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	<title>Madala Panji - Revision history</title>
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	<updated>2026-08-26T14:13:09Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Androidsub143: correct details for consistency and corrected details</title>
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		<updated>2026-01-29T03:16:55Z</updated>

		<summary type="html">&lt;p&gt;correct details for consistency and corrected details&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:46, 29 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&#039;Madala Panji&#039;&#039;&#039; is a chronicle of the [[Jagannath Temple, Puri]], [[Odisha]], [[India]]. It describes the historical events of Odisha related to [[Lord Jagannath]] and the Jagannath Temple.&amp;lt;ref&amp;gt;{{cite web |url=http://jagannath.nic.in/architecture.asp |title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Archived copy &lt;/del&gt;|access-date=2012-11-29 |url-status=dead |archive-url=https://web.archive.org/web/20121120171916/http://jagannath.nic.in/architecture.asp |archive-date=2012-11-20 }}&amp;lt;/ref&amp;gt; The &#039;&#039;Madala Panji&#039;&#039; dates from the 12th century.&amp;lt;ref&amp;gt;[http://www.britannica.com/EBchecked/topic/355633/Madala-panji Britannica.com]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Chronicle of the Jagannath Temple}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&#039;Madala Panji&#039;&#039;&#039; is a chronicle of the [[Jagannath Temple, Puri]], [[Odisha]], [[India]]. It describes the historical events of Odisha related to [[Lord Jagannath]] and the Jagannath Temple.&amp;lt;ref&amp;gt;{{cite web |url=http://jagannath.nic.in/architecture.asp |title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shree Jagannath Temple - Architecture &lt;/ins&gt;|access-date=2012-11-29 |url-status=dead |archive-url=https://web.archive.org/web/20121120171916/http://jagannath.nic.in/architecture.asp |archive-date=2012-11-20 }}&amp;lt;/ref&amp;gt; The &#039;&#039;Madala Panji&#039;&#039; dates from the 12th century.&amp;lt;ref&amp;gt;[http://www.britannica.com/EBchecked/topic/355633/Madala-panji Britannica.com]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt; However other scholars like [[Harekrushna Mahatab]], [[Krishna Chandra Panigrahi]], [[Nilakantha Das]] etc. date it to 16th century with its writing commencing during the reign of [[Ramachandra Deva I]] of [[Bhoi dynasty]] who used panji as a proof of succession over the throne of Odisha.&amp;lt;ref name=&quot;:0&quot;&amp;gt;{{Cite journal |last=Dash |first=Rajata Kanta |title=Madala Panji: Towards Historicising a Discourse |url=https://www.researchgate.net/publication/389337946_Madala_Panji_Towards_Historicising_a_Discourse |journal=PROCEEDINGS OF THE ODISHA HISTORY CONGRESS, 42nd Session, Department of History and Archeology, Fakir Mohan University}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Madala Panji&amp;#039;s role in Odia history==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Madala Panji&amp;#039;s role in Odia history==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;While writing Odia history, historians like Sir W.W.Hunter and Andrew Stirling considered the facts related in Madala Panji as a base.&amp;lt;ref name=&quot;Sahu 1956 p. &quot;&amp;gt;{{cite book | last=Sahu | first=N.K. | title=A History of Orissa | publisher=Susil Gupta (India) | series=A History of Orissa | issue=v. 2 | year=1956 | url=https://books.google.com/books?id=pCY-AAAAMAAJ | access-date=2019-05-15 }}&amp;lt;/ref&amp;gt; &lt;/del&gt;The Madala Panji was traditionally written on a year-to-year basis.&amp;lt;ref name=&quot;Rath 1983 p. &quot;&amp;gt;{{cite book | last=Rath | first=B.K. | title=Cultural history of Orissa, A.D. 855-1110 | publisher=Sundeep Prakashan | year=1983 | url=https://books.google.com/books?id=xhFuAAAAMAAJ | access-date=2019-05-15 }}&amp;lt;/ref&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;On Bijaya-Dashami day, the [[Karan (caste)|Karanas]] (official history writers of Puri, a caste of Odisha, involved in keeping the chronicle. &lt;/del&gt;This ritual is cited as a proof that the tradition of keeping this chronicle began with Odia king [[Anantavarman Chodaganga]] Dev (1078–1150) himself. There are some, like Dr. [[Harekrushna Mahatab]], Dr.Nilakantha Dash and Dr. [[Krushna Chandra Panigrahi]] who hold that the Panji dates from the reign of Ramachandra Deva I who re-established the worship of Lord Jagannatha after [[Kalapahad]] said to have destroyed it. The arguments are complex, but it is likely that much of the early record was indeed lost in the period that followed Kala Pahad and was rewritten in a fashion that mixed legend with history.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Madala Panji was traditionally written on a year-to-year basis &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on Vijaya-Dashami day by the [[Karan (caste)|Karanas]] (official history writers of Puri, a caste of Odisha, involved in keeping the chronicle)&lt;/ins&gt;.&amp;lt;ref name=&quot;Rath 1983 p. &quot;&amp;gt;{{cite book | last=Rath | first=B.K. | title=Cultural history of Orissa, A.D. 855-1110 | publisher=Sundeep Prakashan | year=1983 | url=https://books.google.com/books?id=xhFuAAAAMAAJ | access-date=2019-05-15 }}&amp;lt;/ref&amp;gt; This ritual is cited as a proof that the tradition of keeping this chronicle began with Odia king [[Anantavarman Chodaganga]] Dev (1078–1150) himself. There are some, like Dr. [[Harekrushna Mahatab]], Dr.Nilakantha Dash and Dr. [[Krushna Chandra Panigrahi]] who hold that the Panji dates from the reign of Ramachandra Deva I who re-established the worship of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Jagannath|&lt;/ins&gt;Lord Jagannatha&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;after [[Kalapahad]] said to have destroyed it. The arguments are complex, but it is likely that much of the early record was indeed lost in the period that followed Kala Pahad and was rewritten in a fashion that mixed legend with history. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In 1926 a researcher named Ram Prasad Chand arrived in Puri and collected copies of the Madala Panji from Deula Karana Gauranga Charan Samantaray, as per his inspection Panji dates from the reign of [[Ramachandra Deva I]].&amp;lt;ref name=&quot;:0&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Writers of Panji==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Writers of Panji==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the tradition, Chodaganga created 24 families of Karanas to preserve the temple records. Of these, five were entrusted with the writing and preservation of the Madala Panji. They are:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the tradition, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Anantavarman &lt;/ins&gt;Chodaganga&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;created 24 families of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Karan (caste)|&lt;/ins&gt;Karanas&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;to preserve the temple records. Of these, five were entrusted with the writing and preservation of the Madala Panji. They are:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Panjia Karan—preserves the Madala Panji&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Panjia Karan—preserves the Madala Panji&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Tadau Karan—writes the Madala Panji&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Tadau Karan—writes the Madala Panji&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deula Madala / Karmangi Madala (maintained by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deula Madala / Karmangi Madala (maintained by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deshapanji Madala (prepared by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deshapanji Madala (prepared by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Rajakhanja Madala (prepared and maintained by Tadhau Karana),&amp;lt;ref&amp;gt;http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Bare URL PDF&lt;/del&gt;|date=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;March 2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Rajakhanja Madala (prepared and maintained by Tadhau Karana),&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web| title=Temple Administration : Past and Present | url=http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf | archive-url=https://web.archive.org/web/20120318074111/&lt;/ins&gt;http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf | &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive-&lt;/ins&gt;date=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2012-03-18&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Types of Panjis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Types of Panjis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Madala Panji language is Odia and was recorded in Odia and Telugu script, preserved in the Manuscript Library in Madras, which speaks about the story regarding image of [[Neela Madhava]] or Lord Jagannath of Udra desa, as Odisha was known in Middle Ages. It seems to have re-written during 16th century when the King of [[Khurda]] had newly installed the images after destruction made by [[Kalapahad]], the  notorious general of the Sultan of Bengal.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Madala Panji language is Odia and was recorded in Odia and Telugu script, preserved in the Manuscript Library in Madras, which speaks about the story regarding image of [[Neela Madhava]] or Lord Jagannath of Udra desa, as Odisha was known in Middle Ages. It seems to have re-written during 16th century when the King of [[Khurda]] had newly installed the images after destruction made by [[Kalapahad]], the  notorious general of the Sultan of Bengal.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Notable Odia writer and [[Padma Shri]] awardee [[Artaballabha Mohanty]] has published the only available print record of Madala Panji.&amp;lt;ref&amp;gt;{{citation |url=https://books.google.com/books?id=ra86AAAAMAAJ&amp;amp;q=Artaballabh+Mohanty+madala+panji |title=The Cult and Culture of Lord Jagannath |author=Sarata Chandra Panigrahi, Daityari Panda |page=134 |publisher=Rashtrabhasha Samavaya Prakashan |date=1984 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Notable Odia writer and [[Padma Shri]] awardee [[Artaballabha Mohanty]] has published the only available print record of Madala Panji.&amp;lt;ref&amp;gt;{{citation |url=https://books.google.com/books?id=ra86AAAAMAAJ&amp;amp;q=Artaballabh+Mohanty+madala+panji |title=The Cult and Culture of Lord Jagannath |author=Sarata Chandra Panigrahi, Daityari Panda |page=134 |publisher=Rashtrabhasha Samavaya Prakashan |date=1984 }}&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; Madala Panji was traditionally kept in the houses of Deula Karana, Tadhau Karana and Gajapati Maharaja.&amp;lt;ref name=&quot;:0&quot; /&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Jagannath|state=expanded}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Jagannath|state=expanded}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Authority control}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:History of Odisha]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:History of Odisha]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Androidsub143</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Madala_Panji&amp;diff=333877&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Madala_Panji&amp;diff=333877&amp;oldid=prev"/>
		<updated>2022-03-12T07:34:43Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:04, 12 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deula Madala / Karmangi Madala (maintained by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deula Madala / Karmangi Madala (maintained by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deshapanji Madala (prepared by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Deshapanji Madala (prepared by Deula Karana)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Rajakhanja Madala (prepared and maintained by Tadhau Karana),&amp;lt;ref&amp;gt;http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Rajakhanja Madala (prepared and maintained by Tadhau Karana),&amp;lt;ref&amp;gt;http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Bare URL PDF|date=March 2022}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Types of Panjis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Types of Panjis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Madala Panji language is Odia and was recorded in Odia and Telugu script, preserved in the Manuscript Library in Madras, which speaks about the story regarding image of [[Neela Madhava]] or Lord Jagannath of Udra desa, as Odisha was known in Middle Ages. It seems to have re-written during 16th century when the King of [[Khurda]] had newly installed the images after destruction made by [[Kalapahad]], the  notorious general of the Sultan of Bengal.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Madala Panji language is Odia and was recorded in Odia and Telugu script, preserved in the Manuscript Library in Madras, which speaks about the story regarding image of [[Neela Madhava]] or Lord Jagannath of Udra desa, as Odisha was known in Middle Ages. It seems to have re-written during 16th century when the King of [[Khurda]] had newly installed the images after destruction made by [[Kalapahad]], the  notorious general of the Sultan of Bengal.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Notable Odia writer and [[Padma Shri]] awardee [[Artaballabha Mohanty]] has published the only available print record of Madala Panji.&amp;lt;ref&amp;gt;{{citation |url=https://books.google.com/books?id=ra86AAAAMAAJ&amp;amp;q=Artaballabh+Mohanty+madala+panji&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;dq=Artaballabh+Mohanty+madala+panji&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=1&amp;amp;printsec=frontcover&amp;amp;sa=X&amp;amp;ved=2ahUKEwiX9eWn6LDvAhXOxjgGHZffDd4Q6AEwAXoECAcQAg &lt;/del&gt;|title=The Cult and Culture of Lord Jagannath |author=Sarata Chandra Panigrahi, Daityari Panda |page=134 |publisher=Rashtrabhasha Samavaya Prakashan |date=1984 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Notable Odia writer and [[Padma Shri]] awardee [[Artaballabha Mohanty]] has published the only available print record of Madala Panji.&amp;lt;ref&amp;gt;{{citation |url=https://books.google.com/books?id=ra86AAAAMAAJ&amp;amp;q=Artaballabh+Mohanty+madala+panji |title=The Cult and Culture of Lord Jagannath |author=Sarata Chandra Panigrahi, Daityari Panda |page=134 |publisher=Rashtrabhasha Samavaya Prakashan |date=1984 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Madala_Panji&amp;diff=146631&amp;oldid=prev</id>
		<title>2405:201:800E:7075:5DCB:3C39:8299:C106 at 05:51, 12 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Madala_Panji&amp;diff=146631&amp;oldid=prev"/>
		<updated>2021-07-12T05:51:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The &amp;#039;&amp;#039;&amp;#039;Madala Panji&amp;#039;&amp;#039;&amp;#039; is a chronicle of the [[Jagannath Temple, Puri]], [[Odisha]], [[India]]. It describes the historical events of Odisha related to [[Lord Jagannath]] and the Jagannath Temple.&amp;lt;ref&amp;gt;{{cite web |url=http://jagannath.nic.in/architecture.asp |title=Archived copy |access-date=2012-11-29 |url-status=dead |archive-url=https://web.archive.org/web/20121120171916/http://jagannath.nic.in/architecture.asp |archive-date=2012-11-20 }}&amp;lt;/ref&amp;gt; The &amp;#039;&amp;#039;Madala Panji&amp;#039;&amp;#039; dates from the 12th century.&amp;lt;ref&amp;gt;[http://www.britannica.com/EBchecked/topic/355633/Madala-panji Britannica.com]&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Madala Panji&amp;#039;s role in Odia history==&lt;br /&gt;
While writing Odia history, historians like Sir W.W.Hunter and Andrew Stirling considered the facts related in Madala Panji as a base.&amp;lt;ref name=&amp;quot;Sahu 1956 p. &amp;quot;&amp;gt;{{cite book | last=Sahu | first=N.K. | title=A History of Orissa | publisher=Susil Gupta (India) | series=A History of Orissa | issue=v. 2 | year=1956 | url=https://books.google.com/books?id=pCY-AAAAMAAJ | access-date=2019-05-15 }}&amp;lt;/ref&amp;gt; The Madala Panji was traditionally written on a year-to-year basis.&amp;lt;ref name=&amp;quot;Rath 1983 p. &amp;quot;&amp;gt;{{cite book | last=Rath | first=B.K. | title=Cultural history of Orissa, A.D. 855-1110 | publisher=Sundeep Prakashan | year=1983 | url=https://books.google.com/books?id=xhFuAAAAMAAJ | access-date=2019-05-15 }}&amp;lt;/ref&amp;gt; On Bijaya-Dashami day, the [[Karan (caste)|Karanas]] (official history writers of Puri, a caste of Odisha, involved in keeping the chronicle. This ritual is cited as a proof that the tradition of keeping this chronicle began with Odia king [[Anantavarman Chodaganga]] Dev (1078–1150) himself. There are some, like Dr. [[Harekrushna Mahatab]], Dr.Nilakantha Dash and Dr. [[Krushna Chandra Panigrahi]] who hold that the Panji dates from the reign of Ramachandra Deva I who re-established the worship of Lord Jagannatha after [[Kalapahad]] said to have destroyed it. The arguments are complex, but it is likely that much of the early record was indeed lost in the period that followed Kala Pahad and was rewritten in a fashion that mixed legend with history.&lt;br /&gt;
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==Writers of Panji==&lt;br /&gt;
According to the tradition, Chodaganga created 24 families of Karanas to preserve the temple records. Of these, five were entrusted with the writing and preservation of the Madala Panji. They are:&lt;br /&gt;
* Panjia Karan—preserves the Madala Panji&lt;br /&gt;
* Tadau Karan—writes the Madala Panji&lt;br /&gt;
* Deula Karan—enforces the Madala&lt;br /&gt;
* Kotha Karan—the main compiler&lt;br /&gt;
* Baithi Karan – assistant&lt;br /&gt;
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==Classification==&lt;br /&gt;
In subsequent stage, due to the bulky size of Madala Panji, its content covering different dimensions related to temple management, it was divided into four parts:&lt;br /&gt;
# Bhandara Khanja Madala (maintained by Pattajoshi Mohapatra)&lt;br /&gt;
# Deula Madala / Karmangi Madala (maintained by Deula Karana)&lt;br /&gt;
# Deshapanji Madala (prepared by Deula Karana)&lt;br /&gt;
# Rajakhanja Madala (prepared and maintained by Tadhau Karana),&amp;lt;ref&amp;gt;http://www.orissa.gov.in/e-magazine/Orissareview/june_july-2007/engpdf/Pages91-96.pdf&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Types of Panjis==&lt;br /&gt;
There are also five different categories of Panjis. No one has seen them all.&lt;br /&gt;
* Raja Khanja—important events of the Rajas. Read on Paush Purnima (Pushyabhishek). Kept by Tadau Karan.&lt;br /&gt;
* Desh Khanja—Records gifts of land and money and occasions when the Jagannath temple was plundered. Kept by Kotha Karan.&lt;br /&gt;
* Karmangi. Daily rituals. Important events related to the rituals recorded. Announced daily at the Beherana.&lt;br /&gt;
* Dina Panji—The daily almanac read by the temple astrologer at the time of the Avakash. These were prepared annually and finalized on Vishuva Sankranti.&lt;br /&gt;
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Besides the Madala, there were other Karans who wrote regional chronicles, known as Chakadas. &amp;quot;All the Kadatas and Chakadas taken together will be about a cartload.&amp;quot;&lt;br /&gt;
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==Madala Panji in recent years==&lt;br /&gt;
Madala Panji language is Odia and was recorded in Odia and Telugu script, preserved in the Manuscript Library in Madras, which speaks about the story regarding image of [[Neela Madhava]] or Lord Jagannath of Udra desa, as Odisha was known in Middle Ages. It seems to have re-written during 16th century when the King of [[Khurda]] had newly installed the images after destruction made by [[Kalapahad]], the  notorious general of the Sultan of Bengal.&lt;br /&gt;
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Notable Odia writer and [[Padma Shri]] awardee [[Artaballabha Mohanty]] has published the only available print record of Madala Panji.&amp;lt;ref&amp;gt;{{citation |url=https://books.google.com/books?id=ra86AAAAMAAJ&amp;amp;q=Artaballabh+Mohanty+madala+panji&amp;amp;dq=Artaballabh+Mohanty+madala+panji&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=1&amp;amp;printsec=frontcover&amp;amp;sa=X&amp;amp;ved=2ahUKEwiX9eWn6LDvAhXOxjgGHZffDd4Q6AEwAXoECAcQAg |title=The Cult and Culture of Lord Jagannath |author=Sarata Chandra Panigrahi, Daityari Panda |page=134 |publisher=Rashtrabhasha Samavaya Prakashan |date=1984 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== See also ==&lt;br /&gt;
* [[Odia script]]&lt;br /&gt;
* [[Odia language]]&lt;br /&gt;
* [[Odia literature]]&lt;br /&gt;
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== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Jagannath|state=expanded}}&lt;br /&gt;
&lt;br /&gt;
[[Category:History of Odisha]]&lt;br /&gt;
[[Category:Jagannath]]&lt;br /&gt;
[[Category:Calendars]]&lt;br /&gt;
[[Category:Indian chronicles]]&lt;/div&gt;</summary>
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