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	<updated>2026-08-20T02:01:46Z</updated>
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		<title>JAFMargie385530: Content refined for better accuracy</title>
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		<updated>2025-09-21T05:07:45Z</updated>

		<summary type="html">&lt;p&gt;Content refined for better accuracy&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:37, 21 September 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Short description|Recite-and-dance art-form of Kerala, India}}[[File:Ottamthullal kerala.jpg|thumb|Ottamthullal performance in Kerala]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Short description|Recite-and-dance art-form of Kerala, India}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{refimprove|date=February 2014}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{more citations needed|date=February 2014}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ottamthullal kerala.jpg|thumb|Ottamthullal performance in Kerala]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ottan Thullal&#039;&#039;&#039; (or &#039;&#039;Ottamthullal&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, [[Malayalam]]: ഓട്ടൻ തുള്ളൽ&lt;/del&gt;) is a recite-and-dance art-form of [[Kerala]], [[India]]. It was introduced in the eighteenth century by [[Kunchan Nambiar]], one of the [[Malayalam triumvirate poets|Prachina Kavithrayam]] (three famous [[Malayalam]]-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a [[mridangam]] (a barrel-shaped double-headed drum) and/or the handy [[idakka]] besides a pair of [[ilathalam]] cymbals.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ottan Thullal&#039;&#039;&#039; (or &#039;&#039;Ottamthullal&#039;&#039;) is a recite-and-dance art-form of [[Kerala]], [[India]]. It was introduced in the eighteenth century by [[Kunchan Nambiar]], one of the [[Malayalam triumvirate poets|Prachina Kavithrayam]] (three famous [[Malayalam]]-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a [[mridangam]] (a barrel-shaped double-headed drum) and/or the handy [[idakka]] besides a pair of [[ilathalam]] cymbals.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ottamthullal1.rotated.jpg|thumb|200px|right|Ottamthullal performance during a temple festival]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ottamthullal1.rotated.jpg|thumb|200px|right|Ottamthullal performance during a temple festival]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ottamthullal2&lt;/del&gt;.jpg|thumb|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;right|200px&lt;/del&gt;|Ottamthullal]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ottanthullal in kalolsavam&lt;/ins&gt;.jpg|thumb|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;200x200px&lt;/ins&gt;|Ottamthullal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Thrippunithura-Ottanthullal-Performer-2.jpg|thumb|right|200px|Ottamthullal]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Thrippunithura-Ottanthullal-Performer-2.jpg|thumb|right|200px|Ottamthullal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Like most Indian [[Performing arts|performing art]] forms, Ottamthullal has its principles influenced by the [[Natya Shastra]] ({{circa|2nd century BCE}}). The word &#039;&#039;Thullal&#039;&#039; means &quot;to jump&quot; or &quot;leap about&quot; in the [[Malayalam language]].&amp;lt;ref&amp;gt;[http://www.malayalamresourcecentre.org/Mrc/culture/artforms/thullal/thullal.html &quot;Thullal.&quot;] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Malaylam &lt;/del&gt;Resource Centre website. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Like most Indian [[Performing arts|performing art]] forms, Ottamthullal has its principles influenced by the [[Natya Shastra]] ({{circa|2nd century BCE}}). The word &#039;&#039;Thullal&#039;&#039; means &quot;to jump&quot; or &quot;leap about&quot; in the [[Malayalam language]].&amp;lt;ref&amp;gt;[http://www.malayalamresourcecentre.org/Mrc/culture/artforms/thullal/thullal.html &quot;Thullal.&quot;] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Webarchive|url=https://web.archive.org/web/20120615152437/http://www.malayalamresourcecentre.org/Mrc/culture/artforms/thullal/thullal.html |date=15 June 2012 }} Malayalam &lt;/ins&gt;Resource Centre website. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Legend has it that Nambiar, the poet, fell asleep while playing the [[mizhavu]] drum for a [[Chakyar Koothu]] performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar complained about Nambiar&#039;s production to the king of Chembakassery. The king banned performances of Ottamthullal from the [[Ambalapuzha]] temple complex. Closely related art forms are Seethankan thullal and Parayan thullal. Mathur Panikkar popularized Ottamthullal for modern audiences. Ottamthullal competitions are held&amp;lt;ref&amp;gt;Nidheesh M. K. [http://www.newindianexpress.com/cities/kochi/Sunny-Brothers-Outshine-in-Ottamthullal/2014/01/08/article1988244.ece#.Uw8DC3k9Kto &quot;Sunny brothers outshine in Ottamthullal.&quot;] The New Indian Express. 8 January 2014. Accessed 27 February 2014.&amp;lt;/ref&amp;gt; and the art form may be used to spread a social message.&amp;lt;ref&amp;gt;[http://www.itoozhiayurveda.in/ayurveda/spreading-the-goodness-of-ayurveda-through-keralas-performing-art-ottamthullal/ &quot;Spreading the goodness of ayurveda through Kerala&#039;s performing art, ottamthullal.&quot;] Ithoozhiay website. 29 September 2012. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Legend has it that Nambiar, the poet, fell asleep while playing the [[mizhavu]] drum for a [[Chakyar Koothu]] performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar complained about Nambiar&#039;s production to the king of Chembakassery. The king banned performances of Ottamthullal from the [[Ambalapuzha]] temple complex. Closely related art forms are Seethankan thullal and Parayan thullal. Mathur Panikkar popularized Ottamthullal for modern audiences. Ottamthullal competitions are held&amp;lt;ref&amp;gt;Nidheesh M. K. [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive.org/web/20140108070427/&lt;/ins&gt;http://www.newindianexpress.com/cities/kochi/Sunny-Brothers-Outshine-in-Ottamthullal/2014/01/08/article1988244.ece#.Uw8DC3k9Kto &quot;Sunny brothers outshine in Ottamthullal.&quot;] The New Indian Express. 8 January 2014. Accessed 27 February 2014.&amp;lt;/ref&amp;gt; and the art form may be used to spread a social message.&amp;lt;ref&amp;gt;[http://www.itoozhiayurveda.in/ayurveda/spreading-the-goodness-of-ayurveda-through-keralas-performing-art-ottamthullal/ &quot;Spreading the goodness of ayurveda through Kerala&#039;s performing art, ottamthullal.&quot;] Ithoozhiay website. 29 September 2012. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Performers ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Performers ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There may be 64 or more Ottamthullal works. Examples include:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There may be 64 or more Ottamthullal works. Examples include:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Kallyana Sougandhikam&amp;#039;&amp;#039; (a rare flower), Bhima is searching for the flower and has a long conversation with his older brother, Hanuman.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Kallyana Sougandhikam&amp;#039;&amp;#039; (a rare flower), Bhima is searching for the flower and has a long conversation with his older brother, Hanuman.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Kiratham, Garudagarva bhangam, Santhanagopalam, Ghoshayathra etc...&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Kiratham&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, rukmini swayamvaram, keechakavadham&lt;/ins&gt;, Garudagarva bhangam, Santhanagopalam, Ghoshayathra etc...&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Related images ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Related images ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JAFMargie385530</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Ottan_Thullal&amp;diff=165117&amp;oldid=prev</id>
		<title>imported&gt;Ikan Kekek at 07:10, 14 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Ottan_Thullal&amp;diff=165117&amp;oldid=prev"/>
		<updated>2021-08-14T07:10:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Recite-and-dance art-form of Kerala, India}}[[File:Ottamthullal kerala.jpg|thumb|Ottamthullal performance in Kerala]]&lt;br /&gt;
{{refimprove|date=February 2014}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ottan Thullal&amp;#039;&amp;#039;&amp;#039; (or &amp;#039;&amp;#039;Ottamthullal&amp;#039;&amp;#039;, [[Malayalam]]: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of [[Kerala]], [[India]]. It was introduced in the eighteenth century by [[Kunchan Nambiar]], one of the [[Malayalam triumvirate poets|Prachina Kavithrayam]] (three famous [[Malayalam]]-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a [[mridangam]] (a barrel-shaped double-headed drum) and/or the handy [[idakka]] besides a pair of [[ilathalam]] cymbals.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
[[File:Ottamthullal1.rotated.jpg|thumb|200px|right|Ottamthullal performance during a temple festival]]&lt;br /&gt;
[[File:Ottamthullal2.jpg|thumb|right|200px|Ottamthullal]]&lt;br /&gt;
[[File:Thrippunithura-Ottanthullal-Performer-2.jpg|thumb|right|200px|Ottamthullal]]&lt;br /&gt;
Like most Indian [[Performing arts|performing art]] forms, Ottamthullal has its principles influenced by the [[Natya Shastra]] ({{circa|2nd century BCE}}). The word &amp;#039;&amp;#039;Thullal&amp;#039;&amp;#039; means &amp;quot;to jump&amp;quot; or &amp;quot;leap about&amp;quot; in the [[Malayalam language]].&amp;lt;ref&amp;gt;[http://www.malayalamresourcecentre.org/Mrc/culture/artforms/thullal/thullal.html &amp;quot;Thullal.&amp;quot;] Malaylam Resource Centre website. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
Legend has it that Nambiar, the poet, fell asleep while playing the [[mizhavu]] drum for a [[Chakyar Koothu]] performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar complained about Nambiar&amp;#039;s production to the king of Chembakassery. The king banned performances of Ottamthullal from the [[Ambalapuzha]] temple complex. Closely related art forms are Seethankan thullal and Parayan thullal. Mathur Panikkar popularized Ottamthullal for modern audiences. Ottamthullal competitions are held&amp;lt;ref&amp;gt;Nidheesh M. K. [http://www.newindianexpress.com/cities/kochi/Sunny-Brothers-Outshine-in-Ottamthullal/2014/01/08/article1988244.ece#.Uw8DC3k9Kto &amp;quot;Sunny brothers outshine in Ottamthullal.&amp;quot;] The New Indian Express. 8 January 2014. Accessed 27 February 2014.&amp;lt;/ref&amp;gt; and the art form may be used to spread a social message.&amp;lt;ref&amp;gt;[http://www.itoozhiayurveda.in/ayurveda/spreading-the-goodness-of-ayurveda-through-keralas-performing-art-ottamthullal/ &amp;quot;Spreading the goodness of ayurveda through Kerala&amp;#039;s performing art, ottamthullal.&amp;quot;] Ithoozhiay website. 29 September 2012. Accessed 27 February 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Performers ==&lt;br /&gt;
In Ottamthullal, a solo performer, with green makeup and a colourful costume (decorated with a long red and white band and painted wooden ornaments), acts and dances while reciting dance &amp;#039;&amp;#039;(Thullal)&amp;#039;&amp;#039; (lyrics).&amp;lt;ref&amp;gt;[http://artkerala.weebly.com/thullal.html &amp;quot;Ottan thullal&amp;quot;.] Kerala&amp;#039;s 64 Art Forms website. Accessed 27 February 2014.&amp;lt;/ref&amp;gt; A chorus or one or more artists repeats each sentence as it is completed. More recently, Ottamthullal has been performed with a solo female actor and with an [[ensemble cast]].&lt;br /&gt;
&lt;br /&gt;
== Theme ==&lt;br /&gt;
Nambiar parodies the ways of landlords and other prominent citizens, sometimes even the king. For example, the character of [[Bhima]] from the epic the &amp;#039;&amp;#039;[[Mahabharata]]&amp;#039;&amp;#039; is portrayed as an oaf. Higher castes including [[Brahmin]] are not spared.&lt;br /&gt;
&lt;br /&gt;
== Language ==&lt;br /&gt;
Ottan thullal is performed in [[Malayalam]], which pleases local audiences.  Old sayings and elements of [[folklore]] are used.&lt;br /&gt;
&lt;br /&gt;
== Works ==&lt;br /&gt;
There may be 64 or more Ottamthullal works. Examples include:&lt;br /&gt;
* &amp;#039;&amp;#039;Kallyana Sougandhikam&amp;#039;&amp;#039; (a rare flower), Bhima is searching for the flower and has a long conversation with his older brother, Hanuman.&lt;br /&gt;
* &amp;#039;&amp;#039;Kiratham, Garudagarva bhangam, Santhanagopalam, Ghoshayathra etc...&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== Related images ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:Chakyarkoothu-hareesh-nambiar-at-peechi-kfri-camp.jpg|Chakyar koothu&lt;br /&gt;
File:Sheethankan Thullal.jpg|Sheethankan Thullal&lt;br /&gt;
File:Oottan Thullal at Kerala School Kalothsavam 2017.jpg|Make-up&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
{{commons category|Ottan thullal}}&lt;br /&gt;
* [[Arts of Kerala]]&lt;br /&gt;
* [[Parayan Thullal]]&lt;br /&gt;
* [[Sheethankan Thullal]]&lt;br /&gt;
* [[Killikkurussimangalam]]&lt;br /&gt;
* [[Mani Madhava Chakyar]]&lt;br /&gt;
* [[Chakyar koothu]]&lt;br /&gt;
* [[Kathakali]]&lt;br /&gt;
* [[Mohiniyattam]]&lt;br /&gt;
* [[Koodiyattam]]&lt;br /&gt;
* [[Panchavadyam]]&lt;br /&gt;
* [[Kerala Kalamandalam]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Culture of Kerala}}&lt;br /&gt;
{{Use dmy dates|date=August 2019}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Dances of Kerala]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Ikan Kekek</name></author>
	</entry>
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