Jaijaivanti - Revision history

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2021-07-22T18:54:58Z

Removed some content irrelevant to the topic. Possible vandalism?

← Older revision		Revision as of 00:24, 23 July 2021
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	'''Jaijaivanti''' or '''Jaijaiwanti''' is a [[Hindustani classical music\|Hindustani classical]] ''[[raga]]'' belonging to [[Khamaj Thaat]].<ref>{{cite book \|last=Mackenzie \|first=Sir Compton \|author2=Stone, Christopher \|title=The Gramophone \|volume=77, Issues 915-918 \|page=100}}</ref> According to the [[Guru Granth Sahib]], this ''raga'' is a mixture of two others: [[Bilaval]] and [[Sorath raga\|Sorath]]. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by [[Guru Tegh Bahadur]], the ninth guru. These hymns were added by his son and successor [[Guru Gobind Singh]] in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music~~. It is also not mentioned~~ in the ''[[Ragmala]]''.<ref name="GGS">{{cite book \|last=1 \|first=Sukhbir Singh Kapoor & Mohinder Kaur Kapoor. Vol. \|title=Guru Granth Sahib: an advance study \|year=2002 \|publisher=Hemkunt Press \|location=New Delhi \|isbn=978-81-7010-317-2}}</ref> According to ~~the~~ [[Guru Granth Sahib]], ~~raga~~ Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, ~~however, it~~ simultaneously ~~conveys~~ the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put ~~your~~ duty first~~, no matter what your inner feelings may be~~. The duality of the emotions of joy and sorrow ~~helps~~ to ~~keep you stable and prevents you from reveling in your achievement~~. Raga [[Jaijaiwanti]] bears the closest resemblance to [[Gara(raga)\|Gara]].		'''Jaijaivanti''' or '''Jaijaiwanti''' is a [[Hindustani classical music\|Hindustani classical]] ''[[raga]]'' belonging to [[Khamaj Thaat]].<ref>{{cite book \|last=Mackenzie \|first=Sir Compton \|author2=Stone, Christopher \|title=The Gramophone \|volume=77, Issues 915-918 \|page=100}}</ref> According to the [[Guru Granth Sahib]], this ''raga'' is a mixture of two others: [[Bilaval]] and [[Sorath raga\|Sorath]]. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by [[Guru Tegh Bahadur]], the ninth guru. These hymns were added by his son and successor [[Guru Gobind Singh]] in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the ''[[Ragmala]]''.<ref name="GGS">{{cite book \|last=1 \|first=Sukhbir Singh Kapoor & Mohinder Kaur Kapoor. Vol. \|title=Guru Granth Sahib: an advance study \|year=2002 \|publisher=Hemkunt Press \|location=New Delhi \|isbn=978-81-7010-317-2}}</ref>

			According to [[Guru Granth Sahib]], Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga [[Jaijaiwanti]] bears the closest resemblance to [[Gara(raga)\|Gara]].

	== Composition ==		== Composition ==
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	Re ga komal re sa (mandra saptak) ni (shuddha) sa dha ni re		Re ga komal re sa (mandra saptak) ni (shuddha) sa dha ni re

	It is ~~considered to be~~ a "Paramel Praveshak Raga", i.e. a ''raga'' that has the characteristics of a particular m''ela'' or ''thaat'' and ~~which~~ has additional notes that ~~enable~~ it to ~~be categorized~~ under another ''mela'' or ''thaat''. Jaijaivanti has both ''Shuddha'' Ga and ''Komal'' Ga. It also has ''Shuddha'' Ni and ''Komal'' Ni usage as well. If more stress or focus is put on the ''Shuddha'' Ga and Ni notes, the ''raga'' shows the characteristics of the Khamaj ''thaat''. Whereas if more focus is applied to the Komal Ga and Komal Ni notes in the same raga, the characteristics of the Kafi Thaat are highlighted. It has the characteristics of both the Khamaj and Kafi ''thaat'' and hence called "Paramel Praveshak Raga". In the beginning, Creon is very diplomatic and charismatic. He acts as a people's King and acts like he has a solid head on his shoulders by saying that a good King should take advice and put his country before his friends. In the latter half of the scene, Creon is angry and impulsive, he is closed off and blinded by rage after finding that someone has directly gone against his orders. He does not take the advice of the chorus, rather he uses their opinions as a springboard to get extremely irritable, and additionally, he never listens to what the guard is saying.		It is classified as a "Paramel Praveshak Raga", i.e. a ''raga'' that has the characteristics of a particular m''ela'' or ''thaat'' and that has additional notes that allow it to qualify under another ''mela'' or ''thaat''. Jaijaivanti has both ''Shuddha'' Ga and ''Komal'' Ga. It also has ''Shuddha'' Ni and ''Komal'' Ni usage as well. If more stress or focus is put on the ''Shuddha'' Ga and Ni notes, the ''raga'' shows the characteristics of the Khamaj ''thaat''. Whereas if more focus is applied to the Komal Ga and Komal Ni notes in the same raga, the characteristics of the Kafi Thaat are highlighted.
	=== Possible notes ===		=== Possible notes ===
	::Ni Sa Dha Ni (komal) Re, Re Ga (komal) Re Sa.		::Ni Sa Dha Ni (komal) Re, Re Ga (komal) Re Sa.
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	== Film songs ==		== Film songs ==
	~~{{Copy edit\|section\|for=individual song titles. These should not be in italics but should be enclosed in quotes per [[WP:MOSMUSIC]]\|date=June 2021}}~~
	=== Tamil ===		=== Tamil ===
	{\| class="wikitable"		{\| class="wikitable"
Line 80:		Line 81:
	\| [[Shankar-Ehsaan-Loy]]		\| [[Shankar-Ehsaan-Loy]]
	\| [[Shankar Mahadevan]], [[Kamal Haasan]]		\| [[Shankar Mahadevan]], [[Kamal Haasan]]
			\|-
			\|"Mukundha Mukundha"
			\|[[Dasavathaaram]]
			\|[[Himesh Reshammiya]]
			\|[[Sadhana Sargam]]
	\|}		\|}

	=== Albums:Tamil ===		== Albums:Tamil ==
	{\| class="wikitable"		{\| class="wikitable"
	! Song		! Song
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	\|-		\|-
	\| "Yayum Nyayum Yarakiyaro"		\| "Yayum Nyayum Yarakiyaro"
	\| [[Sandham- Symphony Meets Classical Tamil]]		\| [[Sandham- Symphony Meets Classical Tamil\|''Sandham- Symphony Meets Classical Tamil'']]
	\| [[Rajan Somasundaram]]		\| [[Rajan Somasundaram]]
	\| [[Karthik (singer)\|Karthik]], [[Pragathi Guruprasad]]		\| [[Karthik (singer)\|Karthik]], [[Pragathi Guruprasad]]
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	=== Urdu ===		=== Urdu ===
	~~Sung in [[Urdu]]:~~		{\| class="wikitable"
			! Song
	"Dil Ka Diya Jalaya" ~~(Film:~~ Koel ~~(1959), Singer:~~ Noor Jahan (Late)~~, Composer: Khawaja Khursheed Anwar)~~		! Movie
			! Composer
			! Singer
			\|-
			\| "Dil Ka Diya Jalaya"
			\| ''Koel''
			\| Khawaja Khursheed Anwar
			\| Noor Jahan (Late)
			\|}

	Ghazal: "Ghuncha-e-Shoq, Laga Hai Khilnay" (Singer: Ustad Mehdi Hasan, Notes: Re ga (komal) Re Sa Ma)		* Ghazal: "Ghuncha-e-Shoq, Laga Hai Khilnay" (Singer: Ustad Mehdi Hasan, Notes: Re ga (komal) Re Sa Ma)

	Ghazal: "Dost Ban Kar Bhi Nahin" (Singer: Ustad Ghulam Ali)		* Ghazal: "Dost Ban Kar Bhi Nahin" (Singer: Ustad Ghulam Ali)

	=== Hindi ===		=== Hindi ===
	~~Sung in [[Hindi]]:~~		{\| class="wikitable"
			! Song
	"Man Mohana Bare Jhoote" ~~(Film:~~ Seema ~~(1955), Music:~~ Shankar-Jaikishan~~, Singer:~~ Lata Mangeshkar)		! Movie
			! Composer
	"Sooni Sooni Saaz Ki Sitaron Par" ~~(Film:~~ Laal Pathhar ~~(1971), Music:~~ Shankar-Jaikishan~~, Singer:~~ Asha Bhonsle)		! Singer
			\|-
	"Dil Deta Hai Ro Ro Duhai" ~~(Film:~~ Phir Teri Kahaani Yaad Aayi ~~(1993), Music:~~ Anu Malik~~, Singer:~~ Alka Yagnik)		\| "Man Mohana Bare Jhoote"
			\| ''Seema''
	"Main Radha Tu Sham" ~~(Film:~~ Viswaroopam~~(2012), Music:~~ Shankar-Ehsaan-Loy~~, Singer:~~ Shankar Mahadevan & Kamal Hassan)		\| Shankar-Jaikishan
			\| Lata Mangeshkar
	"Baapu Sehat Ke Liye" ~~(Film:~~ Dangal ~~(2016), Music:~~ Pritam)		\|-
			\|"Sooni Sooni Saaz Ki Sitaron Par"
			\|''Laal Pathhar''
			\|Shankar-Jaikishan
			\|Asha Bhonsle
			\|-
			\|"Dil Deta Hai Ro Ro Duhai"
			\|''Phir Teri Kahaani Yaad Aayi''
			\|Anu Malik
			\|Alka Yagnik
			\|-
			\|"Main Radha Tu Sham"
			\|''Viswaroopam''
			\|Shankar-Ehsaan-Loy
			\|Shankar Mahadevan, Kamal Hassan
			\|-
			\|"Baapu Sehat Ke Liye"
			\|''Dangal''
			\|Pritam
			\|
			\|-
			\|
			\|
			\|
			\|
			\|}

	"Raghupati Raghav Raja Raam" (RAMAYAN CHAUPAAYI)		* "Raghupati Raghav Raja Raam" (RAMAYAN CHAUPAAYI)

	=== Malayalam ===		=== Malayalam ===
	~~Sung in [[Malayalam literature\|Malayalam]]:~~

	"Oruneram Enkilum" (Singers: Yesudas, Chitra)		* "Oruneram Enkilum" (Singers: Yesudas, Chitra)

	== Performance ==		== Performance ==

>AGaiki: /* Urdu */ corrected grammar and added another Ghazal by Ustad Ghulam Ali sung in Raag Jaijaiwanti

2021-06-21T16:50:38Z

Urdu: corrected grammar and added another Ghazal by Ustad Ghulam Ali sung in Raag Jaijaiwanti

New page

{{Short description|Raga in Hindustani classical music}}
{{Infobox raga
| name = Jaijaivanti
| image_name =
| image_alt =
| thaat = * This raga is in the [[Khamaj Thaat]]
* With more focus on Komal Ga this could be put under the [[Kafi Thaat]].
| type =
| time = 6 pm to 9 pm
| season =
| arohana = Re ga (komal) re sa, re ga (shuddha), ma pa dha pa, ni sa
| avarohana = Sa ni (komal) dha pa, dha ma ga re, re ga (komal) re sa
| vadi = Re (poorvanga vadi)
| samavadi = Pa
| pakad = re ga komal re sa,(mandra saptak) ni shuddha sa dha ni re
| chalan =
| synonym = [[Piloo]], [[Gara (raga)|Gara]]
| equivalent = Dwijavanthi
| similar =
}}

'''Jaijaivanti''' or '''Jaijaiwanti''' is a [[Hindustani classical music|Hindustani classical]] ''[[raga]]'' belonging to [[Khamaj Thaat]].<ref>{{cite book |last=Mackenzie |first=Sir Compton |author2=Stone, Christopher |title=The Gramophone |volume=77, Issues 915-918 |page=100}}</ref> According to the [[Guru Granth Sahib]], this ''raga'' is a mixture of two others: [[Bilaval]] and [[Sorath raga|Sorath]]. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by [[Guru Tegh Bahadur]], the ninth guru. These hymns were added by his son and successor [[Guru Gobind Singh]] in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music. It is also not mentioned in the ''[[Ragmala]]''.<ref name="GGS">{{cite book |last=1 |first=Sukhbir Singh Kapoor & Mohinder Kaur Kapoor. Vol. |title=Guru Granth Sahib: an advance study |year=2002 |publisher=Hemkunt Press |location=New Delhi |isbn=978-81-7010-317-2}}</ref> According to the [[Guru Granth Sahib]], raga Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, however, it simultaneously conveys the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put your duty first, no matter what your inner feelings may be. The duality of the emotions of joy and sorrow helps to keep you stable and prevents you from reveling in your achievement. Raga [[Jaijaiwanti]] bears the closest resemblance to [[Gara(raga)|Gara]].

== Composition ==
=== Aarohana ===
Re ga (komal) re sa, re ga (shuddha), ma pa dha pa, ni sa.

=== Avaroha ===
Sa ni (komal) dha pa, dha ma ga re, re ga (komal) re sa.

=== Pakad ===
Re ga komal re sa (mandra saptak) ni (shuddha) sa dha ni re

It is considered to be a "Paramel Praveshak Raga", i.e. a ''raga'' that has the characteristics of a particular m''ela'' or ''thaat'' and which has additional notes that enable it to be categorized under another ''mela'' or ''thaat''. Jaijaivanti has both ''Shuddha'' Ga and ''Komal'' Ga. It also has ''Shuddha'' Ni and ''Komal'' Ni usage as well. If more stress or focus is put on the ''Shuddha'' Ga and Ni notes, the ''raga'' shows the characteristics of the Khamaj ''thaat''. Whereas if more focus is applied to the Komal Ga and Komal Ni notes in the same raga, the characteristics of the Kafi Thaat are highlighted. It has the characteristics of both the Khamaj and Kafi ''thaat'' and hence called "Paramel Praveshak Raga". In the beginning, Creon is very diplomatic and charismatic. He acts as a people's King and acts like he has a solid head on his shoulders by saying that a good King should take advice and put his country before his friends. In the latter half of the scene, Creon is angry and impulsive, he is closed off and blinded by rage after finding that someone has directly gone against his orders. He does not take the advice of the chorus, rather he uses their opinions as a springboard to get extremely irritable, and additionally, he never listens to what the guard is saying.
=== Possible notes ===
::Ni Sa Dha Ni (komal) Re, Re Ga (komal) Re Sa.
::Pa Re Ga (komal) Re Sa, Ma Pa Ni (shuddha) Re (tar saptak) Ni (komal) Dha Pa, Dha Ma Ga Re, Re Ga (komal) Re Sa.

== Popular songs ==
It is also known as ''Dwijavanthi'' in the [[Carnatic classical music|Carnatic tradition]] and in the ''[[Yakshagana]]'' theatre tradition.

== Film songs ==
{{Copy edit|section|for=individual song titles. These should not be in italics but should be enclosed in quotes per [[WP:MOSMUSIC]]|date=June 2021}}
=== Tamil ===
{| class="wikitable"
! Song
! Movie
! Composer
! Singer
|-
| "Amutha Tamizhil"
| [[Madhuraiyai Meetta Sundharapandiyan]]
| [[M. S. Viswanathan]]
| [[P. Jayachandran]], [[Vani Jairam]]
|-
| "Anbae Sughama (Sahana Traces)"
| [[Paarthale Paravasam]]
| rowspan="3" | [[A. R. Rahman]]
| [[Srinivas (singer)|Srinivas]], [[Sadhana Sargam]]
|-
| "Mannapenin Sathiyam"
| [[Kochadaiiyaan]]
| [[Haricharan]], [[Latha Rajinikanth]]
|-
| "Mazhai Mega Vanna" (Charanam only)
| [[Swades|Desam]]
| [[K. S. Chitra]], [[Srinivas (singer)|Srinivas]]
|-
| "Mouname Paarvayai"
| [[Anbe Sivam]]
| rowspan="2" | [[Vidyasagar (composer)|Vidyasagar]]
| [[S. P. Balasubrahmanyam]],Chandrayee
|-
| "Poi Solla Kudathu"
| [[Run (2002 film)|Run]]
| [[Hariharan (singer)|Hariharan]]
|-
| "Unnai Kaanadhu Naan"
| [[Vishwaroopam]]
| [[Shankar-Ehsaan-Loy]]
| [[Shankar Mahadevan]], [[Kamal Haasan]]
|}

=== Albums:Tamil ===
{| class="wikitable"
! Song
! Album
! Composer
! Singer
|-
| "Yayum Nyayum Yarakiyaro"
| [[Sandham- Symphony Meets Classical Tamil]]
| [[Rajan Somasundaram]]
| [[Karthik (singer)|Karthik]], [[Pragathi Guruprasad]]
|}

=== Urdu ===
Sung in [[Urdu]]:

"Dil Ka Diya Jalaya" (Film: Koel (1959), Singer: Noor Jahan (Late), Composer: Khawaja Khursheed Anwar)

Ghazal: "Ghuncha-e-Shoq, Laga Hai Khilnay" (Singer: Ustad Mehdi Hasan, Notes: Re ga (komal) Re Sa Ma)

Ghazal: "Dost Ban Kar Bhi Nahin" (Singer: Ustad Ghulam Ali)

=== Hindi ===
Sung in [[Hindi]]:

"Man Mohana Bare Jhoote" (Film: Seema (1955), Music: Shankar-Jaikishan, Singer: Lata Mangeshkar)

"Sooni Sooni Saaz Ki Sitaron Par" (Film: Laal Pathhar (1971), Music: Shankar-Jaikishan, Singer: Asha Bhonsle)

"Dil Deta Hai Ro Ro Duhai" (Film: Phir Teri Kahaani Yaad Aayi (1993), Music: Anu Malik, Singer: Alka Yagnik)

"Main Radha Tu Sham" (Film: Viswaroopam(2012), Music: Shankar-Ehsaan-Loy, Singer: Shankar Mahadevan & Kamal Hassan)

"Baapu Sehat Ke Liye" (Film: Dangal (2016), Music: Pritam)

"Raghupati Raghav Raja Raam" (RAMAYAN CHAUPAAYI)

=== Malayalam ===
Sung in [[Malayalam literature|Malayalam]]:

"Oruneram Enkilum" (Singers: Yesudas, Chitra)

== Performance ==
"Jaijaivanti" is sung during the first [[prahar]] of the night—from 6:00 to 9:00  pm. It is generally recited in the summer or ''[[grishma]]''. "Jaijaivanti" is sung by 2 aangs, i.e. the [[Desh (raga)|Desh]] aang and the [[Bageshri]] aang.

== References ==
{{Reflist}}

{{Rāgas as per Performance Time}}

[[Category: Hindustani ragas]]
[[Category: Ragas in the Guru Granth Sahib]]