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	<title>Marar (caste) - Revision history</title>
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	<updated>2026-08-20T14:51:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Ajay Kumar: Add new article</title>
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		<updated>2023-07-23T18:21:11Z</updated>

		<summary type="html">&lt;p&gt;Add new article&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{about|a Hindu caste|the UAE tribe namesake|Marar (tribe)|the place namesake|Marar, Ramgarh|other uses|Marar (disambiguation)}}&lt;br /&gt;
{{more citations needed|date=May 2011}}&lt;br /&gt;
{{Use dmy dates|date=March 2023}}&lt;br /&gt;
{{infobox caste&lt;br /&gt;
| caste_name     = Marar&lt;br /&gt;
| classification = Temple musicians, Musicians caste&lt;br /&gt;
| religions      = [[Hinduism]]&lt;br /&gt;
| country        = India&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Marar&amp;#039;&amp;#039;&amp;#039;, ({{lang-ml|മാരാർ}}; [[IAST]]:Mārār), is the name given to the caste of hereditary temple musicians&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;Bodies of Silence, Floods of Nectar: Ritual Music in Contemporary Brahmanical  Tantric Temples  of Kerala. Yale Journal of Music &amp;amp; Religion: Vol. 7: No. 2, Article 2.&amp;lt;/ref&amp;gt; of [[Travancore]], [[Kingdom of Cochin|Cochin]] and [[Malabar District|Malabar]] region in the state of [[Kerala]], whose primary duty was to provide the traditional temple &amp;#039;&amp;#039;[[Sopanam]]&amp;#039;&amp;#039; music.{{citation needed|date=July 2022}} .They live in the vicinity of temples; and are related with the temples and temple customs.&amp;lt;ref&amp;gt;{{Cite journal |last=Thurston |first=Edgar |title=Castes and Tribes of Southern India|journal=Nature |year=1910 |volume=84 |issue=2134 |page=365 |doi=10.1038/084365a0 |bibcode=1910Natur..84..365. |s2cid=3947850 }}&amp;lt;/ref&amp;gt; They belong to [[Ambalavasi|ambalavasi caste]]&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{cite web |date=April 2019 |title=THE INDIGENOUS MUSIC OF KERALA &amp;#039;SOPANA SANGEETHAM |url=https://anandfoundation.com/indigenous-music-kerala-sopana-sangeetham/}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{cite news | url=https://www.thehindu.com/entertainment/music/idakka-the-folk-instrument-of-kerala/article25840844.ece | title=It is God&amp;#039;s own instrument | newspaper=The Hindu | date=27 December 2018 }}&amp;lt;/ref&amp;gt; (Forward caste).&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&amp;lt;ref&amp;gt;{{cite web|title=Articles On Shadkala Govinda Marar and Sopanasangeetham |url=https://www.scribd.com/doc/20480169/Articles-on-Shadkala-Govinda-Marar-am-Sopanasangeetham |website=scribd.com/}}&amp;lt;/ref&amp;gt; Marar ladies are called Marasyar.&lt;br /&gt;
&lt;br /&gt;
Paani, the indispensable part of high tantric rituals of temple such as ulsavabali, sreeboothabali etc. is  another main hereditory temple profession of marar.&amp;lt;ref&amp;gt;kshethra chaithanya rahasyam, 1988, madhav. kerala kshethra samparakshana samithi&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://malayalimanasu.com/us-news/arivinte-muthukal-7/ PMN namboothiri&amp;lt;/ref&amp;gt; They were also known for their playing of [[chenda]] (valam thala represents deva vadyam (usually play inside the nalambalam) and edam thala reprasents asura vadyam) and [[idakka]]&amp;lt;ref&amp;gt;Sopana sangeetham, Ooramana Rajendra marar&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;(deva vadyam) in temples&amp;lt;ref&amp;gt;{{cite journal |last1=Vishnu |first1=Achutha Menon |title=The Rhythmic Structure of Melam |journal=The Chitrolekha Journal on Art and Design |date=2020 |volume=4 |issue=2 |pages=1–14 |doi=10.21659/cjad.42.v4n202 |s2cid=242270596 |doi-access=free }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/features/friday-review/music/tripunithura-krishnadas-ensured-edakka-is-heard-on-new-platforms/article7226962.ece|title=On a journey with the edakka|date=21 May 2015|accessdate=29 March 2023|via=www.thehindu.com}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Sopanadwani&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{Cite web |title=SOPANADHWANI |url=https://www.readwhere.com/magazine/marar-sabha/SOPANADHWANI/32407 |access-date=2022-10-28 |website=Readwhere - India&amp;#039;s Largest Digital Newsstand}}&amp;lt;/ref&amp;gt; is the monthly publication of &amp;#039;&amp;#039;Akhila Kerala Marar Kshema Sabha&amp;#039;&amp;#039;. Marars were considered as antharala jathikal (between brahmin and Sudra).&lt;br /&gt;
&lt;br /&gt;
==Customs and Temple arts==&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Ambalavasi]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Performers of Hindu music]]&lt;br /&gt;
[[Category:Social groups of Kerala]]&lt;br /&gt;
[[Category:Musician castes]]&lt;/div&gt;</summary>
		<author><name>Ajay Kumar</name></author>
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