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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Half_Widow</id>
	<title>Half Widow - Revision history</title>
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	<updated>2026-11-15T14:39:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Half_Widow&amp;diff=452554&amp;oldid=prev</id>
		<title>KingsCharts: reworked lead per standard format for consistency</title>
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		<updated>2026-03-08T03:19:13Z</updated>

		<summary type="html">&lt;p&gt;reworked lead per standard format for consistency&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:49, 8 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = Danish Renzu&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = Danish Renzu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = Neelofar Hamid&amp;lt;br&amp;gt;Shahnawaz Bhat&amp;lt;br&amp;gt;[[Mir Sarwar]]&amp;lt;br&amp;gt;Haseena Sofi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = Neelofar Hamid&amp;lt;br&amp;gt;Shahnawaz Bhat&amp;lt;br&amp;gt;[[Mir Sarwar]]&amp;lt;br&amp;gt;Haseena Sofi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Alokananda Dasgupta]]&amp;lt;br&amp;gt;[[Sonu Nigam]]&amp;lt;br&amp;gt; Dilip Langoo&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Alokananda Dasgupta]]&amp;lt;br&amp;gt;[[Sonu Nigam]]&amp;lt;br&amp;gt; Dilip Langoo&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| cinematography = Antonio Cisneros&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| cinematography = Antonio Cisneros&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| editing        = Nitin Baid&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| editing        = Nitin Baid&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-url=https://web.archive.org/web/20180728191046/https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|url-status=dead|archive-date=28 July 2018&lt;/ins&gt;|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &amp;#039;half widow&amp;#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film&amp;#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &amp;#039;Half Widow&amp;#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&amp;#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April 2019}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&amp;#039;Half Widow&amp;#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &amp;#039;half widow&amp;#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film&amp;#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &amp;#039;Half Widow&amp;#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&amp;#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April 2019}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&amp;#039;Half Widow&amp;#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot;&gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Renzu’s &lt;/del&gt;directorial debut is storytelling at its best and not to be missed. Danish &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Renzu’s &lt;/del&gt;Half Widow differs. In fact, not just from these two films, but also from every other film &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that’s &lt;/del&gt;either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April 2019}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March 2020}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hamid’s &lt;/del&gt;sensitive and affecting portrayal accommodates the spectrum of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela’s &lt;/del&gt;emotional experiences, from loneliness to comfort in family and community, and from despair to hope. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela’s &lt;/del&gt;dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela’s &lt;/del&gt;ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January 2020}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Renzu&#039;s &lt;/ins&gt;directorial debut is storytelling at its best and not to be missed. Danish &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Renzu&#039;s &lt;/ins&gt;Half Widow differs. In fact, not just from these two films, but also from every other film &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that&#039;s &lt;/ins&gt;either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April 2019}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-url=https://web.archive.org/web/20200323214230/https://www.cinestaan.com/reviews/half-widow-41372 |url-status=live |archive-date=23 March 2020 &lt;/ins&gt;|title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March 2020}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hamid&#039;s &lt;/ins&gt;sensitive and affecting portrayal accommodates the spectrum of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela&#039;s &lt;/ins&gt;emotional experiences, from loneliness to comfort in family and community, and from despair to hope. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela&#039;s &lt;/ins&gt;dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neela&#039;s &lt;/ins&gt;ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January 2020}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Festivals &amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Festivals &amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]] , San Francisco&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]], San Francisco&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July 2018}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July 2018}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot;&gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - Boston Indian and International Film  Festival&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - Boston Indian and International Film  Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film - Boston Indian and International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film - Boston Indian and International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Le Festival des Films Indiens de Toulouse - [[Film Critics Circle of India]] Award for the Best Debut Director Danish Renzu &amp;lt;ref&amp;gt;{{Cite web|url=https://filmcriticscircle.com/fcci-awards/|title=Film Critics Circle Of India|website=filmcriticscircle.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Le Festival des Films Indiens de Toulouse - [[Film Critics Circle of India]] Award for the Best Debut Director Danish Renzu &amp;lt;ref&amp;gt;{{Cite web|url=https://filmcriticscircle.com/fcci-awards/|title=Film Critics Circle Of India|website=filmcriticscircle.com&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=22 June 2019|archive-date=4 January 2020|archive-url=https://web.archive.org/web/20200104025141/https://filmcriticscircle.com/fcci-awards/|url-status=dead&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In Competition at [[Asia Pacific Screen Awards]], Australia&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In Competition at [[Asia Pacific Screen Awards]], Australia&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l80&quot;&gt;Line 80:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 80:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Cinematography (Antonio Cisneros) - 2018 Boston Indian and International Film  Festival, Boston&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Cinematography (Antonio Cisneros) - 2018 Boston Indian and International Film  Festival, Boston&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Critics Choice - 2019 Indian Film Festival of Cincinnati, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cincinnati&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Critics Choice - 2019 Indian Film Festival of Cincinnati, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cincinnat&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot;&gt;Line 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 86:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb title|tt5012370}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb title|tt5012370}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films shot in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films shot in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2010s &lt;/del&gt;Urdu-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2017 &lt;/ins&gt;Urdu-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian independent films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian independent films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kashmir conflict in films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kashmir conflict in films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l97&quot;&gt;Line 97:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 95:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian Army in films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian Army in films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:2017 films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Urdu-language Indian films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>KingsCharts</name></author>
	</entry>
	<entry>
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		<updated>2022-11-21T23:10:36Z</updated>

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&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:40, 22 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Half Widow&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Half Widow&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &#039;half widow&#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &#039;Half Widow&#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &#039;half widow&#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &#039;Half Widow&#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Director Danish Renzu was doing a job at [[AT&amp;amp;T]] in the United States.&amp;lt;ref name=quint&amp;gt;{{cite web|url=https://www.thequint.com/entertainment/indian-cinema/danish-renzu-on-kashmir-half-widow-and-cinema|title=A Kashmiri Filmmaker Returns For the Love of Kashmir &amp;amp; Cinema|last=Ali Khan|first=Murtaza|publisher=[[The Quint]]|date=8 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; He came back to India in 2015 as he wanted to &quot;tell stories from my world and the place I grew up in&quot; that need attention and platform.&amp;lt;ref name=tt/&amp;gt; The film was shot in the valleys of Kashmir with local cast and crew. Sheikh Neelofar handled the casting part and approached some actors including a Bollywood actor [[Mir Sarwar]].&amp;lt;ref name=tribune/&amp;gt;&amp;lt;ref name=quint/&amp;gt;  Due to the local people involved Renzu was able to shoot the film in several unexplored locations.&amp;lt;ref name=quint/&amp;gt; The last schedule of filming was delayed due to the [[2016–18 Kashmir unrest|2016 Kashmir Uprising]] in the valley.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/a-window-to-the-valley/article19714135.ece|title=A window to the Valley - Danish Renzu talks about reviving cinema in Kashmir|last=Bhat|first=Adil|work=[[The Hindu]]|date=19 September 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s dialogue writer Sunayana Kachroo, who is a poet, said that she felt the need to tell this story as &quot;men in conflict zones are celebrated, decorated, and revered for their heroism&quot;, but the women and children are referred to as &quot;the bystanders of the discord&quot;. She further said: &quot;The first and the last victims of war are always the women and the children and, due to this, they are also the torchbearers of change and progress.&quot;&amp;lt;ref name=scroll/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Director Danish Renzu was doing a job at [[AT&amp;amp;T]] in the United States.&amp;lt;ref name=quint&amp;gt;{{cite web|url=https://www.thequint.com/entertainment/indian-cinema/danish-renzu-on-kashmir-half-widow-and-cinema|title=A Kashmiri Filmmaker Returns For the Love of Kashmir &amp;amp; Cinema|last=Ali Khan|first=Murtaza|publisher=[[The Quint]]|date=8 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; He came back to India in 2015 as he wanted to &quot;tell stories from my world and the place I grew up in&quot; that need attention and platform.&amp;lt;ref name=tt/&amp;gt; The film was shot in the valleys of Kashmir with local cast and crew. Sheikh Neelofar handled the casting part and approached some actors including a Bollywood actor [[Mir Sarwar]].&amp;lt;ref name=tribune/&amp;gt;&amp;lt;ref name=quint/&amp;gt;  Due to the local people involved Renzu was able to shoot the film in several unexplored locations.&amp;lt;ref name=quint/&amp;gt; The last schedule of filming was delayed due to the [[2016–18 Kashmir unrest|2016 Kashmir Uprising]] in the valley.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/a-window-to-the-valley/article19714135.ece|title=A window to the Valley - Danish Renzu talks about reviving cinema in Kashmir|last=Bhat|first=Adil|work=[[The Hindu]]|date=19 September 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s dialogue writer Sunayana Kachroo, who is a poet, said that she felt the need to tell this story as &quot;men in conflict zones are celebrated, decorated, and revered for their heroism&quot;, but the women and children are referred to as &quot;the bystanders of the discord&quot;. She further said: &quot;The first and the last victims of war are always the women and the children and, due to this, they are also the torchbearers of change and progress.&quot;&amp;lt;ref name=scroll/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish Renzu’s directorial debut is storytelling at its best and not to be missed. Danish Renzu’s Half Widow differs. In fact, not just from these two films, but also from every other film that’s either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar Hamid’s sensitive and affecting portrayal accommodates the spectrum of Neela’s emotional experiences, from loneliness to comfort in family and community, and from despair to hope. Neela’s dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in Neela’s ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish Renzu’s directorial debut is storytelling at its best and not to be missed. Danish Renzu’s Half Widow differs. In fact, not just from these two films, but also from every other film that’s either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar Hamid’s sensitive and affecting portrayal accommodates the spectrum of Neela’s emotional experiences, from loneliness to comfort in family and community, and from despair to hope. Neela’s dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in Neela’s ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]] , San Francisco&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]] , San Francisco&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Indie Meme International Film Festival, Texas&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Indie Meme International Film Festival, Texas&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vancouver South Asian Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vancouver South Asian Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l76&quot;&gt;Line 76:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 76:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2017 South Asian International Film Festival, New York (world premiere)&amp;lt;ref name=tribune/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2017 South Asian International Film Festival, New York (world premiere)&amp;lt;ref name=tribune/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2018 Vancouver South Asian International Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2018 Vancouver South Asian International Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Award - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Award - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Director Award  Danish Renzu - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Director Award  Danish Renzu - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Half_Widow&amp;diff=364227&amp;oldid=prev</id>
		<title>Bot: robot: Create/upgrade articles. If there is a mistake please report on my talk page.</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Half_Widow&amp;diff=364227&amp;oldid=prev"/>
		<updated>2022-11-21T23:10:36Z</updated>

		<summary type="html">&lt;p&gt;robot: Create/upgrade articles. If there is a mistake please report on my &lt;a href=&quot;/wiki/User_talk:Bot&quot; title=&quot;User talk:Bot&quot;&gt;talk page&lt;/a&gt;.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:40, 22 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Half Widow&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Half Widow&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Danish Renzu]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Danish Renzu]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Gaya Bhola&amp;lt;br&amp;gt;Danish Renzu&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Gaya Bhola&amp;lt;br&amp;gt;Danish Renzu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = Danish Renzu &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt; Sunayana Kachroo (Dialogues)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = Danish Renzu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = Neelofar Hamid&amp;lt;br&amp;gt;Shahnawaz Bhat&amp;lt;br&amp;gt;[[Mir Sarwar]]&amp;lt;br&amp;gt;Haseena Sofi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = Neelofar Hamid&amp;lt;br&amp;gt;Shahnawaz Bhat&amp;lt;br&amp;gt;[[Mir Sarwar]]&amp;lt;br&amp;gt;Haseena Sofi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Alokananda Dasgupta]]&amp;lt;br&amp;gt;[[Sonu Nigam]]&amp;lt;br&amp;gt; Dilip Langoo&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Alokananda Dasgupta]]&amp;lt;br&amp;gt;[[Sonu Nigam]]&amp;lt;br&amp;gt; Dilip Langoo&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Half Widow&#039;&#039;&#039;&#039;&#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the [[Indian army]].&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &#039;half widow&#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &#039;Half Widow&#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &#039;half widow&#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &#039;Half Widow&#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&#039;s heart-breaking tale of love, longing and loss is a must-watch|date=14 April 2019|publisher=Cineblitz |access-date=14 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film was released theatrically on 6 January 2020 in India.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece|title=&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|first=Niyati|last=Bhat|date=10 January 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Director Danish Renzu was doing a job at [[AT&amp;amp;T]] in the United States.&amp;lt;ref name=quint&amp;gt;{{cite web|url=https://www.thequint.com/entertainment/indian-cinema/danish-renzu-on-kashmir-half-widow-and-cinema|title=A Kashmiri Filmmaker Returns For the Love of Kashmir &amp;amp; Cinema|last=Ali Khan|first=Murtaza|publisher=[[The Quint]]|date=8 August 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; He came back to India in 2015 as he wanted to &quot;tell stories from my world and the place I grew up in&quot; that need attention and platform.&amp;lt;ref name=tt/&amp;gt; The film was shot in the valleys of Kashmir with local cast and crew. Sheikh Neelofar handled the casting part and approached some actors including a Bollywood actor [[Mir Sarwar]].&amp;lt;ref name=tribune/&amp;gt;&amp;lt;ref name=quint/&amp;gt;  Due to the local people involved Renzu was able to shoot the film in several unexplored locations.&amp;lt;ref name=quint/&amp;gt; The last schedule of filming was delayed due to the [[2016–18 Kashmir unrest|2016 Kashmir Uprising]] in the valley.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/a-window-to-the-valley/article19714135.ece|title=A window to the Valley - Danish Renzu talks about reviving cinema in Kashmir|last=Bhat|first=Adil|work=[[The Hindu]]|date=19 September 2017|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s dialogue writer Sunayana Kachroo, who is a poet, said that she felt the need to tell this story as &quot;men in conflict zones are celebrated, decorated, and revered for their heroism&quot;, but the women and children are referred to as &quot;the bystanders of the discord&quot;. She further said: &quot;The first and the last victims of war are always the women and the children and, due to this, they are also the torchbearers of change and progress.&quot;&amp;lt;ref name=scroll/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Director Danish Renzu was doing a job at [[AT&amp;amp;T]] in the United States.&amp;lt;ref name=quint&amp;gt;{{cite web|url=https://www.thequint.com/entertainment/indian-cinema/danish-renzu-on-kashmir-half-widow-and-cinema|title=A Kashmiri Filmmaker Returns For the Love of Kashmir &amp;amp; Cinema|last=Ali Khan|first=Murtaza|publisher=[[The Quint]]|date=8 August 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; He came back to India in 2015 as he wanted to &quot;tell stories from my world and the place I grew up in&quot; that need attention and platform.&amp;lt;ref name=tt/&amp;gt; The film was shot in the valleys of Kashmir with local cast and crew. Sheikh Neelofar handled the casting part and approached some actors including a Bollywood actor [[Mir Sarwar]].&amp;lt;ref name=tribune/&amp;gt;&amp;lt;ref name=quint/&amp;gt;  Due to the local people involved Renzu was able to shoot the film in several unexplored locations.&amp;lt;ref name=quint/&amp;gt; The last schedule of filming was delayed due to the [[2016–18 Kashmir unrest|2016 Kashmir Uprising]] in the valley.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/a-window-to-the-valley/article19714135.ece|title=A window to the Valley - Danish Renzu talks about reviving cinema in Kashmir|last=Bhat|first=Adil|work=[[The Hindu]]|date=19 September 2017|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; The film&#039;s dialogue writer Sunayana Kachroo, who is a poet, said that she felt the need to tell this story as &quot;men in conflict zones are celebrated, decorated, and revered for their heroism&quot;, but the women and children are referred to as &quot;the bystanders of the discord&quot;. She further said: &quot;The first and the last victims of war are always the women and the children and, due to this, they are also the torchbearers of change and progress.&quot;&amp;lt;ref name=scroll/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reception ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish Renzu’s directorial debut is storytelling at its best and not to be missed. Danish Renzu’s Half Widow differs. In fact, not just from these two films, but also from every other film that’s either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar Hamid’s sensitive and affecting portrayal accommodates the spectrum of Neela’s emotional experiences, from loneliness to comfort in family and community, and from despair to hope. Neela’s dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in Neela’s ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2019&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Niyati Bhat of [[The Hindu]] wrote: &quot;&#039;Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film&quot;&amp;lt;ref&amp;gt;{{Cite news |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020|last1=Bhat|first1=Niyati}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &quot;it&#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish Renzu’s directorial debut is storytelling at its best and not to be missed. Danish Renzu’s Half Widow differs. In fact, not just from these two films, but also from every other film that’s either been made, based, set or shot in Kashmir!&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &quot;Neelofar Hamid’s sensitive and affecting portrayal accommodates the spectrum of Neela’s emotional experiences, from loneliness to comfort in family and community, and from despair to hope. Neela’s dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in Neela’s ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &#039;Half Widow&#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children&#039;s choir.&quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and festivals==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]] , San Francisco&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[CAAMFest]] , San Francisco&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Seattle International Film Festival]], Seattle&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Indie Meme International Film Festival, Texas&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Indie Meme International Film Festival, Texas&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vancouver South Asian Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vancouver South Asian Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l76&quot;&gt;Line 76:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 76:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2017 South Asian International Film Festival, New York (world premiere)&amp;lt;ref name=tribune/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2017 South Asian International Film Festival, New York (world premiere)&amp;lt;ref name=tribune/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2018 Vancouver South Asian International Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Audience Choice, Best Feature Film - 2018 Vancouver South Asian International Film Festival, Canada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Award - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Film Award - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&quot;auto&quot;&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Director Award  Danish Renzu - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Director Award  Danish Renzu - 2018 New Jersey Indian and International Film Festival&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l90&quot;&gt;Line 90:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 90:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films set in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films shot in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films shot in Jammu and Kashmir]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Urdu-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2010s &lt;/ins&gt;Urdu-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian independent films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian independent films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kashmir conflict in films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kashmir conflict in films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Half_Widow&amp;diff=336485&amp;oldid=prev</id>
		<title>UpdateBot at 05:46, 16 May 2022</title>
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		<updated>2022-05-16T05:46:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Half_Widow&amp;amp;diff=336485&amp;amp;oldid=120074&quot;&gt;Show changes&lt;/a&gt;</summary>
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		<title>106.204.192.76 at 21:45, 14 May 2021</title>
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		<updated>2021-05-14T21:45:40Z</updated>

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=June 2019}}&lt;br /&gt;
{{Use Indian English|date=June 2019}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Half Widow&lt;br /&gt;
| image          = &lt;br /&gt;
| director       = [[Danish Renzu]]&lt;br /&gt;
| producer       = Gaya Bhola&amp;lt;br&amp;gt;Danish Renzu&lt;br /&gt;
| writer         = Danish Renzu &amp;lt;br&amp;gt; Sunayana Kachroo (Dialogues)&lt;br /&gt;
| starring       = Neelofar Hamid&amp;lt;br&amp;gt;Shahnawaz Bhat&amp;lt;br&amp;gt;[[Mir Sarwar]]&amp;lt;br&amp;gt;Haseena Sofi&lt;br /&gt;
| music          = [[Alokananda Dasgupta]]&amp;lt;br&amp;gt;[[Sonu Nigam]]&amp;lt;br&amp;gt; Dilip Langoo&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Lyrics: Sunayana Kachroo &lt;br /&gt;
| cinematography = Antonio Cisneros&lt;br /&gt;
| editing        = Nitin Baid&lt;br /&gt;
| studio         = Renzu Films&amp;lt;br&amp;gt;Gaya Art Films&lt;br /&gt;
| distributor    = [[Amazon Prime Video]] &amp;lt;br&amp;gt;  [[PVR Cinemas]]&lt;br /&gt;
| released       = December 16, 2017 [[South Asian International Film Festival |(SAIFF)]] ([[New York City|New York]] &amp;lt;br&amp;gt;  Sep 11, 2019 [[Amazon Prime Video]]  &amp;lt;br&amp;gt; Jan 6, 2020 ([[India]]) , theatrical &lt;br /&gt;
| runtime        = 91 minutes&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = [[Urdu]]&amp;lt;br&amp;gt;[[Kashmiri language|Kashmiri]]&lt;br /&gt;
| budget         = &amp;lt;!--Must be attributed to a reliable published source with an established reputation for fact-checking. No blogs, no IMDb.--&amp;gt;&lt;br /&gt;
| gross          = &lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Half Widow&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a 2017 Indian drama film directed by debutant Danish Renzu and written by Renzu and Gaya Bhola. The film tells the story of a woman from [[Srinagar]] in Kashmir, who tries to find her husband who is abducted by the Indian army.&amp;lt;ref name=tt&amp;gt;{{cite news|url=https://www.telegraphindia.com/india/if-there-is-paradise-on-earth-it-is-not-here-183441|title=If there is paradise on earth, it is not here|last=Sarkar|first=Sonia|work=[[The Telegraph (Calcutta)|The Telegraph]]|date=5 November 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Jointly produced by Bhola and Renzu, the film stars Neelofar Hamid, Shahnawaz Bhat, [[Mir Sarwar]] and Haseena Sofi in the lead roles.&amp;lt;ref name=tribune&amp;gt;{{cite news|url=https://www.tribuneindia.com/news/jammu-kashmir/shot-in-valley-award-winning-film-set-for-release/535564.html|title=Shot in Valley, award-winning film set for release|last=Khan|first=M Aamir|work=[[The Tribune (Chandigarh)|The Tribune]]|date=30 January 2018|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; Because there are no theaters in Kashmir, the film was screened at the Sher-i-Kashmir International Conference Centre.&amp;lt;ref name=tribune/&amp;gt; &lt;br /&gt;
The title of the film refers to the [[Half-widow|namesake term]] used for Kashmiri women whose husbands have disappeared mostly in custody of security forces in the [[Kashmir conflict]].&amp;lt;ref name=ht&amp;gt;{{cite news|url=https://www.hindustantimes.com/bollywood/tracing-the-life-of-a-half-widow-muslim-director-kashmiri-pandit-writer-join-hands-for-a-film/story-KVbgLlsnOt376yFkiByr3J.html|title=Tracing the life of a &amp;#039;half widow&amp;#039;: Muslim director, Kashmiri pandit writer join hands for a film|last=Hussain|first=Ashiq|work=[[Hindustan Times]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film&amp;#039;s official trailer was released in May 2017.&amp;lt;ref name=ht/&amp;gt; The characters in the film talk in [[Urdu]], with some Kashmiri.&amp;lt;ref name=scroll&amp;gt;{{cite web|url=https://scroll.in/reel/848155/in-kashmiri-film-half-widow-the-journey-from-disappearance-to-death-to-hope|title=In Kashmiri film &amp;#039;Half Widow&amp;#039;, the journey from disappearance to death to hope|last=Bhat|first=Niyati|publisher=[[Scroll.in]]|date=27 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film received a favourable review on [[Cineblitz]].&amp;lt;ref&amp;gt;{{cite web|url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/|title=Half Widow review: Danish Renzu&amp;#039;s heart-breaking tale of love, longing and loss is a must-watch|publisher=Cineblitz |access-date=14 April 2019}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
The film had a theaterical release in India on Jan 6 in select metropolitan cities by PVR Cinemas.&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
*Neelofar Hamid	as Neela&lt;br /&gt;
*Shahnawaz Bhat as Zakir&lt;br /&gt;
*[[Mir Sarwar]] as Khalid&lt;br /&gt;
*Haseena Sofi as Khala&lt;br /&gt;
*Rhonda Leal as Eva&lt;br /&gt;
*Yasmeena Wani as Zumba &lt;br /&gt;
*Ayaan Sikander as Faizan&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
Director Danish Renzu was doing a job at [[AT&amp;amp;T]] in the United States.&amp;lt;ref name=quint&amp;gt;{{cite web|url=https://www.thequint.com/entertainment/indian-cinema/danish-renzu-on-kashmir-half-widow-and-cinema|title=A Kashmiri Filmmaker Returns For the Love of Kashmir &amp;amp; Cinema|last=Ali Khan|first=Murtaza|publisher=[[The Quint]]|date=8 August 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; He came back to India in 2015 as he wanted to &amp;quot;tell stories from my world and the place I grew up in&amp;quot; that need attention and platform.&amp;lt;ref name=tt/&amp;gt; The film was shot in the valleys of Kashmir with local cast and crew. Sheikh Neelofar handled the casting part and approached some actors including a Bollywood actor [[Mir Sarwar]]. &amp;lt;ref name=tribune/&amp;gt;&amp;lt;ref name=quint/&amp;gt;  Due to the local people involved Renzu was able to shoot the film in several unexplored locations.&amp;lt;ref name=quint/&amp;gt; The last schedule of filming was delayed due to the [[2016–18 Kashmir unrest|2016 Kashmir Uprising]] in the valley.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/a-window-to-the-valley/article19714135.ece|title=A window to the Valley - Danish Renzu talks about reviving cinema in Kashmir|last=Bhat|first=Adil|work=[[The Hindu]]|date=19 September 2017|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; The film&amp;#039;s dialogue writer Sunayana Kachroo, who is a poet, said that she felt the need to tell this story as &amp;quot;men in conflict zones are celebrated, decorated, and revered for their heroism&amp;quot;, but the women and children are referred to as &amp;quot;the bystanders of the discord&amp;quot;. She further said: &amp;quot;The first and the last victims of war are always the women and the children and, due to this, they are also the torchbearers of change and progress.&amp;quot;&amp;lt;ref name=scroll/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
[[Sonu Nigam]] has composed and sung the song &amp;quot;Kuch Baqi Hai&amp;quot; written by Sunayana Kachroo.&lt;br /&gt;
&lt;br /&gt;
[[Ishaan Khattar]] was the first Assistant Director on this film.&lt;br /&gt;
&lt;br /&gt;
[[Zee Music Company]] holds the music rights of the film.&lt;br /&gt;
&lt;br /&gt;
The film received a U/A certificate by [[Central Board of Film Certification]] on 17 August 2018 with no cuts.&lt;br /&gt;
&lt;br /&gt;
Nitin Baid from [[Masaan]], [[Gully Boy]] and [[Raazi]] has edited the film.&lt;br /&gt;
&lt;br /&gt;
==Reception==&lt;br /&gt;
Niyati Bhat of [[The Hindu]] wrote: &amp;quot;&amp;#039;Half Widow&amp;#039; does not fall into the Bollywood trap of the formula Kashmir film&amp;quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://www.thehindu.com/entertainment/movies/half-widow-does-not-fall-into-the-bollywood-trap-of-the-formula-kashmir-film/article30535093.ece |title=Half Widow&amp;#039; does not fall into the Bollywood trap of the formula Kashmir film|date=10 January 2020 |website=The Hindu |access-date=10 January 2020}}&amp;lt;/ref&amp;gt; Aakansha Naval of [[Cineblitz]] gave it 4 stars out of 5 and wrote &amp;quot;it&amp;#039;s a hard look at the harrowing and emotional trauma of half widows in Kashmir, Danish Renzu’s directorial debut is storytelling at its best and not to be missed. Danish Renzu’s Half Widow differs. In fact, not just from these two films, but also from every other film that’s either been made, based, set or shot in Kashmir!&amp;quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://cineblitz.in/review/half-widow-review-danish-renzus-heart-breaking-tale-of-love-longing-and-loss-is-a-must-watch/ | title= Danish Renzu&amp;#039;s heart-breaking tale of love, longing &amp;amp; loss is a must-watch |date=4 April 2019 |website=Cineblitz |access-date=4 April 2019}} &amp;lt;/ref&amp;gt; Keyur Seta of [[Cinestaan]] gave it 3 stars out of 4 and write: &amp;quot;It is a more intimate portrayal and captures the lives of ordinary Kashmiris. The simple and realistic dialogues are an example. The use of the local language in a number of places adds to the realism.&amp;quot;&amp;lt;ref&amp;gt; {{Cite web |url=https://www.cinestaan.com/reviews/half-widow-41372 |title=Half Widow review: Hopeful end to grim tale of a missing husband|date=24 March 2020 |website=Cinestaan |access-date=20 March 2020}} &amp;lt;/ref&amp;gt; Nandini Ramnath of Scroll in praised the lead actors performance and wrote: &amp;quot;Neelofar Hamid’s sensitive and affecting portrayal accommodates the spectrum of Neela’s emotional experiences, from loneliness to comfort in family and community, and from despair to hope. Neela’s dilemma, articulated through a voiceover by dialogue writer Sunayna Kachroo, moves away from politics towards the direction of poetics. There is immense poignancy and wistfulness in Neela’s ruminations. The seasons change, but no season brought you back, Neela says to herself as she remembers Khalid.&amp;quot;&amp;lt;ref&amp;gt;{{Cite web |url=https://scroll.in/reel/948974/in-kashmiri-film-half-widow-a-missing-husband-and-a-dilemma-should-she-hold-on-or-let-go |title=In Kashmiri film &amp;#039;Half Widow&amp;#039;, a missing husband and a dilemma: should she hold on or let go?|date=6 January 2020 |website= The Scroll |access-date=6 January 2020}}&amp;lt;/ref&amp;gt; Sanjana Bhagwat of [[Shorted]] wrote: &amp;quot;This is just what the film is – grounded, honest and real, without any glossiness of romanticism or manipulation. Familiar songs like ‘Dilbaro’ and ‘Ae Watan’ sound starkly different without the sheen of being in a Bollywood film; they can be heard in Half Widow through the static of radios or the off-key, asynchronous hum of a children’s choir.&amp;quot;&amp;lt;ref&amp;gt;{{Cite web |url= https://shorted.in/films/half-widow-danish-renzu/ |title=Half Widow |date=17 December 2019 |website=Shorted |access-date=17 December 2019}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Awards and Festivals==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Festivals &amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*[[CAAMFest]] , San Francisco&lt;br /&gt;
*[[Seattle International Film Festival]], Seattle&lt;br /&gt;
*[[Asian Film Festival of Dallas]], Dallas &amp;lt;ref&amp;gt;{{cite web|url=https://www.asianfilmdallas.com/half-widow/|title=Half Widow|publisher=Asian Film Festival of Dallas|access-date=28 July 2018}}&amp;lt;/ref&amp;gt; &lt;br /&gt;
*Indie Meme International Film Festival, Texas&lt;br /&gt;
*Vancouver South Asian Film Festival, Canada&lt;br /&gt;
*South Asian International Film Festival, New York&lt;br /&gt;
*Innovative International Film Festival, Bangalore&lt;br /&gt;
*2nd New Delhi Film Festival, Delhi&lt;br /&gt;
*Le Festival des Films Indiens de Toulouse, France&lt;br /&gt;
*Jaipur International Film Festival, Jaipur &lt;br /&gt;
*Tasveer South Asian Film Festival, Seattle&lt;br /&gt;
*Chicago South Asian Film Festival, Chicago&lt;br /&gt;
*Houston Asian American Pacific Islander Film Festival (HAAPIFest), Houston&lt;br /&gt;
*[[UN_Women]], Los Angeles chapter (SPECIAL SCREENING)&lt;br /&gt;
*Boston Indian and International Film Festival, Boston&lt;br /&gt;
*Mustard Seed Film Festival of Philadelphia, Philadelphia&lt;br /&gt;
*San Luis Obispo International Film Festival, San Luis Obispo&lt;br /&gt;
*DC South Asian Film Festival, Washington DC&lt;br /&gt;
*New Jersey Indian &amp;amp; International Film Festival, New Jersey&lt;br /&gt;
*Caelesdoscope International Film Festival, Rhode Island&lt;br /&gt;
*[[Hyderabad Bengali Film Festival]], Hyderabad &lt;br /&gt;
*Indian Film Festival of Cincinnati, Ohio &lt;br /&gt;
*National Film Festival of Kerala, Kochi&lt;br /&gt;
*Third Eye Asian Film Festival, Mumbai&lt;br /&gt;
*Indian Film Festival Of Prague&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Nominations  &amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Best Actress (Neelofar Hamid) - Boston Indian and International Film  Festival&lt;br /&gt;
*Best Film - Boston Indian and International Film Festival&lt;br /&gt;
*Le Festival des Films Indiens de Toulouse - [[Film Critics Circle of India]] Award for the Best Debut Director Danish Renzu &amp;lt;ref&amp;gt;https://filmcriticscircle.com/fcci-awards/&amp;lt;/ref&amp;gt;&lt;br /&gt;
*In Competition at [[Asia Pacific Screen Awards]], Australia&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Awards&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Best Director, Dada Saheb Phalke Film Festival 2018&lt;br /&gt;
*Audience Choice, Best Feature Film - 2017 South Asian International Film Festival, New York (world premiere)&amp;lt;ref name=tribune/&amp;gt;&lt;br /&gt;
*Audience Choice, Best Feature Film - 2018 Vancouver South Asian International Film Festival, Canada&lt;br /&gt;
*Best Film Award - 2018 New Jersey Indian and International Film Festival&amp;lt;ref&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*Best Director Award  Danish Renzu - 2018 New Jersey Indian and International Film Festival&amp;lt;ref&amp;gt;{{cite web|url=https://www.njiiff.org/2018-winners.html|title=New Jersey Indian &amp;amp; International Film Festival: 2018 Winners|publisher=New Jersey Indian &amp;amp; International Film Festival|access-date=28 July 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*Best Actress (Neelofar Hamid) - 2018 Caelesdoscope International Film Festival&lt;br /&gt;
*Best Cinematography (Antonio Cisneros) - 2018 Boston Indian and International Film  Festival, Boston&lt;br /&gt;
*Best Film Critics Choice - 2019 Indian Film Festival of Cincinnati, Cincinnati&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb title|tt5012370}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Films set in Jammu and Kashmir]]&lt;br /&gt;
[[Category:Films shot in Jammu and Kashmir]]&lt;br /&gt;
[[Category:Human rights abuses in Jammu and Kashmir]]&lt;br /&gt;
[[Category:Politics of Jammu and Kashmir]]&lt;br /&gt;
[[Category:Urdu-language films]]&lt;br /&gt;
[[Category:Indian independent films]]&lt;br /&gt;
[[Category:Kashmir conflict in films]]&lt;br /&gt;
[[Category:Indian Army in films]]&lt;/div&gt;</summary>
		<author><name>106.204.192.76</name></author>
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