Lavani - Revision history

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	'''Lavani''' ({{Lang-mr\|लावणी}}) is a genre of music popular in [[Maharashtra]], [[India]].<ref name="Thielemann">{{cite book\|last=Thielemann\|first=Selina\|title=The Music of South Asia\|year=2000\|publisher=A. P. H. Publishing Corp.\|location=New Delhi\|isbn=978-81-7648-057-4\|page=521\|url=https://books.google.com/books?id=jqgHAQAAMAAJ&q=Lavani+Maharashtra+Tamil+Nadu}}</ref> Lavani is a combination of traditional song and dance, which particularly performed to the beats of ''[[Dholki]]'', a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta,p 1304</ref> In Maharashtra and southern Madhya Pradesh, it is performed by the female performers wearing nine-yard long [[sari\|saree]]s. The songs are sung in a quick tempo.		'''Lavani''' ({{Lang-mr\|लावणी}}) is a genre of music popular in [[Maharashtra]], [[India]].<ref name="Thielemann">{{cite book\|last=Thielemann\|first=Selina\|title=The Music of South Asia\|year=2000\|publisher=A. P. H. Publishing Corp.\|location=New Delhi\|isbn=978-81-7648-057-4\|page=521\|url=https://books.google.com/books?id=jqgHAQAAMAAJ&q=Lavani+Maharashtra+Tamil+Nadu}}</ref> Lavani is a combination of traditional song and dance, which particularly performed to the beats of ''[[Dholki]]'', a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.<ref>''The Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti)'', Volume 2 by Amaresh Datta, p. 1304</ref> In Maharashtra and southern Madhya Pradesh it is performed by the female performers wearing nine-yard long [[sari\|saree]]s. The songs are sung in a quick tempo.

	==Etymology ==		==Etymology ==
Line 25:		Line 25:
	[[File:Lavani Dancer.jpg\|thumb\|Lady performing Lavani dance]]		[[File:Lavani Dancer.jpg\|thumb\|Lady performing Lavani dance]]
	==Origin==		==Origin==
	Lavani dance originated from [[Maharashtra]] in 18th and 19th century. Lavani dancers were patronised by Maratha Lords and Kings.		Lavani dance originated from [[Maharashtra]] in the 18th and 19th century. Lavani dancers were patronised by Maratha Lords and Kings.

	Lavani dance was generally performed by [[Dhangars]] or [[Shepherd]] living in the [[Solapur]], [[Maharashtra]].<ref>{{Cite web\|date=2015-07-28\|title=Lavani- Traditional Maharashtrian Dance\|url=https://www.utsavpedia.com/cultural-connections/indian-performing-arts/lavani-maharashtrian-dance-performance/\|access-date=2021-10-03\|website=Utsavpedia\|language=en-US}}</ref>		Lavani dance was generally performed by [[Dhangars]] or [[Shepherd]] living in the [[Solapur]], [[Maharashtra]].<ref>{{Cite web\|date=2015-07-28\|title=Lavani- Traditional Maharashtrian Dance\|url=https://www.utsavpedia.com/cultural-connections/indian-performing-arts/lavani-maharashtrian-dance-performance/\|access-date=2021-10-03\|website=Utsavpedia\|language=en-US}}</ref>

	==History and genres==		==History and genres==
	Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly ~~erotic~~ in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian ~~theatre~~, Volume 2, By Manohar Laxman Varadpande, p 164</ref>		Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly emotional in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>''The Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti)'', Volume 2 by Amaresh Datta, p. 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>''History of Indian Theatre, Volume 2'', by Manohar Laxman Varadpande, p. 164</ref> The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over [[Malwa]].
	The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over [[Malwa]].

	Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. ~~Notebly~~ it is a kind of Mujra strictly performed for men and away from the village with no access for ladies or families to watch. The songs were written in sexually explicit double meaning.		Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. Notably, it is a kind of Mujra strictly performed for men and away from the village with no access for ladies or families to watch. The songs were written in sexually explicit double meaning.

	==Dress-up==		==Dress-up==
	The ladies ~~that~~ perform lavani wear a long [[sari]] length around 9 yards. They form a bun (juda in Hindi or ambada in marathi) with their hair. They wear heavy jewellery that includes ~~Thushi means~~ necklace, ~~Bormaal~~ , ~~Pohehaar~~, ~~Zumka means~~ earrings, [[Anklet\|Ghungru]] , kamarpatta (a belt at the waist), bangles , ~~Sindoor~~ etc. They usually put a large [[Bindi (decoration)\|bindi]] of dark red color on their forehead. The sari they wear is called nauvari. The sari is wrapped and is more comfortable as compared to other sari types.<ref>Shirgaonkar, Varsha ""Glimpses of Jewellery in Lavanis" " Rasika-Bharati ( Prof.R.C. Parikh Commemorative Volume) (2005)</ref>		The ladies who perform lavani wear a long [[sari]] of length around 9 yards. They form a bun (juda in Hindi or ambada in marathi) with their hair. They wear heavy jewellery that includes thushi (necklace), bormaal, pohehaar, zumka (earrings), [[Anklet\|Ghungru]], kamarpatta (a belt at the waist), bangles, sindoor etc. They usually put a large [[Bindi (decoration)\|bindi]] of dark red color on their forehead. The sari they wear is called nauvari. The sari is wrapped and is more comfortable compared to other sari types.<ref>Shirgaonkar, Varsha ""Glimpses of Jewellery in Lavanis" " Rasika-Bharati ( Prof. R. C. Parikh Commemorative Volume) (2005)</ref>

	<blockquote>		<blockquote>
	{{Quotation\|"The main subject matter of the Lavani is the love between man and woman in various forms. Married wife's menstruation, sexual union between husband and Wife, their love, soldier's amorous exploits, the wife's bidding farewell to the husband who is going to join the war, pangs of separation, adulterous love - the intensity of adulterous passion, childbirth: these are all the different themes of the Lavani. The Lavani poet out-steps the limits of social decency and control when it comes to the depiction of sexual passion." [[K. Ayyappapanicker]], Sahitya Akademi<ref>Medieval Indian ~~literature~~: an anthology, Volume 3 By K. Ayyappapanicker, Sahitya Akademi, p 375</ref> }}		{{Quotation\|"The main subject matter of the Lavani is the love between man and woman in various forms. Married wife's menstruation, sexual union between husband and Wife, their love, soldier's amorous exploits, the wife's bidding farewell to the husband who is going to join the war, pangs of separation, adulterous love - the intensity of adulterous passion, childbirth: these are all the different themes of the Lavani. The Lavani poet out-steps the limits of social decency and control when it comes to the depiction of sexual passion." [[K. Ayyappapanicker]], Sahitya Akademi<ref>''Medieval Indian Literature: an anthology, Volume 3'', by K. Ayyappapanicker, Sahitya Akademi, p. 375</ref> }}
	</blockquote>		</blockquote>

	There are also men that dance in ~~lavni~~ along with the ladies. They are ~~the~~ called nat (male dancer) usually the kinnars. These men dance in support with the lead dancer.		[[File:Surekha Punekar.jpg\|thumb\|Surekha Punekar performing]]
			There are also men that dance in Lavani along with the ladies. They are called nat (male dancer) usually the kinnars. These men dance in support with the lead dancer.

	Although the beginnings of Lavani can be traced back to the 1560s, it came into prominence during the later days of the [[Peshwa]] rule. Several celebrated Marathi Shahir poet-singers, which include [[Parasharam]] (1754-1844), [[Ram Joshi]] (1762–1812), [[Anant Fandi]] (1744-1819), [[Honaji Bala]] (1754-1844), Prabhakar (1769-1843), Saganbhau and Lok Shahir [[Annabhau Sathe]] (1 August 1920 – 18 July 1969) has contributed significantly for the development of this genre of music. Lokshahir '''[[Bashir Momin Kavathekar]]''' is the popular present day ~~Shaheer/ Poet~~ of Lavani whose compositions are presented on stage by Surekha Punekar, Sandhya Mane, Roshan Satarkar and many Tamasha Troupes since the early 1980s. Honaji Bala introduced ''tabla'' in place of the traditional ''[[dholki]]''. He also developed the ''~~baithakichi~~ Lavani'', a subgenre, which is presented by the singer in the seated position.		Although the beginnings of Lavani can be traced back to the 1560s, it came into prominence during the later days of the [[Peshwa]] rule. Several celebrated Marathi Shahir poet-singers, which include [[Parasharam]] (1754-1844), [[Ram Joshi]] (1762–1812), [[Anant Fandi]] (1744-1819), [[Honaji Bala]] (1754-1844), Prabhakar (1769-1843), Saganbhau and Lok Shahir [[Annabhau Sathe]] (1 August 1920 – 18 July 1969) has contributed significantly for the development of this genre of music. Lokshahir '''[[Bashir Momin Kavathekar]]''' is the popular present-day poet of Lavani whose compositions are presented on stage by Surekha Punekar, Sandhya Mane, Roshan Satarkar and many Tamasha Troupes since the early 1980s. Honaji Bala introduced ''tabla'' in place of the traditional ''[[dholki]]''. He also developed the ''Baithakichi Lavani'', a subgenre, which is presented by the singer in the seated position.

	Satyabhamabai Pandharpurkar and [[Yamunabai Waikar]] are the popular present day exponents of Lavani.		Satyabhamabai Pandharpurkar and [[Yamunabai Waikar]] are the popular present-day exponents of Lavani.

	Shringar Lavani is mostly sung and danced on the stage by a female and written by male. [[Vithabai Bhau Mang Narayangaonkar]], Kantabai Satarkar, [[Surekha Punekar]], [[Mangala Bansode]], Sandhya Mane, [[Roshan Satarkar]] are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some [[caste]]s of Maharashtra like [[Mahar]] [[Kolhati]], and [[Matang]].		Shringar Lavani is mostly sung and danced on the stage by a female and written by a male. [[Vithabai Bhau Mang Narayangaonkar]], Kantabai Satarkar, [[Surekha Punekar]], [[Mangala Bansode]], Sandhya Mane, [[Roshan Satarkar]] are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by a lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some [[caste]]s of Maharashtra like [[Mahar]] [[Kolhati]], and [[Matang]].

	Marathi films played an important role in making the Lavani genre accessible to masses. Movies such as Pinjara and [[Natarang]] not only attempted to blend traditional music with social messages but also helped portray Lavani ~~world~~ in positive light.		Marathi films played an important role in making the Lavani genre accessible to the masses. Movies such as Pinjara and [[Natarang]] not only attempted to blend traditional music with social messages but also helped portray Lavani in a positive light.

	==References==		==References==
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	==External links==		==External links==
	~~{{Commons category\|Lavani}}~~
	*[https://web.archive.org/web/20150610201839/http://www.marathicharolya.in/marathiworld/categories.php?cat_id=17 Lavani pictures]		*[https://web.archive.org/web/20150610201839/http://www.marathicharolya.in/marathiworld/categories.php?cat_id=17 Lavani pictures]

2409:4042:11E:DC7C:51C7:5903:20DE:1D72: robot: Update article

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robot: Update article

← Older revision		Revision as of 06:58, 10 February 2022
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	==Etymology ==		==Etymology ==
	According to a tradition, the word Lavani is derived from the word ''lavanya'' which means beauty~~. According to another tradition, it is derived from Marathi ''lavene'~~'.		According to a tradition, the word Lavani is derived from the word '<nowiki/>''lavanya''' which means 'beauty'.

	[[File:Lavani Dancer.jpg\|thumb\|Lady performing Lavani dance]]		[[File:Lavani Dancer.jpg\|thumb\|Lady performing Lavani dance]]
			==Origin==
			Lavani dance originated from [[Maharashtra]] in 18th and 19th century. Lavani dancers were patronised by Maratha Lords and Kings.

			Lavani dance was generally performed by [[Dhangars]] or [[Shepherd]] living in the [[Solapur]], [[Maharashtra]].<ref>{{Cite web\|date=2015-07-28\|title=Lavani- Traditional Maharashtrian Dance\|url=https://www.utsavpedia.com/cultural-connections/indian-performing-arts/lavani-maharashtrian-dance-performance/\|access-date=2021-10-03\|website=Utsavpedia\|language=en-US}}</ref>

	==History and genres==		==History and genres==
	Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian theatre, Volume 2, By Manohar Laxman Varadpande, p 164</ref>		Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian theatre, Volume 2, By Manohar Laxman Varadpande, p 164</ref>
	The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over [[Malwa]].		The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over [[Malwa]].

	Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. Notebly it is a kind of Mujra strictly performed for ~~mens~~ and away from village with no access ~~to family~~ ladies to watch~~.In mordern times people living away from villages do not normally know Lavani~~. The songs were written in sexually explicit double meaning.		Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. Notebly it is a kind of Mujra strictly performed for men and away from the village with no access for ladies or families to watch. The songs were written in sexually explicit double meaning.

	==Dress-up==		==Dress-up==
Line 43:		Line 48:
	Satyabhamabai Pandharpurkar and [[Yamunabai Waikar]] are the popular present day exponents of Lavani.		Satyabhamabai Pandharpurkar and [[Yamunabai Waikar]] are the popular present day exponents of Lavani.

	Shringar Lavani is mostly sung and danced on the stage by a female and written by male. Vithabai Narayangaonkar, Kantabai Satarkar, Surekha Punekar,~~Managala~~ Bansode, Sandhya Mane, [[Roshan Satarkar]] are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some [[caste]]s of Maharashtra like [[Mahar]] [[Kolhati]], and [[Matang]].		Shringar Lavani is mostly sung and danced on the stage by a female and written by male. [[Vithabai Bhau Mang Narayangaonkar]], Kantabai Satarkar, [[Surekha Punekar]], [[Mangala Bansode]], Sandhya Mane, [[Roshan Satarkar]] are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some [[caste]]s of Maharashtra like [[Mahar]] [[Kolhati]], and [[Matang]].

	Marathi films played an important role in making the Lavani genre accessible to masses. Movies such as Pinjara and [[Natarang]] not only attempted to blend traditional music with social messages but also helped portray Lavani world in positive light.		Marathi films played an important role in making the Lavani genre accessible to masses. Movies such as Pinjara and [[Natarang]] not only attempted to blend traditional music with social messages but also helped portray Lavani world in positive light.

imported>Ramesh lalwani: I added image to this article #WPWP

2021-07-26T02:05:46Z

I added image to this article #WPWP

← Older revision		Revision as of 07:35, 26 July 2021
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	According to a tradition, the word Lavani is derived from the word ''lavanya'' which means beauty. According to another tradition, it is derived from Marathi ''lavene''.		According to a tradition, the word Lavani is derived from the word ''lavanya'' which means beauty. According to another tradition, it is derived from Marathi ''lavene''.

			[[File:Lavani Dancer.jpg\|thumb\|Lady performing Lavani dance]]
	==History and genres==		==History and genres==
	Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian theatre, Volume 2, By Manohar Laxman Varadpande, p 164</ref>		Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian theatre, Volume 2, By Manohar Laxman Varadpande, p 164</ref>

>RoundSquare: Importing Wikidata short description: "Genre of Indian music" (Shortdesc helper)

2021-07-07T19:29:28Z

Importing Wikidata short description: "Genre of Indian music" (Shortdesc helper)

New page

{{Short description|Genre of Indian music}}
{{Use dmy dates|date=March 2017}}
{{Use Indian English|date=March 2017}}
{{Infobox music genre
| name = Lavani
| bgcolor =
| stylistic_origins =
| cultural_origins = 17th century
| image = Lavani 1.jpg
| caption =
| derivatives =
| subgenrelist =
| subgenres =
| fusiongenres =
| local_scenes =
| other_topics =
| current_year =
}}

'''Lavani''' ({{Lang-mr|लावणी}}) is a genre of music popular in [[Maharashtra]], [[India]].<ref name="Thielemann">{{cite book|last=Thielemann|first=Selina|title=The Music of South Asia|year=2000|publisher=A. P. H. Publishing Corp.|location=New Delhi|isbn=978-81-7648-057-4|page=521|url=https://books.google.com/books?id=jqgHAQAAMAAJ&q=Lavani+Maharashtra+Tamil+Nadu}}</ref> Lavani is a combination of traditional song and dance, which particularly performed to the beats of ''[[Dholki]]'', a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta,p 1304</ref> In Maharashtra and southern Madhya Pradesh, it is performed by the female performers wearing nine-yard long [[sari|saree]]s. The songs are sung in a quick tempo.

==Etymology ==
According to a tradition, the word Lavani is derived from the word ''lavanya'' which means beauty. According to another tradition, it is derived from Marathi ''lavene''.

==History and genres==
Traditionally, this genre of folk dance deals with different and varied subject matters such as society,<ref>Shirgaonkar, Varsha. "“Lavanyanmadhil Samajik Pratibimba”." Chaturang, Loksatta (1997).</ref> religion and politics. The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire.<ref>The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti), Volume 2 By Amaresh Datta, p 1304</ref> Originally, it was used as a form of entertainment and morale booster to the tired soldiers. ''Lavani Songs'', which are sung along with dance, are usually naughty and erotic in nature. It is believed their origin is in the Prakrit Gathas collected by Hala.<ref>History of Indian theatre, Volume 2, By Manohar Laxman Varadpande, p 164</ref>
The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. The devotional music of the Nirguni cult is popular all over [[Malwa]].

Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. Notebly it is a kind of Mujra strictly performed for mens and away from village with no access to family ladies to watch.In mordern times people living away from villages do not normally know Lavani. The songs were written in sexually explicit double meaning.

==Dress-up==
The ladies that perform lavani wear a long [[sari]] length around 9 yards. They form a bun (juda in Hindi or ambada in marathi) with their hair. They wear heavy jewellery that includes Thushi means necklace, Bormaal , Pohehaar, Zumka means earrings, [[Anklet|Ghungru]] , kamarpatta (a belt at the waist), bangles , Sindoor etc. They usually put a large [[Bindi (decoration)|bindi]] of dark red color on their forehead. The sari they wear is called nauvari. The sari is wrapped and is more comfortable as compared to other sari types.<ref>Shirgaonkar, Varsha ""Glimpses of Jewellery in Lavanis" " Rasika-Bharati ( Prof.R.C. Parikh Commemorative Volume) (2005)</ref>

<blockquote>
{{Quotation|"The main subject matter of the Lavani is the love between man and woman in various forms. Married wife's menstruation, sexual union between husband and Wife, their love, soldier's amorous exploits, the wife's bidding farewell to the husband who is going to join the war, pangs of separation, adulterous love - the intensity of adulterous passion, childbirth: these are all the different themes of the Lavani. The Lavani poet out-steps the limits of social decency and control when it comes to the depiction of sexual passion." [[K. Ayyappapanicker]], Sahitya Akademi<ref>Medieval Indian literature: an anthology, Volume 3 By K. Ayyappapanicker, Sahitya Akademi, p 375</ref> }}
</blockquote>

There are also men that dance in lavni along with the ladies. They are the called nat (male dancer) usually the kinnars. These men dance in support with the lead dancer.

Although the beginnings of Lavani can be traced back to the 1560s, it came into prominence during the later days of the [[Peshwa]] rule. Several celebrated Marathi Shahir poet-singers, which include [[Parasharam]] (1754-1844), [[Ram Joshi]] (1762–1812), [[Anant Fandi]] (1744-1819), [[Honaji Bala]] (1754-1844), Prabhakar (1769-1843), Saganbhau and Lok Shahir [[Annabhau Sathe]] (1 August 1920 – 18 July 1969) has contributed significantly for the development of this genre of music. Lokshahir '''[[Bashir Momin Kavathekar]]''' is the popular present day Shaheer/ Poet of Lavani whose compositions are presented on stage by Surekha Punekar, Sandhya Mane, Roshan Satarkar and many Tamasha Troupes since the early 1980s. Honaji Bala introduced ''tabla'' in place of the traditional ''[[dholki]]''. He also developed the ''baithakichi Lavani'', a subgenre, which is presented by the singer in the seated position.

Satyabhamabai Pandharpurkar and [[Yamunabai Waikar]] are the popular present day exponents of Lavani.

Shringar Lavani is mostly sung and danced on the stage by a female and written by male. Vithabai Narayangaonkar, Kantabai Satarkar, Surekha Punekar,Managala Bansode, Sandhya Mane, [[Roshan Satarkar]] are well known artiste presenting Lavani on stage. Lavani can also be termed as a romantic song sung by lady who is waiting for her lover to accept her, who longs for his love. Many Lavani dancers are from some [[caste]]s of Maharashtra like [[Mahar]] [[Kolhati]], and [[Matang]].

Marathi films played an important role in making the Lavani genre accessible to masses. Movies such as Pinjara and [[Natarang]] not only attempted to blend traditional music with social messages but also helped portray Lavani world in positive light.

==References==
<references />

==External links==
{{Commons category|Lavani}}
*[https://web.archive.org/web/20150610201839/http://www.marathicharolya.in/marathiworld/categories.php?cat_id=17 Lavani pictures]

{{Pune district topics}}

[[Category:Culture of Malwa]]
[[Category:Indian music]]
[[Category:Culture of Maharashtra]]
[[Category:Marathi music]]
[[Category:Performing arts in India]]
[[Category:Dances of India]]