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	<title>Hasht-behesht (architecture) - Revision history</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{other uses|Hasht-behesht (disambiguation)}}&lt;br /&gt;
[[File:Hasht Behesht 012.jpg|thumb|[[Hasht Behesht]], a [[Safavid dynasty|Safavid]]-era pavilion in [[Isfahan]], [[Iran]].]]&lt;br /&gt;
In [[architecture]], a &amp;#039;&amp;#039;&amp;#039;hasht-behesht&amp;#039;&amp;#039;&amp;#039; ({{lang|fa|هشت‌بهشت}}, {{transl|fa|hašt-behešt}}), literally meaning &amp;quot;eight heavens&amp;quot; in [[Persian language|Persian]], is a type of [[floor plan]] consisting of a central hall surrounded by eight rooms,&amp;lt;ref name=&amp;quot;Iranica&amp;quot;&amp;gt;{{cite encyclopedia |url=http://www.iranicaonline.org/articles/hast-behest-2 |title=HAŠT BEHEŠT (2) |encyclopedia=Encyclopædia Iranica |date=March 20, 2012 |first=Michele |last=Bernardini |volume=XII |pages=49–51}}&amp;lt;/ref&amp;gt; the earliest recognized example of which in [[Iranian architecture]] is traced to the time of the [[Persianate society|Persianate]] [[Timurid Empire]]. The term was used in [[Persian literature]] as a metaphorical image, and was later notably used in [[Hasht-Bihisht (poem)|a poem]] by Indian poet [[Amir Khusrow]], who gave the most comprehensible literary reconstruction of the model in his adaptation of an [[Persian mythology|Iranian epic]] about [[Sasanian Empire|Sasanian]] ruler [[Bahram V]], as well as in other works by [[Ottoman Empire|Ottoman]] poets [[Sehi Bey]] and [[Idris Bitlisi]].&amp;lt;ref name=&amp;quot;Iranica&amp;quot;/&amp;gt; The architectural form was adopted and used also in [[Ottoman architecture|Ottoman]] and [[Mughal architecture|Mughal]] architectures.&lt;br /&gt;
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The concept of hasht-behesht is linked to that of the [[Zoroastrianism|Zoroastrian]] {{transl|ae|vahišta}} ([[Avestan]] for &amp;quot;best&amp;quot;; cognate with [[Middle Persian]] {{transl|pal|wahišt}}, [[Persian language|New Persian]] {{transl|fa|behešt}}),&amp;lt;ref name=&amp;quot;Iranica&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite encyclopedia |url=http://www.iranicaonline.org/articles/asa-means-truth-in-avestan |first1=B. |last1=Schlerath |first2=P. O. |last2=Skjærvø |encyclopedia=Encyclopædia Iranica |title=AṦA |pages=694–696 |volume=II |date=August 16, 2011}}&amp;lt;/ref&amp;gt; a building decorated with precious stones that would represent the astrological concept of eight planets corresponding to eight heavens. It is closely related to [[Islamic eschatology]], in which [[heaven]] is described as having eight gates and eight spaces, and is also observed in [[Christian symbolism]] in the concept of [[Salvation in Christianity|salvation]].&amp;lt;ref name=&amp;quot;Iranica&amp;quot;/&amp;gt; Similarly, the Chinese [[magic square]], which was employed for numerous purposes, finds its way into Islamic mathematicians as &amp;quot;wafq&amp;quot;. Ninefold schemes find particular resonance in the Indian [[mandala]]s, the cosmic maps of [[Hinduism]] and [[Buddhism]].&amp;lt;ref name=&amp;quot;k26&amp;quot;&amp;gt;{{cite book |last=Koch |first=Ebba |title=The Complete Taj Mahal: And the Riverfront Gardens of Agra |year=2006 |edition=First |publisher=Thames &amp;amp; Hudson Ltd |isbn=0-500-34209-1 |page=[https://archive.org/details/completetajmahal0000koch/page/26 26] |no-pp=yes |url=https://archive.org/details/completetajmahal0000koch/page/26 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Iran==&lt;br /&gt;
Although the trace of an older [[Sasanian Empire|Sasanian]] equivalent is presumed, the earliest recognized use of the hasht-behesht plan is traced to a now non-extant two-storied pavilion named &amp;#039;&amp;#039;Tarab-khana&amp;#039;&amp;#039; that was built under the reign of the [[Persianate society|Persianate]] [[Timurid Empire]] in [[Herat]], a prominent city in medieval [[Greater Khorasan|Khorasan]]. Later, under the reign of Iran&amp;#039;s [[Safavid dynasty]], the same plan was used in the eponymous pavilion of [[Hasht Behesht]] in [[Isfahan]].&amp;lt;ref name=&amp;quot;Iranica&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;Ruggles, D. Fairchild. &amp;quot;Humayun&amp;#039;s Tomb and Garden: Typologies and Visual Order&amp;quot;, in Attilio Petruccioli, ed. &amp;#039;&amp;#039;Gardens in the Time of the Great Muslim Empires: Theory and Design. Studies in Islamic Art and Architecture: Supplements to Muqarnas&amp;#039;&amp;#039;. &amp;#039;&amp;#039;&amp;#039;VII&amp;#039;&amp;#039;&amp;#039;. Leiden: Brill. 1997. 174.&amp;lt;/ref&amp;gt;&lt;br /&gt;
[[File:Taj floorplan.svg|thumb|right|upright|Floor plan of the [[Taj Mahal]], showing eight chambers surrounding a central chamber.]]&lt;br /&gt;
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==Mughal India==&lt;br /&gt;
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In [[Mughal architecture|the architecture]] of the [[Persianate society|Persianate]] [[Mughal Empire]], hasht-behesht was the favorite plan for [[Mughal gardens|garden]]s and pavilions, as well as for mausolea (seen as a funerary form of pavilion). These were planned as square or rectangular buildings divided into nine sections, with a central domed chamber surrounded by eight elements. Later, developments of the hasht-behesht divided the square at 45 degree angles to create a more radial plan, which often also includes [[chamfer]]ed corners; examples of which can be found in Todar Mal&amp;#039;s Baradari at [[Fatehpur Sikri]] and [[Humayun&amp;#039;s Tomb]]. Each element of the plan is reflected in the elevations with [[iwan]]s and the corner rooms expressed through smaller arched niches. Such structures are often topped with [[chattris]], small pillared pavilions at each corner.&lt;br /&gt;
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==References==&lt;br /&gt;
{{reflist|2}}&lt;br /&gt;
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{{Iranian architecture}}&lt;br /&gt;
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[[Category:Architecture of Iran]]&lt;br /&gt;
[[Category:Safavid architecture]]&lt;br /&gt;
[[Category:Mughal architecture]]&lt;br /&gt;
[[Category:Ottoman architecture]]&lt;br /&gt;
[[Category:Islamic architectural elements]]&lt;br /&gt;
[[Category:Iranian inventions]]&lt;/div&gt;</summary>
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