Nagasvaravali - Revision history

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	==References==		==References==
	~~{{Portal\|India\|Music}}~~
	<references/>		<references/>

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	[[File:Nagasvaravali scale.svg\|thumb\|right\|300px\|''{{IAST\|Nāgasvarāvaḻi}}'' scale with ''shadjam'' at C]]		[[File:Nagasvaravali scale.svg\|thumb\|right\|300px\|''{{IAST\|Nāgasvarāvaḻi}}'' scale with ''shadjam'' at C]]

	''{{IAST\|Nāgasvarāvaḻi}}'' is a symmetric rāgam that does not contain ''rishabham'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> in Carnatic music classification - ''audava'' meaning 'of 5'). Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#~~Swaras~~ in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):		''{{IAST\|Nāgasvarāvaḻi}}'' is a symmetric rāgam that does not contain ''rishabham'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> in Carnatic music classification - ''audava'' meaning 'of 5'). Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):

	*[[Arohana\|{{IAST\|ārohaṇa}}]] : {{svaraC\|S\|G3\|M1\|P\|D2\|S'\|foot=yes}}		*[[Arohana\|{{IAST\|ārohaṇa}}]] : {{svaraC\|S\|G3\|M1\|P\|D2\|S'\|foot=yes}}
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	*''bhutapataye namo namaste'' , ''bandhamu seyaradu'' by [[Muthiah Bhagavatar]]		*''bhutapataye namo namaste'' , ''bandhamu seyaradu'' by [[Muthiah Bhagavatar]]
	*''Sivachidambarame'' by [[Muthu Thandavar]]		*''Sivachidambarame'' by [[Muthu Thandavar]]

			== Film Songs ==
			=== Language:[[Tamil language\|Tamil]] ===
			{\| class="wikitable"
			!Song
			!Movie
			!Composer
			!Singer
			\|-
			\|Deivega Malar Allava
			\|[[Meenakshi Thiruvilayadal]]
			\|[[M. S. Viswanathan]]
			\|[[Vani Jairam]], [[K. S. Chitra]]
			\|}

	== Related rāgams ==		== Related rāgams ==

imported>Ser Amantio di Nicolao: Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

2021-08-28T09:14:01Z

Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

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{{moresources|date=July 2020}}
{{Use dmy dates|date=July 2020}}
{{Use Indian English|date=July 2020}}
{{Infobox ragam
| name = Nagasvaravali
| synonym =
| image_name =
| image_alt =
| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|G3|M1|P|D2|S'}}
| avarohanam = {{svaraC|S'|D2|P|M1|G3|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}
{{Carnatic}}
'''{{IAST|Nāgasvarāvaḻi}}''', is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'', meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale), as it does not have all the seven ''[[swara]]s'' (musical notes).

== Structure and Lakshana ==
[[File:Nagasvaravali scale.svg|thumb|right|300px|''{{IAST|Nāgasvarāvaḻi}}'' scale with ''shadjam'' at C]]

''{{IAST|Nāgasvarāvaḻi}}'' is a symmetric rāgam that does not contain ''rishabham'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> in Carnatic music classification - ''audava'' meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):

*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|G3|M1|P|D2|S'|foot=yes}}
*[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D2|P|M1|G3|S|foot=yes}}
(the notes used in this musical scale are ''shadjam, antara gandharam, shuddha madhyamam, panchamam, chathusruti dhaivatam'')

''{{IAST|Nāgasvarāvaḻi}}'' is considered a ''janya'' rāgam of ''[[Harikambhoji]]'', the 28th ''[[Melakarta]]'' rāgam, though it can be derived from other melakarta rāgams, ''[[Chakravakam (raga)|Chakravakam]]'', ''[[Sooryakantam]]'', ''[[Dheerasankarabharanam|Shankarabharanam]]'', ''[[Vagadheeswari]]'' or ''[[Shoolini]]'', by dropping both ''rishabham'' and ''nishādam''.

== Popular compositions ==
''{{IAST|Nāgasvarāvaḻi}}'' rāgam has a few compositions in classical music.

*''śrīpatē nīpada'' by [[Thyagaraja]]
*''gaṃ gaṇapatē sadā '' by [[Jayachamaraja Wodeyar]]
*''śrī śaṅkara guruvaraṃ'' by [[Maha Vaidyanatha Iyer]]
*''Garuda Gamana by [[Patnam Subramania Iyer]]
*''bhutapataye namo namaste'' , ''bandhamu seyaradu'' by [[Muthiah Bhagavatar]]
*''Sivachidambarame'' by [[Muthu Thandavar]]

== Related rāgams ==
This section covers the theoretical and scientific aspect of this rāgam.

=== ''Graha bhedam'' ===
''{{IAST|Nāgasvarāvaḻi}}'s'' notes when shifted using ''[[Graha bhedam]]'', yields another popular pentatonic rāgam, ''[[Hamsadhwani]]''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For more details and illustration of this concept refer ''[[Graha bhedam#Hamsadhwani|Graha bhedam on Hamsadhwani]]''.

=== Scale similarities ===
*''[[Mohanam]]'' is a rāgam which has ''chathusruthi rishabham'' in place of the ''shuddha madhyamam''. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R2 G3 P D2 S : S D2 P G3 R2 S
*''[[Shuddha Saveri]]'' is a rāgam which has ''chathusruthi rishabham'' in place of the ''antara gandharam''. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R2 M1 P D2 S : S D2 P M1 R2 S

==Notes==
{{notelist|30em}}

==References==
{{Portal|India|Music}}
<references/>

{{Melakarta ragas|state=collapsed}}
{{Janya}}

[[Category:Janya ragas]]