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{{about|the term in Hindustani classical music|the clan|Jhala (clan)}}
{{Use dmy dates|date=August 2019}}
'''Jhala''' ([[Hindi]]: झाला, {{IPA-hns|dʒʱaːla|}}) is a term in [[Hindustani classical music]] which denotes the fast-paced conclusions of classical compositions or [[raga]]. It is often characterized by the overwhelming of the melodic component by the rhythmic component. This is sometimes effected by the rapid striking together of the ''chikari'' between notes.<ref name="Caudhurī2000">{{cite book|author=Vimalakānta Rôya Caudhurī|title=The Dictionary Of Hindustani Classical Music|url=https://books.google.com/books?id=gQWLa--IHjIC&pg=PA50|access-date=14 July 2013|year=2000|publisher=Motilal Banarsidass|isbn=978-81-208-1708-1|pages=50–}}</ref><ref name="Ranade2006">{{cite book|author=Ashok Damodar Ranade|title=Music Contexts: A Concise Dictionary of Hindustani Music|url=https://books.google.com/books?id=cFwbGi3oBHgC&pg=PA152|access-date=14 July 2013|date=1 January 2006|publisher=Bibliophile South Asia|isbn=978-81-85002-63-7|pages=152–}}</ref><ref>Kamien, Roger, and Anita Kamien. Music: an Appreciation. McGraw-Hill Education, 2018.</ref>

==See also==
*[[Jal tarang]]

== References ==
{{Reflist}}

[[Category:Hindustani music terminology]]
[[Category:Formal sections in music analysis]]

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Jhala - Revision history

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