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	<title>Jahangir Entertains Shah Abbas - Revision history</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Miniature painting by Abu&amp;#039;l Hasan}}&lt;br /&gt;
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{{infobox artwork&lt;br /&gt;
| image = 12 Abu&amp;#039;l Hasan Jahangir Welcoming Shah &amp;#039;Abbas, ca. 1618, Freer Gallery of Art, Washington DC.jpg&lt;br /&gt;
| artist = [[Abu&amp;#039;l-Hasan (artist)]]&lt;br /&gt;
| museum = [[Freer Gallery of Art]]&lt;br /&gt;
}}&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Jahangir Entertains Shah Abbas&amp;#039;&amp;#039;&amp;#039; is a Mughal miniature painting by the artist [[Abu&amp;#039;l-Hasan (artist)|Abu&amp;#039;l Hasan]]. It is located in the [[Freer Gallery of Art]] in Washington, D.C.&lt;br /&gt;
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== Background ==&lt;br /&gt;
The work dates to 1620.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite journal |last=Keating |first=Jessica |date=2015-09-01 |title=Metamorphosis at the Mughal Court |url=https://academic.oup.com/arthistory/article-abstract/38/4/732/7278263?redirectedFrom=fulltext |journal=Art History |volume=38 |issue=4 |pages=732–747 |doi=10.1111/1467-8365.12178 |issn=0141-6790|url-access=subscription }}&amp;lt;/ref&amp;gt; A possible explanation for the commissioning of this work, and other imaginary scenes, such as [[Jahangir Shooting the Head of Malik Ambar|Jahangir Shooting the head of Malik Ambar]], would be that they were attempts to influence the real world through depicting them in the imaginary realm. [[Malik Ambar]] and Shah [[Abbas the Great|Abbas I]] were two of Jahangir&amp;#039;s fiercest adversaries, and while the former was depicted dead with Jahangir shooting arrows at his head, Shah Abbas is depicted in a deferential position to the emperor. This deference is also apparent in another such painting, &amp;#039;&amp;#039;[[Jahangir Embracing Shah Abbas]]&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;:3&amp;quot;&amp;gt;{{Cite book |last=Mumtaz |first=Murad Khan |url=https://books.google.com/books?id=Iun7EAAAQBAJ&amp;amp;dq=%22ethereal+malachite+green%22&amp;amp;pg=PA153 |title=Faces of God: Images of Devotion in Indo-Muslim Painting, 1500–1800 |date=2023-08-28 |publisher=BRILL |isbn=978-90-04-54944-9 |pages=153–155 |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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During [[Nader Shah&amp;#039;s invasion of India]], this painting was among the ones looted and mounted on the &amp;quot;St. Petersburg album&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web |title=Jahangir Entertains Shah Abbas, from the St. Petersburg Album - National Museum of Asian Art |url=https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_F1942.16a/ |access-date=2025-02-23 |website=National Museum of Asian Art |language=en-US}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Description ==&lt;br /&gt;
[[File:Cropped_image_of_Abu&amp;#039;l_Hasan_Jahangir_Welcoming_Shah_&amp;#039;Abbas,_ca._1618,_Freer_Gallery_of_Art,_Washington_DC.jpg|thumb|Shah Abbas appears to be listening to his host deferentially.]]&lt;br /&gt;
At the top of the painting are two angels, who are holding up a genealogy of Jahangir, tracing his descent from [[Timur]].&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;{{Cite book |last=Beach |first=Milo Cleveland |url=https://archive.org/details/dli.ministry.25950/page/169/mode/2up |title=The imperial image: paintings for the Mughal court |date=1981 |publisher=Freer Gallery of Art, Washington |pages=170–171}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book |last=Ettinghausen |first=Richard |url=https://archive.org/details/aclcpl00000106a489/page/n31/mode/2up |title=ACL-CPL 00106 Paintings of the Sultans and Emperors of India in American Collections |pages=Plate 13}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The painting depicts an imaginary meeting between Jahangir and Shah Abbas. They are seated on a floating throne, seemingly hovering against the green background.&amp;lt;ref name=&amp;quot;:3&amp;quot; /&amp;gt; They are flanked by two attendants—to the left of Jahangir is [[Abu&amp;#039;l-Hasan Asaf Khan|Asaf Khan]], who served as [[List of Mughal grand viziers|grand vizier]] of the empire, and was the older brother of empress [[Nur Jahan]]. To the right of Shah Abbas is Khan Alam, the representative of the Mughal empire in the Safavid court.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&lt;br /&gt;
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Jahangir is portrayed as slightly larger, and more self-assured than his guest. Shah Abbas appears to be listening to him deferentially.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; Both the rulers have a [[Halo (religious iconography)|halo]] around them.&amp;lt;ref&amp;gt;{{Cite journal |last=Das |first=Asok |date=1980-01-01 |title=Mughal Painting during Jahangir&amp;#039;s Time |url=https://www.academia.edu/90891267/Mughal_Painting_during_Jahangirs_Time |journal=Artibus Asiae |pages=388-389}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In front of the two kings are various luxurious objects. These include an Italian table and a Chinese porcelain cup.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; Asaf Khan holds up a wine bottle and cup. Khan Alam is holding an [[automaton]] of &amp;#039;&amp;#039;Diana on a Stag&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Sharma |first=Kamayani |date=2023-06-18 |title=A robot in a 400-year-old painting of Jahangir is a lesson in how rulers project global power |url=https://scroll.in/magazine/1050990/a-robot-in-a-400-year-old-painting-of-jahangir-is-a-lesson-in-how-rulers-project-global-power |access-date=2025-02-23 |website=Scroll.in |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
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==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
{{Works by Abu&amp;#039;l Hasan}}&lt;br /&gt;
[[Category:Indian paintings]]&lt;br /&gt;
[[Category:Mughal art]]&lt;br /&gt;
{{improve categories|date=February 2025}}&lt;br /&gt;
[[Category:Indian artefacts held abroad]]&lt;/div&gt;</summary>
		<author><name>OmerRobson4867</name></author>
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