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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Odissi_music</id>
	<title>Odissi music - Revision history</title>
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	<updated>2026-08-20T01:04:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=457436&amp;oldid=prev</id>
		<title>KathrinChick016: improved article</title>
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		<updated>2025-12-29T00:53:09Z</updated>

		<summary type="html">&lt;p&gt;improved article&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Odissi_music&amp;amp;diff=457436&amp;amp;oldid=397480&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>KathrinChick016</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=397480&amp;oldid=prev</id>
		<title>WikiDwarfBOT: Cleanup:</title>
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		<updated>2023-07-22T05:57:57Z</updated>

		<summary type="html">&lt;p&gt;Cleanup:&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Odissi_music&amp;amp;diff=397480&amp;amp;oldid=335782&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>WikiDwarfBOT</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=335782&amp;oldid=prev</id>
		<title>UpdateBot at 12:55, 30 June 2022</title>
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		<updated>2022-06-30T12:55:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Odissi_music&amp;amp;diff=335782&amp;amp;oldid=149282&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>UpdateBot</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=149282&amp;oldid=prev</id>
		<title>imported&gt;Lancepark: template</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=149282&amp;oldid=prev"/>
		<updated>2021-07-27T21:18:53Z</updated>

		<summary type="html">&lt;p&gt;template&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:48, 28 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odissi Classical Music sidebar}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odissi Classical Music sidebar}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Indian classical music}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&amp;lt;span lang=&quot;sa&quot; dir=&quot;ltr&quot;&amp;gt;Odissi&amp;lt;/span&amp;gt; music&#039;&#039;&#039; (&#039;&#039;oṛiśī sangīta;&#039;&#039; {{Lang-or|ଓଡ଼ିଶୀ ସଙ୍ଗୀତ}}) is a genre of classical music in India, originated from the eastern state of [[Odisha]]. The traditional ritual music for the service of Lord [[Jagannath|Jagannatha]], Odissi music has a history spanning over two thousand years, authentic &#039;&#039;sangita-shastra&#039;&#039;s or treatises, unique Ragas &amp;amp; Talas and a distinctive style of rendition.&amp;lt;ref name=&quot;:0&quot; /&amp;gt;&amp;lt;ref name=&quot;:1&quot;&amp;gt;{{Cite book|last=Parhi|first=Dr. Kirtan Narayan|title=The Classicality of Orissi Music|publisher=Maxcurious Publications Pvt. Ltd.|year=2017|isbn=9788193215128|location=India|pages=383}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&amp;lt;span lang=&quot;sa&quot; dir=&quot;ltr&quot;&amp;gt;Odissi&amp;lt;/span&amp;gt; music&#039;&#039;&#039; (&#039;&#039;oṛiśī sangīta;&#039;&#039; {{Lang-or|ଓଡ଼ିଶୀ ସଙ୍ଗୀତ}}) is a genre of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Indian &lt;/ins&gt;classical music&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|classical music]] &lt;/ins&gt;in India, originated from the eastern state of [[Odisha]]. The traditional ritual music for the service of Lord [[Jagannath|Jagannatha]], Odissi music has a history spanning over two thousand years, authentic &#039;&#039;sangita-shastra&#039;&#039;s or treatises, unique Ragas &amp;amp; Talas and a distinctive style of rendition.&amp;lt;ref name=&quot;:0&quot; /&amp;gt;&amp;lt;ref name=&quot;:1&quot;&amp;gt;{{Cite book|last=Parhi|first=Dr. Kirtan Narayan|title=The Classicality of Orissi Music|publisher=Maxcurious Publications Pvt. Ltd.|year=2017|isbn=9788193215128|location=India|pages=383}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The various aspects of Odissi music include : &amp;#039;&amp;#039;chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli&amp;#039;&amp;#039; and more. Presentation dynamics are roughly classified into four : &amp;#039;&amp;#039;raganga&amp;#039;&amp;#039;, &amp;#039;&amp;#039;bhabanga, natyanga&amp;#039;&amp;#039; and &amp;#039;&amp;#039;dhrubapadanga&amp;#039;&amp;#039;. Some great composer-poets of the Odissi tradition are the 12th-century poet [[Jayadeva]], Balarama Dasa, [[Jagannatha Dasa (Odia poet)|&amp;#039;&amp;#039;Atibadi&amp;#039;&amp;#039; Jagannatha Dasa]], [[Dinakrushna Das|Dinakrusna Dasa]], &amp;#039;&amp;#039;Kabi Samrata&amp;#039;&amp;#039; [[Upendra Bhanja]], [[Banamali Dasa]], [[Baladeba Ratha|&amp;#039;&amp;#039;Kabisurjya&amp;#039;&amp;#039; Baladeba Ratha]] and &amp;#039;&amp;#039;Kabikalahansa&amp;#039;&amp;#039; [[Gopalakrusna Pattanayaka]].&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book|last=Patnaik|first=Kabichandra Dr. Kali Charan|title=A Glimpse into Orissan Music|publisher=Government of Orissa|location=Bhubaneswar, Odisha|pages=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The various aspects of Odissi music include : &amp;#039;&amp;#039;chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli&amp;#039;&amp;#039; and more. Presentation dynamics are roughly classified into four : &amp;#039;&amp;#039;raganga&amp;#039;&amp;#039;, &amp;#039;&amp;#039;bhabanga, natyanga&amp;#039;&amp;#039; and &amp;#039;&amp;#039;dhrubapadanga&amp;#039;&amp;#039;. Some great composer-poets of the Odissi tradition are the 12th-century poet [[Jayadeva]], Balarama Dasa, [[Jagannatha Dasa (Odia poet)|&amp;#039;&amp;#039;Atibadi&amp;#039;&amp;#039; Jagannatha Dasa]], [[Dinakrushna Das|Dinakrusna Dasa]], &amp;#039;&amp;#039;Kabi Samrata&amp;#039;&amp;#039; [[Upendra Bhanja]], [[Banamali Dasa]], [[Baladeba Ratha|&amp;#039;&amp;#039;Kabisurjya&amp;#039;&amp;#039; Baladeba Ratha]] and &amp;#039;&amp;#039;Kabikalahansa&amp;#039;&amp;#039; [[Gopalakrusna Pattanayaka]].&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book|last=Patnaik|first=Kabichandra Dr. Kali Charan|title=A Glimpse into Orissan Music|publisher=Government of Orissa|location=Bhubaneswar, Odisha|pages=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l207&quot;&gt;Line 207:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 208:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Ensemble ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Ensemble ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The traditional ensemble accompanying an Odissi music recital is said to be &#039;binā benu mardala&#039; : &#039;&#039;Bina&#039;&#039; or &#039;&#039;[[Veena]]&#039;&#039;, &#039;&#039;Benu&#039;&#039; or Flute and the [[Mardala]]. These form the three primary classes of instruments described in the shastras : &#039;&#039;tat&#039;&#039; or stringed, &#039;&#039;susira&#039;&#039; or wind and &#039;&#039;anaddha&#039;&#039; or percussive. All three instruments have been depicted in the stone temples &amp;amp; caves of Odisha built over the last two &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;millenia&lt;/del&gt;. The three instruments were also officially appointed as &#039;&#039;sebāyatas&#039;&#039; in the Jagannatha Temple of Puri as described in the [[Madala Panji]]. Apart from these three instruments, some other traditional accompanying instruments are the &#039;&#039;gini&#039;&#039;, &#039;&#039;karatāla&#039;&#039;, &#039;&#039;khola&#039;&#039; or &#039;&#039;mrudanga&#039;&#039;, &#039;&#039;jodināgarā&#039;&#039;, &#039;&#039;mahurī&#039;&#039; or &#039;&#039;mukhabīnā&#039;&#039;, &#039;&#039;jalataranga&#039;&#039; etc. At least since the 18th century, other instruments such as the [[violin]] (&#039;&#039;behelā&#039;&#039;) and [[Sitar]] have also been employed.&amp;lt;ref name=&quot;:32&quot; /&amp;gt; The harmonium has become popular from the early twentieth century.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The traditional ensemble accompanying an Odissi music recital is said to be &#039;binā benu mardala&#039; : &#039;&#039;Bina&#039;&#039; or &#039;&#039;[[Veena]]&#039;&#039;, &#039;&#039;Benu&#039;&#039; or Flute and the [[Mardala]]. These form the three primary classes of instruments described in the shastras : &#039;&#039;tat&#039;&#039; or stringed, &#039;&#039;susira&#039;&#039; or wind and &#039;&#039;anaddha&#039;&#039; or percussive. All three instruments have been depicted in the stone temples &amp;amp; caves of Odisha built over the last two &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;millennia&lt;/ins&gt;. The three instruments were also officially appointed as &#039;&#039;sebāyatas&#039;&#039; in the Jagannatha Temple of Puri as described in the [[Madala Panji]]. Apart from these three instruments, some other traditional accompanying instruments are the &#039;&#039;gini&#039;&#039;, &#039;&#039;karatāla&#039;&#039;, &#039;&#039;khola&#039;&#039; or &#039;&#039;mrudanga&#039;&#039;, &#039;&#039;jodināgarā&#039;&#039;, &#039;&#039;mahurī&#039;&#039; or &#039;&#039;mukhabīnā&#039;&#039;, &#039;&#039;jalataranga&#039;&#039; etc. At least since the 18th century, other instruments such as the [[violin]] (&#039;&#039;behelā&#039;&#039;) and [[Sitar]] have also been employed.&amp;lt;ref name=&quot;:32&quot; /&amp;gt; The harmonium has become popular from the early twentieth century.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the flute and Mardala continue to be popular, the Odissi Bina is no longer as widespread as it once used to be. Some of the exponents of the Odissi Bina were &amp;#039;&amp;#039;Sangitacharya&amp;#039;&amp;#039; Adwaita Guru and &amp;#039;&amp;#039;Gayaka Siromani&amp;#039;&amp;#039; Andha Apanna Panigrahi. The Odissi Bina (Veena) was spearheaded by Acharya [[Tarini Charan Patra]] in the twentieth century and is now kept alive by his disciple Guru [[Ramarao Patra]].&amp;lt;ref name=&amp;quot;:04&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the flute and Mardala continue to be popular, the Odissi Bina is no longer as widespread as it once used to be. Some of the exponents of the Odissi Bina were &amp;#039;&amp;#039;Sangitacharya&amp;#039;&amp;#039; Adwaita Guru and &amp;#039;&amp;#039;Gayaka Siromani&amp;#039;&amp;#039; Andha Apanna Panigrahi. The Odissi Bina (Veena) was spearheaded by Acharya [[Tarini Charan Patra]] in the twentieth century and is now kept alive by his disciple Guru [[Ramarao Patra]].&amp;lt;ref name=&amp;quot;:04&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l287&quot;&gt;Line 287:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 288:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://www.youtube.com/channel/UC6YM68jsDAjjgYcmScX2lwA Odissi music renditions by eminent vocalists]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://www.youtube.com/channel/UC6YM68jsDAjjgYcmScX2lwA Odissi music renditions by eminent vocalists]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://www.youtube.com/user/odiamelody Early gramophone records of Odissi music]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://www.youtube.com/user/odiamelody Early gramophone records of Odissi music]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odissi music}}{{Odia culture}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odissi music}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Indian Music}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odia culture}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odia language}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Odia language}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Lancepark</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=103303&amp;oldid=prev</id>
		<title>Hembram Bakhul: Created page with &quot;{{Odissi Classical Music sidebar}}  &#039;&#039;&#039;&lt;span lang=&quot;sa&quot; dir=&quot;ltr&quot;&gt;Odissi&lt;/span&gt; music&#039;&#039;&#039; (&#039;&#039;oṛiśī sangīta;&#039;&#039; {{Lang-or|ଓଡ଼ିଶୀ ସଙ୍ଗୀତ}}) is a genre...&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Odissi_music&amp;diff=103303&amp;oldid=prev"/>
		<updated>2021-07-05T09:16:19Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Odissi Classical Music sidebar}}  &amp;#039;&amp;#039;&amp;#039;&amp;lt;span lang=&amp;quot;sa&amp;quot; dir=&amp;quot;ltr&amp;quot;&amp;gt;Odissi&amp;lt;/span&amp;gt; music&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;oṛiśī sangīta;&amp;#039;&amp;#039; {{Lang-or|ଓଡ଼ିଶୀ ସଙ୍ଗୀତ}}) is a genre...&amp;quot;&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Odissi_music&amp;amp;diff=103303&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Hembram Bakhul</name></author>
	</entry>
</feed>