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	<title>Hazaaron Khwaishein Aisi - Revision history</title>
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	<updated>2026-08-19T18:48:02Z</updated>
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		<updated>2022-11-28T05:54:44Z</updated>

		<summary type="html">&lt;p&gt;robot: Create/update articles. If there is a mistake please report on my &lt;a href=&quot;/wiki/User_talk:Bot&quot; title=&quot;User talk:Bot&quot;&gt;talk page&lt;/a&gt;.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:24, 28 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&amp;lt;br&amp;gt;English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&amp;lt;br&amp;gt;English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4 crores&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;!--Must cite a reliable published source with a reputation for fact-checking. No blogs, no IMDb. no fan-sites.--&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;18&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4 crores&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;!--Must cite a reliable published source with a reputation for fact-checking. No blogs, no IMDb. no fan-sites&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Hazaaron Khwaishein Aisi&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (A Thousand Wishes Like This) is an Indian [[political drama]] film made by director [[Sudhir Mishra]] in 2003 but released in 2005. Set against the backdrop of the [[Indian Emergency]], the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by [[Urdu]] poet [[Mirza Ghalib]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Hazaaron Khwaishein Aisi&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (A Thousand Wishes Like This) is an Indian [[political drama]] film made by director [[Sudhir Mishra]] in 2003 but released in 2005. Set against the backdrop of the [[Indian Emergency]], the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by [[Urdu]] poet [[Mirza Ghalib]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing &amp;quot;I love you Geeta&amp;quot; on a rock, as they sit by a placid lake and watch the sunset.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing &amp;quot;I love you Geeta&amp;quot; on a rock, as they sit by a placid lake and watch the sunset.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{Citation |title=Hazaaron Khwaishein Aisi (2003) - IMDb |url=http://www.imdb.com/title/tt0411469/fullcredits |access-date=2022-10-19}}&amp;lt;/ref&amp;gt; &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kay Kay Menon]] as Siddharth Tyabji&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kay Kay Menon]] as Siddharth Tyabji&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Chitrangada Singh]] as Geeta Rao Mehta&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Chitrangada Singh]] as Geeta Rao Mehta&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot;&gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Arif Zakaria]] as Daryll&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Arif Zakaria]] as Daryll&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[V K Sharma]] as Maharaja&amp;#039;s Secretary&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[V K Sharma]] as Maharaja&amp;#039;s Secretary&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Yusuf Hussain]] as Senior Politician&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot;&gt;Line 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 69:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Critical reception ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Critical reception ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film received positive reviews. &#039;&#039;[[The Hindu]]&#039;&#039; described it as a real reel from India. Avijit Ghosh of &#039;&#039;[[The Telegraph (India)|The Telegraph]]&#039;&#039; called it a &quot;post-dated love letter to that lost generation.&quot;&amp;lt;ref&amp;gt;{{cite web|last1=Ghosh|first1=Avijit|title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hazaaron Khwaishein Aisi&lt;/del&gt;|url=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.telegraphindia.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1050422&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;asp&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;etc&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story_4647693&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;asp&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;website&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Telegraph&lt;/del&gt;|access-date=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;13 June 2016&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;22 April 2005&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Sukanya Verma of &#039;&#039;[[Rediff]]&#039;&#039; said, &quot;[[Sudhir Mishra]]&#039;s drama is overwhelming, memorable.&quot;&amp;lt;ref&amp;gt;{{Cite web | title = Hazaaron Khwaishein is overwhelming! | last = Verma | first = Sukanya | work = Rediff.com | date = 15 April 2005 | access-date = 14 June 2016 | url = http://www.rediff.com/movies/2005/apr/15hazaaron.htm }}&amp;lt;/ref&amp;gt; [[Anupama Chopra]] of &#039;&#039;[[India Today]]&#039;&#039; called it a &quot;finely crafted, textured film.&quot;&amp;lt;ref&amp;gt;{{Cite web | title = Film review: Hazaaron Khwaishein Aisi starring Kay Kay, Chitrangada, Shiny Ahuja | last = Chopra | first = Anupama | work = India Today | date = 2 May 2005 | access-date = 14 June 2016 | url = http://indiatoday.intoday.in/story/film-review-hazaaron-khwaishein-aisi-starring-kay-kay-shiny-ahuja/1/193826.html}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film received positive reviews. &#039;&#039;[[The Hindu]]&#039;&#039; described it as a real reel from India. Avijit Ghosh of &#039;&#039;[[The Telegraph (India)|The Telegraph]]&#039;&#039; called it a &quot;post-dated love letter to that lost generation.&quot;&amp;lt;ref&amp;gt;{{cite web |last1=Ghosh |first1=Avijit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|date=22 April 2005 &lt;/ins&gt;|title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;To desire, to believe &lt;/ins&gt;|url=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.telegraphindia.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;india/to-desire-to-believe/cid/968908 |url-status=live |archive-url=https:/&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;web.archive.org&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;web&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;20210618133549/https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;telegraphindia.com/india/to-desire-to-believe/cid/968908 &lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive-date&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;18 June 2021 &lt;/ins&gt;|access-date=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;19 Oct 2022 &lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;website&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Telegraph&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Sukanya Verma of &#039;&#039;[[Rediff]]&#039;&#039; said, &quot;[[Sudhir Mishra]]&#039;s drama is overwhelming, memorable.&quot;&amp;lt;ref&amp;gt;{{Cite web | title = Hazaaron Khwaishein is overwhelming! | last = Verma | first = Sukanya | work = Rediff.com | date = 15 April 2005 | access-date = 14 June 2016 | url = http://www.rediff.com/movies/2005/apr/15hazaaron.htm }}&amp;lt;/ref&amp;gt; [[Anupama Chopra]] of &#039;&#039;[[India Today]]&#039;&#039; called it a &quot;finely crafted, textured film.&quot;&amp;lt;ref&amp;gt;{{Cite web | title = Film review: Hazaaron Khwaishein Aisi starring Kay Kay, Chitrangada, Shiny Ahuja | last = Chopra | first = Anupama | work = India Today | date = 2 May 2005 | access-date = 14 June 2016 | url = http://indiatoday.intoday.in/story/film-review-hazaaron-khwaishein-aisi-starring-kay-kay-shiny-ahuja/1/193826.html}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Awards==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Actor [[Shiney Ahuja]] received the Best Male Debut Award at the Filmfare Awards function.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l81&quot;&gt;Line 81:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 79:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2003 films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2003 films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2000s Hindi-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2000s Hindi-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Indian films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:English-language Indian films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:English-language Indian films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Delhi]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Delhi]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot;&gt;Line 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 93:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films about revolutions]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films about revolutions]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2000s English-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2000s English-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Hindi-language films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Bot</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Hazaaron_Khwaishein_Aisi&amp;diff=288642&amp;oldid=prev</id>
		<title>-&gt;SdkbBot: /* top */Removed overlinked country wikilink and general fixes (task 2)</title>
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		<updated>2022-01-04T12:19:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;Removed &lt;a href=&quot;/w/index.php?title=MOS:OVERLINK&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;MOS:OVERLINK (page does not exist)&quot;&gt;overlinked&lt;/a&gt; country wikilink and &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:GENFIX&quot; class=&quot;extiw&quot; title=&quot;wp:GENFIX&quot;&gt;general fixes&lt;/a&gt; (&lt;a href=&quot;https://en.bharatpedia.org/wiki/Bharatpedia:Bots/Requests_for_approval/SdkbBot_2&quot; class=&quot;extiw&quot; title=&quot;wikipedia:Bots/Requests for approval/SdkbBot 2&quot;&gt;task 2&lt;/a&gt;)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:49, 4 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Hazaaron Khwaishein Aisi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Hazaaron Khwaishein Aisi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          = Hazaaron Khwaishein Aisi Official Poster.jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          = Hazaaron Khwaishein Aisi Official Poster.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Poster&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theatrical release poster&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Sudhir Mishra]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Sudhir Mishra]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Rangita Pritish Nandy&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Rangita Pritish Nandy&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = 18.4 crores&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = 18.4 crores&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Hazaaron Khwaishein Aisi&#039;&#039;&#039;&#039;&#039; (A Thousand Wishes Like This) is an &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[India]]n &lt;/del&gt;[[political drama]] film made by director [[Sudhir Mishra]] in 2003 but released in 2005. Set against the backdrop of the [[Indian Emergency]], the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by [[Urdu]] poet [[Mirza Ghalib]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Hazaaron Khwaishein Aisi&#039;&#039;&#039;&#039;&#039; (A Thousand Wishes Like This) is an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian &lt;/ins&gt;[[political drama]] film made by director [[Sudhir Mishra]] in 2003 but released in 2005. Set against the backdrop of the [[Indian Emergency]], the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by [[Urdu]] poet [[Mirza Ghalib]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It went to 12 film festivals in 6 months including [[Turkey]], [[Estonia]], River to River ([[Berlin|Florence]]), [[Berlin]], [[Edinburgh]], [[Washington, D.C.|Washington]], [[Goa]], Bite The Mango (Bradford), Commonwealth ([[Manchester]]), India ([[Los Angeles]]), [[Dallas]], and Pacific Rim ([[California]]).&amp;lt;ref&amp;gt;{{cite web|title=Bollywood loves politics|url=http://indiatoday.intoday.in/gallery/bollywood+loves+politics/4/3175.html|website=India Today|access-date=13 June 2016}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It went to 12 film festivals in 6 months including [[Turkey]], [[Estonia]], River to River ([[Berlin|Florence]]), [[Berlin]], [[Edinburgh]], [[Washington, D.C.|Washington]], [[Goa]], Bite The Mango (Bradford), Commonwealth ([[Manchester]]), India ([[Los Angeles]]), [[Dallas]], and Pacific Rim ([[California]]).&amp;lt;ref&amp;gt;{{cite web|title=Bollywood loves politics|url=http://indiatoday.intoday.in/gallery/bollywood+loves+politics/4/3175.html|website=India Today|access-date=13 June 2016}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot;&gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film opens at [[Hindu College, University of Delhi|Hindu College]], [[Delhi]] with the story of three students, Siddharth Tyabji ([[Kay Kay Menon]]), Geeta Rao ([[Chitrangada Singh]]) and Vikram Malhotra ([[Shiney Ahuja]]).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film opens at [[Hindu College, University of Delhi|Hindu College]], [[Delhi]] with the story of three students, Siddharth Tyabji ([[Kay Kay Menon]]), Geeta Rao ([[Chitrangada Singh]]) and Vikram Malhotra ([[Shiney Ahuja]]).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Siddharth is a driven revolutionary who dreams of bringing a revolution in the state of [[Bihar]] that will end the [[caste]]-based discrimination there, bring social justice, and improve society. Geeta is a London-returned, South Indian in love with the firebrand Siddharth. She has led a very sheltered life and is yet to explore the terrain of the Indian socio-political landscape. While she finds Siddharth&#039;s [[Naxalite]] rhetoric attractive, she is not sure if she can whole-heartedly subscribe to it. Every time they come to a choice, Siddharth chooses his ideology over his love for her thus breaking her heart time and again. Vikram is a middle-class boy who dreams of making it big, whatever the cost. He is particularly afflicted by his father&#039;s Gandhian ideas, but irritated and frustrated at the same time, seeing his father&#039;s way of life as ineffective in bringing about change.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Siddharth is a driven revolutionary who dreams of bringing a revolution in the state of [[Bihar]] that will end the [[caste]]-based discrimination there, bring social justice, and improve society. Geeta is a London-returned, South Indian in love with the firebrand Siddharth. She has led a very sheltered life and is yet to explore the terrain of the Indian socio-political landscape. While she finds Siddharth&#039;s [[Naxalite]] rhetoric attractive, she is not sure if she can whole-heartedly subscribe to it. Every time they come to a choice, Siddharth chooses his ideology over his love for her thus breaking her heart time and again. Vikram is a middle-class boy who dreams of making it big, whatever the cost. He is particularly afflicted by his father&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Gandhian&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;ideas, but irritated and frustrated at the same time, seeing his father&#039;s way of life as ineffective in bringing about change.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Siddharth leaves for Bihar to bring about a revolution; Geeta leaves for [[Oxford]] to get a degree; and Vikram sets up an office in Delhi.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Siddharth leaves for Bihar to bring about a revolution; Geeta leaves for [[Oxford]] to get a degree; and Vikram sets up an office in Delhi.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A few years later, Vikram is a fixer in the power corridors of government, Geeta is married to promising [[Indian Administrative Service|IAS]] Officer Arun Mehta ([[Ram Kapoor]]) who, as Geeta says &quot;has it all&quot;, and Siddharth is still trying to foment a revolution. But all is not as it seems. Below the mask of happiness, each is quite unhappy. Vikram has &#039;made it&#039; but he cannot get Geeta, the love of his life. Geeta is married, but she meets Siddharth on the sly, cheating on her husband.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A few years later, Vikram is a fixer in the power corridors of government, Geeta is married to promising [[Indian Administrative Service|IAS]] Officer Arun Mehta ([[Ram Kapoor]]) who, as Geeta says &quot;has it all&quot;, and Siddharth is still trying to foment a revolution. But all is not as it seems. Below the mask of happiness, each is quite unhappy. Vikram has &#039;made it&#039; but he cannot get Geeta, the love of his life. Geeta is married, but she meets Siddharth on the sly, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[extramarital affair|&lt;/ins&gt;cheating on her husband&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Geeta gets a divorce from her husband because of her love for Siddharth, even though she does not want to hurt her husband&amp;#039;s feelings. Geeta joins Siddharth in the village and starts to teach the children, whilst the police repeatedly try to hunt down her now husband, Siddharth. She bears a child with Siddharth whom she sends to her parents in London since she believes he deserves more than to grow up in the remote village.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Geeta gets a divorce from her husband because of her love for Siddharth, even though she does not want to hurt her husband&amp;#039;s feelings. Geeta joins Siddharth in the village and starts to teach the children, whilst the police repeatedly try to hunt down her now husband, Siddharth. She bears a child with Siddharth whom she sends to her parents in London since she believes he deserves more than to grow up in the remote village.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l36&quot;&gt;Line 36:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 36:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Eventually the police round up the entire village, capturing Siddharth and Geeta for intent to cause unrest and brutally assaulting them – fabricating a story of a villagers&amp;#039; riot to explain their injuries. Geeta is bailed out of prison by her now influential ex-husband. Siddharth, on the run, is shot by the police, admitted to a local hospital, and placed under arrest while Geeta believes him to have been killed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Eventually the police round up the entire village, capturing Siddharth and Geeta for intent to cause unrest and brutally assaulting them – fabricating a story of a villagers&amp;#039; riot to explain their injuries. Geeta is bailed out of prison by her now influential ex-husband. Siddharth, on the run, is shot by the police, admitted to a local hospital, and placed under arrest while Geeta believes him to have been killed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vikram, who has been consoling Geeta and taking care of her during the absences of her ex-husband and of Siddharth, is informed that Siddharth is alive. Vikram travels to meet Siddharth and release him using his influential contacts. However, he has an accident on the way and is admitted to the same hospital as Siddharth. During the night, local Naxalites break into the crude hospital and free Siddharth while Vikram lays there. The next morning, the policemen in charge of guarding Siddharth, frustrated, accuse Vikram of having conspiring to free Siddharth and beat him up. After discovering that he is a man of influence, they resolve to kill him and dump his body to make it unrecognisable. Vikram, terrified and injured, attempts to escape but is chased down. The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;policeman &lt;/del&gt;finds that the Naxalites have emptied &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his &lt;/del&gt;revolver and they beat Vikram with an iron rod. Soon, the police chief and a local politician come looking for Vikram and are able to stop the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;police &lt;/del&gt;from killing him.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vikram, who has been consoling Geeta and taking care of her during the absences of her ex-husband and of Siddharth, is informed that Siddharth is alive. Vikram travels to meet Siddharth and release him using his influential contacts. However, he has an accident on the way and is admitted to the same hospital as Siddharth. During the night, local Naxalites break into the crude hospital and free Siddharth while Vikram lays there. The next morning, the policemen in charge of guarding Siddharth, frustrated, accuse Vikram of having conspiring to free Siddharth and beat him up. After discovering that he is a man of influence, they resolve to kill him and dump his body to make it unrecognisable. Vikram, terrified and injured, attempts to escape but is chased down. The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;policemen &lt;/ins&gt;finds that the Naxalites have emptied &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;their &lt;/ins&gt;revolver and they beat Vikram with an iron rod. Soon, the police chief and a local politician come looking for Vikram and are able to stop the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;policemen &lt;/ins&gt;from killing him.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vikram suffers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;heavy &lt;/del&gt;[[brain damage]] and is rendered [[intellectual disability|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;handicapped&lt;/del&gt;]], while Siddharth tells Geeta that he intends to leave. Geeta refuses to accompany him. Siddharth has moved beyond simply trying to foment a revolution. He is prepared to delay it because he feels that the people are not ready in spite of their saying otherwise. He goes to London to study medicine and, through a letter, voices his anguish and disillusion with the idea of revolution, writing &quot;I hope the mysteries of the human body will be less confusing&quot; (in reference to his studying medicine and quitting the revolution).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vikram suffers &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;severe &lt;/ins&gt;[[brain damage]] and is rendered [[intellectual disability|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mentally challenged&lt;/ins&gt;]], while Siddharth tells Geeta that he intends to leave. Geeta refuses to accompany him. Siddharth has moved beyond simply trying to foment a revolution. He is prepared to delay it because he feels that the people are not ready in spite of their saying otherwise. He goes to London to study medicine and, through a letter, voices his anguish and disillusion with the idea of revolution, writing &quot;I hope the mysteries of the human body will be less confusing&quot; (in reference to his studying medicine and quitting the revolution).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing &amp;quot;I love you Geeta&amp;quot; on a rock, as they sit by a placid lake and watch the sunset.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing &amp;quot;I love you Geeta&amp;quot; on a rock, as they sit by a placid lake and watch the sunset.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l92&quot;&gt;Line 92:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 92:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by Sudhir Mishra]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by Sudhir Mishra]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ghalib]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ghalib]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Films about infidelity]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Films about Naxalism]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Films about revolutions]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:2000s English-language films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Hindi-language films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;SdkbBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Hazaaron_Khwaishein_Aisi&amp;diff=120530&amp;oldid=prev</id>
		<title>&gt;BD2412: /* Critical reception */Fixing links to disambiguation pages</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Hazaaron_Khwaishein_Aisi&amp;diff=120530&amp;oldid=prev"/>
		<updated>2021-07-01T00:59:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical reception: &lt;/span&gt;Fixing &lt;a href=&quot;https://en.bharatpedia.org/wiki/Bharatpedia:Disambiguation_pages_with_links&quot; class=&quot;extiw&quot; title=&quot;wikipedia:Disambiguation pages with links&quot;&gt;links to disambiguation pages&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=February 2020}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Hazaaron Khwaishein Aisi&lt;br /&gt;
| image          = Hazaaron Khwaishein Aisi Official Poster.jpg&lt;br /&gt;
| caption        = Poster&lt;br /&gt;
| director       = [[Sudhir Mishra]]&lt;br /&gt;
| producer       = Rangita Pritish Nandy&lt;br /&gt;
| writer         = [[Ruchi Narain]]&amp;lt;br /&amp;gt;[[Sudhir Mishra]]&amp;lt;br /&amp;gt;[[Shiv Kumar Subramaniam]]&amp;lt;br /&amp;gt;[[Sanjay Chauhan (screenwriter)|Sanjay Chauhan]] (Hindi dialogues)&lt;br /&gt;
| starring       = [[Kay Kay Menon]]&amp;lt;br /&amp;gt;[[Chitrangada Singh]]&amp;lt;br /&amp;gt;[[Shiney Ahuja]]&amp;lt;br /&amp;gt;[[Saurabh Shukla]]&amp;lt;br /&amp;gt;[[Ram Kapoor]]&lt;br /&gt;
| music          = [[Shantanu Moitra]]&lt;br /&gt;
| cinematography = [[Ravi K. Chandran]]&lt;br /&gt;
| editing        = Catherine D&amp;#039;Hoir&lt;br /&gt;
| distributor    =&lt;br /&gt;
| released       = {{Film date|2003|12||Florence River to River Festival|2005|04|15|df=y}}&lt;br /&gt;
| runtime        =&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Hindi&amp;lt;br&amp;gt;English&lt;br /&gt;
| budget         = 4 crores&lt;br /&gt;
| gross          = 18.4 crores&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Hazaaron Khwaishein Aisi&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (A Thousand Wishes Like This) is an [[India]]n [[political drama]] film made by director [[Sudhir Mishra]] in 2003 but released in 2005. Set against the backdrop of the [[Indian Emergency]], the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by [[Urdu]] poet [[Mirza Ghalib]].&lt;br /&gt;
&lt;br /&gt;
It went to 12 film festivals in 6 months including [[Turkey]], [[Estonia]], River to River ([[Berlin|Florence]]), [[Berlin]], [[Edinburgh]], [[Washington, D.C.|Washington]], [[Goa]], Bite The Mango (Bradford), Commonwealth ([[Manchester]]), India ([[Los Angeles]]), [[Dallas]], and Pacific Rim ([[California]]).&amp;lt;ref&amp;gt;{{cite web|title=Bollywood loves politics|url=http://indiatoday.intoday.in/gallery/bollywood+loves+politics/4/3175.html|website=India Today|access-date=13 June 2016}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Plot ==&lt;br /&gt;
The film opens at [[Hindu College, University of Delhi|Hindu College]], [[Delhi]] with the story of three students, Siddharth Tyabji ([[Kay Kay Menon]]), Geeta Rao ([[Chitrangada Singh]]) and Vikram Malhotra ([[Shiney Ahuja]]).&lt;br /&gt;
&lt;br /&gt;
Siddharth is a driven revolutionary who dreams of bringing a revolution in the state of [[Bihar]] that will end the [[caste]]-based discrimination there, bring social justice, and improve society. Geeta is a London-returned, South Indian in love with the firebrand Siddharth. She has led a very sheltered life and is yet to explore the terrain of the Indian socio-political landscape. While she finds Siddharth&amp;#039;s [[Naxalite]] rhetoric attractive, she is not sure if she can whole-heartedly subscribe to it. Every time they come to a choice, Siddharth chooses his ideology over his love for her thus breaking her heart time and again. Vikram is a middle-class boy who dreams of making it big, whatever the cost. He is particularly afflicted by his father&amp;#039;s Gandhian ideas, but irritated and frustrated at the same time, seeing his father&amp;#039;s way of life as ineffective in bringing about change.&lt;br /&gt;
&lt;br /&gt;
Siddharth leaves for Bihar to bring about a revolution; Geeta leaves for [[Oxford]] to get a degree; and Vikram sets up an office in Delhi.&lt;br /&gt;
&lt;br /&gt;
A few years later, Vikram is a fixer in the power corridors of government, Geeta is married to promising [[Indian Administrative Service|IAS]] Officer Arun Mehta ([[Ram Kapoor]]) who, as Geeta says &amp;quot;has it all&amp;quot;, and Siddharth is still trying to foment a revolution. But all is not as it seems. Below the mask of happiness, each is quite unhappy. Vikram has &amp;#039;made it&amp;#039; but he cannot get Geeta, the love of his life. Geeta is married, but she meets Siddharth on the sly, cheating on her husband.&lt;br /&gt;
&lt;br /&gt;
Geeta gets a divorce from her husband because of her love for Siddharth, even though she does not want to hurt her husband&amp;#039;s feelings. Geeta joins Siddharth in the village and starts to teach the children, whilst the police repeatedly try to hunt down her now husband, Siddharth. She bears a child with Siddharth whom she sends to her parents in London since she believes he deserves more than to grow up in the remote village.&lt;br /&gt;
&lt;br /&gt;
Eventually the police round up the entire village, capturing Siddharth and Geeta for intent to cause unrest and brutally assaulting them – fabricating a story of a villagers&amp;#039; riot to explain their injuries. Geeta is bailed out of prison by her now influential ex-husband. Siddharth, on the run, is shot by the police, admitted to a local hospital, and placed under arrest while Geeta believes him to have been killed.&lt;br /&gt;
&lt;br /&gt;
Vikram, who has been consoling Geeta and taking care of her during the absences of her ex-husband and of Siddharth, is informed that Siddharth is alive. Vikram travels to meet Siddharth and release him using his influential contacts. However, he has an accident on the way and is admitted to the same hospital as Siddharth. During the night, local Naxalites break into the crude hospital and free Siddharth while Vikram lays there. The next morning, the policemen in charge of guarding Siddharth, frustrated, accuse Vikram of having conspiring to free Siddharth and beat him up. After discovering that he is a man of influence, they resolve to kill him and dump his body to make it unrecognisable. Vikram, terrified and injured, attempts to escape but is chased down. The policeman finds that the Naxalites have emptied his revolver and they beat Vikram with an iron rod. Soon, the police chief and a local politician come looking for Vikram and are able to stop the police from killing him.&lt;br /&gt;
&lt;br /&gt;
Vikram suffers heavy [[brain damage]] and is rendered [[intellectual disability|handicapped]], while Siddharth tells Geeta that he intends to leave. Geeta refuses to accompany him. Siddharth has moved beyond simply trying to foment a revolution. He is prepared to delay it because he feels that the people are not ready in spite of their saying otherwise. He goes to London to study medicine and, through a letter, voices his anguish and disillusion with the idea of revolution, writing &amp;quot;I hope the mysteries of the human body will be less confusing&amp;quot; (in reference to his studying medicine and quitting the revolution).&lt;br /&gt;
&lt;br /&gt;
The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing &amp;quot;I love you Geeta&amp;quot; on a rock, as they sit by a placid lake and watch the sunset.&lt;br /&gt;
&lt;br /&gt;
== Cast ==&lt;br /&gt;
* [[Kay Kay Menon]] as Siddharth Tyabji&lt;br /&gt;
* [[Chitrangada Singh]] as Geeta Rao Mehta&lt;br /&gt;
* [[Shiney Ahuja]] as Vikram Malhotra&lt;br /&gt;
* [[Ram Kapoor]] as Arun Mehta&lt;br /&gt;
* [[Yashpal Sharma (actor)|Yashpal Sharma]] as Randhir Singh&lt;br /&gt;
* [[Akhil Mishra]] as Vikram&amp;#039;s father&lt;br /&gt;
* [[Saurabh Shukla]] as Bihari constable&lt;br /&gt;
* [[Anupam Shyam]] as Jhanda Singh&lt;br /&gt;
* [[Shilpa Shukla]] as Neeti &lt;br /&gt;
* [[Satyajit Sharma]] as Maharaja&amp;#039;s elder son&lt;br /&gt;
* [[Sanjaya Sinh|Sanjay Singh]] as Sanjay Singh&lt;br /&gt;
* [[Arif Zakaria]] as Daryll&lt;br /&gt;
* [[V K Sharma]] as Maharaja&amp;#039;s Secretary&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
#&amp;quot;Baawra Mann Dekhne Chala Ek Sapna&amp;quot; – [[Swanand Kirkire]]&lt;br /&gt;
#&amp;quot;Bor Bayi Na Aaye Piya&amp;quot; – Shobha Joshi&lt;br /&gt;
#&amp;quot;Hey Sajni&amp;quot; – [[Bhikhari Thakur]]&lt;br /&gt;
#&amp;quot;Banvara Mann Dekhne Chala Ek Sapna&amp;quot; – [[Shubha Mudgal]]&lt;br /&gt;
#&amp;quot;Hajaro Khwahishe Aisee Ke&amp;quot; – [[Shubha Mudgal]]&lt;br /&gt;
#&amp;quot;Hazaaro Khwaishe Aisi (2)&amp;quot; – [[Shubha Mudgal]]&lt;br /&gt;
#&amp;quot;He Sajni The (Club Mix)&amp;quot; – [[Bhikhari Thakur]]&lt;br /&gt;
#&amp;quot;Mann Yeh Baavra&amp;quot; – [[Swanand Kirkire]], Ajay Jhingran&lt;br /&gt;
&lt;br /&gt;
== Critical reception ==&lt;br /&gt;
The film received positive reviews. &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; described it as a real reel from India. Avijit Ghosh of &amp;#039;&amp;#039;[[The Telegraph (India)|The Telegraph]]&amp;#039;&amp;#039; called it a &amp;quot;post-dated love letter to that lost generation.&amp;quot;&amp;lt;ref&amp;gt;{{cite web|last1=Ghosh|first1=Avijit|title=Hazaaron Khwaishein Aisi|url=http://www.telegraphindia.com/1050422/asp/etc/story_4647693.asp|website=The Telegraph|access-date=13 June 2016|date=22 April 2005}}&amp;lt;/ref&amp;gt; Sukanya Verma of &amp;#039;&amp;#039;[[Rediff]]&amp;#039;&amp;#039; said, &amp;quot;[[Sudhir Mishra]]&amp;#039;s drama is overwhelming, memorable.&amp;quot;&amp;lt;ref&amp;gt;{{Cite web | title = Hazaaron Khwaishein is overwhelming! | last = Verma | first = Sukanya | work = Rediff.com | date = 15 April 2005 | access-date = 14 June 2016 | url = http://www.rediff.com/movies/2005/apr/15hazaaron.htm }}&amp;lt;/ref&amp;gt; [[Anupama Chopra]] of &amp;#039;&amp;#039;[[India Today]]&amp;#039;&amp;#039; called it a &amp;quot;finely crafted, textured film.&amp;quot;&amp;lt;ref&amp;gt;{{Cite web | title = Film review: Hazaaron Khwaishein Aisi starring Kay Kay, Chitrangada, Shiny Ahuja | last = Chopra | first = Anupama | work = India Today | date = 2 May 2005 | access-date = 14 June 2016 | url = http://indiatoday.intoday.in/story/film-review-hazaaron-khwaishein-aisi-starring-kay-kay-shiny-ahuja/1/193826.html}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
Actor [[Shiney Ahuja]] received the Best Male Debut Award at the Filmfare Awards function.&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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== External links ==&lt;br /&gt;
* {{IMDb title|0411469|Hazaaron Khwaishein Aisi}}&lt;br /&gt;
&lt;br /&gt;
[[Category:2003 films]]&lt;br /&gt;
[[Category:2000s Hindi-language films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:English-language Indian films]]&lt;br /&gt;
[[Category:Films set in Delhi]]&lt;br /&gt;
[[Category:Films set in Bihar]]&lt;br /&gt;
[[Category:Indian political films]]&lt;br /&gt;
[[Category:Films set in the 1970s]]&lt;br /&gt;
[[Category:Works about the Emergency (India)]]&lt;br /&gt;
[[Category:Films scored by Shantanu Moitra]]&lt;br /&gt;
[[Category:Indian political drama films]]&lt;br /&gt;
[[Category:Films directed by Sudhir Mishra]]&lt;br /&gt;
[[Category:Ghalib]]&lt;/div&gt;</summary>
		<author><name>&gt;BD2412</name></author>
	</entry>
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