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	<title>Padhant - Revision history</title>
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	<updated>2026-09-06T23:15:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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&amp;#039;&amp;#039;&amp;#039;Padhant&amp;#039;&amp;#039;&amp;#039; in [[Hindustani classical music]] or [[Indian classical dance]] refers to the recitation of rhythmic syllables, known as [[bol (music)|bol]], during a performance.&amp;lt;ref&amp;gt;{{Cite web|url=https://books.google.com/books?id=4kf0AAAAMAAJ&amp;amp;q=pa6|title=UCLA Journal of Dance Ethnology|date=August 18, 1994|publisher=UCLA Department of Dance|via=Google Books}}&amp;lt;/ref&amp;gt; The term is derived from the [[Hindi language|Hindi]] word &amp;#039;&amp;#039;padhna&amp;#039;&amp;#039;, meaning &amp;quot;to read, study or recite&amp;quot;.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.com/books?id=cFwbGi3oBHgC&amp;amp;pg=PA234|title=Music Contexts: A Concise Dictionary of Hindustani Music|first=Ashok Damodar|last=Ranade|date=August 18, 2006|publisher=Bibliophile South Asia|isbn=9788185002637|via=Google Books}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Padhant&amp;#039;&amp;#039; is closely associated with the percussion instrument [[tabla]] and the classical dance [[Kathak]], and the recitation of rhythmic patterns before playing them is considered an art in itself.&amp;lt;ref name=&amp;quot;auto&amp;quot;&amp;gt;{{Cite book|url=https://books.google.com/books?id=ZAbMS6ynGJ8C&amp;amp;pg=PA102|title=Kathak, Indian Classical Dance Art|first=Sunil|last=Kothari|date=August 18, 1989|publisher=Abhinav Publications|isbn=9788170172239|via=Google Books}}&amp;lt;/ref&amp;gt; The dancer in Kathak would pause at intervals to recite the rhythms before executing them through dance.&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt; The recitation is often accompanied by hand gestures.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.com/books?id=WF3jCwAAQBAJ&amp;amp;pg=PT219|title=ART AND SCIENCE OF PLAYING TABLA|first=Vijay Shanker|last=Mishra|publisher=Publications Division Ministry of Information &amp;amp; Broadcasting|isbn=9788123021041|via=Google Books}}&amp;lt;/ref&amp;gt; The recited syllables are also used in storytelling, creating an atmosphere or inducing a mood in the audience; for example, in a performance of Kalidasa&amp;#039;s &amp;#039;&amp;#039;[[Meghaduta]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Cloud Messenger&amp;#039;&amp;#039;), the sounds &amp;#039;&amp;#039;ghe-ghe-thi-ta&amp;#039;&amp;#039; can signify a rumble of clouds or, its expanded version, the arrival of clouds.&amp;lt;ref name=&amp;quot;auto1&amp;quot;&amp;gt;{{Cite web|url=https://scroll.in/reel/891546/in-the-documentary-vaikhari-a-poetic-exploration-of-musics-language-of-rhythms|title=In the documentary &amp;#039;Vaikhari&amp;#039;, a poetic exploration of music&amp;#039;s language of rhythms|first=Archana|last=Nathan|website=Scroll.in}}&amp;lt;/ref&amp;gt; In [[Carnatic music]], a similar concept is called [[konnakol]].&amp;lt;ref name=&amp;quot;auto1&amp;quot;/&amp;gt;&lt;br /&gt;
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==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[https://www.youtube.com/watch?v=E7dn4zNLpmg A documentary on the art of Padhant]&lt;br /&gt;
&lt;br /&gt;
[[Category:Tala (music)| ]]&lt;br /&gt;
[[Category:Indian classical music]]&lt;br /&gt;
[[Category:Hindustani music terminology]]&lt;/div&gt;</summary>
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