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Examples

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	*''Nidhichaala Sukhama'' in [[Kalyani (raga)]] at "Mamathabandhanayutha Narasthuthi Sukhama?" or "Sumathi Thyagaraja Keerthana Sukhama?"		*''Nidhichaala Sukhama'' in [[Kalyani (raga)]] at "Mamathabandhanayutha Narasthuthi Sukhama?" or "Sumathi Thyagaraja Keerthana Sukhama?"
	*''O Rangasayee'' in [[Kambhoji]] at "Bhuloka Vaikuntam ithiyani",		*''O Rangasayee'' in [[Kambhoji]] at "Bhuloka Vaikuntam ithiyani",
			*''Ennaganu Ramabhajana'' in [[Kamavardhini]] at "Rama Chiluka Nokata Penchi Prema Matalalada Nerpi",
	* ''Pakkala Nilabadi'' in [[Kharaharapriya]] at " Tanuvurce vandana mona ninchuchu nara" or "Manasuna"		* ''Pakkala Nilabadi'' in [[Kharaharapriya]] at " Tanuvurce vandana mona ninchuchu nara" or "Manasuna"
	* ''Palinchu Kamakshi'' in [[Madhyamavati]] at "Kanthamagu Peru Pondhithivi Kaarunyamurthivai jagamu",		* ''Palinchu Kamakshi'' in [[Madhyamavati]] at "Kanthamagu Peru Pondhithivi Kaarunyamurthivai jagamu",

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{{Use dmy dates|date=July 2020}}
{{Use Indian English|date=July 2020}}
In [[Carnatic music]], '''Neraval''' also known as ''' Niraval''' or '''Sahitya Vinyasa''' is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the [[charanam]] part of the [[kriti]]) are sung repeatedly, but with improvised elaborations.<ref name="Higgins1987">{{cite journal | last = Higgins |first = J. B.
|title = Performing Arts in India: Essays on Music, Dance, and Drama| journal = Asian Music |volume = 18 | issue = 2 |pages = 103–118 |year = 1987 | doi=10.2307/833942|jstor = 833942
}}</ref> This elaboration remains within the framework of the original patters of duration ([[Tala (music)|talam]]),<ref>[[#Randel2003|Randel (2003)]], p562</ref> and each word in the lines of text stay set within their original place (''idam'') in the [[Tala (music)|tala]] cycle.<ref name="Viswanathan 1998 p232">[[#NettlRussells1998|Viswanathan & Cormack (1998)]], p232</ref> The lines are then also played at different levels of speed which can include double speed, triple speed, quadruple speed and even [[sextuple]] speed.<ref name="Henry2002">{{cite journal | last = Henry |first = E. O.
|title = The Rationalization of Intensity in Indian Music| journal = Ethnomusicology |volume = 46 | issue = 1 |pages = 33–35 |year = 2002 | doi = 10.2307/852807 | jstor = 852807 | publisher = Society for Ethnomusicology}}</ref> The neraval is one of the features in the extempore improvisation aspect (''Manodharma Sangita'') of Carnatic music, and is intended to highlight the [[Raga]] bhava effectively. It is usually performed by the more advanced performers.<ref name="Higgins1987"/>

== Examples ==
{{unreferenced section|date=July 2020}}
Examples of Krithis containing lines best suited for neraval:

* ''Balagopala'' in [[Bhairavi (Carnatic)|Bhairavi]] at "Neela neeradha shareera dheerathara",
*''Entara Nithana'' in [[Harikambhoji]] at "Sheshudu Shivuniki Bushudu Lakshmana",
*''Nidhichaala Sukhama'' in [[Kalyani (raga)]] at "Mamathabandhanayutha Narasthuthi Sukhama?" or "Sumathi Thyagaraja Keerthana Sukhama?"
*''O Rangasayee'' in [[Kambhoji]] at "Bhuloka Vaikuntam ithiyani",
* ''Pakkala Nilabadi'' in [[Kharaharapriya]] at " Tanuvurce vandana mona ninchuchu nara" or "Manasuna"
* ''Palinchu Kamakshi'' in [[Madhyamavati]] at "Kanthamagu Peru Pondhithivi Kaarunyamurthivai jagamu",
* ''Rama Rama Gunaseema'' in [[Simhendramadhyamam]] at "Munimaanasa dhama Mrughamatha Sulalama",
* ''Rama nee Samanamevaru'' in [[Kharaharapriya]] at "Paluku palukulaku tene"
* ''Saroja Dhala Netri'' in [[Sankarabharanam (raga)|Sankarabharanam]] at "Sama Gana Vinodhini gunadhama Shyamakrishnanuthe",
*''Shambho Mahadeva'' in [[Kamavardhini]] at "Shambho Mahadeva Sharanagathajana rakshaka",
* ''Sri Venkateshwara'' in [[Hanumatodi|Thodi]] at "Maarajanakam Madhavanamakam",

==Notes==
{{reflist}}

== References ==
* {{cite book|title=The Harvard Dictionary of Music|last=Randel|first=Don Michael|year=2003|publisher=Harvard University Press|location=United States|ref=Randel2003}}
* Viswanathan, T. & Cormack, Jody (1998). In {{cite book|title=In the Course of Performance: Studies in the World of Musical Improvisation|last=Nettl|first=Bruno|authorlink=Bruno Nettl|author2=Russell, Melinda|publisher=[[University of Chicago Press]]|location=[[Chicago]] & [[London]]|ref=NettlRussell1998|isbn=0-226-57411-3|date=15 December 1998|url-access=registration|url=https://archive.org/details/incourseofperfor0000unse}}

== See also ==
* [[Glossary of Carnatic music]]

[[Category:Carnatic music]]
[[Category:Carnatic music terminology]]

Niraval - Revision history

1.186.177.236: /* Examples */

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