https://en.bharatpedia.org/w/index.php?action=history&feed=atom&title=Marva_%28thaat%29Marva (thaat) - Revision history2026-11-01T00:01:41ZRevision history for this page on the wikiMediaWiki 1.43.6https://en.bharatpedia.org/w/index.php?title=Marva_(thaat)&diff=516629&oldid=prevSanjayMurugesan2221: Starting basic post basic info!2024-03-01T15:07:24Z<p>Starting basic post basic info!</p>
<p><b>New page</b></p><div>{{Short description|Basic thaat of Hindustani music}}<br />
{{for|the raga of the same name|Marva (raga)}}<br />
{{Hindustani Classical Music}}<br />
[[File:Delhi-National Museum-Ragini Maru of Sri Raga-20131006.jpg|thumb|''Ragini Maru of Sri Raga'', from 1628 until 1685, Mewar, Rajasthan]]<br />
'''Marva''' or '''Marwa''' ({{IAST3|Mārvā}}) is one of the ten basic [[thaat]]s of [[Hindustani music]] from the [[Indian subcontinent]]. It is also the name of a [[raga]] within this [[thaat]].{{sfn|Bor|Rao|1999|p=3}}{{sfn|Jairazbhoy|1995}}{{pn|date=August 2018}}<br />
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==Description==<br />
Marva thaat is obtained by adding a komal Rishabh to the [[Kalyan (thaat)|Kalyan thaat]]. The mood of the Marva family of ragas is strongly and easily recognisable.<br />
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==Ragas==<br />
Other ragas in Marva thaat:<ref>Kaufmann p 315ff</ref><br />
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*[[Marva (raga)|Marva]]<br />
*[[Puriya]]<br />
*[[Sohni]]<br />
*[[Lalit (raga)|Lalit]] (although it is sometimes placed in [[Purvi (thaat)|Purvi]] thaat)<br />
*[[Bibhas]] (two other types of Bibhas are placed in [[Bhairav (thaat)|Bhairav]] thaat or [[Purvi (thaat)|Purvi]] thaat)<br />
*[[Pancham (raga)|Pancham]] (Hindol Pancham)<br />
*[[Maligaura]]<br />
*[[Purba (raga)|Purba]] (Purbya)<br />
*[[Purvakalyan]]<br />
*[[Jait]] (Jayat) (not to be confused with [[Jait Kalyan]]<br />
*[[Varati (raga)]]<br />
*[[Bhatiyar]]<br />
*[[Bhankar]]<br />
*[[Lalita Gauri]] (sometimes placed in [[Purvi (thaat)|Purvi]] thaat)<br />
*[[Sazgiri]]<br />
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According to O. Thakur<ref>Moutal p.77</ref> [[Pūrvā Kalyāṇa]] is Marwa with Pa and less emphasis on komal Re. R. Jha<ref>Vol 1 p 116</ref>{{full|date=August 2018}} treats [[Bhaṭiya]] as a mixture of Marwa and [[Maand]].<ref>Moutal p. 207</ref> There is only one Author (B. Subba Rao) mentioning a raga Māravā Gaurī, thus Moutal does not consider this an own form.<ref>Moutal p. 257</ref> Aspects of Marwa are also incorporated in Mali Gaura.<ref>Moutal p.493</ref><br />
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==Notes==<br />
{{reflist}}<br />
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==References==<br />
* {{cite book | last=Jairazbhoy | first=N.A. | author-link1=Nazir Jairazbhoy | title=The Rags of North Indian Music: Their Structure & Evolution | publisher=Popular Prakashan | place=Bombay | year=1995 }}<br />
* {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en }}<br />
* {{cite book | last=Moutal | first=Patrick | title=A Comparative Study of Selected Hindustāni Rāga-s | publisher=Munshiram Manoharlal Publishers Pvt Ltd | place=New Delhi | year=1991 | isbn=81-215-0526-7}}<br />
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[[Category:Hindustani music theory]]</div>SanjayMurugesan2221