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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:42, 22 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Mukunda Das&#039;&#039;&#039; ({{langx|bn|মুকুন্দদাস}}; 22 February 1878 – 18 May 1934) was a Bengali poet, ballad singer, composer and patriot, who contributed to the spread of [[Swadeshi movement]] in rural Bengal. He was commonly referred to as &quot;Charankabi&quot; (The Writer of Ballads) during his time. His composed &quot;Zatra&quot; plays like &quot;Matripuja&quot; (Worship of Mothers) gained much popularity among the rural folk especially during the [[British Raj]].&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite encyclopedia |editor1-last=Sengupta |editor1-first=Subodh Chandra |editor2-last=Basu |editor2-first=Anjali |year=2002 |orig-year=First published 1976 |script-title=bn:মুকুন্দদাস, চারণকবি |trans-title=Mukundadas, Charan Kavi |script-encyclopedia=bn:সংসদ বাঙালি চরিতাভিধান |encyclopedia=Saṃsada bāṅāli caritābhidhāna |trans-encyclopedia=Parliament Bengali Biographical Dictionary |language=bn |volume=1 |edition=4th |location=Kolkata |publisher=Sahitya Samsad |isbn=81-85626-65-0 |pages=418–419}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Mukunda Das&#039;&#039;&#039; ({{langx|bn|মুকুন্দদাস}}; 22 February 1878 – 18 May 1934) was a Bengali poet, ballad singer, composer and patriot, who contributed to the spread of [[Swadeshi movement]] in rural Bengal. He was commonly referred to as &quot;Charankabi&quot; (The Writer of Ballads) during his time. His composed &quot;Zatra&quot; plays like &quot;Matripuja&quot; (Worship of Mothers) gained much popularity among the rural folk especially during the [[British Raj]].&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite encyclopedia |editor1-last=Sengupta |editor1-first=Subodh Chandra |editor2-last=Basu |editor2-first=Anjali |year=2002 |orig-year=First published 1976 |script-title=bn:মুকুন্দদাস, চারণকবি |trans-title=Mukundadas, Charan Kavi |script-encyclopedia=bn:সংসদ বাঙালি চরিতাভিধান |encyclopedia=Saṃsada bāṅāli caritābhidhāna |trans-encyclopedia=Parliament Bengali Biographical Dictionary |language=bn |volume=1 |edition=4th |location=Kolkata |publisher=Sahitya Samsad |isbn=81-85626-65-0 |pages=418–419}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Early life ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Early life ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mukunda Das came from a modest background. His grandfather was a boatman and his father was a grocer. He was born as Yajneshwar De to Gurudayal De and Shyamasundari Devi on 22 February 1878, in the village of Banari, in the [[Bikrampur]] [[pargana]] of [[Dhaka District]] (currently part of [[Munshiganj District]], [[Bangladesh]]).&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite web |url=http://gunijan.org.bd/GjProfDetails_action.php?GjProfId=310 |script-title=bn:মুকুন্দদাস |trans-title=Mukunda Das |last=Islam |first=Rafiqul |website=[[Gunijan|Gunijan Trust]] |language=bn |accessdate=8 December 2011}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;When he was seven, the family migrated to Barisal where they settled permanently. His father set up a grocery store in the Alekanda region of Barisal town. Being [[Vaishnava]]s, his father used to sing devotional songs while running the store. The Deputy Magistrate of Barisal, pleased with his  melodious voice offered him the job of an orderly in the Barisal court. Yajneshwar&#039;s father took up the job and he began to run the store.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mukunda Das came from a modest background. His grandfather was a boatman and his father was a grocer. He was born as Yajneshwar De to Gurudayal De and Shyamasundari Devi on 22 February 1878, in the village of Banari, in the [[Bikrampur]] [[pargana]] of [[Dhaka District]] (currently part of [[Munshiganj District]], [[Bangladesh]]).&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite web |url=http://gunijan.org.bd/GjProfDetails_action.php?GjProfId=310 |script-title=bn:মুকুন্দদাস |trans-title=Mukunda Das |last=Islam |first=Rafiqul |website=[[Gunijan|Gunijan Trust]] |language=bn |accessdate=8 December 2011}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;When he was seven, the family migrated to Barisal where they settled permanently. His father set up a grocery store in the Alekanda region of Barisal town. Being [[Vaishnava]]s, his father used to sing devotional songs while running the store. The Deputy Magistrate of Barisal, pleased with his  melodious voice offered him the job of an orderly in the Barisal court. Yajneshwar&#039;s father took up the job and he began to run the store.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Yajneshwar too was gifted with a melodious voice. He, from his very childhood, began to compose and sing songs on his own. He attended the [[Barisal Zilla School]], but he did not like studies and was irregular at school.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;dchanda&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite news |script-title=bn:ভয় কি মরণে |language=bn |trans-title=Why fear death |first=Dipankar |last=Chanda |url=http://www.prothom-alo.com/detail/news/86094 |newspaper=Prothom Alo |date=13 August 2010 |accessdate=8 December 2011 |archive-url=https://archive.today/20130131225755/http://www.prothom-alo.com/detail/news/86094 |archive-date=31 January 2013 |url-status=dead}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;He spent most of his time in fishing, capturing bird&#039;s nests and playing with neighbourhood boys. In 1893, he was admitted to the [[Brojomohun College|Brojomohun School]].&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;dchanda&quot;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;He attended the Brojomohun School for six years, but dropped out after the eighth standard.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;abp&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite news |script-title=bn:গোটা উপস্থিতিটাই ছিল &#039;সিডিশাস&#039;: জাগরণের চারণ মুকুন্দদাস ও তাঁর রচনাসমগ্র, পুলক চন্দ |language=bn |trans-title=The entire presence was &#039;seditious&#039;: Mukunda Das, the poet of awakening and his compositions, Pulak Chanda |first=Simanti |last=Sen |url=http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |newspaper=[[Anandabazar Patrika]] |date=16 July 2011 |accessdate=8 December 2011 |archive-url=https://web.archive.org/web/20120426040553/http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |archive-date=26 April 2012 |url-status=dead}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;[[Ashwini Kumar Dutta]], upset at the failure of a pupil of his own institution, decided to speak to Yajneshwar himself. Datta had heard his melodious voice before and had realized the potential and talent in him. His called Yajneshwar to his house and initiated him into the patriotic movement.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Yajneshwar too was gifted with a melodious voice. He, from his very childhood, began to compose and sing songs on his own. He attended the [[Barisal Zilla School]], but he did not like studies and was irregular at school.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;dchanda&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite news |script-title=bn:ভয় কি মরণে |language=bn |trans-title=Why fear death |first=Dipankar |last=Chanda |url=http://www.prothom-alo.com/detail/news/86094 |newspaper=Prothom Alo |date=13 August 2010 |accessdate=8 December 2011 |archive-url=https://archive.today/20130131225755/http://www.prothom-alo.com/detail/news/86094 |archive-date=31 January 2013 |url-status=dead}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;He spent most of his time in fishing, capturing bird&#039;s nests and playing with neighbourhood boys. In 1893, he was admitted to the [[Brojomohun College|Brojomohun School]].&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;dchanda&quot;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;He attended the Brojomohun School for six years, but dropped out after the eighth standard.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;abp&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite news |script-title=bn:গোটা উপস্থিতিটাই ছিল &#039;সিডিশাস&#039;: জাগরণের চারণ মুকুন্দদাস ও তাঁর রচনাসমগ্র, পুলক চন্দ |language=bn |trans-title=The entire presence was &#039;seditious&#039;: Mukunda Das, the poet of awakening and his compositions, Pulak Chanda |first=Simanti |last=Sen |url=http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |newspaper=[[Anandabazar Patrika]] |date=16 July 2011 |accessdate=8 December 2011 |archive-url=https://web.archive.org/web/20120426040553/http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |archive-date=26 April 2012 |url-status=dead}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;[[Ashwini Kumar Dutta]], upset at the failure of a pupil of his own institution, decided to speak to Yajneshwar himself. Datta had heard his melodious voice before and had realized the potential and talent in him. His called Yajneshwar to his house and initiated him into the patriotic movement.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Career ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Career ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897, after dropping out from school, Yajneshwar joined the group of Bireshwar Dutta, the kirtan singer of Barisal at that time. After the death of Bireshwar Dutta, he formed a kirtan group of his own.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;dchanda&quot;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;In 1900, he took initiation in Vaishavism from a monk Rasananda Thakur, sometimes also known as Haribolananda.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;hdasgupta150&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite book |script-title=bn:স্বাধীনতা সংগ্রামে বরিশাল |language=bn |trans-title=Barisal in the Independence Movement |volume=1 |last=Dasgupta |first=Hiralal |editor1-last=Gupta |editor1-first=Manoranjan |editor2-last=Ghosh |editor2-first=Manindra Kumar |date=May 1972 |publisher=Sahitya Samsad |location=Kolkata |page=150}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;His guru gave him the name Mukunda Das.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1897, after dropping out from school, Yajneshwar joined the group of Bireshwar Dutta, the kirtan singer of Barisal at that time. After the death of Bireshwar Dutta, he formed a kirtan group of his own.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;dchanda&quot;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;In 1900, he took initiation in Vaishavism from a monk Rasananda Thakur, sometimes also known as Haribolananda.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;hdasgupta150&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite book |script-title=bn:স্বাধীনতা সংগ্রামে বরিশাল |language=bn |trans-title=Barisal in the Independence Movement |volume=1 |last=Dasgupta |first=Hiralal |editor1-last=Gupta |editor1-first=Manoranjan |editor2-last=Ghosh |editor2-first=Manindra Kumar |date=May 1972 |publisher=Sahitya Samsad |location=Kolkata |page=150}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;His guru gave him the name Mukunda Das.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1905, Ashwini Kumar Dutta gave an inspiring speech at the Barisal Town Hall, against the proposed Partition of Bengal. Stressing on the need to spread the message far and wide, he wished that message from the leaders could be carried to the villages through dramas and plays. Mukunda Das was deeply moved by Ashwini Kumar Dutta&amp;#039;s speech. He resolved to fulfil the wish of the great patriot. Within three months he composed his masterpiece &amp;#039;Matripuja&amp;#039;. The primary theme of his drama was patriotism and freedom movement. The goal of the freedom movement was to free Bharat Mata from the yoke of British imperialism. The children of Bharat Mata would lay down their lives to attain freedom. He raised a Swadeshi theatre group to stage plays  across the villages of Bengal. In 1906, Mukunda Das staged his plays at different places of Barisal and then travelled to Noakhali and Tripura and returned to Barisal before the monsoons. In June 1906, he staged his drama at the Swadeshi Utsav in Barisal, where his play was highly praised by the national leadership. In October, he travelled with his group to Madaripur in Faridpur district, and from there to many places finally returning to Barisal in April 1907. On 16 April, he staged the play in the palace of the Rai Bahadur.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1905, Ashwini Kumar Dutta gave an inspiring speech at the Barisal Town Hall, against the proposed Partition of Bengal. Stressing on the need to spread the message far and wide, he wished that message from the leaders could be carried to the villages through dramas and plays. Mukunda Das was deeply moved by Ashwini Kumar Dutta&amp;#039;s speech. He resolved to fulfil the wish of the great patriot. Within three months he composed his masterpiece &amp;#039;Matripuja&amp;#039;. The primary theme of his drama was patriotism and freedom movement. The goal of the freedom movement was to free Bharat Mata from the yoke of British imperialism. The children of Bharat Mata would lay down their lives to attain freedom. He raised a Swadeshi theatre group to stage plays  across the villages of Bengal. In 1906, Mukunda Das staged his plays at different places of Barisal and then travelled to Noakhali and Tripura and returned to Barisal before the monsoons. In June 1906, he staged his drama at the Swadeshi Utsav in Barisal, where his play was highly praised by the national leadership. In October, he travelled with his group to Madaripur in Faridpur district, and from there to many places finally returning to Barisal in April 1907. On 16 April, he staged the play in the palace of the Rai Bahadur.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== In popular culture ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== In popular culture ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Charan Kavi Mukundadas&#039;&#039; is a 1954 Indian [[Bengali language|Bengali]]-language biographical film about the poet, directed by Nirmal Choudhury.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite book |author=Peter Cowie |title=World Filmography |url=https://books.google.com/books?id=u5U3AAAAIAAJ |year=1977 |publisher=Tantivy Press |isbn=978-0-498-01569-4 |page=267}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Charan Kavi Mukundadas&#039;&#039; is a 1954 Indian [[Bengali language|Bengali]]-language biographical film about the poet, directed by Nirmal Choudhury.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite book |author=Peter Cowie |title=World Filmography |url=https://books.google.com/books?id=u5U3AAAAIAAJ |year=1977 |publisher=Tantivy Press |isbn=978-0-498-01569-4 |page=267}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot;&gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Das, Mukunda}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Das, Mukunda}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;!--- Categories ---&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;!--- Categories ---&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1878 births]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1878 births]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1934 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1934 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
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		<title>TiaBurwell25: Enhanced article with new information</title>
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		<summary type="html">&lt;p&gt;Enhanced article with new information&lt;/p&gt;
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		<title>&gt;Gotitbro: /* In popular culture */</title>
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		<updated>2021-02-21T09:19:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;In popular culture&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Infobox person&lt;br /&gt;
| name         = Mukunda Das&amp;lt;br /&amp;gt;মুকুন্দদাস&lt;br /&gt;
| image        = Mukunda Das.jpg&lt;br /&gt;
| image_size   = 200px&lt;br /&gt;
| caption      = Charan Kavi Mukunda Das&lt;br /&gt;
| birth_date   = {{Birth date|1878|2|22|df=yes}}&lt;br /&gt;
| birth_place  = Dhaka, [[Bengal Presidency|Bengal]], [[British India]]&lt;br /&gt;
| birth_name   = Yajneshwar De&lt;br /&gt;
| death_date   = {{Death date and age|1934|5|18|1878|2|22|df=yes}}&lt;br /&gt;
| death_place  = [[Kolkata]], [[Bengal Presidency|Bengal]], [[British India]]&lt;br /&gt;
| occupation   = Playwright, lyricist&lt;br /&gt;
| spouse       = Shatadalbasini Devi&lt;br /&gt;
| children     = Gargi&lt;br /&gt;
| nationality  = [[British India]]&lt;br /&gt;
| parents      = Gurudayal De&amp;lt;br /&amp;gt;Shyamasundari Devi...&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Mukunda Das&amp;#039;&amp;#039;&amp;#039; ({{lang-bn|মুকুন্দদাস}}; 22 February 1878 - 18 May 1934) was a Bengali poet, ballad singer, composer and patriot, who contributed to the spread of Swadeshi movement in rural Bengal.&amp;lt;ref&amp;gt;{{cite encyclopedia |editor1-last=Sengupta |editor1-first=Subhodh Chandra |editor2-last=Basu |editor2-first=Anjali |encyclopedia=Samsad Bangali Charitabhidhan (Bibliographical Dictionary) |script-title=bn:চারণকবি মুকুন্দদাস |trans-title=Charankabi Mukundadas |language=Bengali |edition=4th |date=January 2002 |publisher=Shishu Sahitya Samsad |volume=Volume 1 |location=Kolkata |isbn=81-85626-65-0 |pages=418–419}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Early life ==&lt;br /&gt;
Mukunda Das came from a modest background. His grandfather was a boatman and his father was a grocer. He was born as Yajneshwar De to Gurudayal De and Shyamasundari Devi on 22 February 1878, in the village of Banari, in the [[Bikrampur]] pargana of [[Dhaka District]] (currently part of [[Munshiganj District]], [[Bangladesh]]).&amp;lt;ref&amp;gt;{{cite web |url=http://gunijan.org.bd/GjProfDetails_action.php?GjProfId=310 |script-title=bn:মুকুন্দদাস |trans-title=Mukunda Das |last=Islam |first=Rafiqul |website=[[Gunijan|Gunijan Trust]] |language=Bengali |accessdate=December 8, 2011}}&amp;lt;/ref&amp;gt; When he was seven, the family migrated to Barisal where they settled permanently. His father set up a grocery store in the Alekanda region of Barisal town. Being [[Vaishnava]]s, his father used to sing devotional songs while running the store. The Deputy Magistrate of Barisal, pleased with his  melodious voice offered him the job of an orderly in the Barisal court. Yajneshwar&amp;#039;s father took up the job and he began to run the store.&lt;br /&gt;
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Yajneshwar too was gifted with a melodious voice. He, from his very childhood, began to compose and sing songs on his own. He attended the [[Barisal Zilla School]], but he did not like studies and was irregular at school.&amp;lt;ref name=&amp;quot;dchanda&amp;quot;&amp;gt;{{cite news |script-title=bn:ভয় কি মরণে |language=Bengali |trans-title=Why fear death |first=Dipankar |last=Chanda |url=http://www.prothom-alo.com/detail/news/86094 |newspaper=Prothom Alo |date=August 13, 2010 |accessdate=December 8, 2011 |archive-url=https://archive.is/20130131225755/http://www.prothom-alo.com/detail/news/86094 |archive-date=January 31, 2013 |url-status=dead }}&amp;lt;/ref&amp;gt; He spent most of his time in fishing, capturing bird&amp;#039;s nests and playing with neighbourhood boys. In 1893, he was admitted to the [[Brojomohun College|Brojomohun School]].&amp;lt;ref name=&amp;quot;dchanda&amp;quot;/&amp;gt; He attended the Brojomohun School for six years, but dropped out after the eighth standard.&amp;lt;ref name=&amp;quot;abp&amp;quot;&amp;gt;{{cite news |script-title=bn:গোটা উপস্থিতিটাই ছিল &amp;#039;সিডিশাস&amp;#039;: জাগরণের চারণ মুকুন্দদাস ও তাঁর রচনাসমগ্র, পুলক চন্দ |language=Bengali |trans-title=The entire presence was &amp;#039;seditious&amp;#039;: Mukunda Das, the poet of awakening and his compositions, Pulak Chanda |first=Simanti |last=Sen |url=http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |newspaper=[[Anandabazar Patrika]] |date=July 16, 2011 |accessdate=December 8, 2011 |archive-url=https://web.archive.org/web/20120426040553/http://my.anandabazar.com/content/%E0%A6%B6%E0%A6%BF%E0%A6%B2%E0%A7%8D%E0%A6%AA-%E0%A6%B8%E0%A6%82%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A7%83%E0%A6%A4%E0%A6%BF-43?page=110 |archive-date=April 26, 2012 |url-status=dead }}&amp;lt;/ref&amp;gt; [[Ashwini Kumar Dutta]], upset at the failure of a pupil of his own institution, decided to speak to Yajneshwar himself. Datta had heard his melodious before and had realized the potential and talent in him. His called Yajneshwar to his house and initiated him into the patriotic movement.&lt;br /&gt;
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== Career ==&lt;br /&gt;
In 1897, after dropping out from school, Yajneshwar joined the group of Bireshwar Dutta, the kirtan singer of Barisal at that time. After the death of Bireshwar Dutta, he formed a kirtan group of his own.&amp;lt;ref name=&amp;quot;dchanda&amp;quot;/&amp;gt; In 1900, he took initiation in Vaishavism from a monk Rasananda Thakur, sometimes also known as Haribolananda.&amp;lt;ref name=&amp;quot;hdasgupta150&amp;quot;&amp;gt;{{cite book |script-title=bn:স্বাধীনতা সংগ্রামে বরিশাল |language=Bengali |trans-title=Barisal in the Independence Movement |volume=Volume 1 |last=Dasgupta |first=Hiralal |editor1-last=Gupta |editor1-first=Manoranjan |editor2-last=Ghosh |editor2-first=Manindra Kumar |date=May 1972 |publisher=Sahitya Samsad |location=Kolkata |page=150}}&amp;lt;/ref&amp;gt; His guru gave him the name Mukunda Das.&lt;br /&gt;
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In 1905, Ashwini Kumar Dutta gave an inspiring speech at the Barisal Town Hall, against the proposed Partition of Bengal. Stressing on the need to spread the message far and wide, he wished that message from the leaders could be carried to the villages through dramas and plays. Mukunda Das was deeply moved by Ashwini Kumar Dutta&amp;#039;s speech. He resolved to fulfil the wish of the great patriot. Within three months he composed his masterpiece &amp;#039;Matripuja&amp;#039;. The primary theme of his drama was patriotism and freedom movement. The goal of the freedom movement was to free Bharat Mata from the yoke of British imperialism. The children of Bharat Mata would lay down their lives to attain freedom. He raised a Swadeshi theatre group to stage plays  across the villages of Bengal. In 1906, Mukunda Das staged his plays at different places of Barisal and then travelled to Noakhali and Tripura and returned to Barisal before the monsoons. In June 1906, he staged his drama at the Swadeshi Utsav in Barisal, where his play was highly praised by the national leadership. In October, he travelled with his group to Madaripur in Faridpur district, and from there to many places finally returning to Barisal in April 1907. On 16 April, he staged the play in the palace of the Rai Bahadur.&lt;br /&gt;
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After a run of two years, &amp;#039;Matripuja&amp;#039; was successful in arousing the patriotic feelings of the masses of Bengal. The play was further popularized by the press. Bande Mataram, Yugantar, Sandhya, Nabashakti, &amp;#039;&amp;#039;[[Prabasi]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Modern Review (Calcutta)|Modern Review]]&amp;#039;&amp;#039;, each of them played a part in popularizing the drama. The government of newly formed Eastern Bengal and Assam clamped down, citing incitement to violence. In 1908, he staged the drama in few places in Khulna district, then in truncated Bengal, but he was stopped by the police when he tried to stage the play in Bagerhat. In October 1908, the drama stepped in to the fourth season. In 1908, he was arrested and imprisoned for three years on charges of sedition.&lt;br /&gt;
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In 1921, Mohandas Gandhi gave the call of Non-Cooperation Movement. Mukunda Das joined the movement with his proven repertoire of drama. Around 1923 the movement was called off and Mukunda Das settled with his group in Kolkata. &amp;#039;Matripuja&amp;#039; was banned by the government at that time. He began to compose social plays in order to avoid being banned. In 1932, the government banned all his plays.&lt;br /&gt;
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== Later life ==&lt;br /&gt;
After the ban, he was restricted to singing only. He along with his group performed only musical shows. His health deteriorated. On 17 May 1934, he returned late from a performance and died in his sleep.&lt;br /&gt;
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== Works ==&lt;br /&gt;
Mukunda Das composed five dramas - Palliseva, Brahmacharini, Samaj o Path.&lt;br /&gt;
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== In popular culture ==&lt;br /&gt;
&amp;#039;&amp;#039;Charan Kavi Mukundadas&amp;#039;&amp;#039; is a 1954 Indian [[Bengali language|Bengali]]-language biographical film about the poet, directed by Nirmal Choudhury.&amp;lt;ref&amp;gt;{{cite book|author=Peter Cowie|title=World Filmography|url=https://books.google.com/books?id=u5U3AAAAIAAJ|year=1977|publisher=Tantivy Press|isbn=978-0-498-01569-4|page=267}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== See also ==&lt;br /&gt;
* [[Ashwini Kumar Dutta]]&lt;br /&gt;
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== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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== Further reading ==&lt;br /&gt;
* Chanda, Pulak (2011). &amp;#039;&amp;#039;Jagaran Charan Mukundadas o tar Rachanasamagra&amp;#039;&amp;#039;. Dey&amp;#039;s Publishing.&lt;br /&gt;
* Goswami, Dr. Jayguru (1978). &amp;#039;&amp;#039;Charankabi Mukundadas&amp;#039;&amp;#039;. Vishwavani.&lt;br /&gt;
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{{DEFAULTSORT:Das, Mukunda}}&lt;br /&gt;
&amp;lt;!--- Categories ---&amp;gt;&lt;br /&gt;
[[Category:1878 births]]&lt;br /&gt;
[[Category:1934 deaths]]&lt;br /&gt;
[[Category:Bengali male poets]]&lt;/div&gt;</summary>
		<author><name>&gt;Gotitbro</name></author>
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