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	<title>Kolachalam Srinivasa Rao - Revision history</title>
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	<updated>2026-08-18T20:36:31Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Villagetalkies: improved article</title>
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		<updated>2026-03-24T03:17:13Z</updated>

		<summary type="html">&lt;p&gt;improved article&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:47, 24 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Indian playwright (1854–1919)}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Multiple issues|&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Promotional|date=September 2020}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{more citations needed|date=April 2011}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}{{Advert|date=September 2020}}{{refimprove|date=April 2011&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Kolachalam Srinivasa Rao 1911 (page 279 crop).jpg|thumb|Photograph of Kolachalam Srinivasa Rao in Andhra Patrika.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Kolachalam Srinivasa Rao 1911 (page 279 crop).jpg|thumb|Photograph of Kolachalam Srinivasa Rao in Andhra Patrika.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kolachalam Srinivasa Rao&#039;&#039;&#039; ([[Telugu language|Telugu]]: కోలాచలం శ్రీనివాసరావు) (13 March 1854 – 23 June 1919) was a dramatist from [[Bellary]], [[India]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kolachalam Srinivasa Rao&#039;&#039;&#039; ([[Telugu language|Telugu]]: కోలాచలం శ్రీనివాసరావు) (13 March 1854 – 23 June 1919) was a dramatist from [[Bellary]], [[India]].&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{Cite book |last1=V |first1=Akshara K. |url=https://books.google.com/books?id=MzjsDwAAQBAJ&amp;amp;dq=%22Kolachalam+Srinivasa+Rao%22+-wikipedia&amp;amp;pg=PA13 |title=Kannada Theatre History 1850-1950: A Sourcebook: published by Manipal Universal Press |last2=Aithala |first2=B. R. Venkataramana |last3=Ganesh |first3=Deepa |date=2018-09-01 |publisher=Manipal Universal Press |isbn=978-93-82460-84-8 |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book |last=Apparao |first=Ponangi Sri Rama |url=https://books.google.com/books?id=aPoVGysfFhIC&amp;amp;dq=%22Kolachalam+Srinivasa+Rao%22+-wikipedia&amp;amp;pg=PA42 |title=Dharmavaram Ramakrishnamacharyulu |date=1994 |publisher=Sahitya Akademi |isbn=978-81-7201-771-2 |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book |last=Narasiṃhārāvu |first=Vi Vi Yal |url=https://books.google.com/books?id=2dzi7x0glOEC&amp;amp;dq=%22Kolachalam+Srinivasa+Rao%22+-wikipedia&amp;amp;pg=PA31 |title=Chilakamarti Lakshmi Narasimham |date=1993 |publisher=Sahitya Akademi |isbn=978-81-7201-499-5 |language=en}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A pleader and a non-professional theatre practitioner from [[Bellary]], Srinivasa Rao belonged to the family of [[Mallinatha Suri]], the world-famous writer acclaimed as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Vyakyatha Shiromani&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;.  Srinivasa Rao became famous after publishing the [[English language|English]] translation of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Prapancha Nataka Charitra (The Dramatic History of the World)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;(&#039;&#039;&#039;Vanivilasa Press&#039;&#039;&#039;, Bellary) in 1908. In childhood, he was accomplished in [[Sanskrit]] and [[Telugu language|Telugu]] and was familiar with Kannada. His second elder brother [[Kolachalam Venkata Rao]] was a [[lawyer]] and in a high position, who was later elected as a member of the [[Madras Assembly]]. He was further helped by the local environment in Bellary where the drama movement was flourishing with redoubled vigour. In &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;such a &lt;/del&gt;conducive atmosphere, wrote his magnum opus, as well as dramas, commentaries on the Vedas and other literary works. His first drama was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Sunandini Parinayam&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;, published around 1894–95, after which he wrote 30 plays. A large number of these plays were performed by their drama company &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Sumanorama Sabha&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;. [[Bellary Raghava]] and Srinivasa Rao worked closely in running the affairs of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Sabha&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A pleader and a non-professional theatre practitioner from [[Bellary]], Srinivasa Rao belonged to the family of [[Mallinatha Suri]], the world-famous writer acclaimed as Vyakyatha Shiromani.  Srinivasa Rao became famous after publishing the [[English language|English]] translation of Prapancha Nataka Charitra (The Dramatic History of the World) (&#039;&#039;&#039;Vanivilasa Press&#039;&#039;&#039;, Bellary) in 1908. In childhood, he was accomplished in [[Sanskrit]] and [[Telugu language|Telugu]] and was familiar with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Kannada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. His second elder brother [[Kolachalam Venkata Rao]] was a [[lawyer]] and in a high position, who was later elected as a member of the [[Madras Assembly]]. He was further helped by the local environment in Bellary&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;where the drama movement was flourishing with redoubled vigour. In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this &lt;/ins&gt;conducive atmosphere, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he &lt;/ins&gt;wrote his magnum opus, as well as dramas, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;commentaries on the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Vedas&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and other literary works. His first drama was Sunandini Parinayam, published around 1894–95, after which he wrote 30 plays. A large number of these plays were performed by their drama company Sumanorama Sabha. [[Bellary Raghava]] and Srinivasa Rao worked closely in running the affairs of the Sabha.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sumanaroma Sabha staged three plays in the hall of the Sarasa Vinodini Sabha. When Sarasa Vinodini Sabha later refused to lend the hall to them, Srinivasa Rao built a new hall for the Sumanorama Sabha, called &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Vanivilasa Nataka Shala&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;, which was inaugurated by [[Balgangadhar Tilak]]. This was the first theatre building in Bellary, the second one being &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Ramakrishna Vilas&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;(after [[Dharmavaram Ramakrishnamacharyulu|Dharmavaraṃ Rāmakr̥ṣṇamācāryulu]]). Both of these were later converted into [[movie theatre|cinema]] theatres - Ramakrishna Vilas renamed &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Star Cinema&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;and Vanivilas Nataka Shala renamed &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Prabhat Cinema&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;.&amp;lt;ref&amp;gt;{{cite book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sumanaroma Sabha staged three plays in the hall of the Sarasa Vinodini Sabha. When Sarasa Vinodini Sabha later refused to lend the hall to them, Srinivasa Rao built a new hall for the Sumanorama Sabha, called Vanivilasa Nataka Shala, which was inaugurated by [[Balgangadhar Tilak]]. This was the first theatre building in Bellary, the second one being Ramakrishna Vilas (after [[Dharmavaram Ramakrishnamacharyulu|Dharmavaraṃ Rāmakr̥ṣṇamācāryulu]]). Both of these were later converted into [[movie theatre|cinema]] theatres - Ramakrishna Vilas renamed Star Cinema and Vanivilas Nataka Shala renamed Prabhat Cinema.&amp;lt;ref&amp;gt;{{cite book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Dharmavaram Ramakrishnamacharyulu&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Dharmavaram Ramakrishnamacharyulu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Ponangi Sri Rama Apparao&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Ponangi Sri Rama Apparao&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Villagetalkies</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kolachalam_Srinivasa_Rao&amp;diff=326557&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-05-25T08:23:43Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:53, 25 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018}}{{Advert|date=September 2020}}{{refimprove|date=April 2011}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018}}{{Advert|date=September 2020}}{{refimprove|date=April 2011}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Kolachalam Srinivasa Rao 1911 (page 279 crop).jpg|thumb|Photograph of Kolachalam Srinivasa Rao in Andhra Patrika.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Kolachalam Srinivasa Rao&#039;&#039;&#039; ([[Telugu language|Telugu]]: కోలాచలం శ్రీనివాసరావు) (13 March 1854 – 23 June 1919) was a dramatist from [[Bellary]], [[India]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kolachalam &lt;/del&gt;Srinivasa Rao&#039;&#039;&#039; ([[Telugu language|Telugu]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: కోలాచలం శ్రీనివాసరావు) (13 March 1854 – 23 June 1919) &lt;/del&gt;was a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;noted dramatist from &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bellary&lt;/del&gt;]], [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;India&lt;/del&gt;]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A pleader and a non-professional theatre practitioner from [[Bellary]], Srinivasa Rao belonged to the family of [[Mallinatha Suri]], the world-famous writer acclaimed as &#039;&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vyakyatha Shiromani&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.  &lt;/ins&gt;Srinivasa Rao &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;became famous after publishing the [[English language|English]] translation of &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Prapancha Nataka Charitra (The Dramatic History of the World)&lt;/ins&gt;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Vanivilasa Press&#039;&#039;&#039;, Bellary) in 1908. In childhood, he was accomplished in [[Sanskrit]] and &lt;/ins&gt;[[Telugu language|Telugu]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and was familiar with Kannada. His second elder brother [[Kolachalam Venkata Rao]] was a [[lawyer]] and in a high position, who &lt;/ins&gt;was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;later elected as &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;member of the &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Madras Assembly&lt;/ins&gt;]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. He was further helped by the local environment in Bellary where the drama movement was flourishing with redoubled vigour. In such a conducive atmosphere, wrote his magnum opus, as well as dramas, commentaries on the Vedas and other literary works. His first drama was &#039;&#039;Sunandini Parinayam&#039;&#039;, published around 1894–95&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;after which he wrote 30 plays. A large number of these plays were performed by their drama company &#039;&#039;Sumanorama Sabha&#039;&#039;. &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bellary Raghava&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and Srinivasa Rao worked closely in running the affairs of the &#039;&#039;Sabha&#039;&#039;&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A pleader and a non-professional theatre practitioner from [[Bellary]], Srinivasa Rao belonged to the family of [[Mallinatha Suri]], the world-famous writer acclaimed as &#039;&#039;Vyakyatha Shiromani&#039;&#039;.  Srinivasa Rao became famous after publishing the [[English language|English]] translation of &#039;&#039;Prapancha Nataka Charitra (The Dramatic History of the World)&#039;&#039; ([[Vanivilasa Press]], Bellary) in 1908.    His family was a very learned one.  Even in childhood he was accomplished in [[Sanskrit]] and [[Telugu language|Telugu]], and was familiar with Kannada.  English was acquired at school.  He took to [[Law]].  Srinivasa Rao&#039;s second elder brother [[Kolachalam Venkata Rao]] was a [[lawyer]] and in a high position, who was later elected as a member of the [[Madras Assembly]].  Under the guidance of his elder brother, Srinivasa Rao&#039;s literary effort flourished without a break.  He was further helped by the local environment in Bellary where the drama movement was flourishing with redoubled vigour.  In such a conducive atmosphere, wrote his magnum opus, as well as dramas, commentaries on the Vedas and other literary works.  His first drama was &#039;&#039;Sunandini Parinayam&#039;&#039;, published around 1894–95, after which he wrote about 30 plays.  A large number of these plays were performed by their drama company &#039;&#039;Sumanorama Sabha&#039;&#039;.  [[Bellary Raghava]] and Srinivasa Rao worked closely in running the affairs of the &#039;&#039;Sabha&#039;&#039;.  &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sumanaroma Sabha staged three plays in the hall of the Sarasa Vinodini Sabha. When Sarasa Vinodini Sabha later refused to lend the hall to them, Srinivasa Rao built a new hall for the Sumanorama Sabha, called &#039;&#039;Vanivilasa Nataka Shala&#039;&#039;, which was inaugurated by [[Balgangadhar Tilak]]. This was the first theatre building in Bellary, the second one being &#039;&#039;Ramakrishna Vilas&#039;&#039; (after [[Dharmavaram Ramakrishnamacharyulu|Dharmavaraṃ Rāmakr̥ṣṇamācāryulu]]). Both of these were later converted into [[movie theatre|cinema]] theatres - Ramakrishna Vilas renamed &#039;&#039;Star Cinema&#039;&#039; and Vanivilas Nataka Shala renamed &#039;&#039;Prabhat Cinema&#039;&#039;.&amp;lt;ref&amp;gt;{{cite book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sumanaroma Sabha staged &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;two or &lt;/del&gt;three plays in the hall of the Sarasa Vinodini Sabha&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, and the plays were well received&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;When Sarasa Vinodini Sabha later refused to lend the hall to them, Srinivasa Rao built a new hall for the Sumanorama Sabha, called &#039;&#039;Vanivilasa Nataka Shala&#039;&#039;, which was inaugurated by [[Balgangadhar Tilak]]. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;This was the first theatre building in Bellary, the second one being &#039;&#039;Ramakrishna Vilas&#039;&#039; (after [[Dharmavaram Ramakrishnamacharyulu|Dharmavaraṃ Rāmakr̥ṣṇamācāryulu]]). Both of these were later converted into [[movie theatre|cinema]] theatres - Ramakrishna Vilas renamed &#039;&#039;Star Cinema&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;and Vanivilas Nataka Shala renamed &#039;&#039;Prabhat Cinema&#039;&#039;.&amp;lt;ref&amp;gt;{{cite book&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Dharmavaram Ramakrishnamacharyulu&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Dharmavaram Ramakrishnamacharyulu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Ponangi Sri Rama Apparao&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Ponangi Sri Rama Apparao&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the preface of his magnum opus, he points to the decadence that had set into Indian language theatres at that point in time, in part because of the decline in morality in the practice of theatre. Finally, after surveying theatre traditions from Japan to the Americas, he provided an exclusive appendix, a list of &quot;&#039;&#039;rules&#039;&#039;&quot; like by-laws for contemporary theatre practitioners. Among his recommendations: &quot;Till Hindu society is fully developed physically, greatly reformed morally, and vastly improved intellectually, do not allow a woman to become an actress. Hindu customs and manners do not allow such a course being taken&quot;&amp;lt;ref&amp;gt;{{cite web&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the preface of his magnum opus, he points to the decadence that had set into Indian language theatres at that point in time, in part because of the decline in morality in the practice of theatre. Finally, after surveying theatre traditions from Japan to the Americas, he provided an exclusive appendix, a list of &quot;&#039;&#039;rules&#039;&#039;&quot; like by-laws for contemporary theatre practitioners. Among his recommendations: &quot;Till Hindu society is fully developed physically, greatly reformed morally, and vastly improved intellectually, do not allow a woman to become an actress. Hindu customs and manners do not allow such a course being taken&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;ref&amp;gt;{{cite web&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Reversal of roles&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | title = Reversal of roles&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Akshara K V&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   | author = Akshara K V&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot;&gt;Line 38:&lt;/td&gt;
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		<title>CleanupBot: /* References */clean up, add source tag</title>
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		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References: &lt;/span&gt;clean up, add source tag&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:09, 3 June 2021&lt;/td&gt;
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&amp;#039;&amp;#039;&amp;#039;Kolachalam Srinivasa Rao&amp;#039;&amp;#039;&amp;#039; ([[Telugu language|Telugu]]: కోలాచలం శ్రీనివాసరావు) (13 March 1854 – 23 June 1919) was a noted dramatist from [[Bellary]], [[India]].&lt;br /&gt;
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A pleader and a non-professional theatre practitioner from [[Bellary]], Srinivasa Rao belonged to the family of [[Mallinatha Suri]], the world-famous writer acclaimed as &amp;#039;&amp;#039;Vyakyatha Shiromani&amp;#039;&amp;#039;.  Srinivasa Rao became famous after publishing the [[English language|English]] translation of &amp;#039;&amp;#039;Prapancha Nataka Charitra (The Dramatic History of the World)&amp;#039;&amp;#039; ([[Vanivilasa Press]], Bellary) in 1908.    His family was a very learned one.  Even in childhood he was accomplished in [[Sanskrit]] and [[Telugu language|Telugu]], and was familiar with Kannada.  English was acquired at school.  He took to [[Law]].  Srinivasa Rao&amp;#039;s second elder brother [[Kolachalam Venkata Rao]] was a [[lawyer]] and in a high position, who was later elected as a member of the [[Madras Assembly]].  Under the guidance of his elder brother, Srinivasa Rao&amp;#039;s literary effort flourished without a break.  He was further helped by the local environment in Bellary where the drama movement was flourishing with redoubled vigour.  In such a conducive atmosphere, wrote his magnum opus, as well as dramas, commentaries on the Vedas and other literary works.  His first drama was &amp;#039;&amp;#039;Sunandini Parinayam&amp;#039;&amp;#039;, published around 1894–95, after which he wrote about 30 plays.  A large number of these plays were performed by their drama company &amp;#039;&amp;#039;Sumanorama Sabha&amp;#039;&amp;#039;.  [[Bellary Raghava]] and Srinivasa Rao worked closely in running the affairs of the &amp;#039;&amp;#039;Sabha&amp;#039;&amp;#039;.  &lt;br /&gt;
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Sumanaroma Sabha staged two or three plays in the hall of the Sarasa Vinodini Sabha, and the plays were well received.  When Sarasa Vinodini Sabha later refused to lend the hall to them, Srinivasa Rao built a new hall for the Sumanorama Sabha, called &amp;#039;&amp;#039;Vanivilasa Nataka Shala&amp;#039;&amp;#039;, which was inaugurated by [[Balgangadhar Tilak]].  This was the first theatre building in Bellary, the second one being &amp;#039;&amp;#039;Ramakrishna Vilas&amp;#039;&amp;#039; (after [[Dharmavaram Ramakrishnamacharyulu|Dharmavaraṃ Rāmakr̥ṣṇamācāryulu]]). Both of these were later converted into [[movie theatre|cinema]] theatres - Ramakrishna Vilas renamed &amp;#039;&amp;#039;Star Cinema&amp;#039;&amp;#039;, and Vanivilas Nataka Shala renamed &amp;#039;&amp;#039;Prabhat Cinema&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite book&lt;br /&gt;
  | title = Dharmavaram Ramakrishnamacharyulu&lt;br /&gt;
  | author = Ponangi Sri Rama Apparao&lt;br /&gt;
  | year = 1994&lt;br /&gt;
 | publisher = Sahitya Akademi&lt;br /&gt;
  | isbn = 9788172017712&lt;br /&gt;
 | url = https://books.google.com/books?id=aPoVGysfFhIC&amp;amp;q=kolachalam+srinivasa+rao&amp;amp;pg=PA42&lt;br /&gt;
  | accessdate = 20 October 2008}}&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In the preface of his magnum opus, he points to the decadence that had set into Indian language theatres at that point in time, in part because of the decline in morality in the practice of theatre. Finally, after surveying theatre traditions from Japan to the Americas, he provided an exclusive appendix, a list of &amp;quot;&amp;#039;&amp;#039;rules&amp;#039;&amp;#039;&amp;quot; like by-laws for contemporary theatre practitioners. Among his recommendations: &amp;quot;Till Hindu society is fully developed physically, greatly reformed morally, and vastly improved intellectually, do not allow a woman to become an actress. Hindu customs and manners do not allow such a course being taken&amp;quot;&amp;lt;ref&amp;gt;{{cite web&lt;br /&gt;
  | title = Reversal of roles&lt;br /&gt;
  | author = Akshara K V&lt;br /&gt;
  | url = http://www.india-seminar.com/2008/588/588_akshara_k_v.htm&lt;br /&gt;
  | publisher = www.india-seminar.com&lt;br /&gt;
  | accessdate = 20 October 2008}}&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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{{Authority control}}&lt;br /&gt;
{{DEFAULTSORT:Rao, Kolachalam}}&lt;br /&gt;
[[Category:People from Bellary]]&lt;br /&gt;
[[Category:1854 births]]&lt;br /&gt;
[[Category:1919 deaths]]&lt;br /&gt;
[[Category:20th-century Indian dramatists and playwrights]]&lt;br /&gt;
[[Category:19th-century Indian dramatists and playwrights]]&lt;br /&gt;
[[Category:Dramatists and playwrights from Karnataka]]&lt;br /&gt;
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