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	<title>Jon B. Higgins - Revision history</title>
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	<updated>2026-08-29T02:56:53Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Shaunak88: content update</title>
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		<updated>2025-04-27T00:30:14Z</updated>

		<summary type="html">&lt;p&gt;content update&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:00, 27 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{short description|American singer}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{short description|American singer}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Other people|John Higgins|John Higgins (disambiguation)}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Other people|John Higgins|John Higgins (disambiguation)}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{infobox musical artist&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{infobox musical artist&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|birth_name = Jon Borthwick Higgins&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|birth_name = Jon Borthwick Higgins&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|instrument = Vocals&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|instrument = Vocals&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dr. &lt;/del&gt;Jon Borthwick Higgins&#039;&#039;&#039; (September 18, 1939 &amp;amp;ndash; December 7, 1984), also known in India as &#039;&#039;&#039;Higgins Bhagavatar&#039;&#039;&#039;, was an American musician, scholar, and teacher known principally for his rare skill as a non-Indian in the field of [[Carnatic music&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]. He lived much of his student and professional life at [[Wesleyan University&lt;/del&gt;]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Jon Borthwick Higgins&#039;&#039;&#039; (September 18, 1939 &amp;amp;ndash; December 7, 1984), also known in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;India&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;as &#039;&#039;&#039;Higgins Bhagavatar&#039;&#039;&#039;, was an American musician, scholar, and teacher known principally for his rare skill as a non-Indian in the field of [[Carnatic music]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life and education==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life and education==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Born in [[Andover, Massachusetts]], Higgins had his high school education at [[Phillips Academy]], where his father taught English and his mother taught music for many years. He attended Wesleyan University and received all three of his degrees from there: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; a &lt;/del&gt;B.A. as a double major in music and history in 1962, an M.A. in [[musicology]] in 1964, and a Ph.D. in [[ethnomusicology]] in 1973.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{unreferenced section|date=July 2023}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Born in [[Andover, Massachusetts]], Higgins had his high school education at [[Phillips Academy]], where his father taught &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[English language|&lt;/ins&gt;English&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and his mother taught music for many years. He attended &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Wesleyan University&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and received all three of his degrees from there: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A [[Bachelor of Arts|&lt;/ins&gt;B.A.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;as a double major in music and history in 1962, an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Master of Arts|&lt;/ins&gt;M.A.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;in [[musicology]] in 1964, and a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Doctor of Philosophy|&lt;/ins&gt;Ph.D.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;in [[ethnomusicology]] in 1973.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He founded the Indian music studies program at [[York University]] in [[Toronto]] with [[Trichy Sankaran]] in 1971, and returned to Wesleyan in 1978 as a professor of music and director of the Center for the Arts. He continually sought to strengthen the quality of Wesleyan&#039;s curriculum, and immersed himself in numerous cultural activities inside and beyond the university community&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. He also maintained a deep relationship with his family&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He founded the Indian music studies program at [[York University]] in [[Toronto]] with [[Trichy Sankaran]] in 1971, and returned to Wesleyan in 1978 as a professor of music and director of the Center for the Arts. He continually sought to strengthen the quality of Wesleyan&#039;s curriculum, and immersed himself in numerous cultural activities inside and beyond the university community.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was a singer of European and Western classical music. He is also recognized as the first non-Indian to perform South Indian classical Carnatic music at a high level of proficiency. He began his Indian music studies in Wesleyan courses taught by [[Robert E. Brown]] and [[T. Ranganathan]], and was quickly captured by the subtle beauty of the art form. He decided to fully dedicate himself to learning the language of Carnatic music, and went to India on a [[Fulbright Program|Fulbright]] scholarship to learn from Ranganathan&#039;s brother, [[T. Viswanathan]]. Within a short period of time he performed to great acclaim at the [[Tyagaraja Aradhana]], an important music festival in South India. He later continued his studies under their sister, renowned dancer [[T. Balasaraswati]], and wrote his dissertation on the dance music of &#039;&#039;[[bharatanatyam]]&#039;&#039;. Higgins returned to India as a senior research fellow of the [[American Institute of Indian Studies]]. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He continued to perform Carnatic music, recorded several albums, and due to his widely recognized sensitivity was honored with the sobriquet &quot;Bhagavatar&quot; (scholarly musician). He was killed by a drunken hit-and-run motorist on December 7, 1984, while walking his dog. He was planning to perform in South Africa in protest against its then racist [[apartheid]] regime.&amp;lt;ref&amp;gt;{{cite journal|jstor=833771 | volume=16 | pages=1–6| title=In Memory of Jon Borthwick Higgins | journal=Asian Music | year=1985 | issue=2 }}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was a singer of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Classical music|&lt;/ins&gt;European and Western classical music&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. He is also recognized as the first non-Indian to perform South Indian classical Carnatic music at a high level of proficiency. He began his Indian music studies in Wesleyan courses taught by [[Robert E. Brown]] and [[T. Ranganathan]], and was quickly captured by the subtle beauty of the art form. He decided to fully dedicate himself to learning the language of Carnatic music, and went to India on a [[Fulbright Program|Fulbright]] scholarship to learn from Ranganathan&#039;s brother, [[T. Viswanathan]]. Within a short period of time he performed to great acclaim at the [[Tyagaraja Aradhana]], an important music festival in South India. He later continued his studies under their sister, renowned dancer [[T. Balasaraswati]], and wrote his dissertation on the dance music of &#039;&#039;[[bharatanatyam]]&#039;&#039;. Higgins returned to India as a senior research fellow of the [[American Institute of Indian Studies]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Higgins was so proficient in &lt;/del&gt;Carnatic music &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that he &lt;/del&gt;was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;called Higgins Bhagvathar&lt;/del&gt;. When he visited the Udupi Shri Krishna &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;temple&lt;/del&gt;, he was denied entry because of his white skin by those who managed the temple. He stood at the gate and sang in chaste Kannada the Vyasatirtha composition&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;‘Krishna &lt;/del&gt;nee begane &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;baro’ ,&lt;/del&gt;&#039;&#039; an action &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that was similar to &lt;/del&gt;Kanaka Dasa&#039;s protest in 16th century. He was permitted entry &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;immediately&lt;/del&gt;, possibly to avert an &#039;intervention from the deity&#039;, that Kanaka Dasa&#039;s legend spoke of.&amp;lt;ref&amp;gt;{{Cite news|last=Hegde|first=Sanjay|date=2022-02-07|title=The interpretative answer to the hijab row|language=en-IN|work=The Hindu|url=https://www.thehindu.com/opinion/lead/the-interpretative-answer-to-the-hijab-row/article38389321.ece|access-date=2022-02-06|issn=0971-751X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He continued to perform &lt;/ins&gt;Carnatic music&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, recorded several albums, and due to his widely recognized sensitivity &lt;/ins&gt;was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;honored with the sobriquet &quot;Bhagavatar&quot; (scholarly musician)&lt;/ins&gt;. When he visited the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Udupi Sri Krishna Matha|&lt;/ins&gt;Udupi Shri Krishna &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Temple]]&lt;/ins&gt;, he was denied entry because of his white skin by those who managed the temple. He stood at the gate and sang in chaste &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Kannada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;the Vyasatirtha composition &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;‘[[Krishna Ni Begane Baaro|Krishna &lt;/ins&gt;nee begane &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;baro]]’&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;an action &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;which echoed [[Kanaka Dasa|&lt;/ins&gt;Kanaka Dasa&#039;s&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;protest in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;16th century. He was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eventually &lt;/ins&gt;permitted entry, possibly to avert an &#039;intervention from the deity&#039;, that Kanaka Dasa&#039;s legend spoke of.&amp;lt;ref&amp;gt;{{Cite news|last=Hegde|first=Sanjay|date=2022-02-07|title=The interpretative answer to the hijab row|language=en-IN|work=The Hindu|url=https://www.thehindu.com/opinion/lead/the-interpretative-answer-to-the-hijab-row/article38389321.ece|access-date=2022-02-06|issn=0971-751X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Although he mostly won the acceptance of the general Indian public during &#039;&#039;katcheris&#039;&#039; (concerts), there were some critics of his times who pointed out minor errors in pronunciation.&amp;lt;ref&amp;gt;{{cite news|title=Jon Higgins, the bhagavatar|url=http://www.thehindu.com/features/friday-review/music/Jon-Higgins-the-bhagavatar/article15586441.ece|newspaper=The Hindu|date=December 9, 2010}}&amp;lt;/ref&amp;gt;  This did not deter Higgins, who went on to deliver &#039;&#039;katcheri&#039;&#039; broadcasts on [[All India Radio]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Death==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Death==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was killed after being struck by a hit-and-run driver near his home in [[Middletown, Connecticut]].&amp;lt;ref&amp;gt;{{Cite news|url=https://www.nytimes.com/1984/12/09/obituaries/jon-b-higgins-expert-in-south-indian-music.html|title=Jon B. Higgins, Expert in South Indian Music|newspaper=The New York Times|date=9 December 1984|last1=Belkin|first1=Lisa}}&amp;lt;/ref&amp;gt; The Connecticut state police arrested Thomas Knight of Middlefield, Conn. and charged him with second-degree manslaughter with a motor vehicle while intoxicated.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was killed after being struck by a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Hit and run|&lt;/ins&gt;hit-and-run&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;driver near his home in [[Middletown, Connecticut]].&amp;lt;ref&amp;gt;{{Cite news|url=https://www.nytimes.com/1984/12/09/obituaries/jon-b-higgins-expert-in-south-indian-music.html|title=Jon B. Higgins, Expert in South Indian Music|newspaper=The New York Times|date=9 December 1984|last1=Belkin|first1=Lisa}}&amp;lt;/ref&amp;gt; The Connecticut state police arrested Thomas Knight of Middlefield, Conn. and charged him with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Second degree manslaughter|&lt;/ins&gt;second-degree manslaughter&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;with a motor vehicle while intoxicated. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Higgins was planning to perform in South Africa in protest against its then racist [[apartheid]] regime.&amp;lt;ref&amp;gt;{{cite journal|jstor=833771 | volume=16 | pages=1–6| title=In Memory of Jon Borthwick Higgins | journal=Asian Music | year=1985 | issue=2 }}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is survived by his wife, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the former &lt;/del&gt;Rhea Padis; two sons, Luke and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Niko&lt;/del&gt;, and a brother, Hayden, a jazz pianist known professionally as Eddie Higgins.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is survived by his wife, Rhea &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kyvele &lt;/ins&gt;Padis; two sons, Luke and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nicholas, an ethnomusicologist&amp;lt;ref&amp;gt;{{cite news|title=Study of jazz music will reveal American history|url=http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|archive-url=https://web.archive.org/web/20080324133612/http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|url-status=dead|archive-date=March 24, 2008|newspaper=[[The Hindu]]|date=August 5, 2006}}&amp;lt;/ref&amp;gt; at Sarah Lawrence College&lt;/ins&gt;, and a brother, Hayden, a jazz pianist known professionally as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Eddie Higgins&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Legacy==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Legacy==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was much appreciated by [[Carnatic music]] connoisseurs across the world. His rendition of &quot;Endaro Mahanubhavulu, Andariki Vandanamulu&quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&quot;Many are the great souls; to all of them, my salutations&quot;)&lt;/del&gt;, a famous &#039;&#039;[[kriti (music)|kriti]]&#039;&#039; (composition) by [[Śri. Śri. Thyagaraja Swamý]] (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a great &lt;/del&gt;composer of [[Carnatic music]]), was extraordinary considering the fact that it is a difficult &#039;&#039;kriti&#039;&#039; for even the people with knowledge of the [[Telugu language|Telugu]] in which &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &#039;&#039;kriti&#039;&#039; &lt;/del&gt;is composed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was much appreciated by [[Carnatic music]] connoisseurs across the world. His rendition of &quot;Endaro Mahanubhavulu, Andariki Vandanamulu&quot;, a famous &#039;&#039;[[kriti (music)|kriti]]&#039;&#039; (composition) by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tyagaraja|&lt;/ins&gt;Śri. Śri. Thyagaraja Swamý]] (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an important &lt;/ins&gt;composer of [[Carnatic music]]), was extraordinary considering the fact that it is a difficult &#039;&#039;kriti&#039;&#039; for even the people with knowledge of the [[Telugu language|Telugu]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;language &lt;/ins&gt;in which &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it &lt;/ins&gt;is composed. Other of Higgins&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;celebrated &lt;/ins&gt;renditions include &quot;Siva Siva Anarada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;, &quot;Krishna Nee Begane&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;, and &quot;Kaa Vaa Vaa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Amma Ravamma&lt;/ins&gt;&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other of Higgins&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;most famous &lt;/del&gt;renditions include &quot;Siva Siva Anarada,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; &lt;/del&gt;&quot;Krishna Nee Begane,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; &lt;/del&gt;and &quot;Kaa Vaa Vaa,&quot; &quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;amma ravamma,&quot; and many others.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Although he mostly won the acceptance of the general Indian public during &#039;&#039;katcheris&#039;&#039; (concerts), there were some critics of his times who pointed out minor errors in pronunciation.&amp;lt;ref&amp;gt;{{cite news|title=Jon Higgins, the bhagavatar|url=http://www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;thehindu.com/features/friday-review/music/Jon-Higgins-the-bhagavatar/article15586441.ece|newspaper=The Hindu|date=December 9, 2010}}&amp;lt;/ref&amp;gt;  This did not deter the master, who went on to deliver &#039;&#039;katcheri&#039;&#039; broadcasts on [[All India Radio]]. His son Nicholas Higgins is an ethnomusicologist at Sarah Lawrence College and a student of Carnatic Music.&amp;lt;ref&amp;gt;{{cite news|title=Study of jazz music will reveal American history|url=http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|archive-url=https://web.archive.org/web/20080324133612/http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|url-status=dead|archive-date=March 24, 2008|newspaper=[[The Hindu]]|date=August 5, 2006}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Composer [[Terry Riley]] has credited a South Indian singing demonstration by Jon Higgins as an influence on his piece &amp;#039;&amp;#039;[[A Rainbow in Curved Air]]&amp;#039;&amp;#039; from 1969.&amp;lt;ref&amp;gt;*Cowley, Julian. Terry Riley &amp;quot;Persian Surgery Dervishes&amp;quot; liner notes. Aguirre Records. 2017.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Composer [[Terry Riley]] has credited a South Indian singing demonstration by Jon Higgins as an influence on his piece &amp;#039;&amp;#039;[[A Rainbow in Curved Air]]&amp;#039;&amp;#039; from 1969.&amp;lt;ref&amp;gt;*Cowley, Julian. Terry Riley &amp;quot;Persian Surgery Dervishes&amp;quot; liner notes. Aguirre Records. 2017.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pioneering experimental composer [[Alvin Lucier]] wrote &#039;&#039;In memoriam Jon Higgins : for clarinet in A and slow sweep pure wave oscillator&#039;&#039; in 1984 as a tribute to Higgins.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.discogs.com/Alvin-Lucier-Crossings-Three-Works-For-Classical-Instruments-And-Oscillators/release/750191|title = Alvin Lucier – Crossings (Three Works for Classical Instruments and Oscillators) (1990, CD)}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pioneering experimental composer [[Alvin Lucier]] wrote &#039;&#039;In memoriam Jon Higgins : for clarinet in A and slow sweep pure wave oscillator&#039;&#039; in 1984 as a tribute to Higgins.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.discogs.com/Alvin-Lucier-Crossings-Three-Works-For-Classical-Instruments-And-Oscillators/release/750191|title = Alvin Lucier – Crossings (Three Works for Classical Instruments and Oscillators) (1990, CD)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| website=[[Discogs]] | year=1990 &lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://dpnelson.web.wesleyan.edu/higgins.html Jon B. Higgins page] from David Nelson site&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://dpnelson.web.wesleyan.edu/higgins.html Jon B. Higgins page] from David Nelson site&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.musicindiaonline.com/#/artist/10-Classical_Carnatic_Vocal/93-Jon_B_Higgins/ John Higgins at MusicIndia Online]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.musicindiaonline.com/#/artist/10-Classical_Carnatic_Vocal/93-Jon_B_Higgins/ John Higgins at MusicIndia Online] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Webarchive|url=https://web.archive.org/web/20120204095841/http://www.musicindiaonline.com/#/artist/10-Classical_Carnatic_Vocal/93-Jon_B_Higgins/ |date=2012-02-04 }}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Authority control}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Authority control}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Higgins, Jon B.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Higgins, Jon B.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:American musicologists]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:American music educators]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:American music educators]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1939 births]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1939 births]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1984 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1984 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Male Carnatic singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Male Carnatic singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Carnatic singers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Phillips Academy alumni]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Phillips Academy alumni]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University alumni]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University alumni]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ethnomusicologists&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;American ethnomusicologists&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century musicologists]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;American &lt;/ins&gt;musicologists]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American male singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American male singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Shaunak88</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Jon_B._Higgins&amp;diff=336092&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Jon_B._Higgins&amp;diff=336092&amp;oldid=prev"/>
		<updated>2022-04-23T17:59:59Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:29, 23 April 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{short description|American singer}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Other people|John Higgins|John Higgins (disambiguation)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Other people|John Higgins|John Higgins (disambiguation)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{infobox musical artist&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{infobox musical artist&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was a singer of European and Western classical music. He is also recognized as the first non-Indian to perform South Indian classical Carnatic music at a high level of proficiency. He began his Indian music studies in Wesleyan courses taught by [[Robert E. Brown]] and [[T. Ranganathan]], and was quickly captured by the subtle beauty of the art form. He decided to fully dedicate himself to learning the language of Carnatic music, and went to India on a [[Fulbright Program|Fulbright]] scholarship to learn from Ranganathan&amp;#039;s brother, [[T. Viswanathan]]. Within a short period of time he performed to great acclaim at the [[Tyagaraja Aradhana]], an important music festival in South India. He later continued his studies under their sister, renowned dancer [[T. Balasaraswati]], and wrote his dissertation on the dance music of &amp;#039;&amp;#039;[[bharatanatyam]]&amp;#039;&amp;#039;. Higgins returned to India as a senior research fellow of the [[American Institute of Indian Studies]]. He continued to perform Carnatic music, recorded several albums, and due to his widely recognized sensitivity was honored with the sobriquet &amp;quot;Bhagavatar&amp;quot; (scholarly musician). He was killed by a drunken hit-and-run motorist on December 7, 1984, while walking his dog. He was planning to perform in South Africa in protest against its then racist [[apartheid]] regime.&amp;lt;ref&amp;gt;{{cite journal|jstor=833771 | volume=16 | pages=1–6| title=In Memory of Jon Borthwick Higgins | journal=Asian Music | year=1985 | issue=2 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was a singer of European and Western classical music. He is also recognized as the first non-Indian to perform South Indian classical Carnatic music at a high level of proficiency. He began his Indian music studies in Wesleyan courses taught by [[Robert E. Brown]] and [[T. Ranganathan]], and was quickly captured by the subtle beauty of the art form. He decided to fully dedicate himself to learning the language of Carnatic music, and went to India on a [[Fulbright Program|Fulbright]] scholarship to learn from Ranganathan&amp;#039;s brother, [[T. Viswanathan]]. Within a short period of time he performed to great acclaim at the [[Tyagaraja Aradhana]], an important music festival in South India. He later continued his studies under their sister, renowned dancer [[T. Balasaraswati]], and wrote his dissertation on the dance music of &amp;#039;&amp;#039;[[bharatanatyam]]&amp;#039;&amp;#039;. Higgins returned to India as a senior research fellow of the [[American Institute of Indian Studies]]. He continued to perform Carnatic music, recorded several albums, and due to his widely recognized sensitivity was honored with the sobriquet &amp;quot;Bhagavatar&amp;quot; (scholarly musician). He was killed by a drunken hit-and-run motorist on December 7, 1984, while walking his dog. He was planning to perform in South Africa in protest against its then racist [[apartheid]] regime.&amp;lt;ref&amp;gt;{{cite journal|jstor=833771 | volume=16 | pages=1–6| title=In Memory of Jon Borthwick Higgins | journal=Asian Music | year=1985 | issue=2 }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Higgins was so proficient in Carnatic music that he was called Higgins Bhagvathar. When he visited the Udupi Shri Krishna temple, he was denied entry because of his white skin by those who managed the temple. He stood at the gate and sang in chaste Kannada the Vyasatirtha composition, &#039;&#039;‘Krishna nee begane baro’ ,&#039;&#039; an action that was similar to Kanaka Dasa&#039;s protest in 16th century. He was permitted entry immediately, possibly to avert an &#039;intervention from the deity&#039;, that Kanaka Dasa&#039;s legend spoke of.&amp;lt;ref&amp;gt;{{Cite news|last=Hegde|first=Sanjay|date=2022-02-07|title=The interpretative answer to the hijab row|language=en-IN|work=The Hindu|url=https://www.thehindu.com/opinion/lead/the-interpretative-answer-to-the-hijab-row/article38389321.ece|access-date=2022-02-06|issn=0971-751X}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Death==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Death==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was killed after being struck by a hit-and-run driver near his home in [[Middletown, Connecticut&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;]]&amp;lt;ref&amp;gt;https://www.nytimes.com/1984/12/09/obituaries/jon-b-higgins-expert-in-south-indian-music.html&amp;lt;/ref&amp;gt; The Connecticut state police arrested Thomas Knight of Middlefield, Conn.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;and charged him with second-degree manslaughter with a motor vehicle while intoxicated.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was killed after being struck by a hit-and-run driver near his home in [[Middletown, Connecticut]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite news|url=&lt;/ins&gt;https://www.nytimes.com/1984/12/09/obituaries/jon-b-higgins-expert-in-south-indian-music.html&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=Jon B. Higgins, Expert in South Indian Music|newspaper=The New York Times|date=9 December 1984|last1=Belkin|first1=Lisa}}&lt;/ins&gt;&amp;lt;/ref&amp;gt; The Connecticut state police arrested Thomas Knight of Middlefield, Conn. and charged him with second-degree manslaughter with a motor vehicle while intoxicated.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is survived by his wife, the former Rhea Padis; two sons, Luke and Niko, and a brother, Hayden, a jazz pianist known professionally as Eddie Higgins.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is survived by his wife, the former Rhea Padis; two sons, Luke and Niko, and a brother, Hayden, a jazz pianist known professionally as Eddie Higgins.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Legacy==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Legacy==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was much appreciated by [[Carnatic music]] connoisseurs across the world. His rendition of &quot;Endaro Mahanubhavulu, Andariki Vandanamulu&quot; (&quot;Many are the great souls; to all of them, my salutations&quot;), a famous &#039;&#039;[[kriti]]&#039;&#039; (composition) by [[Śri. Śri. Thyagaraja Swamý]] (a great composer of [[Carnatic music]]), was extraordinary considering the fact that it is a difficult &#039;&#039;kriti&#039;&#039; for even the people with knowledge of the [[Telugu language|Telugu]] in which the &#039;&#039;kriti&#039;&#039; is composed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Higgins was much appreciated by [[Carnatic music]] connoisseurs across the world. His rendition of &quot;Endaro Mahanubhavulu, Andariki Vandanamulu&quot; (&quot;Many are the great souls; to all of them, my salutations&quot;), a famous &#039;&#039;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kriti (music)|&lt;/ins&gt;kriti]]&#039;&#039; (composition) by [[Śri. Śri. Thyagaraja Swamý]] (a great composer of [[Carnatic music]]), was extraordinary considering the fact that it is a difficult &#039;&#039;kriti&#039;&#039; for even the people with knowledge of the [[Telugu language|Telugu]] in which the &#039;&#039;kriti&#039;&#039; is composed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other of Higgins&amp;#039; most famous renditions include &amp;quot;Siva Siva Anarada,&amp;quot; &amp;quot;Krishna Nee Begane,&amp;quot; and &amp;quot;Kaa Vaa Vaa,&amp;quot; &amp;quot;amma ravamma,&amp;quot; and many others.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Other of Higgins&amp;#039; most famous renditions include &amp;quot;Siva Siva Anarada,&amp;quot; &amp;quot;Krishna Nee Begane,&amp;quot; and &amp;quot;Kaa Vaa Vaa,&amp;quot; &amp;quot;amma ravamma,&amp;quot; and many others.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although he mostly won the acceptance of the general Indian public during &amp;#039;&amp;#039;katcheris&amp;#039;&amp;#039; (concerts), there were some critics of his times who pointed out minor errors in pronunciation.&amp;lt;ref&amp;gt;{{cite news|title=Jon Higgins, the bhagavatar|url=http://www.thehindu.com/features/friday-review/music/Jon-Higgins-the-bhagavatar/article15586441.ece|newspaper=The Hindu|date=December 9, 2010}}&amp;lt;/ref&amp;gt;  This did not deter the master, who went on to deliver &amp;#039;&amp;#039;katcheri&amp;#039;&amp;#039; broadcasts on [[All India Radio]]. His son Nicholas Higgins is an ethnomusicologist at Sarah Lawrence College and a student of Carnatic Music.&amp;lt;ref&amp;gt;{{cite news|title=Study of jazz music will reveal American history|url=http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|archive-url=https://web.archive.org/web/20080324133612/http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|url-status=dead|archive-date=March 24, 2008|newspaper=[[The Hindu]]|date=August 5, 2006}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although he mostly won the acceptance of the general Indian public during &amp;#039;&amp;#039;katcheris&amp;#039;&amp;#039; (concerts), there were some critics of his times who pointed out minor errors in pronunciation.&amp;lt;ref&amp;gt;{{cite news|title=Jon Higgins, the bhagavatar|url=http://www.thehindu.com/features/friday-review/music/Jon-Higgins-the-bhagavatar/article15586441.ece|newspaper=The Hindu|date=December 9, 2010}}&amp;lt;/ref&amp;gt;  This did not deter the master, who went on to deliver &amp;#039;&amp;#039;katcheri&amp;#039;&amp;#039; broadcasts on [[All India Radio]]. His son Nicholas Higgins is an ethnomusicologist at Sarah Lawrence College and a student of Carnatic Music.&amp;lt;ref&amp;gt;{{cite news|title=Study of jazz music will reveal American history|url=http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|archive-url=https://web.archive.org/web/20080324133612/http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|url-status=dead|archive-date=March 24, 2008|newspaper=[[The Hindu]]|date=August 5, 2006}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Composer [[Terry Riley]] has credited a South Indian singing demonstration by Jon Higgins as an influence on his piece &#039;&#039;[[A Rainbow in Curved Air]]&#039;&#039; from 1969. &amp;lt;ref&amp;gt;*Cowley, Julian. Terry Riley &quot;Persian Surgery Dervishes&quot; liner notes. Aguirre Records. 2017.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Composer [[Terry Riley]] has credited a South Indian singing demonstration by Jon Higgins as an influence on his piece &#039;&#039;[[A Rainbow in Curved Air]]&#039;&#039; from 1969.&amp;lt;ref&amp;gt;*Cowley, Julian. Terry Riley &quot;Persian Surgery Dervishes&quot; liner notes. Aguirre Records. 2017.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pioneering experimental composer [[Alvin Lucier]] wrote &#039;&#039;In memoriam Jon Higgins : for clarinet in A and slow sweep pure wave oscillator&#039;&#039; in 1984 as a tribute to Higgins.&amp;lt;ref&amp;gt;https://www.discogs.com/Alvin-Lucier-Crossings-Three-Works-For-Classical-Instruments-And-Oscillators/release/750191&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pioneering experimental composer [[Alvin Lucier]] wrote &#039;&#039;In memoriam Jon Higgins : for clarinet in A and slow sweep pure wave oscillator&#039;&#039; in 1984 as a tribute to Higgins.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;https://www.discogs.com/Alvin-Lucier-Crossings-Three-Works-For-Classical-Instruments-And-Oscillators/release/750191&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = Alvin Lucier – Crossings (Three Works for Classical Instruments and Oscillators) (1990, CD)}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l40&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1964). &amp;quot;An Analysis of Some Principles of South Indian Drumming, Based on the Bharata śabda vādya pradāyini by K. Muniswami. M.A. thesis. Middletown, Connecticut: Wesleyan University.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1964). &amp;quot;An Analysis of Some Principles of South Indian Drumming, Based on the Bharata śabda vādya pradāyini by K. Muniswami. M.A. thesis. Middletown, Connecticut: Wesleyan University.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1968). &quot;An American in Madras.&quot; &#039;&#039;Asian Music&#039;&#039;, v. 1, no. 1 (Winter &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1968-69&lt;/del&gt;), pp.&amp;amp;nbsp;4–11.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1968). &quot;An American in Madras.&quot; &#039;&#039;Asian Music&#039;&#039;, v. 1, no. 1 (Winter &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1968–69&lt;/ins&gt;), pp.&amp;amp;nbsp;4–11.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1973). &amp;#039;&amp;#039;The Music of Bharata Nāṭyam&amp;#039;&amp;#039;. Ph.D. dissertation. 2 volumes. Middletown, Connecticut: Wesleyan University.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Higgins, Jon B. (1973). &amp;#039;&amp;#039;The Music of Bharata Nāṭyam&amp;#039;&amp;#039;. Ph.D. dissertation. 2 volumes. Middletown, Connecticut: Wesleyan University.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l58&quot;&gt;Line 58:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University alumni]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University alumni]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Wesleyan University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Fulbright Scholars]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:York University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:York University faculty]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ethnomusicologists]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ethnomusicologists]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:American male singers]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century American singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century musicologists]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century musicologists]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century male singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;American &lt;/ins&gt;male singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Jon_B._Higgins&amp;diff=120712&amp;oldid=prev</id>
		<title>&gt;Ninad Prabhu at 04:44, 17 June 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Jon_B._Higgins&amp;diff=120712&amp;oldid=prev"/>
		<updated>2021-06-17T04:44:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Other people|John Higgins|John Higgins (disambiguation)}}&lt;br /&gt;
{{infobox musical artist&lt;br /&gt;
|birth_name = Jon Borthwick Higgins&lt;br /&gt;
|birth_date = {{birth date|1939|9|18}}&lt;br /&gt;
|birth_place =  [[Andover, Massachusetts]]&lt;br /&gt;
|image = &lt;br /&gt;
|death_date = {{death date and age|1984|12|7|1939|9|18}}&lt;br /&gt;
|background = solo_singer&lt;br /&gt;
|instrument = Vocals&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Dr. Jon Borthwick Higgins&amp;#039;&amp;#039;&amp;#039; (September 18, 1939 &amp;amp;ndash; December 7, 1984), also known in India as &amp;#039;&amp;#039;&amp;#039;Higgins Bhagavatar&amp;#039;&amp;#039;&amp;#039;, was an American musician, scholar, and teacher known principally for his rare skill as a non-Indian in the field of [[Carnatic music]]. He lived much of his student and professional life at [[Wesleyan University]].&lt;br /&gt;
&lt;br /&gt;
==Early life and education==&lt;br /&gt;
Born in [[Andover, Massachusetts]], Higgins had his high school education at [[Phillips Academy]], where his father taught English and his mother taught music for many years. He attended Wesleyan University and received all three of his degrees from there:  a B.A. as a double major in music and history in 1962, an M.A. in [[musicology]] in 1964, and a Ph.D. in [[ethnomusicology]] in 1973.&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
He founded the Indian music studies program at [[York University]] in [[Toronto]] with [[Trichy Sankaran]] in 1971, and returned to Wesleyan in 1978 as a professor of music and director of the Center for the Arts. He continually sought to strengthen the quality of Wesleyan&amp;#039;s curriculum, and immersed himself in numerous cultural activities inside and beyond the university community. He also maintained a deep relationship with his family.&lt;br /&gt;
&lt;br /&gt;
Higgins was a singer of European and Western classical music. He is also recognized as the first non-Indian to perform South Indian classical Carnatic music at a high level of proficiency. He began his Indian music studies in Wesleyan courses taught by [[Robert E. Brown]] and [[T. Ranganathan]], and was quickly captured by the subtle beauty of the art form. He decided to fully dedicate himself to learning the language of Carnatic music, and went to India on a [[Fulbright Program|Fulbright]] scholarship to learn from Ranganathan&amp;#039;s brother, [[T. Viswanathan]]. Within a short period of time he performed to great acclaim at the [[Tyagaraja Aradhana]], an important music festival in South India. He later continued his studies under their sister, renowned dancer [[T. Balasaraswati]], and wrote his dissertation on the dance music of &amp;#039;&amp;#039;[[bharatanatyam]]&amp;#039;&amp;#039;. Higgins returned to India as a senior research fellow of the [[American Institute of Indian Studies]]. He continued to perform Carnatic music, recorded several albums, and due to his widely recognized sensitivity was honored with the sobriquet &amp;quot;Bhagavatar&amp;quot; (scholarly musician). He was killed by a drunken hit-and-run motorist on December 7, 1984, while walking his dog. He was planning to perform in South Africa in protest against its then racist [[apartheid]] regime.&amp;lt;ref&amp;gt;{{cite journal|jstor=833771 | volume=16 | pages=1–6| title=In Memory of Jon Borthwick Higgins | journal=Asian Music | year=1985 | issue=2 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Death==&lt;br /&gt;
Higgins was killed after being struck by a hit-and-run driver near his home in [[Middletown, Connecticut.]]&amp;lt;ref&amp;gt;https://www.nytimes.com/1984/12/09/obituaries/jon-b-higgins-expert-in-south-indian-music.html&amp;lt;/ref&amp;gt; The Connecticut state police arrested Thomas Knight of Middlefield, Conn., and charged him with second-degree manslaughter with a motor vehicle while intoxicated.&lt;br /&gt;
&lt;br /&gt;
He is survived by his wife, the former Rhea Padis; two sons, Luke and Niko, and a brother, Hayden, a jazz pianist known professionally as Eddie Higgins.&lt;br /&gt;
&lt;br /&gt;
==Legacy==&lt;br /&gt;
Higgins was much appreciated by [[Carnatic music]] connoisseurs across the world. His rendition of &amp;quot;Endaro Mahanubhavulu, Andariki Vandanamulu&amp;quot; (&amp;quot;Many are the great souls; to all of them, my salutations&amp;quot;), a famous &amp;#039;&amp;#039;[[kriti]]&amp;#039;&amp;#039; (composition) by [[Śri. Śri. Thyagaraja Swamý]] (a great composer of [[Carnatic music]]), was extraordinary considering the fact that it is a difficult &amp;#039;&amp;#039;kriti&amp;#039;&amp;#039; for even the people with knowledge of the [[Telugu language|Telugu]] in which the &amp;#039;&amp;#039;kriti&amp;#039;&amp;#039; is composed.&lt;br /&gt;
&lt;br /&gt;
Other of Higgins&amp;#039; most famous renditions include &amp;quot;Siva Siva Anarada,&amp;quot; &amp;quot;Krishna Nee Begane,&amp;quot; and &amp;quot;Kaa Vaa Vaa,&amp;quot; &amp;quot;amma ravamma,&amp;quot; and many others.&lt;br /&gt;
&lt;br /&gt;
Although he mostly won the acceptance of the general Indian public during &amp;#039;&amp;#039;katcheris&amp;#039;&amp;#039; (concerts), there were some critics of his times who pointed out minor errors in pronunciation.&amp;lt;ref&amp;gt;{{cite news|title=Jon Higgins, the bhagavatar|url=http://www.thehindu.com/features/friday-review/music/Jon-Higgins-the-bhagavatar/article15586441.ece|newspaper=The Hindu|date=December 9, 2010}}&amp;lt;/ref&amp;gt;  This did not deter the master, who went on to deliver &amp;#039;&amp;#039;katcheri&amp;#039;&amp;#039; broadcasts on [[All India Radio]]. His son Nicholas Higgins is an ethnomusicologist at Sarah Lawrence College and a student of Carnatic Music.&amp;lt;ref&amp;gt;{{cite news|title=Study of jazz music will reveal American history|url=http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|archive-url=https://web.archive.org/web/20080324133612/http://www.hindu.com/2006/08/05/stories/2006080507950200.htm|url-status=dead|archive-date=March 24, 2008|newspaper=[[The Hindu]]|date=August 5, 2006}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Composer [[Terry Riley]] has credited a South Indian singing demonstration by Jon Higgins as an influence on his piece &amp;#039;&amp;#039;[[A Rainbow in Curved Air]]&amp;#039;&amp;#039; from 1969. &amp;lt;ref&amp;gt;*Cowley, Julian. Terry Riley &amp;quot;Persian Surgery Dervishes&amp;quot; liner notes. Aguirre Records. 2017.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Pioneering experimental composer [[Alvin Lucier]] wrote &amp;#039;&amp;#039;In memoriam Jon Higgins : for clarinet in A and slow sweep pure wave oscillator&amp;#039;&amp;#039; in 1984 as a tribute to Higgins.&amp;lt;ref&amp;gt;https://www.discogs.com/Alvin-Lucier-Crossings-Three-Works-For-Classical-Instruments-And-Oscillators/release/750191&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
*Higgins, Jon B. (1964). &amp;quot;An Analysis of Some Principles of South Indian Drumming, Based on the Bharata śabda vādya pradāyini by K. Muniswami. M.A. thesis. Middletown, Connecticut: Wesleyan University.&lt;br /&gt;
*Higgins, Jon B. (1968). &amp;quot;An American in Madras.&amp;quot; &amp;#039;&amp;#039;Asian Music&amp;#039;&amp;#039;, v. 1, no. 1 (Winter 1968-69), pp.&amp;amp;nbsp;4–11.&lt;br /&gt;
*Higgins, Jon B. (1973). &amp;#039;&amp;#039;The Music of Bharata Nāṭyam&amp;#039;&amp;#039;. Ph.D. dissertation. 2 volumes. Middletown, Connecticut: Wesleyan University.&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://dpnelson.web.wesleyan.edu/higgins.html Jon B. Higgins page] from David Nelson site&lt;br /&gt;
*[http://www.musicindiaonline.com/#/artist/10-Classical_Carnatic_Vocal/93-Jon_B_Higgins/ John Higgins at MusicIndia Online]&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Higgins, Jon B.}}&lt;br /&gt;
[[Category:American musicologists]]&lt;br /&gt;
[[Category:American music educators]]&lt;br /&gt;
[[Category:1939 births]]&lt;br /&gt;
[[Category:1984 deaths]]&lt;br /&gt;
[[Category:Male Carnatic singers]]&lt;br /&gt;
[[Category:Phillips Academy alumni]]&lt;br /&gt;
[[Category:Wesleyan University alumni]]&lt;br /&gt;
[[Category:Wesleyan University faculty]]&lt;br /&gt;
[[Category:Fulbright Scholars]]&lt;br /&gt;
[[Category:York University faculty]]&lt;br /&gt;
[[Category:Ethnomusicologists]]&lt;br /&gt;
[[Category:American male singers]]&lt;br /&gt;
[[Category:20th-century American singers]]&lt;br /&gt;
[[Category:20th-century musicologists]]&lt;br /&gt;
[[Category:20th-century male singers]]&lt;/div&gt;</summary>
		<author><name>&gt;Ninad Prabhu</name></author>
	</entry>
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