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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Kantatar</id>
	<title>Kantatar - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Kantatar"/>
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	<updated>2026-08-17T19:30:16Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=454952&amp;oldid=prev</id>
		<title>Rxsolution: further expanded structure for clarity and cleaned formatting for clarity</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=454952&amp;oldid=prev"/>
		<updated>2026-03-04T03:45:03Z</updated>

		<summary type="html">&lt;p&gt;further expanded structure for clarity and cleaned formatting for clarity&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:15, 4 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director = [[Bappaditya Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director = [[Bappaditya Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer =[[Debasis Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer =[[Debasis Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring = [[Sreelekha Mitra]]&amp;lt;br /&amp;gt; Sudip Mukherjee&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring = [[Sreelekha Mitra]]&amp;lt;br /&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Sudip Mukherjee&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer = Binay Prakash&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer = Binay Prakash&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| distributor =  Shristri Prods&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| distributor =  Shristri Prods&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music =Abhijit Bose&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music =Abhijit Bose&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Kantatar&#039;&#039;&#039;&#039;&#039; ({{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang-&lt;/del&gt;bn|কাঁটাতার}}, Barbed Wire) is a 2005 [[Bengali language|Bengali]] film directed by  [[Bappaditya Bandopadhyay]],&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinestaan.com/movies/kantatar-9970|title=Kantatar (2005) - Review, Star Cast, News, Photos|website=Cinestaan|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/del&gt;featuring [[Sreelekha Mitra]], Sudip Mukherjee, [[Rudranil Ghosh]].&amp;lt;ref&amp;gt;{{cite web|url=http://ftvdb.bfi.org.uk/sift/title/808931|title=BFI-Film &amp;amp; TV Database-KANTATAR (2005)|publisher=ftvdb.bfi.org.uk|accessdate=2008-10-24|archive-url=https://web.archive.org/web/20121010132259/http://ftvdb.bfi.org.uk/sift/title/808931|archive-date=10 October 2012|url-status=dead}}&amp;lt;/ref&amp;gt; It received [[Network for the Promotion of Asian Cinema|NETPAC Award]] at [[Vesoul International Film Festival of Asian Cinema]], 2007 for its deceptively simple style with which the complex situation of people trapped in a state of permanent displacement is exposed.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinemas-asie.com/fr/les-films/item/1443.html|title=Barbelés - Festival des Cinémas d&#039;Asie de Vesoul|last=FICA|website=www.cinemas-asie.com|language=fr-fr|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=tete1/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Kantatar&#039;&#039;&#039;&#039;&#039; ({{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;langx|&lt;/ins&gt;bn|কাঁটাতার}}, Barbed Wire) is a 2005 [[Bengali language|Bengali]] film directed by  [[Bappaditya Bandopadhyay]],&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinestaan.com/movies/kantatar-9970&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-url=https://web.archive.org/web/20190511023143/https://www.cinestaan.com/movies/kantatar-9970|url-status=live|archive-date=11 May 2019&lt;/ins&gt;|title=Kantatar (2005) - Review, Star Cast, News, Photos|website=Cinestaan|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;  featuring [[Sreelekha Mitra]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Sudip Mukherjee&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;[[Rudranil Ghosh]].&amp;lt;ref&amp;gt;{{cite web|url=http://ftvdb.bfi.org.uk/sift/title/808931|title=BFI-Film &amp;amp; TV Database-KANTATAR (2005)|publisher=ftvdb.bfi.org.uk|accessdate=2008-10-24|archive-url=https://web.archive.org/web/20121010132259/http://ftvdb.bfi.org.uk/sift/title/808931|archive-date=10 October 2012|url-status=dead}}&amp;lt;/ref&amp;gt; It received [[Network for the Promotion of Asian Cinema|NETPAC Award]] at [[Vesoul International Film Festival of Asian Cinema]], 2007 for its deceptively simple style with which the complex situation of people trapped in a state of permanent displacement is exposed.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinemas-asie.com/fr/les-films/item/1443.html|title=Barbelés - Festival des Cinémas d&#039;Asie de Vesoul|last=FICA|website=www.cinemas-asie.com|language=fr-fr|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=tete1/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[File:kantatar100.jpg|thumb|200px|[[Sreelekha Mitra]] and Sudip Mukherjee ]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[File:kantatar100.jpg|thumb|200px|[[Sreelekha Mitra]] and Sudip Mukherjee ]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Sreelekha Mitra]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;... &lt;/del&gt;Sudha&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Sreelekha Mitra]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as &lt;/ins&gt;Sudha&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sudip Mukherjee &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;... Binod&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Sudip Mukherjee]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as Binod&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Rupsha Guha&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Rudranil Ghosh]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Rudranil Ghosh]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Iqbal Sultan]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Nimai Ghosh]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Nimai Ghosh]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Papiya Ghosal&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Papia Ghoshal&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Pradip Bhattacharya]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Pradip Bhattacharya]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Rupsa Ghosh]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Shankar Debnath&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[&lt;/del&gt;Shankar Debnath&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sudin Adhikari&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Sudin Adhikari&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Iqbal Sultan&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Bappaditya Bandopadhyay01.jpg|thumb|right|[[Bappaditya Bandopadhyay]] at International Asian movies festival in Vesoul, 2007]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Bappaditya Bandopadhyay01.jpg|thumb|right|[[Bappaditya Bandopadhyay]] at International Asian movies festival in Vesoul, 2007]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Though a favourite with foreign festivals (the poster screams that the film has already been to five international fests), Kantatar could have done with a little more finesse.-[[The Telegraph (Kolkata)|The Telegraph]] (4 stars out of 10)&amp;lt;ref&amp;gt;{{cite news|url=http://www.telegraphindia.com/1060210/asp/etc/story_5829579.asp|title=What&#039;s it about ? the barb or the wire?|publisher=www.telegraphindia.com|accessdate=2008-10-24|last=Biswas|first=Pallabi|location=Calcutta, India|date=2006-02-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Though a favourite with foreign festivals (the poster screams that the film has already been to five international fests), Kantatar could have done with a little more finesse.-[[The Telegraph (Kolkata)|The Telegraph]] (4 stars out of 10)&amp;lt;ref&amp;gt;{{cite news|url=http://www.telegraphindia.com/1060210/asp/etc/story_5829579.asp&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-url=https://web.archive.org/web/20060527192333/http://www.telegraphindia.com/1060210/asp/etc/story_5829579.asp|url-status=dead|archive-date=27 May 2006&lt;/ins&gt;|title=What&#039;s it about ? the barb or the wire?|publisher=www.telegraphindia.com|accessdate=2008-10-24|last=Biswas|first=Pallabi|location=Calcutta, India|date=2006-02-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l103&quot;&gt;Line 103:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 101:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Partha Pratim Chowdhury Award for Best Film and Best Director.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Partha Pratim Chowdhury Award for Best Film and Best Director.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;World Sales: Wide Management Ltd. France&amp;lt;ref&amp;gt;{{cite web|url=http://kantatar.tripod.com/id3.html|title=FESTIVAL AND AWARDS|publisher=kantatar.tripod.com|accessdate=2008-10-25}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;World Sales: Wide Management Ltd. France&amp;lt;ref&amp;gt;{{cite web|url=http://kantatar.tripod.com/id3.html|title=FESTIVAL AND AWARDS|publisher=kantatar.tripod.com|accessdate=2008-10-25&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-date=3 March 2016|archive-url=https://web.archive.org/web/20160303192729/http://kantatar.tripod.com/id3.html|url-status=dead&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l112&quot;&gt;Line 112:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 110:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2005 films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2005 films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Indian films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bengali-language &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian &lt;/ins&gt;films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bengali-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2005 &lt;/ins&gt;Bengali-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2000s &lt;/del&gt;Bengali-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by Bappaditya Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by Bappaditya Bandopadhyay]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Rxsolution</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=147088&amp;oldid=prev</id>
		<title>imported&gt;Billjones94 at 06:17, 13 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=147088&amp;oldid=prev"/>
		<updated>2021-07-13T06:17:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:47, 13 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[File:Kantatar10.jpg.w560h370.jpg|left|thumb|200px|[[Rudranil Ghosh]] and Sudip Mukherjee in weather balloonist]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[File:Kantatar10.jpg.w560h370.jpg|left|thumb|200px|[[Rudranil Ghosh]] and Sudip Mukherjee in weather balloonist]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kantatar (Barbed Wire) revolves around the journey of Sudha ([[Sreelekha Mitra]]),&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/del&gt;socio-political-love drama, Kantatar centers on an illegal immigrant&#039;s search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village. She develops a physical relationship with Binod (Sudip Mukherjee), the weather balloonist, whose job it is to take note of the frequent change of wind direction. But soon Sudha&#039;s identity comes into question and she is seen as a suspect. Her dream of a secure shelter is once again threatened. This is a beautiful and engaging film, which luxuriates in the story and its location. The visual poetry and unfettered exploration of the ongoing conflict on the borders of India and Bangladesh come together with great impact and insight. There are brilliant touches of both satire and social comment, which go to show that Bappaditya Bandhopadhay has a lot to say about today&#039;s India. Sudha&#039;s hard life consists of weaving herself in and out of different relationships with men and dabbling in various religions. The immediate threat of attack entirely changes the climate of her remote border village, and as the army rolls into town, inter-personal relationships are drastically affected. Suspicion, competition and fear start to grip the villagers. Sudha takes refuge in a temporary weather camp just outside the village. Binod, a meteorologist working in the village, becomes fascinated by Sudha, and they soon begin a physical relationship. But when Sudha&#039;s identity is called into question, she is seen as a terrorist suspect. Her dreams of security are once again threatened. Kantatar is visually engaging, luxuriating in the lush locales where it was filmed. Director Bappaditya Bandhopadhay relies on both satire and social comment to tell his story, all the while exploring the ongoing conflict on the borders of India and Bangladesh. Modern India is portrayed with great impact and insight.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kantatar (Barbed Wire) revolves around the journey of Sudha ([[Sreelekha Mitra]]), &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;socio-political-love drama, Kantatar centers on an illegal immigrant&#039;s search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village. She develops a physical relationship with Binod (Sudip Mukherjee), the weather balloonist, whose job it is to take note of the frequent change of wind direction. But soon Sudha&#039;s identity comes into question and she is seen as a suspect. Her dream of a secure shelter is once again threatened. This is a beautiful and engaging film, which luxuriates in the story and its location. The visual poetry and unfettered exploration of the ongoing conflict on the borders of India and Bangladesh come together with great impact and insight. There are brilliant touches of both satire and social comment, which go to show that Bappaditya Bandhopadhay has a lot to say about today&#039;s India. Sudha&#039;s hard life consists of weaving herself in and out of different relationships with men and dabbling in various religions. The immediate threat of attack entirely changes the climate of her remote border village, and as the army rolls into town, inter-personal relationships are drastically affected. Suspicion, competition and fear start to grip the villagers. Sudha takes refuge in a temporary weather camp just outside the village. Binod, a meteorologist working in the village, becomes fascinated by Sudha, and they soon begin a physical relationship. But when Sudha&#039;s identity is called into question, she is seen as a terrorist suspect. Her dreams of security are once again threatened. Kantatar is visually engaging, luxuriating in the lush locales where it was filmed. Director Bappaditya Bandhopadhay relies on both satire and social comment to tell his story, all the while exploring the ongoing conflict on the borders of India and Bangladesh. Modern India is portrayed with great impact and insight.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Billjones94</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=126300&amp;oldid=prev</id>
		<title>&gt;Citation bot: Alter: title. | Use this bot. Report bugs. | Suggested by Abductive | Category:2005 films | #UCB_Category 810/2441</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kantatar&amp;diff=126300&amp;oldid=prev"/>
		<updated>2021-05-10T13:45:48Z</updated>

		<summary type="html">&lt;p&gt;Alter: title. | &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:UCB&quot; class=&quot;extiw&quot; title=&quot;wp:UCB&quot;&gt;Use this bot&lt;/a&gt;. &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:DBUG&quot; class=&quot;extiw&quot; title=&quot;wp:DBUG&quot;&gt;Report bugs&lt;/a&gt;. | Suggested by Abductive | &lt;a href=&quot;/wiki/Category:2005_films&quot; title=&quot;Category:2005 films&quot;&gt;Category:2005 films&lt;/a&gt; | #UCB_Category 810/2441&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name = Kantatar&lt;br /&gt;
| image = Bangla movie kata tar.jpg&lt;br /&gt;
| caption        = DVD cover of &amp;#039;&amp;#039;Kantatar&amp;#039;&amp;#039;&lt;br /&gt;
| director = [[Bappaditya Bandopadhyay]]&lt;br /&gt;
| writer =[[Debasis Bandopadhyay]]&lt;br /&gt;
| starring = [[Sreelekha Mitra]]&amp;lt;br /&amp;gt; Sudip Mukherjee&lt;br /&gt;
| producer = Binay Prakash&lt;br /&gt;
| distributor =  Shristri Prods&lt;br /&gt;
| cinematography =Rana Dasgupta&lt;br /&gt;
| editing =Uttam Roy&lt;br /&gt;
| released = {{Film date|df=yes|2005|07|22|Osian&amp;#039;s-Cinefan Festival of Asian Cinema|2006|01|31|ref2=&amp;lt;ref name=tete1&amp;gt;{{cite news|url=http://www.telegraphindia.com/1060130/asp/calcutta/story_5782291.asp|title=The Telegraph - Beyond barbed wires|publisher=www.telegraphindia.com|accessdate=2008-10-24|last=Sengupta|first=Reshmi|location=Calcutta, India|date=2006-01-30|archive-url=https://web.archive.org/web/20160304034303/http://www.telegraphindia.com/1060130/asp/calcutta/story_5782291.asp|archive-date=4 March 2016|url-status=dead}}&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
| country        = India&lt;br /&gt;
| budget         =&lt;br /&gt;
| gross          =&lt;br /&gt;
| runtime = 119 minutes&amp;lt;ref&amp;gt;{{cite web|url=http://www.citwf.com/film180998.htm|title=KANTATAR - Film Database - Movie Database|publisher=www.citwf.com|accessdate=2008-10-24|archive-url=https://web.archive.org/web/20120225073823/http://www.citwf.com/film180998.htm|archive-date=25 February 2012|url-status=dead}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| language = Bengali&lt;br /&gt;
| music =Abhijit Bose&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kantatar&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{lang-bn|কাঁটাতার}}, Barbed Wire) is a 2005 [[Bengali language|Bengali]] film directed by  [[Bappaditya Bandopadhyay]],&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinestaan.com/movies/kantatar-9970|title=Kantatar (2005) - Review, Star Cast, News, Photos|website=Cinestaan|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;  and featuring [[Sreelekha Mitra]], Sudip Mukherjee, [[Rudranil Ghosh]].&amp;lt;ref&amp;gt;{{cite web|url=http://ftvdb.bfi.org.uk/sift/title/808931|title=BFI-Film &amp;amp; TV Database-KANTATAR (2005)|publisher=ftvdb.bfi.org.uk|accessdate=2008-10-24|archive-url=https://web.archive.org/web/20121010132259/http://ftvdb.bfi.org.uk/sift/title/808931|archive-date=10 October 2012|url-status=dead}}&amp;lt;/ref&amp;gt; It received [[Network for the Promotion of Asian Cinema|NETPAC Award]] at [[Vesoul International Film Festival of Asian Cinema]], 2007 for its deceptively simple style with which the complex situation of people trapped in a state of permanent displacement is exposed.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.cinemas-asie.com/fr/les-films/item/1443.html|title=Barbelés - Festival des Cinémas d&amp;#039;Asie de Vesoul|last=FICA|website=www.cinemas-asie.com|language=fr-fr|access-date=2019-05-11}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=tete1/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Plot==&lt;br /&gt;
&amp;lt;!-- Deleted image removed: [[File:Kantatar10.jpg.w560h370.jpg|left|thumb|200px|[[Rudranil Ghosh]] and Sudip Mukherjee in weather balloonist]] --&amp;gt;&lt;br /&gt;
Kantatar (Barbed Wire) revolves around the journey of Sudha ([[Sreelekha Mitra]]),A socio-political-love drama, Kantatar centers on an illegal immigrant&amp;#039;s search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village. She develops a physical relationship with Binod (Sudip Mukherjee), the weather balloonist, whose job it is to take note of the frequent change of wind direction. But soon Sudha&amp;#039;s identity comes into question and she is seen as a suspect. Her dream of a secure shelter is once again threatened. This is a beautiful and engaging film, which luxuriates in the story and its location. The visual poetry and unfettered exploration of the ongoing conflict on the borders of India and Bangladesh come together with great impact and insight. There are brilliant touches of both satire and social comment, which go to show that Bappaditya Bandhopadhay has a lot to say about today&amp;#039;s India. Sudha&amp;#039;s hard life consists of weaving herself in and out of different relationships with men and dabbling in various religions. The immediate threat of attack entirely changes the climate of her remote border village, and as the army rolls into town, inter-personal relationships are drastically affected. Suspicion, competition and fear start to grip the villagers. Sudha takes refuge in a temporary weather camp just outside the village. Binod, a meteorologist working in the village, becomes fascinated by Sudha, and they soon begin a physical relationship. But when Sudha&amp;#039;s identity is called into question, she is seen as a terrorist suspect. Her dreams of security are once again threatened. Kantatar is visually engaging, luxuriating in the lush locales where it was filmed. Director Bappaditya Bandhopadhay relies on both satire and social comment to tell his story, all the while exploring the ongoing conflict on the borders of India and Bangladesh. Modern India is portrayed with great impact and insight.&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
&amp;lt;!-- Deleted image removed: [[File:kantatar100.jpg|thumb|200px|[[Sreelekha Mitra]] and Sudip Mukherjee ]] --&amp;gt;&lt;br /&gt;
*[[Sreelekha Mitra]] ... Sudha&lt;br /&gt;
*Sudip Mukherjee ... Binod&lt;br /&gt;
*[[Rupsha Guha]]&lt;br /&gt;
*[[Rudranil Ghosh]]&lt;br /&gt;
*[[Iqbal Sultan]]&lt;br /&gt;
*[[Nimai Ghosh]]&lt;br /&gt;
*[[Papiya Ghosal]]&lt;br /&gt;
*[[Pradip Bhattacharya]]&lt;br /&gt;
*[[Rupsa Ghosh]]&lt;br /&gt;
*[[Shankar Debnath]]&lt;br /&gt;
*[[Sudin Adhikari]]&lt;br /&gt;
&lt;br /&gt;
==Critical reception==&lt;br /&gt;
[[File:Bappaditya Bandopadhyay01.jpg|thumb|right|[[Bappaditya Bandopadhyay]] at International Asian movies festival in Vesoul, 2007]]&lt;br /&gt;
*Though a favourite with foreign festivals (the poster screams that the film has already been to five international fests), Kantatar could have done with a little more finesse.-[[The Telegraph (Kolkata)|The Telegraph]] (4 stars out of 10)&amp;lt;ref&amp;gt;{{cite news|url=http://www.telegraphindia.com/1060210/asp/etc/story_5829579.asp|title=What&amp;#039;s it about ? the barb or the wire?|publisher=www.telegraphindia.com|accessdate=2008-10-24|last=Biswas|first=Pallabi|location=Calcutta, India|date=2006-02-10}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Award&lt;br /&gt;
! Year&lt;br /&gt;
! Category&lt;br /&gt;
! Recipient&lt;br /&gt;
! Result&lt;br /&gt;
! {{Tooltip|Ref.|Reference}}&lt;br /&gt;
|-&lt;br /&gt;
![[Network for the Promotion of Asian Cinema|NETPAC Award]] at [[Vesoul International Film Festival of Asian Cinema]]&lt;br /&gt;
|2007&lt;br /&gt;
|&lt;br /&gt;
|[[Bappaditya Bandopadhyay]]&lt;br /&gt;
|{{Won}}&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
!rowspan=&amp;quot;3&amp;quot;|[[BFJA Awards]]&lt;br /&gt;
|rowspan=&amp;quot;3&amp;quot;|2007&lt;br /&gt;
|Best Actress in a Leading Role&lt;br /&gt;
|[[Sreelekha Mitra]]&lt;br /&gt;
|{{Won}}&lt;br /&gt;
|&amp;lt;ref&amp;gt;{{cite web|url=http://www.bfjaawards.com/legacy/pastwin/200770.htm |title=69th &amp;amp; 70th Annual Hero Honda BFJA Awards 2007 |publisher=www.bfjaawards.com |accessdate=2008-10-24 |url-status=dead |archiveurl=https://web.archive.org/web/20100108192544/http://www.bfjaawards.com/legacy/pastwin/200770.htm |archivedate=8 January 2010 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|Best Actor in a Supporting Role&lt;br /&gt;
|[[Rudranil Ghosh]]&lt;br /&gt;
|{{Won}}&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|Best Cinematographer&lt;br /&gt;
|[[Rana Dasgupta]]&lt;br /&gt;
|{{Won}}&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
![[Anandalok Awards]]&lt;br /&gt;
|2006&lt;br /&gt;
|Best Actress&lt;br /&gt;
|Sreelekha Mitra&lt;br /&gt;
|{{Won}}&lt;br /&gt;
|&lt;br /&gt;
|}&lt;br /&gt;
*Fribourg International Film Festival, Switzerland, 2006&lt;br /&gt;
*São Paulo International Film Festival, Brazil, 2006&lt;br /&gt;
*Singapore International Film Festival, 2006&lt;br /&gt;
*Raindance International Film Festival, London, U.K. 2005&lt;br /&gt;
*Ashdod International Film Festival, Tel Aviv, Israel, 2006&lt;br /&gt;
*Bangladesh International Film Festival, Dhaka, 2006&lt;br /&gt;
*Inaugural film, International Forum of new cinema, Kolkata International Film Festival, India, 2005&lt;br /&gt;
*Inaugural film Chittagong International Film Festival, Bangladesh 2005&lt;br /&gt;
*Osian Cinefan Festival of Asian Cinema, New Delhi, India 2005&lt;br /&gt;
*Mumbai International Film Festival, India, 2006&lt;br /&gt;
*Pune International Film Festival, India, 2005&lt;br /&gt;
*Habitat International Film Festival, New Delhi, India, 2005&lt;br /&gt;
*Festival des Cinémas d&amp;#039;Asie, Vesoul, 2007&lt;br /&gt;
*Silk screen Festival of Asian Cinema, Pittsburg, U.S.A. 2007&lt;br /&gt;
*Anandaloke Award for Best Actress.&lt;br /&gt;
*B.F.J.A. Awards for Best Cinematographer, Best Actress and Best Supporting Actor.&lt;br /&gt;
*Partha Pratim Chowdhury Award for Best Film and Best Director.&lt;br /&gt;
&lt;br /&gt;
World Sales: Wide Management Ltd. France&amp;lt;ref&amp;gt;{{cite web|url=http://kantatar.tripod.com/id3.html|title=FESTIVAL AND AWARDS|publisher=kantatar.tripod.com|accessdate=2008-10-25}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb title|1091794|Kantatar}}&lt;br /&gt;
&lt;br /&gt;
[[Category:2005 films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Bengali-language films]]&lt;br /&gt;
[[Category:2000s Bengali-language films]]&lt;br /&gt;
[[Category:Films directed by Bappaditya Bandopadhyay]]&lt;/div&gt;</summary>
		<author><name>&gt;Citation bot</name></author>
	</entry>
</feed>