>Johnpacklambert: revised to reflect where the place was when born

2021-09-29T16:34:29Z

revised to reflect where the place was when born

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{{Infobox artist
| name = Haren Das
| image =
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| birth_name = Harendra Narayan Das
| birth_date = {{birth date|1921|2|1|df=y}}
| birth_place = [[Dinajpur District, Bangladesh|Dinajpur]], [[Bengal]], India
| death_date = {{death date and age|1993|1|31|1921|2|1|df=y}}
| death_place =
| field =
| training =
| movement =
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}}

'''Harendra Narayan Das''' (1 February 1921 – 31 January 1993), better known as '''Haren Das''', was a highly respected artist in India who worked almost exclusively in printmaking mediums. His work included engravings, linocuts, etchings, and lithographs, though he is most remembered for the technical skill of his woodcuts and wood engravings.<ref>Adip Dutta, ''Manifestations II'' : Indian Art in the 20th Century, Delhi Art Gallery, 2004 {{ISBN|81-902104-0-8}}</ref>

Haren Das followed a tradition of wood engraving that developed in the bazaars of north Calcutta in the mid-19th century. His early academic training was received partially from Ramendranath Chakravorty (1902–55), who had been influenced in color woodcut printing by the Japanese style of [[Ukiyo-e]] prints.<ref name="multi">Paula Sengupta, Haren Das: ''The End of Toil'', Delhi Art Gallery, 2008 {{ISBN|978-81-904957-3-8}}</ref> Throughout his life Das perfected his woodcut and wood engraving techniques, sometimes producing multi-colored prints of enormous technical proficiency. Though Das created numerous etchings, aquatints, dry points and linocuts, he seldom ventured outside the realm of printmaking. Working during a time when fine art was equated with painting and sculpture, Haren Das was often criticized for working in what was then considered little more than a commercially oriented craft.<ref name="multi" />

Throughout his career Das remained committed to British academic and Victorian ideals that included concepts of perfection and traditionally perceived beauty. Unlike artists such as [[Somnath Hore]], who reacted with brutal directness to the horrors of the 1943 [[Bengal famine of 1943|Bengal Famine]], Haren Das remained focused upon his vision of a rural ideal. However, his bucolic images paid continuous homage to the hardworking people of India’s farms and villages.<ref>Sohini Dhar, ''Manifestations'', Delhi Art Gallery, 2003</ref>

In 1947 Das became a teacher at the Government School of Art in Calcutta, and in 1951 he became a Lecturer at the [[Government College of Art & Craft]] in the same city. His printmaking work has been exhibited and recognized in India, Japan, Germany, Switzerland, Poland, Argentina and Chile.<ref name="multi" />

==References==

<references/>

==External links==
* Haren Das [https://web.archive.org/web/20080513173405/http://www.delhiartgallery.com/press/haren-das--the-end-of-toil-pressdetails81.aspx Printed memories of rural Bengal]
* Haren Das [http://shop.planetsaffron.com/fixed/ItemDetails.aspx?iid=9110&a=Haren%20%20Das&pt=2&eid=32 Rice maker]
* The Hindu [https://web.archive.org/web/20080330211116/http://www.hindu.com/2008/03/26/stories/2008032650720200.htm Printed Memories]
* Haren Das [https://web.archive.org/web/20120918002222/http://www.expressindia.com/latest-news/print-line/293906/ Print Line]
* Haren Das [http://waswoxwaswoartcollection.blogspot.com/2009/12/haren-das-untitled.html Untitled] a review by [[Waswo X. Waswo]]

{{Authority control}}

{{DEFAULTSORT:Das, Harendra Narayan}}
[[Category:1921 births]]
[[Category:1993 deaths]]
[[Category:Bengali male artists]]
[[Category:People from Dinajpur District, Bangladesh]]
[[Category:Indian engravers]]

Haren Das - Revision history

>Johnpacklambert: revised to reflect where the place was when born