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	<title>Hāsya - Revision history</title>
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	<updated>2026-08-18T14:44:09Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
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		<title>Rozella5628: expand layout for accuracy</title>
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		<updated>2024-10-03T13:11:50Z</updated>

		<summary type="html">&lt;p&gt;expand layout for accuracy&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:41, 3 October 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Hāsya&amp;#039;&amp;#039;&amp;#039; ([[Sanskrit]]: हास्य) is a Sanskrit word&amp;lt;ref&amp;gt;{{cite web | title =Definition of hāsya|work= Sanskritdictionary| url = http://sanskritdictionary.com/h%C4%81sya/281184/1 | accessdate = 2014-08-28 }}&amp;lt;/ref&amp;gt; for one of the nine [[Rasa (aesthetics)|rasas]] or [[Bhava (mood)|bhava]] (mood) of [[Indian aesthetics]], usually translated as [[humour]] or [[comedy]].&amp;lt;ref name=&amp;quot;Marchand2006&amp;quot;&amp;gt;{{cite book|author=Peter Marchand|title=The Yoga of the Nine Emotions: The Tantric Practice of Rasa Sadhana|url=https://books.google.com/books?id=qy3EJro29MQC&amp;amp;pg=PA177|date=2006|publisher=Inner Traditions / Bear &amp;amp; Co|isbn=978-1-59477-094-4|pages=177–}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Prasad1994&amp;quot;/&amp;gt; The colour associated with hasya is white and deity, &amp;#039;&amp;#039;Pramatha&amp;#039;&amp;#039;,&amp;lt;ref name=&amp;quot;Schwartz2004&amp;quot;&amp;gt;{{cite book|author=Susan L. Schwartz|title=Rasa: Performing the Divine in India|url=https://archive.org/details/rasa00susa|url-access=registration|date=2004|publisher=Columbia University Press|isbn=978-0-231-13145-2|pages=[https://archive.org/details/rasa00susa/page/15 15]–}}&amp;lt;/ref&amp;gt; and leads to exultation of the mind.&amp;lt;ref name=&amp;quot;Gupta2013&amp;quot;&amp;gt;{{cite book|author=Sanjukta Gupta|title=Advaita Vedanta and Vaisnavism: The Philosophy of Madhusudana Sarasvati|url=https://books.google.com/books?id=4AFxluCHsoAC&amp;amp;pg=PA140|date=2013|publisher=Routledge|isbn=978-1-134-15774-7|pages=140–}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Hāsya&amp;#039;&amp;#039;&amp;#039; ([[Sanskrit]]: हास्य) is a Sanskrit word&amp;lt;ref&amp;gt;{{cite web | title =Definition of hāsya|work= Sanskritdictionary| url = http://sanskritdictionary.com/h%C4%81sya/281184/1 | accessdate = 2014-08-28 }}&amp;lt;/ref&amp;gt; for one of the nine [[Rasa (aesthetics)|rasas]] or [[Bhava (mood)|bhava]] (mood) of [[Indian aesthetics]], usually translated as [[humour]] or [[comedy]].&amp;lt;ref name=&amp;quot;Marchand2006&amp;quot;&amp;gt;{{cite book|author=Peter Marchand|title=The Yoga of the Nine Emotions: The Tantric Practice of Rasa Sadhana|url=https://books.google.com/books?id=qy3EJro29MQC&amp;amp;pg=PA177|date=2006|publisher=Inner Traditions / Bear &amp;amp; Co|isbn=978-1-59477-094-4|pages=177–}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Prasad1994&amp;quot;/&amp;gt; The colour associated with hasya is white and deity, &amp;#039;&amp;#039;Pramatha&amp;#039;&amp;#039;,&amp;lt;ref name=&amp;quot;Schwartz2004&amp;quot;&amp;gt;{{cite book|author=Susan L. Schwartz|title=Rasa: Performing the Divine in India|url=https://archive.org/details/rasa00susa|url-access=registration|date=2004|publisher=Columbia University Press|isbn=978-0-231-13145-2|pages=[https://archive.org/details/rasa00susa/page/15 15]–}}&amp;lt;/ref&amp;gt; and leads to exultation of the mind.&amp;lt;ref name=&amp;quot;Gupta2013&amp;quot;&amp;gt;{{cite book|author=Sanjukta Gupta|title=Advaita Vedanta and Vaisnavism: The Philosophy of Madhusudana Sarasvati|url=https://books.google.com/books?id=4AFxluCHsoAC&amp;amp;pg=PA140|date=2013|publisher=Routledge|isbn=978-1-134-15774-7|pages=140–}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hāsya often arises out of [[Sringara]] as mentioned in &#039;&#039;[[Natya Shastra]]&#039;&#039;, the classical treatise on the performing arts&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;of [[Bharata Muni]], theatrologist and musicologist.&amp;lt;ref&amp;gt;{{cite book |last = Ghosh |first = Manomohan |title = Natyasastra |year = 2002 |isbn =81-7080-076-5}}&amp;lt;/ref&amp;gt; Rasa means &quot;flavour&quot;, and the theory of rasa is the primary concept behind classical [[Indian art]]s, including [[theatre in India|theatre]],&amp;lt;ref name=&quot;TrivediBartholomeusz2005&quot;&amp;gt;{{cite book|author1=Poonam Trivedi|author2=Dennis Bartholomeusz|title=India&#039;s Shakespeare: Translation, Interpretation, and Performance|url=https://books.google.com/books?id=n5lKp1XE2OQC&amp;amp;pg=PA211|year=2005|publisher=University of Delaware Press|isbn=978-0-87413-881-8|pages=211–}}&amp;lt;/ref&amp;gt; [[music]], [[dance]], [[poetry]], and even [[sculpture]].&amp;lt;ref name=&quot;Prasad1994&quot;&amp;gt;{{cite book|author=Gupteshwar Prasad|title=I.A. Richards and Indian Theory of Rasa|url=https://books.google.com/books?id=hmy5cnSbsWYC&amp;amp;pg=PA100|year=1994|publisher=Sarup &amp;amp; Sons|isbn=978-81-85431-37-6|pages=100}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Sharma2007&quot;&amp;gt;{{cite book|author=Manorma Sharma|title=Music Aesthetics|url=https://books.google.com/books?id=wjJ6ASaqFGAC&amp;amp;pg=PA96|date=2007|publisher=APH Publishing|isbn=978-81-313-0032-9|pages=96–}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hāsya often arises out of [[Sringara]] as mentioned in &#039;&#039;[[Natya Shastra]]&#039;&#039;, the classical treatise on the performing arts of [[Bharata Muni]], theatrologist and musicologist.&amp;lt;ref&amp;gt;{{cite book |last = Ghosh |first = Manomohan |title = Natyasastra |year = 2002 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|publisher = Chowkhamba sanskrit series office &lt;/ins&gt;|isbn =81-7080-076-5}}&amp;lt;/ref&amp;gt; Rasa means &quot;flavour&quot;, and the theory of rasa is the primary concept behind classical [[Indian art]]s, including [[theatre in India|theatre]],&amp;lt;ref name=&quot;TrivediBartholomeusz2005&quot;&amp;gt;{{cite book|author1=Poonam Trivedi|author2=Dennis Bartholomeusz|title=India&#039;s Shakespeare: Translation, Interpretation, and Performance|url=https://books.google.com/books?id=n5lKp1XE2OQC&amp;amp;pg=PA211|year=2005|publisher=University of Delaware Press|isbn=978-0-87413-881-8|pages=211–}}&amp;lt;/ref&amp;gt; [[music]], [[dance]], [[poetry]], and even [[sculpture]].&amp;lt;ref name=&quot;Prasad1994&quot;&amp;gt;{{cite book|author=Gupteshwar Prasad|title=I.A. Richards and Indian Theory of Rasa|url=https://books.google.com/books?id=hmy5cnSbsWYC&amp;amp;pg=PA100|year=1994|publisher=Sarup &amp;amp; Sons|isbn=978-81-85431-37-6|pages=100}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Sharma2007&quot;&amp;gt;{{cite book|author=Manorma Sharma|title=Music Aesthetics|url=https://books.google.com/books?id=wjJ6ASaqFGAC&amp;amp;pg=PA96|date=2007|publisher=APH Publishing|isbn=978-81-313-0032-9|pages=96–}}&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &amp;lt;br&amp;gt;&amp;lt;br&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Rozella5628</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=H%C4%81sya&amp;diff=92966&amp;oldid=prev</id>
		<title>CleanupBot: /* References */clean up, add source tag</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=H%C4%81sya&amp;diff=92966&amp;oldid=prev"/>
		<updated>2021-06-01T19:57:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References: &lt;/span&gt;clean up, add source tag&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:27, 2 June 2021&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{india-culture-stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{india-culture-stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>CleanupBot</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=H%C4%81sya&amp;diff=63185&amp;oldid=prev</id>
		<title>&gt;Prad Nelluru at 16:54, 30 May 2020</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=H%C4%81sya&amp;diff=63185&amp;oldid=prev"/>
		<updated>2020-05-30T16:54:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=July 2019}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Hāsya&amp;#039;&amp;#039;&amp;#039; ([[Sanskrit]]: हास्य) is a Sanskrit word&amp;lt;ref&amp;gt;{{cite web | title =Definition of hāsya|work= Sanskritdictionary| url = http://sanskritdictionary.com/h%C4%81sya/281184/1 | accessdate = 2014-08-28 }}&amp;lt;/ref&amp;gt; for one of the nine [[Rasa (aesthetics)|rasas]] or [[Bhava (mood)|bhava]] (mood) of [[Indian aesthetics]], usually translated as [[humour]] or [[comedy]].&amp;lt;ref name=&amp;quot;Marchand2006&amp;quot;&amp;gt;{{cite book|author=Peter Marchand|title=The Yoga of the Nine Emotions: The Tantric Practice of Rasa Sadhana|url=https://books.google.com/books?id=qy3EJro29MQC&amp;amp;pg=PA177|date=2006|publisher=Inner Traditions / Bear &amp;amp; Co|isbn=978-1-59477-094-4|pages=177–}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Prasad1994&amp;quot;/&amp;gt; The colour associated with hasya is white and deity, &amp;#039;&amp;#039;Pramatha&amp;#039;&amp;#039;,&amp;lt;ref name=&amp;quot;Schwartz2004&amp;quot;&amp;gt;{{cite book|author=Susan L. Schwartz|title=Rasa: Performing the Divine in India|url=https://archive.org/details/rasa00susa|url-access=registration|date=2004|publisher=Columbia University Press|isbn=978-0-231-13145-2|pages=[https://archive.org/details/rasa00susa/page/15 15]–}}&amp;lt;/ref&amp;gt; and leads to exultation of the mind.&amp;lt;ref name=&amp;quot;Gupta2013&amp;quot;&amp;gt;{{cite book|author=Sanjukta Gupta|title=Advaita Vedanta and Vaisnavism: The Philosophy of Madhusudana Sarasvati|url=https://books.google.com/books?id=4AFxluCHsoAC&amp;amp;pg=PA140|date=2013|publisher=Routledge|isbn=978-1-134-15774-7|pages=140–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Hāsya often arises out of [[Sringara]] as mentioned in &amp;#039;&amp;#039;[[Natya Shastra]]&amp;#039;&amp;#039;, the classical treatise on the performing arts, of [[Bharata Muni]], theatrologist and musicologist.&amp;lt;ref&amp;gt;{{cite book |last = Ghosh |first = Manomohan |title = Natyasastra |year = 2002 |isbn =81-7080-076-5}}&amp;lt;/ref&amp;gt; Rasa means &amp;quot;flavour&amp;quot;, and the theory of rasa is the primary concept behind classical [[Indian art]]s, including [[theatre in India|theatre]],&amp;lt;ref name=&amp;quot;TrivediBartholomeusz2005&amp;quot;&amp;gt;{{cite book|author1=Poonam Trivedi|author2=Dennis Bartholomeusz|title=India&amp;#039;s Shakespeare: Translation, Interpretation, and Performance|url=https://books.google.com/books?id=n5lKp1XE2OQC&amp;amp;pg=PA211|year=2005|publisher=University of Delaware Press|isbn=978-0-87413-881-8|pages=211–}}&amp;lt;/ref&amp;gt; [[music]], [[dance]], [[poetry]], and even [[sculpture]].&amp;lt;ref name=&amp;quot;Prasad1994&amp;quot;&amp;gt;{{cite book|author=Gupteshwar Prasad|title=I.A. Richards and Indian Theory of Rasa|url=https://books.google.com/books?id=hmy5cnSbsWYC&amp;amp;pg=PA100|year=1994|publisher=Sarup &amp;amp; Sons|isbn=978-81-85431-37-6|pages=100}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Sharma2007&amp;quot;&amp;gt;{{cite book|author=Manorma Sharma|title=Music Aesthetics|url=https://books.google.com/books?id=wjJ6ASaqFGAC&amp;amp;pg=PA96|date=2007|publisher=APH Publishing|isbn=978-81-313-0032-9|pages=96–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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{{Rasa theory|state=expanded}}&lt;br /&gt;
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{{DEFAULTSORT:Hasya}}&lt;br /&gt;
[[Category:Indian classical music]]&lt;br /&gt;
[[Category:Arts in India]]&lt;br /&gt;
[[Category:Performing arts in India]]&lt;br /&gt;
[[Category:Sanskrit words and phrases]]&lt;br /&gt;
[[Category:Humour]]&lt;br /&gt;
[[Category:Comedy]]&lt;br /&gt;
[[Category:Indian humour]]&lt;br /&gt;
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{{india-culture-stub}}&lt;/div&gt;</summary>
		<author><name>&gt;Prad Nelluru</name></author>
	</entry>
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