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	<title>Khalchayan - Revision history</title>
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	<updated>2026-11-05T18:50:37Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://en.bharatpedia.org/w/index.php?title=Khalchayan&amp;diff=316297&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-07-01T11:43:39Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:13, 1 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Archaeological site near Denov, Uzbekistan}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{multiple image|perrow=2|total_width=350|caption_align=center&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{multiple image|perrow=2|total_width=350|caption_align=center&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| align    = right&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| align    = right&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot;&gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reliefs==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reliefs==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The site is usually attributed to the early [[Kushans]], or their ancestors the [[Yuezhi]]/[[Tocharians]]. It was excavated by [[Galina Pugachenkova]] between 1959 and 1963. The interior walls are decorated with clay sculptures and paintings dated to the mid-1st century BCE, but they are thought to represent events as early as the 2nd century BCE.&amp;lt;ref&amp;gt;&quot;It is possible to attribute the Khalchayan reliefs to the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ﬁrst &lt;/del&gt;century BC archaeologically, but the historical events &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reﬂected &lt;/del&gt;in them belong to an earlier period, i.e. to around the middle of the second century BC. &quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=91|url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt; Various panels depict scenes of Kushan life: battles, feasts, portraits of rulers.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The site is usually attributed to the early [[Kushans]], or their ancestors the [[Yuezhi]]/[[Tocharians]]. It was excavated by [[Galina Pugachenkova]] between 1959 and 1963. The interior walls are decorated with clay sculptures and paintings dated to the mid-1st century BCE, but they are thought to represent events as early as the 2nd century BCE.&amp;lt;ref&amp;gt;&quot;It is possible to attribute the Khalchayan reliefs to the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first &lt;/ins&gt;century BC archaeologically, but the historical events &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reflected &lt;/ins&gt;in them belong to an earlier period, i.e. to around the middle of the second century BC. &quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=91|url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt; Various panels depict scenes of Kushan life: battles, feasts, portraits of rulers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the Khalchayan sculptural scenes are thought to depict the Kushans fighting against a [[Saka]] tribe.&amp;lt;ref name=&quot;KA&quot;/&amp;gt; The Yuezhis are shown with a majestic demeanour, whereas the Sakas are typically represented with side-wiskers in more or less grotesque attitudes.&amp;lt;ref name=&quot;KA&quot;&amp;gt;&quot;The knights in chain-mail armour have analogies in the Khalchayan reliefs depicting a battle of the Yuezhi against a Saka tribe (probably the Sakaraules). Apart from the chain-mail armour worn by the heavy cavalry of the enemies of the Yuezhi, the other characteristic sign of these warriors is long side-whiskers (...)  We think it is possible to identify all these grotesque personages with long side-whiskers as enemies of the Yuezhi and relate them to the Sakaraules (...) Indeed these expressive &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ﬁgures &lt;/del&gt;with side-whiskers differ greatly from the tranquil and majestic faces and poses of the Yuezhi depictions.&quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=89 |url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the Khalchayan sculptural scenes are thought to depict the Kushans fighting against a [[Saka]] tribe.&amp;lt;ref name=&quot;KA&quot;/&amp;gt; The Yuezhis are shown with a majestic demeanour, whereas the Sakas are typically represented with side-wiskers in more or less grotesque attitudes.&amp;lt;ref name=&quot;KA&quot;&amp;gt;&quot;The knights in chain-mail armour have analogies in the Khalchayan reliefs depicting a battle of the Yuezhi against a Saka tribe (probably the Sakaraules). Apart from the chain-mail armour worn by the heavy cavalry of the enemies of the Yuezhi, the other characteristic sign of these warriors is long side-whiskers (...)  We think it is possible to identify all these grotesque personages with long side-whiskers as enemies of the Yuezhi and relate them to the Sakaraules (...) Indeed these expressive &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;figures &lt;/ins&gt;with side-whiskers differ greatly from the tranquil and majestic faces and poses of the Yuezhi depictions.&quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=89 |url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Influences==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Influences==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Gandhara, testa di bodhisattva, 190-210 dc ca..JPG|thumb|upright|left|The head of a Bodhisattava said to resemble [[:File:KushanHead.jpg|the portrait of the prince]] from Khalchaya. [[Philadelphia Museum]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Gandhara, testa di bodhisattva, 190-210 dc ca..JPG|thumb|upright|left|The head of a Bodhisattava said to resemble [[:File:KushanHead.jpg|the portrait of the prince]] from Khalchaya. [[Philadelphia Museum &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of Art&lt;/ins&gt;]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{main|Kushan art}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{main|Kushan art}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Benjamin Rowland, the art of Kalchayan of the end of the 2nd century BCE is ultimately derived from [[Hellenistic art]], and possibly from the art of the cities of [[Ai-Khanoum]] and [[Nisa, Turkmenistan|Nysa]], but it also has similarities with the later [[Greco-Buddhist art|Art of Gandhara]] and may even have been at the origin of its development.&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Benjamin Rowland, the art of Kalchayan of the end of the 2nd century BCE is ultimately derived from [[Hellenistic art]], and possibly from the art of the cities of [[Ai-Khanoum]] and [[Nisa, Turkmenistan|Nysa]], but it also has similarities with the later [[Greco-Buddhist art|Art of Gandhara]] and may even have been at the origin of its development.&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rowland particularly draws attention to the similarity of the ethnic types represented at Khalchayan and in the art of Gandhara, and also in the style of portraiture itself.&amp;lt;ref name=&quot;BR&quot;&amp;gt;{{cite journal |last1=Rowland |first1=Benjamin |title=Graeco-Bactrian Art and Gandhāra: Khalchayan and the Gandhāra Bodhisattvas |journal=Archives of Asian Art |date=1971 |volume=25 |pages=29–35 |jstor=20111029 |issn=0066-6637}}&amp;lt;/ref&amp;gt; For example, Rowland find a great proximity between [[:File:KushanHead.jpg|the famous head of a Yuezhi prince]] from Khalchayan, and the head of Gandharan [[Bodhisattva]]s, giving the example of the Gandharan head of a Bodhisattva in the [[Philadelphia Museum]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt; The similarity of the Gandhara Bodhisattva with the portrait of the Kushan ruler [[Heraios]] is also striking.&amp;lt;ref name=&quot;BR&quot;/&amp;gt; According to Rowland the Bactrian art of Khalchayan thus survived for several centuries through its influence in the art of Gandhara, thanks to the patronage of the [[Kushans]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rowland particularly draws attention to the similarity of the ethnic types represented at Khalchayan and in the art of Gandhara, and also in the style of portraiture itself.&amp;lt;ref name=&quot;BR&quot;&amp;gt;{{cite journal |last1=Rowland |first1=Benjamin |title=Graeco-Bactrian Art and Gandhāra: Khalchayan and the Gandhāra Bodhisattvas |journal=Archives of Asian Art |date=1971 |volume=25 |pages=29–35 |jstor=20111029 |issn=0066-6637}}&amp;lt;/ref&amp;gt; For example, Rowland find a great proximity between [[:File:KushanHead.jpg|the famous head of a Yuezhi prince]] from Khalchayan, and the head of Gandharan [[Bodhisattva]]s, giving the example of the Gandharan head of a Bodhisattva in the [[Philadelphia Museum &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of Art&lt;/ins&gt;]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt; The similarity of the Gandhara Bodhisattva with the portrait of the Kushan ruler [[Heraios]] is also striking.&amp;lt;ref name=&quot;BR&quot;/&amp;gt; According to Rowland the Bactrian art of Khalchayan thus survived for several centuries through its influence in the art of Gandhara, thanks to the patronage of the [[Kushans]].&amp;lt;ref name=&quot;BR&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Khalchayan statuette, 1st century BCE (detail).jpg|thumb|Another terracotta statue from Khalchayan, 1st century BCE-1st century CE. [[ Termez Archaeological Museum]].]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Khalchayan statuette, 1st century BCE (detail).jpg|thumb|Another terracotta statue from Khalchayan, 1st century BCE-1st century CE. [[ Termez Archaeological Museum]].]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Khalchayan&amp;diff=223894&amp;oldid=prev</id>
		<title>-&gt;पाटलिपुत्र: /* External links */ {{Central Asian history}}</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Khalchayan&amp;diff=223894&amp;oldid=prev"/>
		<updated>2020-11-29T07:14:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;External links: &lt;/span&gt; {{Central Asian history}}&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{multiple image|perrow=2|total_width=350|caption_align=center&lt;br /&gt;
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| image1   = KushanHead.jpg&lt;br /&gt;
| caption1 = Head of a [[Yuezhi]] prince (Khalchayan palace, [[Uzbekistan]]). 1st century BCE&amp;lt;ref&amp;gt;{{cite book |title=KHALCHAYAN – Encyclopaedia Iranica |page=Figure 1 |url=http://www.iranicaonline.org/articles/khalchayan#prettyPhoto[content]/0/}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=View in real colors |url=http://warfare.tk/Ancient/Khaltchayan-Armour_bearer.htm}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| image2   = Saka warrior Termez Achaeological Museum.jpg&lt;br /&gt;
| caption2 = A [[Saka]] warrior, as a defeated enemy of the Yuezhi, Khalchayan. 1st century BCE&amp;lt;ref&amp;gt;{{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |pages=87–98 |url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |title=Greek Art in Central Asia, Afghan – Encyclopaedia Iranica |url=http://www.iranicaonline.org/articles/greece-viii#prettyPhoto[content]/7/}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Also a Saka according to this source: [https://i.pinimg.com/originals/bf/c2/42/bfc242271c38d714044837d179faab53.jpg]&amp;lt;/ref&amp;gt;&lt;br /&gt;
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| caption    = Location of Khalchayan in [[Central Asia]].&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Khalchayan&amp;#039;&amp;#039;&amp;#039; (also &amp;#039;&amp;#039;Khaltchaïan&amp;#039;&amp;#039;) is an archaeological site, thought to be a small palace or a reception hall, located near the modern town of [[Denov]] in [[Surxondaryo Region]] of southern [[Uzbekistan]]. It is located in the valley of the [[Surkhan Darya]], a northern tributary of the [[Oxus]] (modern [[Amu Darya]]). &lt;br /&gt;
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==Reliefs==&lt;br /&gt;
The site is usually attributed to the early [[Kushans]], or their ancestors the [[Yuezhi]]/[[Tocharians]]. It was excavated by [[Galina Pugachenkova]] between 1959 and 1963. The interior walls are decorated with clay sculptures and paintings dated to the mid-1st century BCE, but they are thought to represent events as early as the 2nd century BCE.&amp;lt;ref&amp;gt;&amp;quot;It is possible to attribute the Khalchayan reliefs to the ﬁrst century BC archaeologically, but the historical events reﬂected in them belong to an earlier period, i.e. to around the middle of the second century BC. &amp;quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=91|url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt; Various panels depict scenes of Kushan life: battles, feasts, portraits of rulers.&lt;br /&gt;
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Some of the Khalchayan sculptural scenes are thought to depict the Kushans fighting against a [[Saka]] tribe.&amp;lt;ref name=&amp;quot;KA&amp;quot;/&amp;gt; The Yuezhis are shown with a majestic demeanour, whereas the Sakas are typically represented with side-wiskers in more or less grotesque attitudes.&amp;lt;ref name=&amp;quot;KA&amp;quot;&amp;gt;&amp;quot;The knights in chain-mail armour have analogies in the Khalchayan reliefs depicting a battle of the Yuezhi against a Saka tribe (probably the Sakaraules). Apart from the chain-mail armour worn by the heavy cavalry of the enemies of the Yuezhi, the other characteristic sign of these warriors is long side-whiskers (...)  We think it is possible to identify all these grotesque personages with long side-whiskers as enemies of the Yuezhi and relate them to the Sakaraules (...) Indeed these expressive ﬁgures with side-whiskers differ greatly from the tranquil and majestic faces and poses of the Yuezhi depictions.&amp;quot; {{cite journal |last1=Abdullaev |first1=Kazim |title=Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) |journal=Proceedings of the British Academy |date=2007 |volume=133 |page=89 |url=https://www.academia.edu/6864202 |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Influences==&lt;br /&gt;
[[File:Gandhara, testa di bodhisattva, 190-210 dc ca..JPG|thumb|upright|left|The head of a Bodhisattava said to resemble [[:File:KushanHead.jpg|the portrait of the prince]] from Khalchaya. [[Philadelphia Museum]].&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt;]]&lt;br /&gt;
{{main|Kushan art}}&lt;br /&gt;
According to Benjamin Rowland, the art of Kalchayan of the end of the 2nd century BCE is ultimately derived from [[Hellenistic art]], and possibly from the art of the cities of [[Ai-Khanoum]] and [[Nisa, Turkmenistan|Nysa]], but it also has similarities with the later [[Greco-Buddhist art|Art of Gandhara]] and may even have been at the origin of its development.&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Rowland particularly draws attention to the similarity of the ethnic types represented at Khalchayan and in the art of Gandhara, and also in the style of portraiture itself.&amp;lt;ref name=&amp;quot;BR&amp;quot;&amp;gt;{{cite journal |last1=Rowland |first1=Benjamin |title=Graeco-Bactrian Art and Gandhāra: Khalchayan and the Gandhāra Bodhisattvas |journal=Archives of Asian Art |date=1971 |volume=25 |pages=29–35 |jstor=20111029 |issn=0066-6637}}&amp;lt;/ref&amp;gt; For example, Rowland find a great proximity between [[:File:KushanHead.jpg|the famous head of a Yuezhi prince]] from Khalchayan, and the head of Gandharan [[Bodhisattva]]s, giving the example of the Gandharan head of a Bodhisattva in the [[Philadelphia Museum]].&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt; The similarity of the Gandhara Bodhisattva with the portrait of the Kushan ruler [[Heraios]] is also striking.&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt; According to Rowland the Bactrian art of Khalchayan thus survived for several centuries through its influence in the art of Gandhara, thanks to the patronage of the [[Kushans]].&amp;lt;ref name=&amp;quot;BR&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Khalchayan statuette, 1st century BCE (detail).jpg|thumb|Another terracotta statue from Khalchayan, 1st century BCE-1st century CE. [[ Termez Archaeological Museum]].]]&lt;br /&gt;
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==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==Sources==&lt;br /&gt;
*&amp;quot;Les Saces&amp;quot;, Iaroslav Lebedynsky&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
*[[Galina Pugachenkova|G. A. Pugachenkova]]. . &amp;#039;&amp;#039;&amp;quot;The Sculpture of Khalchayan&amp;quot;&amp;#039;&amp;#039;. Moscow, 1970.&lt;br /&gt;
*[[Galina Pugachenkova|G. A. Pugachenkova]]. &amp;#039;&amp;#039;&amp;quot;Khalchayan&amp;quot;&amp;#039;&amp;#039;. Tashkent, 1966.&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [https://web.archive.org/web/20050405005559/http://grifterrec.com/coins/kushan/heraios.html &amp;quot;A Comparison of Images of Kushans from Coins and Sculpture&amp;quot;], with images from Pugachenkova (1970) &amp;#039;&amp;#039;The Sculpture of Khalchayan&amp;#039;&amp;#039;.{dead link}&lt;br /&gt;
* [http://www.iranicaonline.org/articles/khalchayan &amp;quot;Khalchayan&amp;quot;], &amp;#039;&amp;#039;[[Encyclopædia Iranica]]&amp;#039;&amp;#039;.&lt;br /&gt;
{{Central Asian history}}&lt;br /&gt;
[[Category:Archaeological sites in Uzbekistan]]&lt;br /&gt;
[[Category:Kushan Empire]]&lt;br /&gt;
[[Category:Surxondaryo Region]]&lt;br /&gt;
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		<author><name>-&gt;पाटलिपुत्र</name></author>
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