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	<title>Kural (poetic form) - Revision history</title>
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	<updated>2026-08-18T18:55:41Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://en.bharatpedia.org/w/index.php?title=Kural_(poetic_form)&amp;diff=139516&amp;oldid=prev</id>
		<title>imported&gt;GünniX: v2.04 - Fix errors for CW project (ISBN with incorrect syntax)</title>
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		<updated>2021-07-27T06:08:43Z</updated>

		<summary type="html">&lt;p&gt;v2.04 - Fix errors for &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:WCW&quot; class=&quot;extiw&quot; title=&quot;wp:WCW&quot;&gt;CW project&lt;/a&gt; (ISBN with incorrect syntax)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:38, 27 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l109&quot;&gt;Line 109:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 109:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Further reading==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Further reading==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Tiruvaḷḷuvar, &amp;amp; Sundaram, P. S. (1991). &#039;&#039;The Kural&#039;&#039;. New York, N.Y.: Penguin Books. ISBN&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/del&gt;978-0-14-400009-8&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Tiruvaḷḷuvar, &amp;amp; Sundaram, P. S. (1991). &#039;&#039;The Kural&#039;&#039;. New York, N.Y.: Penguin Books. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{&lt;/ins&gt;ISBN&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;978-0-14-400009-8&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>imported&gt;GünniX</name></author>
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	<entry>
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		<title>&gt;Bhagya sri113: /* Notes */ Column spacing</title>
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		<updated>2021-05-23T12:25:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Notes: &lt;/span&gt; Column spacing&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Tamil verse form}}&lt;br /&gt;
{{Use dmy dates|date=August 2020}}&lt;br /&gt;
{{Use Indian English|date=August 2020}}&lt;br /&gt;
[[File:Largest Thirukkural Book.jpg|250px|thumb|right|A large book of Tirukkural]]&lt;br /&gt;
&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;Kural&amp;#039;&amp;#039;&amp;#039; is one of the most important forms of classical [[Tamil language]] [[poetry]]. It is a very short [[Poetry#Form in poetry|poetic form]] being an independent couplet complete in 2 lines, the first line consisting of 4 words and the second line consisting of 3. As one of the five types of [[Venpa]] stanza, it must also conform to the [[grammar]] for Venpa, the most difficult and the most highly esteemed of stanzaic structures in classical [[Tamil literature]]. The &amp;#039;&amp;#039;[[Tirukkuṛaḷ]]&amp;#039;&amp;#039; by [[Tiruvalluvar]], one of the greatest philosophical works in Tamil, is a typical example.&lt;br /&gt;
&lt;br /&gt;
==Structure==&lt;br /&gt;
===Prosodic background===&lt;br /&gt;
The Tamil conception of metrical structure includes elements that appear in no other major prosodic system.{{sfn|Niklas|1988|p=165}} This discussion is presented in terms of syllables, feet, and lines (although syllables are not explicitly present in Tamil prosodic theory).&lt;br /&gt;
&lt;br /&gt;
Similarly to classical [[Prosody (Latin)|Latin]], [[Prosody (Greek)|Greek]], and [[Sanskrit prosody]], a syllable is long if its vowel is (1) long (including diphthongs{{sfn|Rajam|1992|p=42}}) or (2) followed by two or more consonants.{{sfn|Pope|1886|p=xxv}} Generally other syllables are short, though some syllables are considered &amp;quot;overshort&amp;quot; and ignored in the metrical scheme,{{sfn|Niklas|1988|pp=170,194}}  while &amp;quot;overlong&amp;quot; syllables are variously dealt with.{{sfn|Niklas|1988|pp=193-194}}&lt;br /&gt;
&lt;br /&gt;
===Metrical structure===&lt;br /&gt;
{{lang|ta-Latn|Veṇpā}} is a closely related family of very strict{{sfn|Niklas|1988|p=166}} Tamil verse forms. They differ chiefly in the number of standard lines that occur before the final short line. In {{lang|ta-Latn|kuṟaḷ-veṇpā}} (or simply &amp;quot;kural&amp;quot;) a single 4-foot (&amp;quot;standard&amp;quot;) line is followed by a final 3-foot (&amp;quot;short&amp;quot;) line, resulting in a 7-foot couplet.{{sfn|Niklas|1988|pp=180-181}} Syntactically, each foot normally consists of only a single word, but may also consist of two words if they are very closely linked (for example, in [[apposition]]).{{sfn|Pope|1886|p=xxv}} Metrically, the first six feet are all identical, conforming to this structure:&lt;br /&gt;
&lt;br /&gt;
 (u)x (u)x (x)&lt;br /&gt;
&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039; = 1 short syllable&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;x&amp;#039;&amp;#039;&amp;#039; = 1 short or 1 long syllable (&amp;#039;&amp;#039;anceps&amp;#039;&amp;#039; in Western parlance)&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;( )&amp;#039;&amp;#039;&amp;#039; = the enclosed syllable is optional&lt;br /&gt;
&lt;br /&gt;
This very flexible structure would generate 48 possible syllabic patterns, but two additional constraints apply: {{sfn|Niklas|1988|pp=171}}&lt;br /&gt;
# The initial &amp;#039;&amp;#039;&amp;#039; (u)x&amp;#039;&amp;#039;&amp;#039; may not be realized by &amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039; alone.&lt;br /&gt;
# The final anceps is prohibited if the second &amp;#039;&amp;#039;&amp;#039; (u)x&amp;#039;&amp;#039;&amp;#039; is realized by &amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039; alone.&lt;br /&gt;
&lt;br /&gt;
...leaving 30 possible syllabic patterns per foot, each realized with two to five syllables:&lt;br /&gt;
&lt;br /&gt;
  –  u&lt;br /&gt;
  –  – (x)&lt;br /&gt;
  – uu (x)&lt;br /&gt;
  – u– (x)&lt;br /&gt;
 &lt;br /&gt;
 uu  u&lt;br /&gt;
 uu  – (x)&lt;br /&gt;
 uu uu (x)&lt;br /&gt;
 uu u– (x)&lt;br /&gt;
 &lt;br /&gt;
 u–  u&lt;br /&gt;
 u–  – (x)&lt;br /&gt;
 u– uu (x)&lt;br /&gt;
 u– u– (x)&lt;br /&gt;
&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;–&amp;#039;&amp;#039;&amp;#039; = long syllable&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;(x)&amp;#039;&amp;#039;&amp;#039; represents 3 possibilities: absent, u (short), or – (long)&lt;br /&gt;
&lt;br /&gt;
The kural&amp;#039;s final foot is essentially a much-shortened version. The structure of the entire couplet is thus:&lt;br /&gt;
&lt;br /&gt;
 (u)x (u)x (x) | (u)x (u)x (x) | (u)x (u)x (x) | (u)x (u)x (x)&lt;br /&gt;
 (u)x (u)x (x) | (u)x (u)x (x) | (u)x&lt;br /&gt;
&lt;br /&gt;
:&amp;#039;&amp;#039;&amp;#039;|&amp;#039;&amp;#039;&amp;#039; = division between feet (and words)&lt;br /&gt;
&lt;br /&gt;
In actual composition, syllabic patterns are limited further, because every realized foot places constraints upon the syllabic pattern of the &amp;#039;&amp;#039;following&amp;#039;&amp;#039; foot, thus:{{sfn|Niklas|1988|pp=180,175}}&lt;br /&gt;
* When the final optional anceps of a foot is PRESENT, the next foot must &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; begin with a short syllable.&lt;br /&gt;
* When the final optional anceps of a foot is ABSENT AND …&lt;br /&gt;
** The middle optional short syllable is PRESENT, the next foot must &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; begin with a short syllable.&lt;br /&gt;
** The middle optional short syllable is ABSENT, the next foot &amp;#039;&amp;#039;&amp;#039;must&amp;#039;&amp;#039;&amp;#039; begin with a short syllable.&lt;br /&gt;
&lt;br /&gt;
===Ornamentation===&lt;br /&gt;
One ornamental feature of Tamil versification is {{lang|ta-Latn|etukai}}, often translated &amp;quot;rhyme&amp;quot;,{{sfn|Niklas|1988|pp=178}}{{sfn|Pope|1886|p=xxvi}} although it is distinct from typical Western rhyme. This occurs often in kural, but is not obligatory.{{sfn|Niklas|1988|pp=181,180}} There is variance in Tamil practice, but in a kural couplet, {{lang|ta-Latn|etukai}} is usually more or less equivalent to the &amp;#039;&amp;#039;exact repetition of the initial line&amp;#039;s second syllable as the final line&amp;#039;s second syllable&amp;#039;&amp;#039;. An example (not in a kural, but in a four-line {{lang|ta-Latn|veṇpā}}) is:&lt;br /&gt;
&amp;lt;poem style=&amp;quot;margin-left:2em;font-style:italic&amp;quot;&amp;gt;&lt;br /&gt;
{{lang|ta-Latn|va&amp;#039;&amp;#039;&amp;#039;ȚI&amp;#039;&amp;#039;&amp;#039;yērka ṇīrmalka vāṉporuṭkuc ceṉṟār&lt;br /&gt;
ka&amp;#039;&amp;#039;&amp;#039;ȚI&amp;#039;&amp;#039;&amp;#039;yār kaṉaṅkuḻāy kāṇārkol kāṭṭuḷ&lt;br /&gt;
i&amp;#039;&amp;#039;&amp;#039;ȚI&amp;#039;&amp;#039;&amp;#039;yiṉ muḻakkañci yīrṅkavuḷ vēḻam&lt;br /&gt;
pi&amp;#039;&amp;#039;&amp;#039;ȚI&amp;#039;&amp;#039;&amp;#039;yiṉ puṟattacaitta kai}}{{sfn|Niklas|1988|p=201}} &amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sometimes additional syllables, beyond the second, are also repeated.{{sfn|Pope|1886|p=xxvi}}&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{reflist|30em}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*{{Cite journal&lt;br /&gt;
 | last= Niklas&lt;br /&gt;
 | first= Ulrike&lt;br /&gt;
 | title= Introduction to Tamil Prosody&lt;br /&gt;
 | journal= Bulletin de l&amp;#039;École française d&amp;#039;Extrême-Orient&lt;br /&gt;
 | year=1988&lt;br /&gt;
 | volume=77&lt;br /&gt;
 | pages=165–227&lt;br /&gt;
 | publisher=W. H. Allen &amp;amp; Co.&lt;br /&gt;
 | location=London&lt;br /&gt;
 | url=https://www.persee.fr/doc/befeo_0336-1519_1988_num_77_1_1744&lt;br /&gt;
 | doi=10.3406/befeo.1988.1744&lt;br /&gt;
 | format=PDF&lt;br /&gt;
 }}&lt;br /&gt;
*{{Cite book&lt;br /&gt;
 | last=Pope&lt;br /&gt;
 | first=G. U.&lt;br /&gt;
 | author-link=George Uglow Pope&lt;br /&gt;
 | title=The &amp;#039;Sacred&amp;#039; Kurraḷ of Tiruvaḷḷuva-Nâyanâr&lt;br /&gt;
 | year=1886&lt;br /&gt;
 | publisher=W. H. Allen &amp;amp; Co.&lt;br /&gt;
 | location=London&lt;br /&gt;
 | url=https://archive.org/details/tiruvalluvanayan00tiruuoft/page/n3&lt;br /&gt;
 | format=PDF&lt;br /&gt;
 }}&lt;br /&gt;
*{{Cite book&lt;br /&gt;
 | last=Rajam&lt;br /&gt;
 | first=V. S.&lt;br /&gt;
 | title=A Reference Grammar of Classical Tamil Poetry (150 B.C. — pre-fifth/sixth century A.D.)&lt;br /&gt;
 | year=1992&lt;br /&gt;
 | publisher=American Philosophical Society&lt;br /&gt;
 | location=Philadelphia&lt;br /&gt;
 | url=https://books.google.com/books?id=n6VhXLdmdKkC&lt;br /&gt;
 | isbn=087169199X&lt;br /&gt;
 }}&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
*Tiruvaḷḷuvar, &amp;amp; Sundaram, P. S. (1991). &amp;#039;&amp;#039;The Kural&amp;#039;&amp;#039;. New York, N.Y.: Penguin Books. ISBN: 978-0-14-400009-8&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [https://www.youtube.com/watch?v=6J8Zvltpbow&amp;amp;feature=player_embedded Thirukkural Oli Pathipu: Thirukkural Audio book]&lt;br /&gt;
* [https://web.archive.org/web/20130707034521/http://omtamil.org/category/tirukkural/ Online Thirukkural Lessons]&lt;br /&gt;
* {{cite web | url=http://tamilinkural.blogspot.com/2007/10/tamil-inkural-tamilin-kural.html | publisher=Tamil Inkural - Tamilin KuraL | title=கடவுள் வாழ்த்து | date=22 October 2007 | access-date=24 August 2020 }}&lt;br /&gt;
* http://philosophyofkural.blogspot.in {{deadlink|date=August 2020}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Tamil poetics]]&lt;br /&gt;
[[Category:Tirukkural]]&lt;br /&gt;
[[Category:Poetic form]]&lt;/div&gt;</summary>
		<author><name>&gt;Bhagya sri113</name></author>
	</entry>
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