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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Kismet_%281943_film%29</id>
	<title>Kismet (1943 film) - Revision history</title>
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	<updated>2026-08-20T04:09:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://en.bharatpedia.org/w/index.php?title=Kismet_(1943_film)&amp;diff=142827&amp;oldid=prev</id>
		<title>imported&gt;Gotitbro: /* Soundtrack */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kismet_(1943_film)&amp;diff=142827&amp;oldid=prev"/>
		<updated>2021-08-15T09:03:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Soundtrack&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:33, 15 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot;&gt;Line 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039; was also the first Indian movie to use the lost and found formula used in several Hindi movies in the 1960s and 1970s, notably &amp;#039;&amp;#039;[[Waqt (1965 film)|Waqt]]&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;[[Yaadon Ki Baaraat|Yaadon ki Baraat]]&amp;#039;&amp;#039; (1973), and &amp;#039;&amp;#039;[[Amar Akbar Anthony]]&amp;#039;&amp;#039; (1977). The unprecedented success of Kismet established Ashok Kumar as the first ever superstar of Hindi cinema. He remained the most popular actor in Hindi cinema until the early 50s.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039; was also the first Indian movie to use the lost and found formula used in several Hindi movies in the 1960s and 1970s, notably &amp;#039;&amp;#039;[[Waqt (1965 film)|Waqt]]&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;[[Yaadon Ki Baaraat|Yaadon ki Baraat]]&amp;#039;&amp;#039; (1973), and &amp;#039;&amp;#039;[[Amar Akbar Anthony]]&amp;#039;&amp;#039; (1977). The unprecedented success of Kismet established Ashok Kumar as the first ever superstar of Hindi cinema. He remained the most popular actor in Hindi cinema until the early 50s.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 1961 movie &#039;&#039;[[Boy Friend (1961 film)|Boy Friend]]&#039;&#039;, featuring [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shammi Kapoor&lt;/del&gt;]], [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dharmendra&lt;/del&gt;]] and [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Madhubala&lt;/del&gt;]] was a remake of Kismet. In the 1968 movie &#039;&#039;[[Padosan]]&#039;&#039;, when asked to think of a romantic song, Bhola immediately remembers the &#039;&#039;door hato duniyawalo&#039;&#039; song.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 1961 movie &#039;&#039;[[Boy Friend (1961 film)|Boy Friend]]&#039;&#039;, featuring [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Madhubala&lt;/ins&gt;]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shammi Kapoor&lt;/ins&gt;]] and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dharmendra&lt;/ins&gt;]] was a remake of Kismet. In the 1968 movie &#039;&#039;[[Padosan]]&#039;&#039;, when asked to think of a romantic song, Bhola immediately remembers the &#039;&#039;door hato duniyawalo&#039;&#039; song.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Soundtrack==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Soundtrack==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The music of the film by [[Anil Biswas (composer)|Anil Biswas]] introduced the &quot;full chorus&quot; for the first time in [[Hindi cinema]].&amp;lt;ref name=scr/&amp;gt; The film gave memorable hits like the patriotic &quot;Door Hato O Duniyawalon Hindustan Hamara Hay&quot;, the sad &quot;Ghar Ghar Mein Diwali&quot; and a soothing lullaby, &quot;Dheere Dheere Aa&quot;. The last was a duet between Amirbai Karnataki and Ashok Kumar, which added to the success of the film that is still known as one of his finest works.&amp;lt;ref&amp;gt;[http://www.4to40.com/legends/index.asp?id=1022 Anil Biswas Biography] {{webarchive|url=https://web.archive.org/web/20080707021407/http://www.4to40.com/legends/index.asp?id=1022 |date=7 July 2008 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The music of the film by [[Anil Biswas (composer)|Anil Biswas]] introduced the &quot;full chorus&quot; for the first time in [[Hindi cinema]].&amp;lt;ref name=scr/&amp;gt; The film gave memorable hits like the patriotic &quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Aaj Himalay Ki Choti Se|&lt;/ins&gt;Door Hato O Duniyawalon Hindustan Hamara Hay&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&quot;, the sad &quot;Ghar Ghar Mein Diwali&quot; and a soothing lullaby, &quot;Dheere Dheere Aa&quot;. The last was a duet between Amirbai Karnataki and Ashok Kumar, which added to the success of the film that is still known as one of his finest works.&amp;lt;ref&amp;gt;[http://www.4to40.com/legends/index.asp?id=1022 Anil Biswas Biography] {{webarchive|url=https://web.archive.org/web/20080707021407/http://www.4to40.com/legends/index.asp?id=1022 |date=7 July 2008 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &amp;quot;[[Aaj Himalay Ki Choti Se]] – Door Hato Ai Duniya Walo&amp;quot; - Singer: [[Amirbai Karnataki|Ameerbai Karnataki]], [[Khan Mastana]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &amp;quot;[[Aaj Himalay Ki Choti Se]] – Door Hato Ai Duniya Walo&amp;quot; - Singer: [[Amirbai Karnataki|Ameerbai Karnataki]], [[Khan Mastana]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &amp;quot;Ab Tere Siwa Kaun Mera Krishan Kanhaiya&amp;quot; - Singer: Ameerbai Karnataki&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &amp;quot;Ab Tere Siwa Kaun Mera Krishan Kanhaiya&amp;quot; - Singer: Ameerbai Karnataki&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot;&gt;Line 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 87:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Door Hato O Duniya Walon===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Door Hato O Duniya Walon===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the patriotic song, &quot;Door hato O Duniya walon, Hindustan hamara hay&quot; (&quot;Step away, People of the World, [[Hindustan]] is ours&quot;), penned by [[Pradeep|Kavi Pradeep]], a negative reference to Japan was used – &quot;Tum na kisike aage jhunkna, German ho ya Japani&quot; (&quot;Don&#039;t you bow in front of anyone, be it the Germans or the Japanese&quot;) – which allowed it to get past the heavy British censorship of the time.&amp;lt;ref name=scr&amp;gt;[http://www.screenindia.com/old/dec31/music3.ht Milestones from a musical Millennium]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }} &#039;&#039;[[Screen (magazine)|Screen]]&#039;&#039;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://web.archive.org/web/20121012142440/http://www.hindustantimes.com/StoryPage/FullcoverageStoryPage.aspx?sectionName=CinemaSectionPage&amp;amp;id=59256d12-8044-47ae-9283-6976d71991d8Indiaturns61_Special&amp;amp;&amp;amp;Headline=Unforgettable+songs+of+national+fervour Unforgettable songs of national fervour] &#039;&#039;[[Hindustan Times]]&#039;&#039;, 14 August 2008.&amp;lt;/ref&amp;gt; But the hidden meaning got through to the people and backed by [[Anil Biswas (composer)|Anil Biswas]]&#039;s uplifting score, the song became an instant hit amidst the atmosphere of rising nationalistic fervour.&amp;lt;ref&amp;gt;[http://www.tribuneindia.com/2007/20070510/1857/main12.htm Freedom struggle through Hindi films] &#039;&#039;[[The Tribune (Chandigarh)|The Tribune]]&#039;&#039;, 10 May 2007.&amp;lt;/ref&amp;gt; The British authorities soon realised their mistake, and wanted to ban the film. An arrest warrant was issued for the film&#039;s lyricist Pradeep, who had to go underground to avoid arrest.&amp;lt;ref name=ind&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19981215/ai_n14186716 Obituary: Kavi Pradeep]&#039;&#039;[[The Independent]]&#039;&#039;, London, 15 December 1998.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Main|Aaj Himalay Ki Choti Se}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the patriotic song, &quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Aaj Himalay Ki Choti Se|&lt;/ins&gt;Door hato O Duniya walon, Hindustan hamara hay&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&quot; (&quot;Step away, People of the World, [[Hindustan]] is ours&quot;), penned by [[Pradeep|Kavi Pradeep]], a negative reference to Japan was used – &quot;Tum na kisike aage jhunkna, German ho ya Japani&quot; (&quot;Don&#039;t you bow in front of anyone, be it the Germans or the Japanese&quot;) – which allowed it to get past the heavy British censorship of the time.&amp;lt;ref name=scr&amp;gt;[http://www.screenindia.com/old/dec31/music3.ht Milestones from a musical Millennium]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }} &#039;&#039;[[Screen (magazine)|Screen]]&#039;&#039;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://web.archive.org/web/20121012142440/http://www.hindustantimes.com/StoryPage/FullcoverageStoryPage.aspx?sectionName=CinemaSectionPage&amp;amp;id=59256d12-8044-47ae-9283-6976d71991d8Indiaturns61_Special&amp;amp;&amp;amp;Headline=Unforgettable+songs+of+national+fervour Unforgettable songs of national fervour] &#039;&#039;[[Hindustan Times]]&#039;&#039;, 14 August 2008.&amp;lt;/ref&amp;gt; But the hidden meaning got through to the people and backed by [[Anil Biswas (composer)|Anil Biswas]]&#039;s uplifting score, the song became an instant hit amidst the atmosphere of rising nationalistic fervour.&amp;lt;ref&amp;gt;[http://www.tribuneindia.com/2007/20070510/1857/main12.htm Freedom struggle through Hindi films] &#039;&#039;[[The Tribune (Chandigarh)|The Tribune]]&#039;&#039;, 10 May 2007.&amp;lt;/ref&amp;gt; The British authorities soon realised their mistake, and wanted to ban the film. An arrest warrant was issued for the film&#039;s lyricist Pradeep, who had to go underground to avoid arrest.&amp;lt;ref name=ind&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19981215/ai_n14186716 Obituary: Kavi Pradeep]&#039;&#039;[[The Independent]]&#039;&#039;, London, 15 December 1998.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Gotitbro</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kismet_(1943_film)&amp;diff=131164&amp;oldid=prev</id>
		<title>&gt;Kailash29792: /* top */clean up</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kismet_(1943_film)&amp;diff=131164&amp;oldid=prev"/>
		<updated>2021-06-30T15:17:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;clean up&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|1943 film directed by Gyan Mukherjee}}&lt;br /&gt;
{{EngvarB|date=April 2015}}&lt;br /&gt;
{{Use dmy dates|date=April 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Kismet&lt;br /&gt;
| image          = Kismet-1943-movie-poster.jpg&lt;br /&gt;
| image_size     =&lt;br /&gt;
| caption        = Poster&lt;br /&gt;
| director       = [[Gyan Mukherjee]]&lt;br /&gt;
| producer       = [[Bombay Talkies]]&lt;br /&gt;
| writer         = [[Aghajani Kashmeri]]&lt;br /&gt;
| screenplay     = Gyan Mukherjee&amp;lt;ref name=&amp;quot;nfaipune&amp;quot; /&amp;gt;&lt;br /&gt;
| narrator       =&lt;br /&gt;
| starring       = [[Ashok Kumar]]&amp;lt;br /&amp;gt;[[Mumtaz Shanti]]&amp;lt;br /&amp;gt;Shah Nawaz&amp;lt;br /&amp;gt;[[Mehmood (actor)|Mehmood]]&lt;br /&gt;
| music          = [[Anil Biswas (composer)|Anil Biswas]]&amp;lt;br /&amp;gt;[[Pradeep|Kavi Pradeep]] (lyrics)&lt;br /&gt;
| cinematography = R.D.Pareenja&lt;br /&gt;
| editing        =&lt;br /&gt;
| distributor    =&lt;br /&gt;
| released       = {{Film date|df=yes|9 Jan. 1943}}&lt;br /&gt;
| runtime        = 143 minutes&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = [[Hindustani language|Hindustani]]&amp;lt;ref name=&amp;quot;Gahlot&amp;quot; /&amp;gt;&lt;br /&gt;
| budget         = {{INR|link=yes}}200,000&amp;lt;ref&amp;gt;{{cite news|title=B-Town rewind: The tale of the first Bollywood crore|url=http://www.mid-day.com/articles/b-town-rewind-the-tale-of-the-first-bollywood-crore/15162064|work=[[Mid-Day]]|date=16 March 2014|language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| gross          = {{INR}}10&amp;amp;nbsp;million&amp;lt;ref name=&amp;quot;boi&amp;quot; /&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File:Kismet (1943).webm|thumb|&amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{trans|Fate}}) is a 1943 Indian [[Drama (film and television)|drama film]], directed by [[Gyan Mukherjee]], written by Mukherjee with [[Aghajani Kashmeri]],&amp;lt;ref name=&amp;quot;Gahlot&amp;quot;&amp;gt;{{cite book|last=Gahlot|first=Deepa|title=Take-2: 50 Films That Deserve a New Audience|date=2015|publisher=[[Hay House]]|isbn=9789384544850|page=245|url=https://books.google.com/books?id=JEqwDAAAQBAJ&amp;amp;pg=PT245|language=en}}&amp;lt;/ref&amp;gt; and produced by [[Bombay Talkies]], during the [[Second World War]],&amp;lt;ref name=&amp;quot;nfaipune&amp;quot;&amp;gt;[http://nfaipune.nic.in/kismet.htm Kismet (1943 film)] {{Webarchive|url=https://web.archive.org/web/20081003044855/http://nfaipune.nic.in/kismet.htm |date=3 October 2008 }} &amp;#039;&amp;#039;[[National Film Archive of India]]&amp;#039;&amp;#039;; accessed 15 October 2017.&amp;lt;/ref&amp;gt; while it was in a succession battle between [[Devika Rani]] and [[Sashadhar Mukherjee]] after owner [[Himanshu Rai]]&amp;#039;s death. The film was the first big hit in the history of [[Bombay cinema]], and the first blockbuster in [[Indian cinema]].&amp;lt;ref&amp;gt;[http://www.hinduonnet.com/mp/2002/01/07/stories/2002010700100200.htm one of the biggest hits..] {{Webarchive|url=https://web.archive.org/web/20071105220853/http://hinduonnet.com/mp/2002/01/07/stories/2002010700100200.htm |date=5 November 2007 }}, &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039;, 7 January 2002.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://web.archive.org/web/20180523100056/http://www.sify.com/movies/the-ones-who-dared-news-bollywood-kkfv51dacbasi.html sify.com]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It stars [[Ashok Kumar]], [[Mumtaz Shanti]], and Shah Nawaz. The film came with some bold themes for the first time in the history of Indian cinema, showing an [[anti-hero]] character with two roles and an unmarried girl getting pregnant.{{citation needed|date=October 2017}} It was remade in [[Tamil language|Tamil]] as &amp;#039;&amp;#039;[[Prema Pasam]]&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/A-void-on-the-film-firmament/article15938335.ece |title=A void on the film firmament |last=GUY |first=RANDOR |date=2009-05-15 |work=[[The Hindu]] |access-date=2019-08-07 |author-link=Randor Guy}}&amp;lt;/ref&amp;gt; and [[Telugu language|Telugu]] as &amp;#039;&amp;#039;[[Bhale Ramudu]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/features/cinema/cinema-columns/blast-from-the-past-bhale-ramudu-1956/article6722677.ece |title=Bhale Ramudu (1956) |last=Narasimham |first=M. L. |date=2014-12-25 |work=[[The Hindu]] |access-date=2019-08-07}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
Shekhar ([[Ashok Kumar]]) is a pickpocket and con man, who is released from jail after serving his third sentence. It is at once evident that he has no intention of mending his ways, as he relieves a pickpocket of his catch, which happens to be an old, priceless watch.&lt;br /&gt;
&lt;br /&gt;
Shekhar goes to a fence ([[David Abraham Cheulkar|David]]), where he meets the original pickpocket, Banke (V.H. Desai). Impressed by Shekhar&amp;#039;s prowess, Banke makes him a special offer: he is a small-time thief currently working in the house of a very rich man, who has a considerable fortune stashed away in the safe at his house. Banke, who does not have the expertise to break the lock, asks Shekhar if he would be interested in helping him out. Uninterested in the plan, Shekhar leaves.&lt;br /&gt;
&lt;br /&gt;
As he steps out of the fence&amp;#039;s establishment, Shekhar bumps into the original owner of the watch ([[P.F. Pithawala]]), an old man desperate for money, who intended to sell the watch and raise the money to see a live performance by Rani ([[Mumtaz Shanti]]). Out of compassion Shekhar takes him to the theatre. There the old man points out a prosperous looking man called Indrajit (Mubarak). It turns out that Rani is the daughter of this old man, who was once a rich man and the owner of that theatre. Indrajit was once his employee.&lt;br /&gt;
&lt;br /&gt;
Fortune (kismet) turned things around and today the old man is indebted to Indrajit, from whom he is on the run. The moment the show ends, he flees, but not before he&amp;#039;s seen in the company of Shekhar by Rani, from whom he has fled in shame and remorse. Unknown to them, the tormentor Indrajit is himself a tormented man, after his elder son Madan ran away after a fight with his authoritarian father several years ago.&lt;br /&gt;
&lt;br /&gt;
Due to a combination of circumstances, Shekhar ends up staying in Rani&amp;#039;s house as a paying guest. There he discovers that she is struggling with a limp, that&amp;#039;s affecting her ability to perform on stage. The limited means is a great problem for Rani, the sole bread earner in the house, having to support her younger sister Leela (Chandraprabha). To make things worse, she is constantly troubled by the ruthless Indrajit, who threatens to turn her out of the house if she cannot repay the next instalment of the money payable by her father.&lt;br /&gt;
&lt;br /&gt;
Things take a turn for the worse when Rani discovers that Leela is pregnant out of wedlock with her lover Mohan (Kanu Roy), who happens to be the son of Indrajit. Shekhar, who is falling in love with Rani, decides to help her out. Desperate to raise funds for her cure, he takes up Banke&amp;#039;s offer to break the vault of his employer, who is none other than Indrajit. The attempted robbery goes awry, but Shekhar escapes, dropping behind the chain he always wears. Indrajit immediately recognises that as that of his long lost son Madan.&lt;br /&gt;
&lt;br /&gt;
Desperate to get back his son, Indrajit organises a live programme featuring Rani, knowing that his love for the young lady will impel Shekhar to come. Rani&amp;#039; father turns up at the theatre, as does Indrajit&amp;#039;s entire family. As expected, Shekhar turns up at the theatre, where he is immediately recognised as Indrajit&amp;#039;s long lost son Madan.  Delighted to find his beloved son, Indrajit immediately turns a new leaf, cancelling his former boss&amp;#039; debts and asking him for the hand of both his daughters for his sons.&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
[[File:Ashok Kumar in Kismet 1943.jpg|thumb|[[Ashok Kumar]] played the role of Shekhar &amp;amp; Madan]]&lt;br /&gt;
* [[Ashok Kumar]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Shekhar &amp;amp; Madan&lt;br /&gt;
* [[Mumtaz Shanti]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Rani&lt;br /&gt;
* Shah Nawaz &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Inspector Saahab&lt;br /&gt;
* V.H.Desai &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Baanke&lt;br /&gt;
* Moti &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Women &lt;br /&gt;
* [[P.F. Pithawala|P.F.Pithawala]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Rani&amp;#039;s father&lt;br /&gt;
* Chandraprabha &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Leela, Rani&amp;#039;s sister&lt;br /&gt;
* [[Kanu Roy]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Mohan, Leela&amp;#039;s lover&lt;br /&gt;
* [[David Abraham Cheulkar|David]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; the fence/ Pawn-shop owner&lt;br /&gt;
* Haroon &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Indrajeet&amp;#039;s Manager &lt;br /&gt;
* [[Kumari Kamala|Baby Kamala]] &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; young Rani&lt;br /&gt;
* Mubarak &amp;lt;small&amp;gt; as&amp;lt;/small&amp;gt; Indrajeet Babu&lt;br /&gt;
;Support cast&lt;br /&gt;
* Prahlad, Jagannath Aurora, S. Gulab, Surve, Fateh Mohamed&lt;br /&gt;
&lt;br /&gt;
==Reception==&lt;br /&gt;
&lt;br /&gt;
Kismet was severely criticised by Babu Rao Patel of Filmindia magazine for glorifying crime and portraying a criminal in good light. Despite the criticism, the movie shattered all box office records, becoming the first Indian movie to gross 10&amp;amp;nbsp;million (10&amp;amp;nbsp;million) at the box office. It ran for 187 continuous weeks at Roxy Cinema in Calcutta, a record that stood for 32 years.&lt;br /&gt;
&lt;br /&gt;
The song दूर हटो दुनियावालों, हिन्दुस्तान हमारा है (go away foreigners, India is ours), which slipped past the censors, was an immensely popular song in the mid 40s, coming as it did less than 6 months after [[Mahatma Gandhi]] called for the [[Quit India Movement]]. Although superficially addressed to the Germans and Japanese (with whom the British rulers were at war then), the patriotic overtones became at once evident to contemporary audiences. At screenings of Kismet, the reels would be rewound and the song played multiple times on public demand. The unprecedented popularity of the song forced the lyricist [[Kavi Pradeep]] to go underground to avoid being arrested by the British authorities for sedition.&lt;br /&gt;
&lt;br /&gt;
==Legacy==&lt;br /&gt;
{{unreferenced section|date=October 2017}}&lt;br /&gt;
&amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039; was also the first Indian movie to use the lost and found formula used in several Hindi movies in the 1960s and 1970s, notably &amp;#039;&amp;#039;[[Waqt (1965 film)|Waqt]]&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;[[Yaadon Ki Baaraat|Yaadon ki Baraat]]&amp;#039;&amp;#039; (1973), and &amp;#039;&amp;#039;[[Amar Akbar Anthony]]&amp;#039;&amp;#039; (1977). The unprecedented success of Kismet established Ashok Kumar as the first ever superstar of Hindi cinema. He remained the most popular actor in Hindi cinema until the early 50s.&lt;br /&gt;
&lt;br /&gt;
The 1961 movie &amp;#039;&amp;#039;[[Boy Friend (1961 film)|Boy Friend]]&amp;#039;&amp;#039;, featuring [[Shammi Kapoor]], [[Dharmendra]] and [[Madhubala]] was a remake of Kismet. In the 1968 movie &amp;#039;&amp;#039;[[Padosan]]&amp;#039;&amp;#039;, when asked to think of a romantic song, Bhola immediately remembers the &amp;#039;&amp;#039;door hato duniyawalo&amp;#039;&amp;#039; song.&lt;br /&gt;
&lt;br /&gt;
==Soundtrack==&lt;br /&gt;
The music of the film by [[Anil Biswas (composer)|Anil Biswas]] introduced the &amp;quot;full chorus&amp;quot; for the first time in [[Hindi cinema]].&amp;lt;ref name=scr/&amp;gt; The film gave memorable hits like the patriotic &amp;quot;Door Hato O Duniyawalon Hindustan Hamara Hay&amp;quot;, the sad &amp;quot;Ghar Ghar Mein Diwali&amp;quot; and a soothing lullaby, &amp;quot;Dheere Dheere Aa&amp;quot;. The last was a duet between Amirbai Karnataki and Ashok Kumar, which added to the success of the film that is still known as one of his finest works.&amp;lt;ref&amp;gt;[http://www.4to40.com/legends/index.asp?id=1022 Anil Biswas Biography] {{webarchive|url=https://web.archive.org/web/20080707021407/http://www.4to40.com/legends/index.asp?id=1022 |date=7 July 2008 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
# &amp;quot;[[Aaj Himalay Ki Choti Se]] – Door Hato Ai Duniya Walo&amp;quot; - Singer: [[Amirbai Karnataki|Ameerbai Karnataki]], [[Khan Mastana]]&lt;br /&gt;
# &amp;quot;Ab Tere Siwa Kaun Mera Krishan Kanhaiya&amp;quot; - Singer: Ameerbai Karnataki&lt;br /&gt;
# &amp;quot;Ai Duniya Bata – Ghar Ghar Me Diwali Hai&amp;quot; - Singer: Ameerbai Karnataki&lt;br /&gt;
# &amp;quot;Dhire Dhire Aa Re Badal, Mera Bulbul Sau Raha Hai&amp;quot; (female) - Singer: Ameerbai Karnataki&lt;br /&gt;
# &amp;quot;Dhire Dhire Aa Re Badal, Mera Bulbul Sau Raha Hai&amp;quot; (male) - Singer: Ameerbai Karnataki, Ashok Kumar&lt;br /&gt;
# &amp;quot;Ham Aisi Qisamat Ko, Ek Din Hansaaye&amp;quot; - Singer: Ameerbai Karnataki, Arun Kumar&lt;br /&gt;
# &amp;quot;Papihaa Re Mere Piyaa Se Kahiyo Jaay&amp;quot; - Singer: [[Parul Ghosh]]&lt;br /&gt;
# &amp;quot;Tere Dukh Ke Din Phirenge, Zindagi Ban Ke Jiye Jaa&amp;quot; - Singer: Arun Kumar&lt;br /&gt;
&lt;br /&gt;
===Door Hato O Duniya Walon===&lt;br /&gt;
In the patriotic song, &amp;quot;Door hato O Duniya walon, Hindustan hamara hay&amp;quot; (&amp;quot;Step away, People of the World, [[Hindustan]] is ours&amp;quot;), penned by [[Pradeep|Kavi Pradeep]], a negative reference to Japan was used – &amp;quot;Tum na kisike aage jhunkna, German ho ya Japani&amp;quot; (&amp;quot;Don&amp;#039;t you bow in front of anyone, be it the Germans or the Japanese&amp;quot;) – which allowed it to get past the heavy British censorship of the time.&amp;lt;ref name=scr&amp;gt;[http://www.screenindia.com/old/dec31/music3.ht Milestones from a musical Millennium]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }} &amp;#039;&amp;#039;[[Screen (magazine)|Screen]]&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://web.archive.org/web/20121012142440/http://www.hindustantimes.com/StoryPage/FullcoverageStoryPage.aspx?sectionName=CinemaSectionPage&amp;amp;id=59256d12-8044-47ae-9283-6976d71991d8Indiaturns61_Special&amp;amp;&amp;amp;Headline=Unforgettable+songs+of+national+fervour Unforgettable songs of national fervour] &amp;#039;&amp;#039;[[Hindustan Times]]&amp;#039;&amp;#039;, 14 August 2008.&amp;lt;/ref&amp;gt; But the hidden meaning got through to the people and backed by [[Anil Biswas (composer)|Anil Biswas]]&amp;#039;s uplifting score, the song became an instant hit amidst the atmosphere of rising nationalistic fervour.&amp;lt;ref&amp;gt;[http://www.tribuneindia.com/2007/20070510/1857/main12.htm Freedom struggle through Hindi films] &amp;#039;&amp;#039;[[The Tribune (Chandigarh)|The Tribune]]&amp;#039;&amp;#039;, 10 May 2007.&amp;lt;/ref&amp;gt; The British authorities soon realised their mistake, and wanted to ban the film. An arrest warrant was issued for the film&amp;#039;s lyricist Pradeep, who had to go underground to avoid arrest.&amp;lt;ref name=ind&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19981215/ai_n14186716 Obituary: Kavi Pradeep]&amp;#039;&amp;#039;[[The Independent]]&amp;#039;&amp;#039;, London, 15 December 1998.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Reception==&lt;br /&gt;
The film went on to become a major success and gave [[Indian cinema]] its first title of superstar, [[Ashok Kumar]].&amp;lt;ref&amp;gt;[http://www.rediff.com/entertai/2001/dec/15jha.htm 10 pre-release big ones.] &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt; According to the numbers, it has been given the status of &amp;#039;&amp;#039;All-Time Blockbuster.&amp;#039;&amp;#039; Its net gross was Rs. 1.1 Crore in 1943.  This record was beaten in 1949 by [[Barsaat (1949 film)|&amp;#039;&amp;#039;Barsaat&amp;#039;&amp;#039;]].&lt;br /&gt;
&lt;br /&gt;
===Box office===&lt;br /&gt;
Presenting some bold themes for the first time in Bollywood in the 40s – an anti-hero and a single pregnant girl for instance. One of the earliest all India blockbusters of Bollywood, this movie also introduced double-role acting for the first time through its first superstar, Ashok Kumar.{{citation needed|date=September 2014}} &amp;#039;&amp;#039;[[Box Office India]]&amp;#039;&amp;#039; reported that the film collected a nett gross of {{INR|link=yes}}11{{nbsp}}million&amp;lt;ref name=&amp;quot;boi&amp;quot;/&amp;gt; ([[United States dollar|$]]3.32{{nbsp}}million){{efn|name=Exchange}} and declared the film an &amp;quot;All Time Blockbuster&amp;quot;.&amp;lt;ref name=&amp;quot;boi&amp;quot;&amp;gt;{{cite web | url=http://boxofficeindia.com/showProd.php?itemCat=121&amp;amp;catName=MTk0MC0xOTQ5 | archiveurl=https://web.archive.org/web/20130115031219/http://boxofficeindia.com/showProd.php?itemCat=121&amp;amp;catName=MTk0MC0xOTQ5 | archivedate=15 January 2013 | title=Top Earners 1940–1949 (Figures in Ind Rs) | work=[[Box Office India]]}}&amp;lt;/ref&amp;gt; Its gross amounts to over {{INR}}500{{nbsp}}crore (${{Inflation|US|3.32|1943}} million) if adjusted for inflation today.{{efn|{{INR}}1 crore&amp;lt;ref name=&amp;quot;boi&amp;quot;/&amp;gt; (US$3.32 million){{efn|name=Exchange|3.3223 Indian rupees per US dollar in 1943&amp;lt;ref&amp;gt;[https://books.google.com/books?id=KIA-6MrfDRcC&amp;amp;pg=PA196 &amp;#039;&amp;#039;China&amp;#039;s Foreign Trade Statistics, 1864-1949&amp;#039;&amp;#039;, page 196], [[Harvard University Asia Center]], 1974&amp;lt;/ref&amp;gt;}} in 1943 (US${{Inflation|US|3.32|1943}} million or {{INR}}309 crore&amp;lt;ref name=&amp;quot;exchange16&amp;quot;&amp;gt;{{cite web|url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/|title=Yearly Average Rates (67.175856 INR per USD in 2016)|publisher=[[OFX (company)|OFX]]|access-date=7 December 2017|archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/|archive-date=13 July 2017|url-status=dead}}&amp;lt;/ref&amp;gt; in 2016)}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Release and Box Office Records&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
The film&amp;#039;s premiere was held on 9 Jan 1943 at Roxy Talkies in Mumbai.It ran for over 50 weeks in Roxy Mumbai and was the first film to celebrate a silver jubilee in its re run in the same city i.e. Mumbai.&lt;br /&gt;
&lt;br /&gt;
The film was released on 24 Sept. 1943 in Roxy Cinema Kolkata and ran uninterrupted for 187 weeks earning more than 12 lakhs nett from a single theatre which was a record.&lt;br /&gt;
&lt;br /&gt;
Kismet was the first all India blockbuster and is still the biggest hit of undivided India.&lt;br /&gt;
&lt;br /&gt;
It celebrated golden jubilees at Kolkata, Mumbai, Karachi and Delhi.&lt;br /&gt;
 Celebrated silver jubilees at Mumbai (re run), Ahmedabad, Baroda, Surat, Nasik, Sholapur, Lahore, Peshawar, Hyderabad (Sindh), Chennai, Hyderabad (Deccan), Allahabad, Kanpur, Varanasi, Lucknow and other major centres.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[List of highest-grossing Bollywood films]]&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{Notelist}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
{{Commons category|Kismet (1943 film)}}&lt;br /&gt;
* {{IMDb title|0036077|Kismet}}&lt;br /&gt;
* [https://indiancine.ma/DUQ/info &amp;#039;&amp;#039;Kismet&amp;#039;&amp;#039; (1943)] on indiancine.ma&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:1943 films]]&lt;br /&gt;
[[Category:1940s Hindi-language films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Indian black-and-white films]]&lt;br /&gt;
[[Category:1943 crime drama films]]&lt;br /&gt;
[[Category:Hindi films remade in other languages]]&lt;br /&gt;
[[Category:Indian crime drama films]]&lt;br /&gt;
[[Category:Films directed by Gyan Mukherjee]]&lt;/div&gt;</summary>
		<author><name>&gt;Kailash29792</name></author>
	</entry>
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