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	<title>Narada - Revision history</title>
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	<updated>2026-08-23T01:21:01Z</updated>
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		<title>EJEBoris894787: fix information for consistency and cleaned formatting</title>
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		<updated>2026-01-02T11:41:13Z</updated>

		<summary type="html">&lt;p&gt;fix information for consistency and cleaned formatting&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Narada&amp;amp;diff=470830&amp;amp;oldid=397173&quot;&gt;Show changes&lt;/a&gt;</summary>
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		<title>WikiDwarfBOT: Cleanup: Grammar fix. Source modification. Information added.</title>
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		<updated>2023-07-22T03:38:04Z</updated>

		<summary type="html">&lt;p&gt;Cleanup: Grammar fix. Source modification. Information added.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:08, 22 July 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Devanagari = नारद&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Devanagari = नारद&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption = Sage Narada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption = Sage Narada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| deity_of = Divine Sage &amp;lt;br&amp;gt; Messenger of the Devas&amp;lt;ref&amp;gt;{{cite book | url=https://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www&lt;/del&gt;.google.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;co.in&lt;/del&gt;/books&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/edition/World_Religions_True_Beliefs_And_New_Age/L4hVFpgwe48C&lt;/del&gt;?&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hl&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;en&amp;amp;gbpv=1&lt;/del&gt;&amp;amp;dq=narada+messenger+devas&amp;amp;pg=PA57&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;printsec=frontcover &lt;/del&gt;| isbn=9780595377701 | title=World Religions, True Beliefs and New Age Spirituality: A New Age Study on How Economic Tides and Parental Conditioning Mold Our World of Ethics, Religions, Beliefs, Sex and Relationships | date=December 2005 | publisher=iUniverse }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| deity_of = Divine Sage &amp;lt;br&amp;gt; Messenger of the Devas&amp;lt;ref&amp;gt;{{cite book | url=https://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;books&lt;/ins&gt;.google.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com&lt;/ins&gt;/books?&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;id&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L4hVFpgwe48C&lt;/ins&gt;&amp;amp;dq=narada+messenger+devas&amp;amp;pg=PA57 | isbn=9780595377701 | title=World Religions, True Beliefs and New Age Spirituality: A New Age Study on How Economic Tides and Parental Conditioning Mold Our World of Ethics, Religions, Beliefs, Sex and Relationships | date=December 2005 | publisher=iUniverse }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| abode = Brahmaloka &amp;lt;br&amp;gt; [[Vaikuntha]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| abode = Brahmaloka &amp;lt;br&amp;gt; [[Vaikuntha]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| mantra = Om Naradaya Namah&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| mantra = Om Naradaya Namah&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Hinduism ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Hinduism ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and the [[veena]], and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;,&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;http://vedabase.net/sb/1/5/1/en1 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhag&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P &lt;/del&gt;1&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;5&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;1&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/del&gt;Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s, and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to the preserver deity [[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. He is notorious for being meddlesome, provoking conflict between both the gods and the demons for the sake of their wisdom as well as for his own entertainment.&amp;lt;ref&amp;gt;{{Cite book |last=Lal |first=Ananda |url=https://books.google.com/books?id=goELAQAAMAAJ&amp;amp;q=Narada+meddling |title=Theatres of India: A Concise Companion |date=2009 |publisher=Oxford University Press |isbn=978-0-19-569917-3 |language=en}}&amp;lt;/ref&amp;gt; Vaishnavas depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him. He would usually make his presence known by vocally chanting &quot;&#039;&#039;Narayana, Narayana&#039;&#039;&quot; before appearing in a scene.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and the [[veena]], and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;,&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |title=Srimad Bhagavatam 1.5.1 |url=&lt;/ins&gt;http://vedabase.net/sb/1/5/1/en1 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|website=Bhaktivedanta VedaBase |access-date=27 January 2023 |archive&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url=https://web.archive.org/web/20220829120015/http://vedabase.net/sb/&lt;/ins&gt;1&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/&lt;/ins&gt;5&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/&lt;/ins&gt;1&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/en1 |archive-date=29 August 2022 |url-status=dead}} &lt;/ins&gt;Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s, and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to the preserver deity [[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. He is notorious for being meddlesome, provoking conflict between both the gods and the demons for the sake of their wisdom as well as for his own entertainment.&amp;lt;ref&amp;gt;{{Cite book |last=Lal |first=Ananda |url=https://books.google.com/books?id=goELAQAAMAAJ&amp;amp;q=Narada+meddling |title=Theatres of India: A Concise Companion |date=2009 |publisher=Oxford University Press |isbn=978-0-19-569917-3 |language=en}}&amp;lt;/ref&amp;gt; Vaishnavas depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him. He would usually make his presence known by vocally chanting &quot;&#039;&#039;Narayana, Narayana&#039;&#039;&quot; before appearing in a scene.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other texts named after Narada include the [[Narada Purana]] and the [[Nāradasmṛti]] (pre 6th century CE text), the latter called the &amp;quot;juridical text par excellence&amp;quot; and representing the only [[Dharmaśāstra]] text that deals solely with juridical matters while ignoring those of righteous conduct and penance.&amp;lt;ref&amp;gt;Lariviere 1989: ix&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other texts named after Narada include the [[Narada Purana]] and the [[Nāradasmṛti]] (pre 6th century CE text), the latter called the &amp;quot;juridical text par excellence&amp;quot; and representing the only [[Dharmaśāstra]] text that deals solely with juridical matters while ignoring those of righteous conduct and penance.&amp;lt;ref&amp;gt;Lariviere 1989: ix&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot;&gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Puranas ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Puranas ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Narada found Vishnu as macroform.jpg|thumb|Narada venerates Vishnu in his [[vishvarupa]] form]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Sage Sanathkumar teaching Narada muni.jpg|left|thumb|Sage [[Four Kumaras|Sanatkumara]] teaches the Brahma vidya to Narada]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Sage Sanathkumar teaching Narada muni.jpg|left|thumb|Sage [[Four Kumaras|Sanatkumara]] teaches the Brahma vidya to Narada]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Bhagavata Purana]] describes the story of Narada&amp;#039;s spiritual enlightenment: He was the primary source of information among the [[Deva (Hinduism)|devas]], and is believed to be the first cosmic messenger upon the earth. In his previous birth, Narada was a [[gandharva]] (musical being), who had been cursed to be born earth for singing glories to the demigods instead of Vishnu.&amp;lt;ref&amp;gt;Srimad Bhagavatam 7.15.72&amp;lt;/ref&amp;gt; He was born as the son of a maid-servant of some particularly [[saint]]ly priests. The priests, being pleased with both his and his mother&amp;#039;s service, blessed him by allowing him to eat some of their food ([[prasad|prasada]]), previously offered to their deity, Vishnu.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Bhagavata Purana]] describes the story of Narada&amp;#039;s spiritual enlightenment: He was the primary source of information among the [[Deva (Hinduism)|devas]], and is believed to be the first cosmic messenger upon the earth. In his previous birth, Narada was a [[gandharva]] (musical being), who had been cursed to be born earth for singing glories to the demigods instead of Vishnu.&amp;lt;ref&amp;gt;Srimad Bhagavatam 7.15.72&amp;lt;/ref&amp;gt; He was born as the son of a maid-servant of some particularly [[saint]]ly priests. The priests, being pleased with both his and his mother&amp;#039;s service, blessed him by allowing him to eat some of their food ([[prasad|prasada]]), previously offered to their deity, Vishnu.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot;&gt;Line 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 54:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Narada Muni.jpg|300px|thumb|Sri Narada Muni]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Narada Muni.jpg|300px|thumb|Sri Narada Muni]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Narada Muni Temple.jpg|300px|thumb|Sri Narada Muni Temple. [[Chigateri]]]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Narada Muni Temple.jpg|300px|thumb|Sri Narada Muni Temple. [[Chigateri]]]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== In Pop Culture ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Narada is featured as a primary character in the movie, [[Dashavatar (film)|Dashavatar]], in which he teaches two children about the avatars of Vishnu&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l77&quot;&gt;Line 77:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{commons category|Narada}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20070926234637/http://srimadbhagavatam.com/1/5/en1 Narada&amp;#039;s Instructions on Srimad-Bhagavatam for Vyasadeva]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20070926234637/http://srimadbhagavatam.com/1/5/en1 Narada&amp;#039;s Instructions on Srimad-Bhagavatam for Vyasadeva]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20070208120900/http://vedabase.net/n/narada References to Narada in Gaudiya Vaishnava texts]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20070208120900/http://vedabase.net/n/narada References to Narada in Gaudiya Vaishnava texts]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiDwarfBOT</name></author>
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		<title>ImportMaster: robot: Create/update articles in Category:Hindu gods.</title>
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		<updated>2022-12-09T12:52:33Z</updated>

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		<title>UpdateBot at 08:46, 28 June 2022</title>
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&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:16, 28 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Devanagari = नारद&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Devanagari = नारद&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption = Sage Narada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption = Sage Narada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| deity_of = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Devarshi&#039;&#039; &#039;&lt;/del&gt;Sage &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;god&#039; &lt;/del&gt;&amp;lt;br&amp;gt; Messenger of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gods&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| deity_of = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Divine &lt;/ins&gt;Sage &amp;lt;br&amp;gt; Messenger of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the gods&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| abode = Brahmaloka &amp;lt;br&amp;gt; Vaikuntha&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| abode = Brahmaloka &amp;lt;br&amp;gt; Vaikuntha&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| mantra = Om Naradaya Namah&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| mantra = Om Naradaya Namah&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| affiliation = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Devotee of &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vishnu&lt;/del&gt;]] &amp;lt;br&amp;gt;(Hinduism)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| affiliation = [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vaishnavism&lt;/ins&gt;]] &amp;lt;br&amp;gt; (Hinduism)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| symbols = [[Khartal]] &amp;lt;br&amp;gt; [[Veena]] &amp;lt;br&amp;gt; Mahati&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| symbols = [[Khartal]] &amp;lt;br&amp;gt; [[Veena]] &amp;lt;br&amp;gt; Mahati&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| father = [[Brahma]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| father = [[Brahma]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Narada&#039;&#039;&#039; ({{lang-sa|नारद}}, {{IAST3|Nārada}}), or &#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Narad &lt;/del&gt;Muni&#039;&#039;&#039;, is a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;god-&lt;/del&gt;sage, famous in [[Hinduism|Hindu]] traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of [[Manasputra|mind-created children]] of [[Brahma]], the creator.&amp;lt;ref name=&quot;novetzke222&quot;&amp;gt;Christian Lee Novetzke (2003), [https://www.jstor.org/stable/10.1086/375037 Divining an Author: The Idea of Authorship in an Indian Religious Tradition], History of Religions, Vol. 42, No. 3, page 222&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;lochtefeld461&quot;&amp;gt;{{cite book|author=James G. Lochtefeld|title=The Illustrated Encyclopedia of Hinduism: N-Z|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration|year=2002|publisher=The Rosen Publishing Group|isbn= 978-0-8239-3180-4|page=[https://archive.org/details/illustratedencyc0000loch/page/461 461] }}&amp;lt;/ref&amp;gt; He appears in a number of Hindu texts, notably the [[Mahabharata]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;telling Yudhishtira &lt;/del&gt;the Prahlada &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story, &lt;/del&gt;the [[Ramayana]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as warning Ravan &lt;/del&gt;as well as in the [[Puranas]].&amp;lt;ref name=lochtefeld461/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Narada&#039;&#039;&#039; ({{lang-sa|नारद}}, {{IAST3|Nārada}}), or &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Narada &lt;/ins&gt;Muni&#039;&#039;&#039;, is a sage &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;divinity&lt;/ins&gt;, famous in [[Hinduism|Hindu]] traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of [[Manasputra|mind-created children]] of [[Brahma]], the creator &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;god&lt;/ins&gt;.&amp;lt;ref name=&quot;novetzke222&quot;&amp;gt;Christian Lee Novetzke (2003), [https://www.jstor.org/stable/10.1086/375037 Divining an Author: The Idea of Authorship in an Indian Religious Tradition], History of Religions, Vol. 42, No. 3, page 222&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;lochtefeld461&quot;&amp;gt;{{cite book|author=James G. Lochtefeld|title=The Illustrated Encyclopedia of Hinduism: N-Z|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration|year=2002|publisher=The Rosen Publishing Group|isbn= 978-0-8239-3180-4|page=[https://archive.org/details/illustratedencyc0000loch/page/461 461] }}&amp;lt;/ref&amp;gt; He appears in a number of Hindu texts, notably the [[Mahabharata]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regaling [[Yudhishthira]] with &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story of [[&lt;/ins&gt;Prahlada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Prahalada]] and &lt;/ins&gt;the [[Ramayana]] as well as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tales &lt;/ins&gt;in the [[Puranas]].&amp;lt;ref name=lochtefeld461/&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A common theme in [[Vaishnavism]] is the accompaniment of a number of lesser deities such as Narada to offer aid &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vishnu upon his descent &lt;/ins&gt;to earth to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;combat the forces of evil&lt;/ins&gt;, or enjoy a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;close &lt;/ins&gt;view of epochal events. He is also referred to as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Rishiraja&#039;&#039;&lt;/ins&gt;, meaning the king of all sages. He was gifted with the boon of knowledge &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regarding the &lt;/ins&gt;past, present&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;future.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Once God decided that it was time for Him &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;descend &lt;/del&gt;to earth to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;set matters right&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;most lesser Gods came down to like someone &lt;/del&gt;or &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the other to aid and &lt;/del&gt;enjoy a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ringside &lt;/del&gt;view of epochal events. He is also referred to as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rishiraj&lt;/del&gt;, meaning the king of all sages &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or rishis&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He was gifted with the boon of knowledge&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;past, present and future.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Once his knowledge became a hindrance in God&#039;s designs. He was therefore cursed that although he would tell the truth and warn people, they would never believe him.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;[[veena]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://vedabase.net/sb/1/5/1/en1 Bhag-P 1.5.1] Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;which he uses to accompany his singing of [[hymn]]s, [[prayer]]s&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the preserver deity &lt;/ins&gt;[[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He is notorious for being meddlesome, provoking conflict between both the gods and the demons for the sake of their wisdom as well as for his own entertainment.&amp;lt;ref&amp;gt;{{Cite book |last=Lal |first=Ananda |url=https://books.google.co.uk/books?id=goELAQAAMAAJ&amp;amp;q=Narada+meddling&amp;amp;dq=Narada+meddling&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjyj_vm38_4AhWfSGwGHVvbAncQ6AF6BAgHEAM |title=Theatres of India: A Concise Companion |date=2009 |publisher=Oxford University Press |isbn=978-0-19-569917-3 |language=en}}&amp;lt;/ref&amp;gt; Vaishnavas &lt;/ins&gt;depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him. He would usually make his &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;presence known by &lt;/ins&gt;vocally chanting &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&#039;&#039;&lt;/ins&gt;Narayana, Narayana&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&quot; &lt;/ins&gt;before appearing in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;scene.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and [[veena]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;with the name Mahathi &lt;/del&gt;and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://vedabase.net/sb/1/5/1/en1 Bhag-P 1.5.1] Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lord &lt;/del&gt;[[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vaishnav enthusiasts &lt;/del&gt;depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He would usually make his &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;entrance &lt;/del&gt;vocally chanting Narayana, Narayana before &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;optically &lt;/del&gt;appearing in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;scene.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other texts named after Narada include [[Narada Purana]] and the [[Nāradasmṛti]] (pre 6th century CE text), the latter called the &quot;juridical text par excellence&quot; and representing the only [[Dharmaśāstra]] text &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;which &lt;/del&gt;deals solely with juridical matters while ignoring those of righteous conduct and penance.&amp;lt;ref&amp;gt;Lariviere 1989: ix&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other texts named after Narada include &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;[[Narada Purana]] and the [[Nāradasmṛti]] (pre 6th century CE text), the latter called the &quot;juridical text par excellence&quot; and representing the only [[Dharmaśāstra]] text &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that &lt;/ins&gt;deals solely with juridical matters while ignoring those of righteous conduct and penance.&amp;lt;ref&amp;gt;Lariviere 1989: ix&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name Narada, referring to many different persons, appears in many mythical legends of [[Hinduism]],&amp;lt;ref&amp;gt;{{cite book|author=Devdutt Pattanaik|title=The Goddess in India: The Five Faces of the Eternal Feminine|url=https://books.google.com/books?id=rjL3ogbdJNkC&amp;amp;pg=PA80 |year=2000|publisher=Inner Traditions |isbn=978-0-89281-807-5|page=80 }}&amp;lt;/ref&amp;gt; as an earlier birth of [[Sariputta]] in the Jataka tales of [[Buddhism]] as well as names of medieval Buddhist scholars,&amp;lt;ref&amp;gt;{{cite book|author=Sarah Shaw|title=THE JATAKAS: Birth Stories of Bodhisatta|url=https://books.google.com/books?id=Ay4WFGQtSy0C&amp;amp;pg=PT497 |year=2006|publisher=Penguin Books|isbn=978-81-8475-034-8 |page=497 }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|author=Martin Ramstedt|title=Hinduism in Modern Indonesia|url=https://books.google.com/books?id=-rBhGEN0RyYC |year=2005| publisher=Routledge| isbn=978-1-135-79052-3 |page=50 }}&amp;lt;/ref&amp;gt; and in [[Jainism]].&amp;lt;ref&amp;gt;{{cite book|author=Helmuth von Glasenapp|title=Jainism: An Indian Religion of Salvation|url=https://books.google.com/books?id=WzEzXDk0v6sC |year=1999|publisher=Motilal Banarsidass |isbn= 978-81-208-1376-2|pages=273 with footnotes}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name Narada, referring to many different persons, appears in many mythical legends of [[Hinduism]],&amp;lt;ref&amp;gt;{{cite book|author=Devdutt Pattanaik|title=The Goddess in India: The Five Faces of the Eternal Feminine|url=https://books.google.com/books?id=rjL3ogbdJNkC&amp;amp;pg=PA80 |year=2000|publisher=Inner Traditions |isbn=978-0-89281-807-5|page=80 }}&amp;lt;/ref&amp;gt; as an earlier birth of [[Sariputta]] in the Jataka tales of [[Buddhism]] as well as names of medieval Buddhist scholars,&amp;lt;ref&amp;gt;{{cite book|author=Sarah Shaw|title=THE JATAKAS: Birth Stories of Bodhisatta|url=https://books.google.com/books?id=Ay4WFGQtSy0C&amp;amp;pg=PT497 |year=2006|publisher=Penguin Books|isbn=978-81-8475-034-8 |page=497 }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|author=Martin Ramstedt|title=Hinduism in Modern Indonesia|url=https://books.google.com/books?id=-rBhGEN0RyYC |year=2005| publisher=Routledge| isbn=978-1-135-79052-3 |page=50 }}&amp;lt;/ref&amp;gt; and in [[Jainism]].&amp;lt;ref&amp;gt;{{cite book|author=Helmuth von Glasenapp|title=Jainism: An Indian Religion of Salvation|url=https://books.google.com/books?id=WzEzXDk0v6sC |year=1999|publisher=Motilal Banarsidass |isbn= 978-81-208-1376-2|pages=273 with footnotes}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Mahabharata==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Mahabharata==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the Mahabharata, Narada is portrayed as being conversant with the [[Vedas]] and the [[Upanishads]] and as acquainted with history and Puranas. He has a mastery of the six Angas: pronunciation, grammar, prosody, terms, religious rites and astronomy. All celestial beings worship him for his knowledge - he is supposed to be well versed in all that occurred in ancient Kalpas (time cycles) and is termed to be conversant with Nyaya (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;logic&lt;/del&gt;) and the truth of moral science. He is a perfect master in re-conciliatory texts and differentiating in applying general principles to particular cases. He can swiftly interpret contraries by references to differences in situations. He is eloquent, resolute, intelligent and a possessor of powerful memory. He knows the science of morals, politics; he is skilled in drawing inferences from evidence and very proficient in distinguishing inferior things from superior ones. He is competent in judging the correctness and incorrectness of complex syllogistic statements consisting of 5 proponents. He is capable of arriving at definite conclusions about religion, wealth, pleasure and salvation. He possesses knowledge of this whole universe and everything surrounding it. He is capable of successfully answering [[Brihaspati]] himself while arguing. He is a master of the Sankhya and Yoga systems of philosophy, conversant with sciences of war and treaty and proficient in drawing conclusions by judging things, not within direct knowledge. He knows about the six sciences of a treaty, war, military campaigns, maintenance of posts against the enemy and strategies of ambushes and reserves. He is a thorough master of every branch of learning. He is fond of war and music and incapable of being repulsed by any science or any course of action.&amp;lt;ref&amp;gt;The Mahabharata of Krishna Dwaipayana Vyasa Volume 1 Books 1, 2 and 3, Section XII&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the Mahabharata, Narada is portrayed as being conversant with the [[Vedas]] and the [[Upanishads]] and as acquainted with history and Puranas. He has a mastery of the six Angas: pronunciation, grammar, prosody, terms, religious rites and astronomy. All celestial beings worship him for his knowledge - he is supposed to be well versed in all that occurred in ancient Kalpas (time cycles) and is termed to be conversant with Nyaya (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;justice&lt;/ins&gt;) and the truth of moral science. He is a perfect master in re-conciliatory texts and differentiating in applying general principles to particular cases. He can swiftly interpret contraries by references to differences in situations. He is eloquent, resolute, intelligent and a possessor of powerful memory. He knows the science of morals, politics; he is skilled in drawing inferences from evidence and very proficient in distinguishing inferior things from superior ones. He is competent in judging the correctness and incorrectness of complex syllogistic statements consisting of 5 proponents. He is capable of arriving at definite conclusions about religion, wealth, pleasure and salvation. He possesses knowledge of this whole universe and everything surrounding it. He is capable of successfully answering [[Brihaspati]] himself while arguing. He is a master of the Sankhya and Yoga systems of philosophy, conversant with sciences of war and treaty and proficient in drawing conclusions by judging things, not within direct knowledge. He knows about the six sciences of a treaty, war, military campaigns, maintenance of posts against the enemy and strategies of ambushes and reserves. He is a thorough master of every branch of learning. He is fond of war and music and incapable of being repulsed by any science or any course of action.&amp;lt;ref&amp;gt;The Mahabharata of Krishna Dwaipayana Vyasa Volume 1 Books 1, 2 and 3, Section XII&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Puranas==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Puranas==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Narada found Vishnu as macroform.jpg|thumb|Narada found Vishnu in his [[Vishvarupa|vishwa swarupa]] form]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Narada found Vishnu as macroform.jpg|thumb|Narada found Vishnu in his [[Vishvarupa|vishwa swarupa]] form]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Sage Sanathkumar teaching Narada muni.jpg|left|thumb|Sage Sanathkumar teaches Brahma vidya to Narada]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Sage Sanathkumar teaching Narada muni.jpg|left|thumb|Sage Sanathkumar teaches Brahma vidya to Narada]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Bhagavata Purana]] describes the story of Narada&amp;#039;s spiritual enlightenment: He was the primary source of information among Gods and is believed to be the first journalist on Earth. In his previous birth, Narada was a [[Gandharva]] (angelic being) who had been cursed to be born on an earthly planet for singing glories to the demigods instead of the Supreme Lord.&amp;lt;ref&amp;gt;Srimad Bhagavatam 7.15.72&amp;lt;/ref&amp;gt; He was born as the son of a maid-servant of some particularly [[saint]]ly priests. The priests, being pleased with both his and his mother&amp;#039;s service, blessed him by allowing him to eat some of their food ([[prasad]]), previously offered to their lord, Vishnu.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Bhagavata Purana]] describes the story of Narada&amp;#039;s spiritual enlightenment: He was the primary source of information among Gods and is believed to be the first journalist on Earth. In his previous birth, Narada was a [[Gandharva]] (angelic being) who had been cursed to be born on an earthly planet for singing glories to the demigods instead of the Supreme Lord.&amp;lt;ref&amp;gt;Srimad Bhagavatam 7.15.72&amp;lt;/ref&amp;gt; He was born as the son of a maid-servant of some particularly [[saint]]ly priests. The priests, being pleased with both his and his mother&amp;#039;s service, blessed him by allowing him to eat some of their food ([[prasad]]), previously offered to their lord, Vishnu.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gradually he received further blessings from these sages and heard them discussing many spiritual topics. During the four months of rainy seasons when the sages did not leave their &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hermits &lt;/del&gt;and stayed together, they used to recite various deeds of Visnu, and from there Narada used to hear these stories. After his mother died, he decided to roam the forest in search of enlightenment in understanding the &#039;Supreme Absolute Truth&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gradually he received further blessings from these sages and heard them discussing many spiritual topics. During the four months of rainy seasons when the sages did not leave their &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hermitage &lt;/ins&gt;and stayed together, they used to recite various deeds of Visnu, and from there Narada used to hear these stories. After his mother died, he decided to roam the forest in search of enlightenment in understanding the &#039;Supreme Absolute Truth&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Reaching a tranquil forest location, after quenching his thirst from a nearby stream, he sat under a tree in meditation ([[yoga]]), concentrating on the [[paramatma]] form of Vishnu within his heart as he had been taught by the priests he had served. After some time Narada experienced a vision wherein Narayana (Vishnu) appeared before him, smiling, and spoke: &amp;quot;that despite having the blessing of seeing Him at that very moment, Narada would not be able to see His (Vishnu&amp;#039;s) divine form again until he died&amp;quot;. Narayana further explained that the reason he had been given a chance to see his form was that his beauty and love would be a source of inspiration and would fuel his dormant desire to be with the lord again. After instructing Narada in this manner, Vishnu then disappeared from his sight. The boy awoke from his meditation both thrilled and disappointed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Reaching a tranquil forest location, after quenching his thirst from a nearby stream, he sat under a tree in meditation ([[yoga]]), concentrating on the [[paramatma]] form of Vishnu within his heart as he had been taught by the priests he had served. After some time Narada experienced a vision wherein Narayana (Vishnu) appeared before him, smiling, and spoke: &amp;quot;that despite having the blessing of seeing Him at that very moment, Narada would not be able to see His (Vishnu&amp;#039;s) divine form again until he died&amp;quot;. Narayana further explained that the reason he had been given a chance to see his form was that his beauty and love would be a source of inspiration and would fuel his dormant desire to be with the lord again. After instructing Narada in this manner, Vishnu then disappeared from his sight. The boy awoke from his meditation both thrilled and disappointed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Narada temples are few, most prominent being Sri Narada Muni Temple at [[Chigateri]], [[Karnataka]].&amp;lt;ref&amp;gt;[http://www.charanamrit.com/gods/narada_1147 Hindu Gods and Goddesses]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Narada temples are few, most prominent being Sri Narada Muni Temple at [[Chigateri]], [[Karnataka]].&amp;lt;ref&amp;gt;[http://www.charanamrit.com/gods/narada_1147 Hindu Gods and Goddesses]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the &#039;&#039;Padma Purana&#039;&#039; and some other texts, Narada is transformed into a woman for a time.&amp;lt;ref&amp;gt;Cheever Mackenzie Brown, &#039;&#039;The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana&#039;&#039; (1990), page 212&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Amara Das Wilhelm, &#039;&#039;Tritiya-Prakriti: People of the Third Sex&#039;&#039; (2004), page 153&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the &#039;&#039;Padma Purana&#039;&#039; and some other texts, Narada is transformed into a woman for a time&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. In the Kali Yuga (1484 CE), he was reborn as [[Purandara Dasa]] as a &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Haridasa (servant of Vishnu). He emphasised his works on [[Vithoba|Vithala]], another form of Vishnu and the presiding deity of the temple in [[Pandharpur]]&lt;/ins&gt;.&amp;lt;ref&amp;gt;Cheever Mackenzie Brown, &#039;&#039;The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana&#039;&#039; (1990), page 212&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Amara Das Wilhelm, &#039;&#039;Tritiya-Prakriti: People of the Third Sex&#039;&#039; (2004), page 153&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Jainism==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Jainism==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l93&quot;&gt;Line 93:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 90:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Rishis]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Rishis]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Prajapatis]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Prajapatis]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Forms &lt;/del&gt;of Vishnu]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Avatars &lt;/ins&gt;of Vishnu]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Characters in the Bhagavata Purana]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Characters in the Bhagavata Purana]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Narada&amp;diff=252849&amp;oldid=prev</id>
		<title>CleanupBot: clean up</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Narada&amp;diff=252849&amp;oldid=prev"/>
		<updated>2022-01-04T06:58:01Z</updated>

		<summary type="html">&lt;p&gt;clean up&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:28, 4 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Once his knowledge became a hindrance in God&amp;#039;s designs. He was therefore cursed that although he would tell the truth and warn people, they would never believe him.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Once his knowledge became a hindrance in God&amp;#039;s designs. He was therefore cursed that although he would tell the truth and warn people, they would never believe him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Veena| &lt;/del&gt;veena]] with the name Mahathi and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://vedabase.net/sb/1/5/1/en1 Bhag-P 1.5.1] Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to Lord [[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. Vaishnav enthusiasts depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &#039;&#039;[[loka]]s&#039;&#039;). He is depicted carrying a [[khartal]] (musical instrument) and [[veena]] with the name Mahathi and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &quot;mahathi&quot;&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://vedabase.net/sb/1/5/1/en1 Bhag-P 1.5.1] Narada is addressed as &#039;Veena-panih&#039;, meaning &quot;one who carries a veena in his hand&quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to Lord [[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. Vaishnav enthusiasts depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &#039;&#039;[[Hari]]&#039;&#039; and &#039;&#039;[[Narayana]]&#039;&#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He would usually make his entrance vocally chanting Narayana, Narayana before optically appearing in the scene.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He would usually make his entrance vocally chanting Narayana, Narayana before optically appearing in the scene.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Vaishnavism}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name Narada, referring to many different persons, appears in many mythical legends of [[Hinduism]],&amp;lt;ref&amp;gt;{{cite book|author=Devdutt Pattanaik|title=The Goddess in India: The Five Faces of the Eternal Feminine|url=https://books.google.com/books?id=rjL3ogbdJNkC&amp;amp;pg=PA80 |year=2000|publisher=Inner Traditions |isbn=978-0-89281-807-5|page=80 }}&amp;lt;/ref&amp;gt; as an earlier birth of [[Sariputta]] in the Jataka tales of [[Buddhism]] as well as names of medieval Buddhist scholars,&amp;lt;ref&amp;gt;{{cite book|author=Sarah Shaw|title=THE JATAKAS: Birth Stories of Bodhisatta|url=https://books.google.com/books?id=Ay4WFGQtSy0C&amp;amp;pg=PT497 |year=2006|publisher=Penguin Books|isbn=978-81-8475-034-8 |page=497 }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|author=Martin Ramstedt|title=Hinduism in Modern Indonesia|url=https://books.google.com/books?id=-rBhGEN0RyYC |year=2005| publisher=Routledge| isbn=978-1-135-79052-3 |page=50 }}&amp;lt;/ref&amp;gt; and in [[Jainism]].&amp;lt;ref&amp;gt;{{cite book|author=Helmuth von Glasenapp|title=Jainism: An Indian Religion of Salvation|url=https://books.google.com/books?id=WzEzXDk0v6sC |year=1999|publisher=Motilal Banarsidass |isbn= 978-81-208-1376-2|pages=273 with footnotes}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name Narada, referring to many different persons, appears in many mythical legends of [[Hinduism]],&amp;lt;ref&amp;gt;{{cite book|author=Devdutt Pattanaik|title=The Goddess in India: The Five Faces of the Eternal Feminine|url=https://books.google.com/books?id=rjL3ogbdJNkC&amp;amp;pg=PA80 |year=2000|publisher=Inner Traditions |isbn=978-0-89281-807-5|page=80 }}&amp;lt;/ref&amp;gt; as an earlier birth of [[Sariputta]] in the Jataka tales of [[Buddhism]] as well as names of medieval Buddhist scholars,&amp;lt;ref&amp;gt;{{cite book|author=Sarah Shaw|title=THE JATAKAS: Birth Stories of Bodhisatta|url=https://books.google.com/books?id=Ay4WFGQtSy0C&amp;amp;pg=PT497 |year=2006|publisher=Penguin Books|isbn=978-81-8475-034-8 |page=497 }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|author=Martin Ramstedt|title=Hinduism in Modern Indonesia|url=https://books.google.com/books?id=-rBhGEN0RyYC |year=2005| publisher=Routledge| isbn=978-1-135-79052-3 |page=50 }}&amp;lt;/ref&amp;gt; and in [[Jainism]].&amp;lt;ref&amp;gt;{{cite book|author=Helmuth von Glasenapp|title=Jainism: An Indian Religion of Salvation|url=https://books.google.com/books?id=WzEzXDk0v6sC |year=1999|publisher=Motilal Banarsidass |isbn= 978-81-208-1376-2|pages=273 with footnotes}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His [[Greek mythology|Greek]] and [[Roman mythology|Roman counterparts]] are [[Mercury (mythology)|Mercury]] and [[Hermes&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Hermes.&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His [[Greek mythology|Greek]] and [[Roman mythology|Roman counterparts]] are [[Mercury (mythology)|Mercury]] and [[Hermes]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Mahabharata==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Mahabharata==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 92:&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Rishis]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Rishis]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Prajapatis]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Prajapatis]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Characters in the Bhagavata Purana]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Characters in the Bhagavata Purana]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Narada&amp;diff=140592&amp;oldid=prev</id>
		<title>183.78.125.10 at 19:34, 21 August 2021</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{about||the village in Slovakia|Ňárad|other uses|Narada (disambiguation)}}&lt;br /&gt;
{{short description|Sage in Hindu mythology}}&lt;br /&gt;
{{More citations needed|date=March 2017}} &lt;br /&gt;
{{Use Indian English|date=April 2015}}&lt;br /&gt;
{{Use dmy dates|date=April 2015}}&lt;br /&gt;
{{Infobox deity&lt;br /&gt;
| type = Hindu&lt;br /&gt;
| image = Narad - Vintage Print.jpg&lt;br /&gt;
| alt = Narada&lt;br /&gt;
| Devanagari = नारद&lt;br /&gt;
| caption = Sage Narada&lt;br /&gt;
| deity_of = &amp;#039;&amp;#039;Devarshi&amp;#039;&amp;#039; &amp;#039;Sage god&amp;#039; &amp;lt;br&amp;gt; Messenger of Gods&lt;br /&gt;
| abode = Brahmaloka &amp;lt;br&amp;gt; Vaikuntha&lt;br /&gt;
| mantra = Om Naradaya Namah&lt;br /&gt;
| affiliation = Devotee of [[Vishnu]] &amp;lt;br&amp;gt;(Hinduism)&lt;br /&gt;
| symbols = [[Khartal]] &amp;lt;br&amp;gt; [[Veena]] &amp;lt;br&amp;gt; Mahati&lt;br /&gt;
| father = [[Brahma]]&lt;br /&gt;
| mother = [[Saraswati]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Narada&amp;#039;&amp;#039;&amp;#039; ({{lang-sa|नारद}}, {{IAST3|Nārada}}), or &amp;#039;&amp;#039;&amp;#039;Narad Muni&amp;#039;&amp;#039;&amp;#039;, is a god-sage, famous in [[Hinduism|Hindu]] traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of [[Manasputra|mind-created children]] of [[Brahma]], the creator.&amp;lt;ref name=&amp;quot;novetzke222&amp;quot;&amp;gt;Christian Lee Novetzke (2003), [https://www.jstor.org/stable/10.1086/375037 Divining an Author: The Idea of Authorship in an Indian Religious Tradition], History of Religions, Vol. 42, No. 3, page 222&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;lochtefeld461&amp;quot;&amp;gt;{{cite book|author=James G. Lochtefeld|title=The Illustrated Encyclopedia of Hinduism: N-Z|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration|year=2002|publisher=The Rosen Publishing Group|isbn= 978-0-8239-3180-4|page=[https://archive.org/details/illustratedencyc0000loch/page/461 461] }}&amp;lt;/ref&amp;gt; He appears in a number of Hindu texts, notably the [[Mahabharata]], telling Yudhishtira the Prahlada story, the [[Ramayana]] as warning Ravan as well as in the [[Puranas]].&amp;lt;ref name=lochtefeld461/&amp;gt;&lt;br /&gt;
Once God decided that it was time for Him to descend to earth to set matters right, most lesser Gods came down to like someone or the other to aid and enjoy a ringside view of epochal events. He is also referred to as Rishiraj, meaning the king of all sages or rishis.&lt;br /&gt;
He was gifted with the boon of knowledge, past, present and future.&lt;br /&gt;
&lt;br /&gt;
Once his knowledge became a hindrance in God&amp;#039;s designs. He was therefore cursed that although he would tell the truth and warn people, they would never believe him.&lt;br /&gt;
In Indian texts, Narada travels to distant worlds and realms (Sanskrit: &amp;#039;&amp;#039;[[loka]]s&amp;#039;&amp;#039;). He is depicted carrying a [[khartal]] (musical instrument) and [[Veena| veena]] with the name Mahathi and is generally regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name &amp;quot;mahathi&amp;quot;&amp;lt;ref&amp;gt;{{cite news|last=Guy|first=Randor|title=Bhaktha Naradar 1942|url=http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|archive-url=https://web.archive.org/web/20100820051347/http://www.hindu.com/mp/2010/07/31/stories/2010073151750700.htm|url-status=dead|archive-date=20 August 2010|access-date=9 October 2011|newspaper=[[The Hindu]]|date=31 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://vedabase.net/sb/1/5/1/en1 Bhag-P 1.5.1] Narada is addressed as &amp;#039;Veena-panih&amp;#039;, meaning &amp;quot;one who carries a veena in his hand&amp;quot;&amp;lt;/ref&amp;gt; which he uses to accompany his singing of [[hymn]]s, [[prayer]]s and [[mantra]]s. In the [[Vaishnavism]] tradition of Hinduism, he is presented as a sage with [[bhakti|devotion]] to Lord [[Vishnu]]. Narada is described as both wise and mischievous in some humorous tales. Vaishnav enthusiasts depict him as a pure, elevated soul who glorifies Vishnu through his devotional songs, singing the names &amp;#039;&amp;#039;[[Hari]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Narayana]]&amp;#039;&amp;#039;, and therein demonstrating [[bhakti yoga]]. The [[Narada Bhakti Sutra]] is attributed to him.&lt;br /&gt;
He would usually make his entrance vocally chanting Narayana, Narayana before optically appearing in the scene.&lt;br /&gt;
{{Vaishnavism}}&lt;br /&gt;
Other texts named after Narada include [[Narada Purana]] and the [[Nāradasmṛti]] (pre 6th century CE text), the latter called the &amp;quot;juridical text par excellence&amp;quot; and representing the only [[Dharmaśāstra]] text which deals solely with juridical matters while ignoring those of righteous conduct and penance.&amp;lt;ref&amp;gt;Lariviere 1989: ix&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The name Narada, referring to many different persons, appears in many mythical legends of [[Hinduism]],&amp;lt;ref&amp;gt;{{cite book|author=Devdutt Pattanaik|title=The Goddess in India: The Five Faces of the Eternal Feminine|url=https://books.google.com/books?id=rjL3ogbdJNkC&amp;amp;pg=PA80 |year=2000|publisher=Inner Traditions |isbn=978-0-89281-807-5|page=80 }}&amp;lt;/ref&amp;gt; as an earlier birth of [[Sariputta]] in the Jataka tales of [[Buddhism]] as well as names of medieval Buddhist scholars,&amp;lt;ref&amp;gt;{{cite book|author=Sarah Shaw|title=THE JATAKAS: Birth Stories of Bodhisatta|url=https://books.google.com/books?id=Ay4WFGQtSy0C&amp;amp;pg=PT497 |year=2006|publisher=Penguin Books|isbn=978-81-8475-034-8 |page=497 }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|author=Martin Ramstedt|title=Hinduism in Modern Indonesia|url=https://books.google.com/books?id=-rBhGEN0RyYC |year=2005| publisher=Routledge| isbn=978-1-135-79052-3 |page=50 }}&amp;lt;/ref&amp;gt; and in [[Jainism]].&amp;lt;ref&amp;gt;{{cite book|author=Helmuth von Glasenapp|title=Jainism: An Indian Religion of Salvation|url=https://books.google.com/books?id=WzEzXDk0v6sC |year=1999|publisher=Motilal Banarsidass |isbn= 978-81-208-1376-2|pages=273 with footnotes}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His [[Greek mythology|Greek]] and [[Roman mythology|Roman counterparts]] are [[Mercury (mythology)|Mercury]] and [[Hermes|Hermes.]]&lt;br /&gt;
&lt;br /&gt;
==Mahabharata==&lt;br /&gt;
In the Mahabharata, Narada is portrayed as being conversant with the [[Vedas]] and the [[Upanishads]] and as acquainted with history and Puranas. He has a mastery of the six Angas: pronunciation, grammar, prosody, terms, religious rites and astronomy. All celestial beings worship him for his knowledge - he is supposed to be well versed in all that occurred in ancient Kalpas (time cycles) and is termed to be conversant with Nyaya (logic) and the truth of moral science. He is a perfect master in re-conciliatory texts and differentiating in applying general principles to particular cases. He can swiftly interpret contraries by references to differences in situations. He is eloquent, resolute, intelligent and a possessor of powerful memory. He knows the science of morals, politics; he is skilled in drawing inferences from evidence and very proficient in distinguishing inferior things from superior ones. He is competent in judging the correctness and incorrectness of complex syllogistic statements consisting of 5 proponents. He is capable of arriving at definite conclusions about religion, wealth, pleasure and salvation. He possesses knowledge of this whole universe and everything surrounding it. He is capable of successfully answering [[Brihaspati]] himself while arguing. He is a master of the Sankhya and Yoga systems of philosophy, conversant with sciences of war and treaty and proficient in drawing conclusions by judging things, not within direct knowledge. He knows about the six sciences of a treaty, war, military campaigns, maintenance of posts against the enemy and strategies of ambushes and reserves. He is a thorough master of every branch of learning. He is fond of war and music and incapable of being repulsed by any science or any course of action.&amp;lt;ref&amp;gt;The Mahabharata of Krishna Dwaipayana Vyasa Volume 1 Books 1, 2 and 3, Section XII&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Puranas==&lt;br /&gt;
[[File: Narada found Vishnu as macroform.jpg|thumb|Narada found Vishnu in his [[Vishvarupa|vishwa swarupa]] form]]&lt;br /&gt;
[[File: Sage Sanathkumar teaching Narada muni.jpg|left|thumb|Sage Sanathkumar teaches Brahma vidya to Narada]]&lt;br /&gt;
The [[Bhagavata Purana]] describes the story of Narada&amp;#039;s spiritual enlightenment: He was the primary source of information among Gods and is believed to be the first journalist on Earth. In his previous birth, Narada was a [[Gandharva]] (angelic being) who had been cursed to be born on an earthly planet for singing glories to the demigods instead of the Supreme Lord.&amp;lt;ref&amp;gt;Srimad Bhagavatam 7.15.72&amp;lt;/ref&amp;gt; He was born as the son of a maid-servant of some particularly [[saint]]ly priests. The priests, being pleased with both his and his mother&amp;#039;s service, blessed him by allowing him to eat some of their food ([[prasad]]), previously offered to their lord, Vishnu.&lt;br /&gt;
&lt;br /&gt;
Gradually he received further blessings from these sages and heard them discussing many spiritual topics. During the four months of rainy seasons when the sages did not leave their hermits and stayed together, they used to recite various deeds of Visnu, and from there Narada used to hear these stories. After his mother died, he decided to roam the forest in search of enlightenment in understanding the &amp;#039;Supreme Absolute Truth&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Reaching a tranquil forest location, after quenching his thirst from a nearby stream, he sat under a tree in meditation ([[yoga]]), concentrating on the [[paramatma]] form of Vishnu within his heart as he had been taught by the priests he had served. After some time Narada experienced a vision wherein Narayana (Vishnu) appeared before him, smiling, and spoke: &amp;quot;that despite having the blessing of seeing Him at that very moment, Narada would not be able to see His (Vishnu&amp;#039;s) divine form again until he died&amp;quot;. Narayana further explained that the reason he had been given a chance to see his form was that his beauty and love would be a source of inspiration and would fuel his dormant desire to be with the lord again. After instructing Narada in this manner, Vishnu then disappeared from his sight. The boy awoke from his meditation both thrilled and disappointed.&lt;br /&gt;
&lt;br /&gt;
For the rest of his life, Narada focused on his devotion, meditation upon and worship to Vishnu. After his death, Vishnu then blessed him with the spiritual form of &amp;quot;Narada&amp;quot; as he eventually became known. In many Hindu scriptures, Narada is considered a saktyavesa-avatar or partial-manifestation ([[avatar]]) of God, empowered to perform miraculous tasks on Vishnu&amp;#039;s behalf.&lt;br /&gt;
&lt;br /&gt;
Narada temples are few, most prominent being Sri Narada Muni Temple at [[Chigateri]], [[Karnataka]].&amp;lt;ref&amp;gt;[http://www.charanamrit.com/gods/narada_1147 Hindu Gods and Goddesses]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In the &amp;#039;&amp;#039;Padma Purana&amp;#039;&amp;#039; and some other texts, Narada is transformed into a woman for a time.&amp;lt;ref&amp;gt;Cheever Mackenzie Brown, &amp;#039;&amp;#039;The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana&amp;#039;&amp;#039; (1990), page 212&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Amara Das Wilhelm, &amp;#039;&amp;#039;Tritiya-Prakriti: People of the Third Sex&amp;#039;&amp;#039; (2004), page 153&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Jainism==&lt;br /&gt;
{{main|Salakapurusa}}&lt;br /&gt;
In Jainism, there are a total of 9 Naradas in every cycle of [[Jain Cosmology]];{{sfn|Doniger|1999|p=550}} current cycle&amp;#039;s Naradas were Bhima, Mahabhima, Rudra, Maharudra, Kala, Mahakala, Durmukha, Narakamukha and Adhomukha.&lt;br /&gt;
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[[File:Narada Muni.jpg|300px|thumb|Sri Narada Muni]]&lt;br /&gt;
[[File:Narada Muni Temple.jpg|300px|thumb|Sri Narada Muni Temple. [[Chigateri]]]]&lt;br /&gt;
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== See also ==&lt;br /&gt;
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* &amp;#039;&amp;#039;[[Bhaktha Naradar]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bhagavata Purana]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Narad Bhakti Sutra]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Nāradasmṛti]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sangita Makarandha]]&amp;#039;&amp;#039;&lt;br /&gt;
* [[Four Kumaras]]&lt;br /&gt;
* [[Vishnu]]&lt;br /&gt;
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==References==&lt;br /&gt;
=== Citations ===&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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=== Sources ===&lt;br /&gt;
* {{citation |editor-last=Doniger |editor-first=Wendy |editor-link=Wendy Doniger |title=Encyclopedia of World Religions |url=https://books.google.com/books?id=ZP_f9icf2roC |date=1999 |publisher=[[Merriam-Webster]] |isbn=0-87779-044-2 }}&lt;br /&gt;
* {{ cite book | author = Translation by Richard W. Lariviere| title = The Nāradasmr̥ti| publisher = University of Philadelphia | year = 1989}}&lt;br /&gt;
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== External links ==&lt;br /&gt;
{{commons category|Narada}}&lt;br /&gt;
* [https://web.archive.org/web/20070926234637/http://srimadbhagavatam.com/1/5/en1 Narada&amp;#039;s Instructions on Srimad-Bhagavatam for Vyasadeva]&lt;br /&gt;
* [https://web.archive.org/web/20070208120900/http://vedabase.net/n/narada References to Narada in Gaudiya Vaishnava texts]&lt;br /&gt;
* [http://www.sak-yant.com/?page_id=1145 Ruesi Narot - Narada in Buddhist Thailand]&lt;br /&gt;
* [http://www.estudantedavedanta.net/Narada-Bhakti-Sutra-Sanskrit-text-with-English-translation.pdf Narada’s Aphorisms on Bhakti (Ed. Sarma, Y Subrahmanya)]&lt;br /&gt;
* [http://www.estudantedavedanta.net/Narada-Bhakti-Sutras-Swami-Bhuteshananda.pdf Nārada Bhakti Sūtras (Tr. Bhuteshananda, Swami)]&lt;br /&gt;
* [http://www.krishnapath.org/eBooks/Narada-Bhakti-Sutra.pdf Nārada-Bhakti-Sūtra: The Secrets of Transcendental Love (Tr. Prabhupāda, A C Bhaktivedanta Swami et al.)]&lt;br /&gt;
*[https://www.ravishankarjigurubhai.org/2020/05/narad-jayanti-janm-vishesh.html Narada Jayanti Janm Vishesh]&lt;br /&gt;
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{{VishnuAvatars}}&lt;br /&gt;
{{Rishis of Hindu mythology}}&lt;br /&gt;
{{Caitanya sampradaya}}&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
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[[Category:Rishis]]&lt;br /&gt;
[[Category: Prajapatis]]&lt;br /&gt;
[[Category: Forms of Vishnu]]&lt;br /&gt;
[[Category: Characters in the Bhagavata Purana]]&lt;/div&gt;</summary>
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