = Akio Tanabe | date = 29 July 2021 | title = Caste and Equality in India: A Historical Anthropology of Diverse Society and Vernacular Democracy | publisher = Routledge | pages = | isbn = 978-1-00-040933-8 | url = https://books.google.com/books?id=EPM4EAAAQBAJ&amp;amp;pg=PT197}}&amp;lt;/ref&amp;gt; in [[Odisha]], eastern India. In former times they served as the [[Paika (community)|Paikas]] (foot Soldiers) under the kings. Today&amp;#039;s paika akhada are used for practicing the traditional physical exercises in addition to the paika dance, a performance art with rhythmic movements and weapons being hit in time to the drum. It incorporates acrobatic manoeuvres and use of the [[khanda (sword)|khanda (straight sword)]], [[pata (sword)|patta (guantlet-sword)]], sticks, and other weapons.&lt;br /&gt;
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The word &amp;#039;&amp;#039;paika&amp;#039;&amp;#039; comes from the Odia &amp;#039;&amp;#039;padatika&amp;#039;&amp;#039; meaning infantry. &amp;quot;&amp;#039;&amp;#039;Akhada&amp;#039;&amp;#039;&amp;quot; or &amp;#039;&amp;#039;akhara&amp;#039;&amp;#039; refers to a training hall, or in this case referring to a particular string of such schools. The former spelling is an alternate transcription of the proper Sanskrit &amp;#039;&amp;#039;akhara&amp;#039;&amp;#039; in which the Oriya letter &amp;#039;&amp;#039;ଡ଼ ṛ&amp;#039;&amp;#039;, a flapped {{IPAblink|ɽ}} sound, is rendered as &amp;#039;&amp;#039;d&amp;#039;&amp;#039; as in most Indian languages.&lt;br /&gt;
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==History==&lt;br /&gt;
Paika akhada were originally the training schools of the paikas. The paika were a landed militia who were exempted from taxes in lieu of their services. They were not in the regular pay-roll of the army, but still received large land grants from the king. They were organised into three ranks distinguished by their occupation. These were the Prahari, who served as initial defenders tasked with guarding lands with swords in their hands; the Banua – adept [[Archery|archers]] and marksmen skilled in shooting; and the Dhenkiya – [[khanda (sword)]] and shield bearers who fought on the frontlines. &amp;lt;ref&amp;gt;{{cite journal|last=Mohanty|first=N.R.|title=The Oriya Paika Rebellion of 1817|journal=Orissa Review|date=August 2008|pages=1–3|url=http://orissa.gov.in/e-magazine/Orissareview/2008/August-2008/engpdf/1-3.pdf|access-date=13 February 2013|archive-date=11 November 2013|archive-url=https://web.archive.org/web/20131111185749/http://orissa.gov.in/e-magazine/Orissareview/2008/August-2008/engpdf/1-3.pdf|url-status=live}}&amp;lt;/ref&amp;gt; The word [[Khandayat (caste)|Khandayat]] means &amp;quot;sword controller&amp;quot;, from [[khanda (sword)]] and &amp;#039;&amp;#039;ayata&amp;#039;&amp;#039; (control).&amp;lt;ref name=&amp;quot;iakoweb&amp;quot;/&amp;gt; Commanders called &amp;#039;&amp;#039;Dala Behera&amp;#039;&amp;#039; were each in charge of several villages of paika.&lt;br /&gt;
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In times of peace the paika served as law enforcement, and the paika akhada were used to keep the warrior class physically and mentally fit.&amp;lt;ref&amp;gt;{{cite news|title=&amp;#039;Paika Akhada&amp;#039; performance wows all|url=http://www.thehindu.com/todays-paper/tp-national/tp-otherstates/article904923.ece|access-date=9 February 2013|newspaper=The Hindu|date=November 22, 2010}}&amp;lt;/ref&amp;gt; [[Kharavela]] of ancient [[Kalinga (historical kingdom)|Kalinga]] relied on the military might of the paika in his campaigns.&amp;lt;ref&amp;gt;{{Cite web |url=http://orissa.gov.in/e-magazine/orissaannualreference/ORA-2004/pdf/martial_tradition_of_orissa.pdf |title=Archived copy |access-date=2013-11-11 |archive-date=2013-11-11 |archive-url=https://web.archive.org/web/20131111185745/http://orissa.gov.in/e-magazine/orissaannualreference/ORA-2004/pdf/martial_tradition_of_orissa.pdf |url-status=dead }}&amp;lt;/ref&amp;gt; The paika reached their zenith of power during the [[Gajapati Kingdom|Gajapati Dynasty]],&amp;lt;ref name=&amp;quot;iakoweb&amp;quot; /&amp;gt;&lt;br /&gt;
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The paika lost their power and prestige in the early 19th century as the [[Indian subcontinent]] came under the [[Company rule in India|rule of the East India Company]] (EIC). Discontent over the EIC&amp;#039;s policies resulted in the [[Paik Rebellion|Paika Rebellion]] of 1817, wherein the former &amp;#039;&amp;#039;baxi&amp;#039;&amp;#039; (commander) [[Bakshi Jagabandhu|Jagabandhu Bidyadhar Mohapatra Rai]] lead 400 paika in a revolt against Company rule. The rebels sacked the civil buildings and treasury in Khurda, killing several Company officials. [[Presidency armies|Company troops]] sent to quell the rebellion were met with sustained attacks from the paika, with the commander of one detachment being killed in action during a battle at Gangpada. They defended the Barunei Fort at Khurda during the rebellion, though it was eventually captured by a force of Company troops. The paika managed to capture the southern portion of Odisha, and the rebellion lasted a year before it was put down. To ensure such a revolt would not repeat itself, the Company administration undertook vigorous steps to suppress the martial practices of Odisha.{{citation needed|date=October 2021}}&lt;br /&gt;
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Paika families preserved the paika akhada through annual performances.&amp;lt;ref name=&amp;quot;hindu&amp;quot;&amp;gt;{{cite news|title=Paika Academy to be set up|url=http://www.hindu.com/2008/10/10/stories/2008101056940300.htm|archive-url=https://web.archive.org/web/20081014043329/http://www.hindu.com/2008/10/10/stories/2008101056940300.htm|url-status=dead|archive-date=October 14, 2008|access-date=9 February 2013|newspaper=[[The Hindu]]|date=October 10, 2008}}&amp;lt;/ref&amp;gt; This has continued to the present day, but the tradition is increasingly uncommon. Once exclusive to men, Soubaghini Debi became the first female performer a few decades ago, opening the art to both genders. Paika akhada are increasingly rare in Odisha today and the plight of its artistes have been highlighted in the state.&amp;lt;ref&amp;gt;{{cite news|title=Pulsating performances|url=http://www.hindu.com/thehindu/fr/2008/03/28/stories/2008032850700200.htm|archive-url=https://web.archive.org/web/20080401160101/http://www.hindu.com/thehindu/fr/2008/03/28/stories/2008032850700200.htm|url-status=dead|archive-date=April 1, 2008|access-date=9 February 2013|newspaper=[[The Hindu]]|date=March 28, 2008}}&amp;lt;/ref&amp;gt; To conserve and promote the art, the [[government of Odisha]] has proposed to establish a Paika Akhada Academy in the [[Gajapati district]].&amp;lt;ref name=&amp;quot;hindu&amp;quot; /&amp;gt; The art is performed along with other war-dances and fighting styles during the annual [[Festivals of Odisha#Kalinga Mahotsav|Kalinga Mahotsav]] festival at the Vishwa Shanti Stupa.&lt;br /&gt;
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==Performance==&lt;br /&gt;
Descendants of the paika practice at their local akhara every day after work. Demonstrations are arranged every year for the [[Navrati|Dasahara]] festival and other occasions. The grounds are first prepared with soft earth sprinkled with oil and water. The performers stand in two rows with wooden swords and shields. They approach each other slowly before the tempo of the music increases, at which point they engage in mock combat. Today, It&amp;#039;s one of the best Indian martial arts in the world.&lt;br /&gt;
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==See also==&lt;br /&gt;
* [[Akhara]]&lt;br /&gt;
* [[Kalari]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Odia culture}}&lt;br /&gt;
{{Indian martial arts}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian martial arts]]&lt;br /&gt;
[[Category:Culture of Odisha]]&lt;/div&gt;</summary>
		<author><name>YushHush</name></author>
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