Jaali Note - Revision history

HwaNormanby23: improved formatting per sources and cleaned formatting

2026-03-04T04:00:46Z

improved formatting per sources and cleaned formatting

← Older revision		Revision as of 09:30, 4 March 2026
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	\| caption = Theatrical release poster		\| caption = Theatrical release poster
	\| director = [[Shakti Samanta]]		\| director = [[Shakti Samanta]]
	\| producer = ~~Pachhi<br />~~Sant Singh		\| producer = Sant Singh and Pachhi was brother of Om Prakash
	\| writer =		\| writer =
	\| screenplay = Ranjan Bose		\| screenplay = Ranjan Bose
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	\| studio =		\| studio =
	\| distributor =		\| distributor =
	\| released = 25 ~~November 1960~~		\| released = {{Film date\|1960\|11\|25\|df=yes}}
	\| runtime = 155 minutes		\| runtime = 155 minutes
	\| country = [[India]]		\| country = [[India]]
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	==Soundtrack==		==Soundtrack==
	~~All songs are composed by~~ [[O. P. Nayyar]] ~~and lyrics are written by [[Raja Mehdi Ali Khan]].~~		{{Infobox album
			\| name = Barsaat Ki Raat
	{\|~~class~~="~~wikitable~~"		\| type = Soundtrack
	~~! Song !! Singer~~		\| artist = [[O. P. Nayyar]]
	\|-		\| released = {{Start date\|1960}}<ref name="Apple Music">{{Cite web \|date=1960\|title=Jaali Note \|url=https://music.apple.com/in/album/jaali-note-original-motion-picture-soundtrack/1285309013\|publisher=Apple Music\|access-date=14 January 2024}}</ref>
	\| ~~"Chhuri Ban, Kanta Ban"~~		\| genre = [[Film soundtrack\|Feature film soundtrack]]
	\| [[~~Mohammed Rafi~~]]		\| length = {{Duration\|m=26\|s=}}
	\|-		\| language = Hindi
	\| ~~"Gustakh Nazar Chehre Se Hata"~~		\| label = [[Saregama]]
	\| [[~~Mohammed Rafi~~]]~~, '''~~[[~~Asha Bhosle~~]]~~'''~~		\| producer = [[O. P. Nayyar]]
	\|-		\| prev_title =
	\| ~~"Oh Mr~~. ~~Dil, Badi Mushkil Mein Tune Aaj Daala"~~		\| prev_year =
	\| [[~~Mohammed Rafi~~]]~~, '''~~[[~~Asha Bhosle~~]]~~'''~~		\| next_title =
	\|-		\| next_year =
	\| "Dil ~~Hai Aapka Huzoor, Lijiye Na Lijiye"~~		\| chronology = [[O. P. Nayyar]]
	\| [[~~Mohammed Rafi~~]]~~, '''~~[[~~Asha Bhosle~~]]~~'''~~		}}
	\|-		{{Track listing
	\| ~~"Sach Kehta Hoon Bahut Haseen Ho"~~		\| all_lyrics = [[Raja  Mehdi Ali Khan]]
	\| [[Mohammed Rafi~~]], '''[[Asha Bhosle]]'''~~		\| all_music = [[O. P. Nayyar]]
	\|-		\| headline = Songs
	\| ~~"Chand Sard Sard~~ Hai~~, Raat Sard Sard Hai"~~		\| extra_column = Singer(s)
	\| [[Mohammed Rafi~~]], '''~~[[~~Asha Bhosle~~]]~~'''~~		\| title1 = Mister Dil Badi Mushkil Men Tune Aaj Dala
	\|-		\| length1 = 3:31
	~~\| "~~Nigahon Ne Phenka ~~Hai~~ Panje Pe Chhakka"		\| extra1 = [[Asha Bhosle]] and [[Mohammed Rafi]]
	\| [[Mohammed Rafi~~]], '''[[~~Asha Bhosle~~]]'''~~		\| title2 = Gustakh Nazar Chehre Se Hata
	\|-		\| length2 = 2:50
	\|~~"Idhar Dekh Mera Dil Tera Deewana Hai"~~		\| extra2 = Asha Bhosle and Mohammed Rafi
	\| ~~[[Shamshad Begum]], '''[[~~Asha Bhosle~~]]'''~~		\| title3 = Chhuri Ban Kanta Ban O My Son
	\|-		\| length3 = 3:19
	\|}		\| extra3 = Mohammed Rafi
			\| title4 = Dil Hai Aapka Huzoor Lijiye
			\| length4 = 3:09
			\| extra4 = Asha Bhosle and Mohammed Rafi
			\| title5 = Idhar Dekho Mera Dil
			\| length5 = 3:21
			\| extra5 = Asha Bhosle and [[Shamshad Begum]]
			\| title6 = Nigahon Ne Phenka Panje Pe Chhakka
			\| length6 = 3:18
			\| extra6 = Asha Bhosle and Mohammed Rafi
			\| title7 = Raat Sard Sard Hain
			\| length7 = 3:18
			\| extra7 = Asha Bhosle and Mohammed Rafi
			\| title8 = Sach Kehta Hoon Bahut Hasin Ho
			\| length8 = 3:32
			\| extra8 = Asha Bhosle and Mohammed Rafi
			\| total_length = {{Duration\|m=26\|s=00}}
			}}

	== Reception ==		== Reception ==
	=== Critical reception ===		=== Critical reception ===
	''Jaali Note'' was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written and the script lacks realism and logic. The only aspect of the film praised by him was its score by [[O. P. Nayyar]], but here also he found the song's picturisations to be only satisfying.<ref name=":1">{{Cite web\|last=Bali\|first=Karan\|date=2019-06-18\|title=Jaali Note\|url=https://upperstall.com/film/jaali-note/\|access-date=2021-01-27\|website=Upperstall.com}}</ref>		''Jaali Note'' was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written and the script lacks realism and logic. The only aspect of the film praised by him was its score by [[O. P. Nayyar]], but here also he found the song's picturisations to be only satisfying.<ref name=":1">{{Cite web\|last=Bali\|first=Karan\|date=2019-06-18\|title=Jaali Note\|url=https://upperstall.com/film/jaali-note/\|access-date=2021-01-27\|website=Upperstall.com}}</ref>

	=== Box office ===		=== Box office ===
	Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web\|title=Box Office Hits of Dev Anand\|url=https://www.imdb.com/list/ls006522384/\|access-date=2020-11-08\|website=IMDb\|language=en}}</ref> In Samanta's words, the film "did ~~fairly~~ well" and was financially profitable.<ref>{{Cite web\|title=Shakti Samanta and his films \|url=http://www.screenindia.com/old/fullstory.php?content_id=9854 \|access-date=15 February 2021\|website=Web Archive \|archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854\|archive-date = 15 February 2009\|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book\|last=Yu\|first=Sabrina Qiong\|url=https://books.google.com/books?id=cDVYDwAAQBAJ\|title=Revisiting Star Studies: Cultures, Themes and Methods\|date=2017-04-13\|publisher=Edinburgh University Press\|isbn=978-1-4744-0433-4\|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book\|last=Deep\|first=Mohan\|url=https://books.google.com/books?id=DCVlAAAAMAAJ\|title=The Mystery and Mystique of Madhubala\|publisher=Magna Books\|year=1996\|pages=94\|language=en}}</ref>		Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web\|title=Box Office Hits of Dev Anand\|url=https://www.imdb.com/list/ls006522384/\|access-date=2020-11-08\|website=IMDb\|language=en}}</ref> In Samanta's words, the film "did quite well" and was financially profitable.<ref>{{Cite web\|title=Shakti Samanta and his films \|url=http://www.screenindia.com/old/fullstory.php?content_id=9854 \|access-date=15 February 2021\|website=Web Archive \|archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854\|archive-date = 15 February 2009\|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book\|last=Yu\|first=Sabrina Qiong\|url=https://books.google.com/books?id=cDVYDwAAQBAJ\|title=Revisiting Star Studies: Cultures, Themes and Methods\|date=2017-04-13\|publisher=Edinburgh University Press\|isbn=978-1-4744-0433-4\|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book\|last=Deep\|first=Mohan\|url=https://books.google.com/books?id=DCVlAAAAMAAJ\|title=The Mystery and Mystique of Madhubala\|publisher=Magna Books\|year=1996\|pages=94\|language=en}}</ref>

	== Trivia ==		== Trivia ==
	* Like in many other films, in this also you can see Dev Anand playing cards in bar.		* Like in many other films, in this also you can see Dev Anand playing cards in bar.
	* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.		* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.

	==References==		==References==
	{{Reflist}}		{{Reflist}}

	==External links==		==External links==
	*{{IMDb title\|0130797\|Jaali Note}}		*{{IMDb title\|0130797\|Jaali Note}}
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	[[Category:Films scored by O. P. Nayyar]]		[[Category:Films scored by O. P. Nayyar]]
	[[Category:1960 films]]		[[Category:1960 films]]
	[[Category:Hindi-language films]]		[[Category:1960 Hindi-language films]]
	[[Category:~~1960s Hindi-language~~ films]]		[[Category:1960 Indian films]]
	[[Category:Films directed by Shakti Samanta]]		[[Category:Films directed by Shakti Samanta]]
	[[Category:Indian black-and-white films]]		[[Category:Indian black-and-white films]]

UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)

2022-07-01T17:01:17Z

robot: Update article (please report if you notice any mistake or error in this edit)

← Older revision		Revision as of 22:31, 1 July 2022
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			{{short description\|1960 film by Shakti Samanta}}
	{{Use dmy dates\|date=November 2015}}		{{Use dmy dates\|date=November 2015}}
	~~{{short description\|1960 film by Shakti Samanta}}~~
	{{Use Indian English\|date=November 2015}}		{{Use Indian English\|date=November 2015}}
	{{Infobox film		{{Infobox film
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	\| starring = [[Dev Anand]]<br />[[Madhubala]]		\| starring = [[Dev Anand]]<br />[[Madhubala]]
	\| narrator =		\| narrator =
	\| music = [[O. P. Nayyar]]		\| music = [[O. P. Nayyar]]<br>[[Raja Mehdi Ali Khan]] (lyrics)
	\| cinematography =		\| cinematography =
	\| editing =		\| editing =
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	}}		}}

	'''''Jaali Note''''' ({{Translation\|"Fake Currency"}}) is a ~~[[Bollywood films of~~ 1960~~\|1960]]~~ [[Hindi]]-language [[crime film]] directed by [[Shakti Samanta]], based on the theme of [[counterfeit money]]. It stars [[Dev Anand]] and [[Madhubala]], along with [[Helen (actress)\|Helen]], [[Madan Puri]], [[Om Prakash]].		'''''Jaali Note''''' ({{Translation\|"Fake Currency"}}) is a 1960 [[Hindi]]-language [[crime film]] directed by [[Shakti Samanta]], based on the theme of [[counterfeit money]]. It stars [[Dev Anand]] and [[Madhubala]], along with [[Helen (actress)\|Helen]], [[Madan Puri]], [[Om Prakash]].

	The film was unsuccessful with critics but emerged as one of the biggest commercial successes of the year. Its popularity was further escalated by its soundtrack (composed by [[O. P. Nayyar]]), of which many songs turned out to be chartbusters.		The film was unsuccessful with critics but emerged as one of the biggest commercial successes of the year. Its popularity was further escalated by its soundtrack (composed by [[O. P. Nayyar]]), of which many songs turned out to be chartbusters.
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	=== Box office ===		=== Box office ===
	Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web\|title=Box Office Hits of Dev Anand\|url=https://www.imdb.com/list/ls006522384/\|access-date=2020-11-08\|website=IMDb\|language=en}}</ref> In Samanta's words, the film "did fairly well" and was financially profitable.<ref>{{Cite web\|title=Shakti Samanta and his films \|url=http://www.screenindia.com/old/fullstory.php?content_id=9854 \|access-date=15 February 2021\|website=Web Archive \|archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854\|archive-date = 15 February 2009\|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book\|last=Yu\|first=Sabrina Qiong\|url=https://books.google.com/books?id=cDVYDwAAQBAJ\|title=Revisiting Star Studies: Cultures, Themes and Methods\|date=2017-04-13\|publisher=Edinburgh University Press\|isbn=978-1-4744-0433-4\|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book\|last=Deep\|first=Mohan\|url=https://books.google.com/books?id=DCVlAAAAMAAJ\|title=The Mystery and Mystique of Madhubala~~\|date=1996~~\|publisher=Magna Books\|year=1996\|pages=94\|language=en}}</ref>		Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web\|title=Box Office Hits of Dev Anand\|url=https://www.imdb.com/list/ls006522384/\|access-date=2020-11-08\|website=IMDb\|language=en}}</ref> In Samanta's words, the film "did fairly well" and was financially profitable.<ref>{{Cite web\|title=Shakti Samanta and his films \|url=http://www.screenindia.com/old/fullstory.php?content_id=9854 \|access-date=15 February 2021\|website=Web Archive \|archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854\|archive-date = 15 February 2009\|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book\|last=Yu\|first=Sabrina Qiong\|url=https://books.google.com/books?id=cDVYDwAAQBAJ\|title=Revisiting Star Studies: Cultures, Themes and Methods\|date=2017-04-13\|publisher=Edinburgh University Press\|isbn=978-1-4744-0433-4\|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book\|last=Deep\|first=Mohan\|url=https://books.google.com/books?id=DCVlAAAAMAAJ\|title=The Mystery and Mystique of Madhubala\|publisher=Magna Books\|year=1996\|pages=94\|language=en}}</ref>

	== Trivia ==		== Trivia ==
	* Like in many other films, in this also you can see Dev Anand playing cards in bar.		* Like in many other films, in this also you can see Dev Anand playing cards in bar.

	* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.		* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.

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	[[Category:Hindi-language films]]		[[Category:Hindi-language films]]
	[[Category:1960s Hindi-language films]]		[[Category:1960s Hindi-language films]]
	~~[[Category:Indian films]]~~
	[[Category:Films directed by Shakti Samanta]]		[[Category:Films directed by Shakti Samanta]]
	[[Category:Indian black-and-white films]]		[[Category:Indian black-and-white films]]

>Pila De Saqi at 16:50, 5 October 2021

2021-10-05T16:50:29Z

New page

{{Use dmy dates|date=November 2015}}
{{short description|1960 film by Shakti Samanta}}
{{Use Indian English|date=November 2015}}
{{Infobox film
| name = Jaali Note
| image = Jaali Note.jpg
| caption = Theatrical release poster
| director = [[Shakti Samanta]]
| producer = Pachhi<br />Sant Singh
| writer =
| screenplay = Ranjan Bose
| story =
| based_on =
| starring = [[Dev Anand]]<br />[[Madhubala]]
| narrator =
| music = [[O. P. Nayyar]]
| cinematography =
| editing =
| studio =
| distributor =
| released = 25 November 1960
| runtime = 155 minutes
| country = [[India]]
| language = [[Hindi]]
| budget =
| gross =
}}

'''''Jaali Note''''' ({{Translation|"Fake Currency"}}) is a [[Bollywood films of 1960|1960]] [[Hindi]]-language [[crime film]] directed by [[Shakti Samanta]], based on the theme of [[counterfeit money]]. It stars [[Dev Anand]] and [[Madhubala]], along with [[Helen (actress)|Helen]], [[Madan Puri]], [[Om Prakash]].

The film was unsuccessful with critics but emerged as one of the biggest commercial successes of the year. Its popularity was further escalated by its soundtrack (composed by [[O. P. Nayyar]]), of which many songs turned out to be chartbusters.

==Plot==
Dinesh ([[Dev Anand]]) lives a middle-class lifestyle with his mother in Bombay. On his fifth birthday, his father left them never to return.

Now, Inspector Dinesh has grown up, is working for the Criminal Investigations Department, and has been assigned to stop the circulation of fake currency notes. His investigations take him to Sunderdas, who is killed. He then masquerades as social worker Abdul Rashid to try to get some information from a jailed convict, Banwarilal, to no avail. Finally, he dons the disguise of wealthy Kunver Vijay Bahadur, rents a suite in Hotel Paris and befriends Manohar ([[Madan Puri]]) and several other gangsters. He gets arrested and lodged in the same cell as Banwarilal. From there, the men break out and join Manohar and the rest of the gang.

It is here that Dinesh will find out the king-pin behind the racket. But before he can do anything, he finds himself confronting his past and will be trapped in an underwater fortress with his sweetheart, press reporter Renu ([[Madhubala]]).

==Cast==
* [[Dev Anand]] as C.I.D. Inspector Dinesh / Prince Vijay Bahadur / Abdul Rashid
* [[Madhubala]] as Renu / Beena
* [[Helen (actress)|Helen]] as Lily
* [[Madan Puri]] as Manohar
* [[Om Prakash]] as C.I.D. Constable Pandu / Nandlal
* [[Tun Tun]] as Mrs. Malik
* [[Bipin Gupta]] as Rai Bahadur / Boss (Dinesh's Father)
* [[Mridula Rani]] as Shobha (Dinesh's Mother)

==Soundtrack==
All songs are composed by [[O. P. Nayyar]] and lyrics are written by [[Raja Mehdi Ali Khan]].

{|class="wikitable"
! Song !! Singer
|-
| "Chhuri Ban, Kanta Ban"
| [[Mohammed Rafi]]
|-
| "Gustakh Nazar Chehre Se Hata"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
| "Oh Mr. Dil, Badi Mushkil Mein Tune Aaj Daala"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
| "Dil Hai Aapka Huzoor, Lijiye Na Lijiye"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
| "Sach Kehta Hoon Bahut Haseen Ho"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
| "Chand Sard Sard Hai, Raat Sard Sard Hai"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
| "Nigahon Ne Phenka Hai Panje Pe Chhakka"
| [[Mohammed Rafi]], '''[[Asha Bhosle]]'''
|-
|"Idhar Dekh Mera Dil Tera Deewana Hai"
| [[Shamshad Begum]], '''[[Asha Bhosle]]'''
|-
|}

== Reception ==
=== Critical reception ===
''Jaali Note'' was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written and the script lacks realism and logic. The only aspect of the film praised by him was its score by [[O. P. Nayyar]], but here also he found the song's picturisations to be only satisfying.<ref name=":1">{{Cite web|last=Bali|first=Karan|date=2019-06-18|title=Jaali Note|url=https://upperstall.com/film/jaali-note/|access-date=2021-01-27|website=Upperstall.com}}</ref>

=== Box office ===
Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web|title=Box Office Hits of Dev Anand|url=https://www.imdb.com/list/ls006522384/|access-date=2020-11-08|website=IMDb|language=en}}</ref> In Samanta's words, the film "did fairly well" and was financially profitable.<ref>{{Cite web|title=Shakti Samanta and his films |url=http://www.screenindia.com/old/fullstory.php?content_id=9854 |access-date=15 February 2021|website=Web Archive |archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854|archive-date = 15 February 2009|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book|last=Yu|first=Sabrina Qiong|url=https://books.google.com/books?id=cDVYDwAAQBAJ|title=Revisiting Star Studies: Cultures, Themes and Methods|date=2017-04-13|publisher=Edinburgh University Press|isbn=978-1-4744-0433-4|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book|last=Deep|first=Mohan|url=https://books.google.com/books?id=DCVlAAAAMAAJ|title=The Mystery and Mystique of Madhubala|date=1996|publisher=Magna Books|year=1996|pages=94|language=en}}</ref>

== Trivia ==
* Like in many other films, in this also you can see Dev Anand playing cards in bar.

* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.

==References==
{{Reflist}}

==External links==
*{{IMDb title|0130797|Jaali Note}}

[[Category:Films scored by O. P. Nayyar]]
[[Category:1960 films]]
[[Category:Hindi-language films]]
[[Category:1960s Hindi-language films]]
[[Category:Indian films]]
[[Category:Films directed by Shakti Samanta]]
[[Category:Indian black-and-white films]]