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	'''Ochira Velukutty''' (1905–1954) was an ~~[[India]]n~~ dramatist in the early days of [[Malayalam]] theatre. The Malayalam theatre began as an offshoot of Tamil theatre. In South [[Kerala]], the monotony of the ''sangeetha natakam'' (musical play) was broken in 1930 by the play ''Karuna'', an adaptation of [[Kumaran Asan]]'s famous poetic piece. The adaptation was done by Brahmavrathan and the actors [[Sebastian Kunjukunju Bhagavathar]] and Ochira Velukutty. This adaptation constituted a radical breakthrough in the 'sangeetha nataka' tradition and its implications were far reaching. It became part of the social reformist movement being led by the precepts of [[Sree Narayana Guru]]. It made history, having been staged more than 7,000 times over seven years. The heroine of the story, Vasavadatha, was played by Velukutty and secured him a place in the history of Malayalam theatre.		'''Ochira Velukutty''' (1905–1954) was an Indian dramatist in the early days of [[Malayalam]] theatre. The Malayalam theatre began as an offshoot of Tamil theatre. In South [[Kerala]], the monotony of the ''sangeetha natakam'' (musical play) was broken in 1930 by the play ''Karuna'', an adaptation of [[Kumaran Asan]]'s famous poetic piece. The adaptation was done by Brahmavrathan and the actors [[Sebastian Kunjukunju Bhagavathar]] and Ochira Velukutty. This adaptation constituted a radical breakthrough in the 'sangeetha nataka' tradition and its implications were far reaching. It became part of the social reformist movement being led by the precepts of [[Sree Narayana Guru]]. It made history, having been staged more than 7,000 times over seven years. The heroine of the story, Vasavadatha, was played by Velukutty and secured him a place in the history of Malayalam theatre.

	The role of Ochira Velukutty in the growth of modern Malayalam theatre was enormous. When the age ladies were not ready to come up in drama field, he enacted female roles better than real women.<ref>{{cite news\|url=http://www.hindu.com/2006/09/15/stories/2006091500990200.htm\|archive-url=https://web.archive.org/web/20090715120705/http://www.hindu.com/2006/09/15/stories/2006091500990200.htm\|url-status=dead\|archive-date=15 July 2009\|title=Documenting the life of a great stage artiste\|date=15 September 2006\|work=[[The Hindu]]\|accessdate=18 January 2010}}</ref> Ochira Parabrahmodaya Nadaka Samathi was formed in his leadership.		The role of Ochira Velukutty in the growth of modern Malayalam theatre was enormous. When the age ladies were not ready to come up in drama field, he enacted female roles better than real women.<ref>{{cite news\|url=http://www.hindu.com/2006/09/15/stories/2006091500990200.htm\|archive-url=https://web.archive.org/web/20090715120705/http://www.hindu.com/2006/09/15/stories/2006091500990200.htm\|url-status=dead\|archive-date=15 July 2009\|title=Documenting the life of a great stage artiste\|date=15 September 2006\|work=[[The Hindu]]\|accessdate=18 January 2010}}</ref> Ochira Parabrahmodaya Nadaka Samathi was formed in his leadership.

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{{Use dmy dates|date=July 2019}}
'''Ochira Velukutty''' (1905–1954) was an [[India]]n dramatist in the early days of [[Malayalam]] theatre. The Malayalam theatre began as an offshoot of Tamil theatre. In South [[Kerala]], the monotony of the ''sangeetha natakam'' (musical play) was broken in 1930 by the play ''Karuna'', an adaptation of [[Kumaran Asan]]'s famous poetic piece. The adaptation was done by Brahmavrathan and the actors [[Sebastian Kunjukunju Bhagavathar]] and Ochira Velukutty. This adaptation constituted a radical breakthrough in the 'sangeetha nataka' tradition and its implications were far reaching. It became part of the social reformist movement being led by the precepts of [[Sree Narayana Guru]]. It made history, having been staged more than 7,000 times over seven years. The heroine of the story, Vasavadatha, was played by Velukutty and secured him a place in the history of Malayalam theatre.

The role of Ochira Velukutty in the growth of modern Malayalam theatre was enormous. When the age ladies were not ready to come up in drama field, he enacted female roles better than real women.<ref>{{cite news|url=http://www.hindu.com/2006/09/15/stories/2006091500990200.htm|archive-url=https://web.archive.org/web/20090715120705/http://www.hindu.com/2006/09/15/stories/2006091500990200.htm|url-status=dead|archive-date=15 July 2009|title=Documenting the life of a great stage artiste|date=15 September 2006|work=[[The Hindu]]|accessdate=18 January 2010}}</ref> Ochira Parabrahmodaya Nadaka Samathi was formed in his leadership.

==References==
{{Reflist}}
'Oachira Velukkutty a Biographical Story' written By Dr.k.
Sreekumar Published by Kerala Sangeetha Nataka Ackadamy

== External links ==
*http://forum.education4india.com/showthread.php?tid=9787
*http://www.anonlineindia.com/information/theatre.htm
*http://www.smashawards.com/index.cfm?Page=Theater&SubPage=H-4
*http://www.studentsguide.in/music-and-fine-arts/drama.html
*http://www.explore2india.com/person2.htm
*http://indiansaga.com/art/theatre2_art.html
*http://amartya.de/thtr1.htm
*https://web.archive.org/web/20091221232554/http://www.keralahistory.ac.in/modernmal.htm

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{{DEFAULTSORT:Velukkutty, Ochira}}
[[Category:Malayalam-language dramatists and playwrights]]
[[Category:Dramatists and playwrights from Kerala]]
[[Category:1905 births]]
[[Category:1954 deaths]]
[[Category:Indian male dramatists and playwrights]]
[[Category:Date of birth missing]]
[[Category:Date of death missing]]
[[Category:20th-century Indian dramatists and playwrights]]
[[Category:20th-century Indian male writers]]

{{India-actor-stub}}

Ochira Velukkutty - Revision history

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