Gwalior gharana - Revision history

MerleGrier1601: Improved wording and formatting

2026-02-25T11:22:34Z

Improved wording and formatting

WikiDwarf at 11:29, 11 July 2021

2021-07-11T11:29:33Z

@@ Line 30: / Line 30: @@
 ==Pedagogical genealogy==
 The following map is based on accounts that Makkan Khan and Shakkar Khan were not related.<ref>{{cite book |last1=Te Nijenhuis |first1=Emmie |author-link=Emmie te Nijenhuis |title=Indian Music: History and Structure |date=1974 |publisher=E. J. Brill |location=Belgium |isbn=90-04-03978-3}}</ref> These accounts are supported by research indicating that Makkan Khan's descendants were [[dhrupad]]iyas and Shakkar Khan's descendants were [[khayal]]iyas, thus reflecting different genealogies.<ref>{{cite book |last1=Nadkarni |first1=Mohan |title=The Great Masters: profiles in Hindustani classical vocal music |date=1999 |publisher=HarperCollins Publishers India |location=India |page=38}}</ref>
 === Recent pedagogy ===

>Karanderao: /* 20th Century */ Included person of interest based on citations.

2021-07-05T22:23:46Z

20th Century: Included person of interest based on citations.

New page

{{Short description|Genre in Hindustani classical music}}
{{More citations needed|date=August 2010}}
{{Use Indian English|date=January 2016}}
{{Use dmy dates|date=January 2016}}
The '''Gwalior Gharana''' ('''Gwalior school of classical music''') is one of the oldest [[Khyal]] [[Gharana]] in [[Hindustani classical music|Indian classical music]]. The rise of the Gwalior Gharana started with the reign of the [[Mughal Empire|Mughal]] emperor [[Akbar]] (1542–1605).

The favourite singers of this patron of the arts, such as [[Miyan Tansen]], who was the most famous vocalist at the court, came from the town of [[Gwalior]].

==History==
The Gwalior Gharana evolved during the time of the [[Mughal Empire]] (1526CE {{ndash}} 1857 CE). Among the early masters (''ustad'') were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan.<ref>{{cite book|last1=Mukherji|first1=Kumar Prasad|title=The Lost World of Hindustani Music|date=2006|publisher=Penguin Books|location=Delhi|isbn=978-0-14-306199-1|page=57|edition=2006}}</ref> The head musician in the imperial court was Bade Mohammad Khan, who was famous for his ''taan bazi'' style.{{citation needed|date=May 2020}} Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan, [[dhrupad]] singer and [[veena]] player in the court of [[Mohammad Shah]] (1702 CE {{ndash}} 1748 CE).<ref>{{cite web|last1=Kumar|first1=Kuldeep|title=Exploring the syntax of syncretism|url=http://www.thehindu.com/books/Exploring-the-syntax-of-syncretism/article15549440.ece|website=The Hindu|access-date=27 November 2017}}</ref>

Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the Gwalior style of singing.<ref>{{cite web|title=Hassu Khan Haddu Khan|url=http://oxfordindex.oup.com/view/10.1093/oi/authority.20110803095914728|website=Oxford Index|access-date=28 November 2017}}</ref> Haddu Khan's son [[Ustad Bade Inayat Hussain Khan]] (1852 {{ndash}} 1922) was also a singer but his style departed from the methodical Gwalior style.

Among the brothers' students were Vasudeva Buwa Joshi (died 1890), who became a teacher; and Ramkrishna Deva, who became a musician in [[Dhar]].<ref>{{cite book|last1=Wade|first1=B. C.|title=Khyal: Creativity Within North India's Classical Music Tradition|date=1984|publisher=CUP Archive|isbn=0521256593|page=47|url=https://books.google.com/books?id=MiE9AAAAIAAJ&q=Vasudeva+Buwa+Joshi&pg=PA41|access-date=28 November 2017}}</ref> It was Ramkrishna Deva's student, [[Balakrishnabuwa Ichalkaranjikar]] (1849 {{ndash}} 1926) who brought the Gwaliori ''gaeki'' (singing style) to [[Maharashtra]] state.<ref>{{cite book|title=The Gazetteer of India vol 2|publisher=Publications Division Ministry of Information & Broadcasting|isbn=9788123022659|url=https://books.google.com/books?id=wumhDQAAQBAJ&q=Balakrishnabuwa+Ichalkaranjikar}}</ref>

Another prominent disciple of the duo was a [[Islamism|Muslim]] dhrupad and dhamar singer from [[Amritsar]], Miyan Banney Khan (1835 {{ndash}} 1910). He introduced Khyal in [[Punjab]] and [[Sindh]] and then took a musical position at the court of [[Nizam of Hyderabad]].<ref>{{Cite book|title = Khyal: Creativity Within North India's Classical Music Tradition|url = https://books.google.com/books?id=MiE9AAAAIAAJ|publisher = CUP Archive|date = 1984-01-01|isbn = 9780521256599|first = Bonnie C.|last = Wade}}</ref> Miyan Banney Khan's pupils included his cousin, Amir Khan (also known as "Meeran Bukhsh Khan"), Gamman Khan, Bhai Atta, Ali Bukhsh ,Kale Khan, Mian Qadir (sarangi), Bhai Wadhawa and Bhai Wasawa.

These all disciples started their own Gharanas and their descendants are still the most respected musicians of the subcontinent. Amir Khan also shared Miyan Banney khan's cheejs with the pupils of Pt. Balkrishnabuwa Ichalkaranjikar when he stayed in Miraj for sometime. However, his disciples included among others his four sons. One of the sons, Pyare Khan, became a professional musician.<ref>{{cite book|last1=Ranade|first1=A. D.|title=Hindi Film Song: Music Beyond Boundaries|date=2006|publisher=Bibliophile South Asia|isbn=9788185002644|page=207}}</ref> Another son, Baba Sindhe Khan (1885 {{ndash}} 18 June 1950) became a music teacher and trained pupils such as the educator [[B. R. Deodhar]] (1901 {{ndash}} 1990); the singer [[Bade Ghulam Ali Khan]] (1902 {{ndash}} 1968),<ref>{{Cite web|title = ITC SRA's Tribute to the Great Maestros of Hindustani Classical Music|url = http://www.itcsra.org/tribute.asp?id=4|website = www.itcsra.org|access-date = 2016-01-06}}</ref> and [[Farida Khanam]] (born 1935).

On 19 August 1922, Pyare Khan performed at the second annual celebration of the [[Indian Independence Movement|independence of India]]. He became a mentor to a singer from [[Afghanistan]], also performing at the celebration. This was the singer, Qasim Afghan ("Qasimju") (born 1878, [[Kabul]]).<ref>{{Cite web|title = Afghanistan Ustad Qasim Afghan|url = http://www.afghanland.com/entertainment/music/qasim.html|website = www.afghanland.com|access-date = 2016-01-06}}</ref> Pyare Khan also remained a musician at the court of Maharajadhiraj Maharawal (Sir Jawahir Singh) of [[History of Jaisalmer|Jaisalmer]] (1914 {{ndash}} 1949). He was also a teacher of Seth Vishandas of Hyderabad in Sindh near [[Karachi]] and Mahant Girdharidas of Bhuman Shah, Punjab.

Pyare Khan's sons were Umeed Ali Khan (1910 {{ndash}} 1979) and Ghulam Rasool Khan. They became respected classical vocalists of their times.<ref>{{Cite web|title = Ummeed Ali Khan|url = http://www.parrikar.org/vpl/?page_id=487|website = Vijaya Parrikar Library of Indian Classical Music|access-date = 2016-01-06}}</ref> Ghulam Rasool Khan had two sons, Hameed Ali Khan and Fateh Ali Khan.<ref>{{Cite web|title = Oriental Traditional Music from LPs & Cassettes: Hameed Ali Khan & Fateh Ali Khan (Gwalior Gharana) - Vol. 2 - Lok Virsa CL-0023 (1987)|url = http://oriental-traditional-music.blogspot.com/2011/06/hameed-ali-khan-fateh-ali-khan-gwalior.html|website = Oriental Traditional Music from LPs & Cassettes|date = 2011-06-12|access-date = 2016-01-06}}</ref>

[[Krishnarao Shankar Pandit]] (1893 {{ndash}} 1989) was a musician of the Gwalior gharana heritage. His father, Shankarrao Pandit was a student of Haddu Khan, Nathu Khan and [[Nissar Hussain Khan]], Nathu Khan's son. Krishnarao Shankar Pandit practiced [[Khayal]], [[Tappa]] and [[Tarana]] singing as well as layakari.

In 1914, Krishnarao Shankar Pandit opened a school in Gwalior, the Shankar Gandharva Mahavidyalaya. In 1921, he was awarded the title ''Gayak Shiromani'' at the All India Congress. Pandit became the court musician to [[Madhavrao Scindia]] of Gwalior; the State Musician of Maharashtra, an emeritus professor at Madhav Music College, Gwalior and an emeritus producer at [[All India Radio]] and [[Doordarshan]]. For his contribution to the world of classical music, he received awards including the [[Padma Bhushan]] in 1973 and the [[Tansen Samaroh#Tansen Samman|Tansen Award]] in 1980.

The students of Krishnarao Shankar Pandit included his son, Laxman Krishnarao Pandit, Sharadchandra Arolkar, Balasaheb Poochwale, and his granddaughter [[Meeta Pandit]].

==Pedagogical genealogy==
The following map is based on accounts that Makkan Khan and Shakkar Khan were not related.<ref>{{cite book |last1=Te Nijenhuis |first1=Emmie |author-link=Emmie te Nijenhuis |title=Indian Music: History and Structure |date=1974 |publisher=E. J. Brill |location=Belgium |isbn=90-04-03978-3}}</ref> These accounts are supported by research indicating that Makkan Khan's descendants were [[dhrupad]]iyas and Shakkar Khan's descendants were [[khayal]]iyas, thus reflecting different genealogies.<ref>{{cite book |last1=Nadkarni |first1=Mohan |title=The Great Masters: profiles in Hindustani classical vocal music |date=1999 |publisher=HarperCollins Publishers India |location=India |page=38}}</ref>

{{tree chart/start|style=font-size:80%;line-height:100%;}}
{{tree chart| | | |GULAM|GULAM=[[Gulam Rasool|Ghulam Rasool]]}}
{{tree chart| | | | |!| | | | | | | | | | | | | | | | | | | | |}}
{{tree chart| | | |MAKKA|MAKKA=[[Makkhan Khan|Makkhan Khan]]}}
{{tree chart| | | | |!| | | | | | | | | | | | | | | | | | | | |}}
{{tree chart| | | |PIRBU|PIRBU=[[Nathan Pir Baksh|'''Nathan Peer Baksh''' (progenitor)]]}}
{{tree chart| | | | |!| | | | | | | | | | | | | | | | | | | | |}}
{{tree chart| |,|-|-|(| | | | | | | | | | | | | | | | | | | | |}}
{{tree chart| |!| |QADAR|QADAR=[[Kadar Baksh|Kadar Baksh]]}}
{{tree chart| |!| | |)|-|-|v|-|-|-|-|-|-|-|v|-|-|-|-|-|-|-|-|-|-|-|-|-|.|}}
{{tree chart|KHUDA| |!| |NATTH| | | | | |HADDU| | | | | | | | | | | |HASSU|HASSU=[[#Hassu Khan|'''Hassu Khan''' (founder)]]
|NATTH=[[#Natthu Khan|Natthu Khan]]
|HADDU=[[#Haddu Khan|'''Haddu Khan''' (founder)]]
|KHUDA=[[Ghagge Khuda Baksh|Ghagge Khuda Baksh]]}}
{{tree chart| |)|-|.|!| | |!| | | | | | | |!| | | | | | | | | | | | |,|^|-|v|-|.| |}}
{{tree chart|AGRAG|`|(| | |!|,|v|-|v|-|v|-|+|-|-|v|-|-|v|-|-|.| | | |!| | |!|GULEI|AGRAG=[[Agra Gharana|''Agra Gharana Parampara'']]
|GULEI=Gul-e-Imam Khan}}
{{tree chart| |:| | |!| | |)|'|!| |!| |!| |!| | |!| | |!| | |!| | | |!| | |!| |!| |}}
{{tree chart| |:| | |!| | |!|VISHN|!|BANNO|!| | |!| | |!| | |!| | |VASUD|DEVJI|!| |VISHN=[[Vishnupant Moreshwar Chatre|Vishnupant Chattre]]
|DEVJI=[[Ramkrishnadev Paranjpe|Ramkrishnadev Paranjpe "Devjibuwa"]]
|VASUD=[[Vasudev Joshi|Vasudevbuwa Joshi]]
|BANNE=[[Banney Khan|Banney Khan]]}}
{{tree chart| |:| | |!| | |!| | | |!| |!| |!| | |!| | |!| |CHOTE| | |!| | |!|MEHEN|CHOTE=[[Chote Mohammed Khan|Chote Mohammed Khan]]
|MEHEN=Mehendi Hussain Khan}}
{{tree chart| |:| |FAIZM|NISSA| |RAHIM|!|INAYA| |!| |INAYH| |)|-|.| |!| | |!| | | |NISSA=[[Bade Nissar Hussain Khan|Bade Nissar Hussain Khan]]
|FAIZM=[[Faiz Mohammed Khan|Faiz Mohammed Khan]]
|RAHIM=[[Rehmat Khan (singer)|Rehmat Khan "Bhu Gandharva"]]
|INAYA=[[Ustad Bade Inayat Hussain Khan|Bade Inayat Hussain Khan]]
|INAYH=[[Inayat Hussain Khan|Inayat Hussain Khan]]}}
{{tree chart| |:| | | | | |!| | | | | |!| |!| | |!| | |!| | |!| |`|-|^|v|-|'| | | | |}}
{{tree chart| |:| | | | | |!| | | | |AMIRK|!| |ALIFA|RAMPU|GHAGG| | |BALKR|BALKR=[[Balkrishnabuwa Ichalkaranjikar|Balkrishnabuwa Ichalkaranjikar]]
|ALIFA=[[Patiala Gharana|Ali Baksh & Fateh Ali Khan "Aliya-Fatu"]]
|RAMPU=[[Rampur-Sahaswan Gharana|''Rampur-Sahaswan Gharana Parampara'']]
|GHAGG=[[Ghagge Nazir Khan|Ghagge Nazir Khan]]
|AMIRK=[[Meeran Baksh Khan|Meeran Baksh "Amir" Khan]]}}
{{tree chart| |:| | |,|-|-|+|-|-|-|.| |!| |!| | |!| | |:| | |!| | |,|-|+|-|v|-|v|-|v|-|.| | |}}
{{tree chart| |:| | |!| |SHANK| |EKNAT|!| |!| |PATIA| |:| |MEWAT| |!| |!| |!| |!| |!| |!|SHANK=[[Shankar Pandit|Shankar Pandit]]
|PATIA=[[Patiala Gharana|''Patiala Gharana Parampara'']]
|MEWAT=[[Mewati Gharana|''Mewati Gharana Parampara'']]
|EKNAT=[[Eknath Pandit|Eknath "Mao" Pandit]]}}
{{tree chart| |:| | |!|,|-|+|-|-|.| | |!|QURBA| |:| | |:| | |:| |VISHN|!|ANANT|!|NILKA|!|NILKA=[[Nilkanthbuwa Alurmath|Nilkanthbuwa Alurmath]]
|VISHN=[[Vishnu Digambar Paluskar|Vishnu Digambar Paluskar]]
|QURBA=[[Qurban Hussain Khan|Qurban Hussain Khan]]
|ANANT=[[Anant Manohar Joshi|Anant Manohar Joshi]]}}
{{tree chart| |:| | |)|'|RAJAB| |!| |PIYAR|:| | |:| | |:| | |:| | |:|GANPA|:|MIRAS|:|NEELK|RAJAB=[[Raja Bhaiya Poonchwale|Raja Bhaiya Poonchwale]]
|GANPA=[[Ganpati Ichalkaranjikar|Ganpatibuwa Ichalkaranjikar]]
|PIYAR=[[Piyare Khan|Piyare Khan]]
|MIRAS=[[Mirashi Buwa|Yashwant Sadashiv Mirashibuwa]]
|NEELK=[[Neelkanthbuwa Jangam|Neelkanthbuwa Jangam]]}}
{{tree chart| |:| |RAMKR| |:| |KRISH| |:| |:| | |:| | |:| | |:| | |:| |:| |:| |:| |:| |:|KRISH=[[Krishnarao Shankar Pandit|Krishnarao Shankar Pandit]]
|RAMKR=[[Ramkrishnabuwa Vaze|Ramkrishnabuwa Vaze]]}}
{{tree chart| |:| | |:| | |:| | |:| | |:| |:| | |:| | |:| | |:| | |:| |:| |:| |:| |:| |:| | | |}}
{{tree chart/end}}

=== Recent pedagogy ===

==Singing style==
A distinguishing feature of the gharana is its simplicity: well known ''[[raga]]s'' (melodic modes) rather than obscure ones are selected and ''sapaat'' (straight) [[Taan (music)|taans]] (fast melodic sequences) is emphasized. While there is some limited ''raga vistar'' (melodic expansion) and ''alankar'' (melodic ornamentation) to enhance the beauty and meaning of the raga, there is no slow-tempo [[alap]] as in [[Kirana gharana|Kirana]] and there is no attempt to include ''tirobhava'' or melodic phrases to obscure the identity of the raga or add complexity. When the gharana is performed, the ''[[bandish]]'' (composition) is key as it provides the melody of the raga and indications on its performance. While doing ''bol-baant'' (rhythmic play using the words of the ''bandish'') the Gwalior style uses all the words of ''sthayi'' or ''antara'' in proper sequence, without disturbing their meaning.

The ''behlava'' is a medium tempo rendition of the notes which follows the pattern of the ''[[Arohana|aroha]]'' (ascent) and the ''[[avaroha]]'' (descent) of the raga. The behlava is divided into the ''asthayi'' (notes from "Ma" to "Sa") and the ''antara'' (noted from "Ma", "Pa", or "Dha" to "Pa" of the higher register). The ''asthayi'' section is sung twice before the ''antara''. Then follows a ''swar-vistar'' in a medium tempo using heavy ''meends'' (glides) and ''taans''. The ''dugun-ka-alap'' follows in which groups of two or four note combinations are sung in quicker succession while the basic tempo remains the same. The ''bol-alap'' is the next part where the words of the text are sung in different ways. Then there is in faster tempo the ''[[murki]]'' where notes are sung with ornamentation. The ''bol-taans'' have melodic sequences set to the words of the ''bandish''. The other ''taans'', including the ''gamak'', follow.

The ''sapat taan'' is important to the Gwalior style. It is the singing of notes in a straight sequence and at a ''[[vilambit]]'' pace. Both [[Dhrupad]] and [[Khyal]] singing evolved in Gwalior and there are many overlaps. In the khyal style there is one form, ''Mundi Dhrupad'', that incorporates all the features of dhrupad singing but without the ''Mukhda''.

Common ragas include [[Alhaiya Bilawal]], [[Yaman (raga)|Yaman]], [[Bhairav (raga)|Bhairav]], [[Sarang (raga)|Sarang]], [[Shree (Hindustani raga)|Shree]], [[Hameer]], [[Gaud Malhar]], and [[Malhar|Miya Ki Malhar]].

==Exponenets==
<gallery mode="">
File:Vishnu_Digambar_Paluskar.jpg|[[Vishnu Digambar Paluskar]] (1872 {{ndash}} 1931) founded the [[Gandharva Mahavidyalaya|Gandharva school]] in 1901.
File:Gururao_Deshpande_1.jpg|[[Gururao Deshpande]] - (1889 {{ndash}} 1982)

</gallery>

===19th Century and Earlier===
* [[Ghulam Rasool (musician)|Ghulam Rasool]], music luminary of [[Lucknow]].
* [[Makkhan Khan]], son and disciple of Gulam Rasool.
* [[Nathan Peer Baksh]], son and disciple of Makkhan Khan.
* [[Kadar Baksh]], disciple of Nathan Peer Baksh.
* [[Natthu Khan]], disciple of Kadar Baksh.
* [[Haddu Khan]] (d. 1875), disciple of Kadar Baksh.
* [[Hassu Khan]] (d. 1859), disciple of Kadar Baksh.
* [[Rahimat Khan]] (1852 {{ndash}} 1922), son and disciple of Haddu Khan.
* [[Chote Mohammed Khan]] (d. 1874), son and disciple of Haddu Khan.
* [[Boorey Khan]], nephew and disciple of [[Banney Khan]].
* [[Jamal Khan (musician)|Jamal Khan]], son and disciple of [[Banney Khan]].
* [[Misri Khan (musician)|Misri Khan]], son and disciple of [[Banney Khan]].
* [[Saindhey Khan (musician)|Saindhey Khan]], son and disciple of [[Banney Khan]].
* [[Vasudevbuwa Joshi]], disciple of Hassu Khan.
* [[Ramkrishnadev Paranjpe|Ramkrishnadev Paranjpe "Devjibuwa"]], disciple of Hassu Khan.
* [[Babasaheb Dixit]], disciple of Hassu Khan.<ref>http://lib.unipune.ac.in:8080/xmlui/bitstream/handle/123456789/9379/11_chapter3.pdf?sequence=11&isAllowed=y</ref>
* [[Vishnupant Moreshwar Chatre|Vishnupant Chattre]] (840 {{ndash}} 1905), disciple of Haddu Khan.
* [[Banney Khan]] (1835 {{ndash}} 1910), disciple of Haddu Khan.
* [[Ghagge Nazir Khan]] (c. 1850 {{ndash}} c. 1920), [[Qawwal Bacchon gharana|Qawwal Bacchon]] who learned from Chote Mohammed Khan and co-founded the [[Mewati Gharana]].
* [[Faiz Mohammed Khan]] (d. 1920), disciple of Kadar Khan.<ref>{{cite book |last1=Joshi |first1=Lakshman Dattatray |title=Sangeetshastrakar va Kalavant Yancha Itihas |date=1935 |publisher=Aryabhushan Press |location=Pune |pages=108-109}}</ref>
* [[Bade Nissar Hussain Khan]] (1844 {{ndash}} 1916), adopted son and disciple of Natthu Khan.
* [[Ustad Bade Inayat Hussain Khan|Bade Inayat Hussain Khan]] (1840 {{ndash}} 1923), son of Ustad Haddu Khan Saheb
* [[Meeran Baksh Khan|Meeran Baksh "Amir" Khan]], son and disciple of Boorey Khan.
* [[Balakrishnabuwa Ichalkaranjikar]] (1849 {{ndash}} 1926), disciple of Vasudevbuwa Joshi, Devjibuwa, and Chote Mohammed Khan.
* [[Bhaiyya Ganpatrao]] (1852 {{ndash}} 1920), disciple of Bande Ali Khan and [[Inayat Hussain Khan]].
* [[Shankar Vishnu Pandit]] (1863 {{ndash}} 1917), disciple of Bade Nissar Hussain Khan.
* [[Eknath Vishnu Pandit]] (1870 {{ndash}} c. 1936), disciple of Bade Nissar Hussain Khan.
* [[Vishnu Digambar Paluskar]] (1872 {{ndash}} 1931), disciple of Balkrishnabuwa Ichalkaranjikar.
* [[Madhav Moreshvar Kale|Madhav Moreshvar Kale "Balasaheb Guruji"]] (d. 1919), disciple of Haddu Khan.
* Ata Muhammad Khan, disciple of Banney Khan.
* Balwantrao Bapat, disciple of Vasudevbuwa Joshi.
* Krishnabua Lalit, disciple of Vasudevbuwa Joshi.
* Ravjibua Masurkar, disciple of Vasudevbuwa Joshi.
* Gopalrao Marathe, disciple of Bade Nissar Hussain Khan.
* Bhaurao Joshi, disciple of Bade Nissar Hussain Khan.

===20th Century===
* [[Ramkrishnabuwa Vaze]] (1871 {{ndash}} 1945), disciple of [[Bade Nissar Hussain Khan]].
* Gundobua Ingle, disciple of Balakrishnabuwa Ichalkaranjikar.
* Nanubhaiya Telang (1879 {{ndash}} 1948), disciple of Madhav Moreshvar Kale.
* [[Anant Manohar Joshi]] (1881 {{ndash}} 1967), disciple of Balakrishnabuwa Ichalkaranjikar, received [[Sangeet Natak Akademi Award]] (1955).
* [[Raja Bhaiya Poonchwale]] (1882 {{ndash}} 1956), disciple of [[Balakrishnabuwa Ichalkaranjikar]]<ref>{{cite news | url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/music-from-the-school/article4560143.ece | title=Music from the 'school' | date=29 March 2013 | access-date=19 October 2014 | author=Kumr, Ranee}}</ref>
* [[Mirashi Buwa|Yashwant Sadashiv Mirashibuwa]] (1883 {{ndash}} 1966), dsciple of Balakrishnabuwa Ichalkaranjikar.
* [[Guru Rao Deshpande|Gururao Deshpande]] (1889 {{ndash}} 1982), disciple of Ramkrishnabuwa Vaze. Also learned from his father, Narayanrao Deshpande (a [[Carnatic music|Carnatic musician]], Dattopant Joshi, and T. K. Pitre.
* [[Krishnarao Shankar Pandit]] (1894 {{ndash}} 1989)<ref>{{cite web | url=http://www.itcsra.org/tribute.asp?id=10 | title=Krishnarao Shankar Pandit | publisher=ITC Sangeet Research Academy | access-date=19 October 2014}}</ref>
* [[Omkarnath Thakur]] (1897 {{ndash}} 1967), disciple of Vishnu Digambar Paluskar.
* [[Bhai Lal Mohammad|Lal Mohammad Khan]] (d. 1962), son and disciple of Ata Muhammad Khan.
* [[Vinayakrao Patwardhan]] (1898 {{ndash}} 1975), disciple of Vishnu Digambar Paluskar and Ramkrishnabuwa Vaze, awarded [[Padma Bhushan]] (1972).
* [[B. R. Deodhar]] (1901 {{ndash}} 1990), disciple of Balakrishnabuwa Ichalkaranjikar, Vishnu Digambar Paluskar, Abdul Karim Khan, and Vinayakrao Patwardhan, received [[Sangeet Natak Akademi Award]] (1964) and [[Padma Shri]] (1976).
* [[Shankarrao Sapre]], disciple of Vishnu Digambar Paluskar who founded Shriram Sangeet Vidyalaya at [[Nagpur]] in 1926.<ref>{{cite book |last1=Deodhar |first1=B. R. |title=Gayanacharya Pandit Vishnu Digambar |pages=104-105}}</ref><ref>{{cite book |last1=Bakhle |first1=Janaki |title=Two Men and Music: Nationalism in the Making of an Indian Classical Tradition |date=2005 |publisher=Oxford University Press |isbn=9780195166101 |page=297}}</ref><ref>https://timesofindia.indiatimes.com/city/nagpur/mahal-once-the-citadel-of-musicians-now-strums-broken-notes/articleshow/58084268.cms</ref><ref>https://www.dailypioneer.com/2021/state-editions/sahitya-akademi-broadcasts-recitation-of-sant-singaji-verses-under----gamak---.html</ref>
* V. A. Kashalkar, disciple of Vishnu Digambar Paluskar.
* [[Shivrambua Vaze]], son and disciple of Ramkrishnabuwa Vaze.
* [[Deenanath Mangeshkar]], disciple of Ramkrishnabuwa Vaze.
* [[Qurban Hussain Khan]] (1901 {{ndash}} 1970), son and disciple of Bade Inayat Hussain Khan.
* [[Narayanrao Vyas]] (1902 {{ndash}} 1984), disciple of Vishnu Digambar Paluskar, received [[Sangeet Natak Akademi Award]] (1976).
* [[Shankar Shripad Bodas]] (b. c. 1900 {{ndash}} d. c. 1970), disciple of Vishnu Digambar Paluskar.
* [[Laxman Krishnarao Pandit]] (b. 1938), son and disciple of Krishnarao Shankar Pandit.
* [[Umeed Ali Khan]] (1910 {{ndash}} 1979), son and disciple of Meeran Baksh Khan who also learned [[Patiala Gharana|Patiala gayaki]].
* [[Sharadchandra Arolkar]] (1912 {{ndash}} 1994), disciple of Krishnarao Shankar Pandit, Eknath Pandit, and Krishnarao Mulye, received [[Sangeet Natak Akademi Award]] (1979)
* [[Jal Balporia]], disciple of Krishnarao Shankar Pandit.
* [[Govindrao Rajurkar]], disciple of Rajabhaiyya Poonchwale.
* [[Keshavbuwa Ingle]], son and disciple of Gundobuwa Ingle.
* [[Balwantrai Bhatt]] (1921 {{ndash}} 2016), disciple of Omkarnath Thakur.
* [[D. V. Paluskar|Dattatreya Vishnu Paluskar]] (1921 {{ndash}} 1955), son of Vishnu Digambar Paluskar who learned from Mirashibuwa, Narayanrao Vyas, and Vinayakrao Patwardhan.
* [[Manzoor Ali Khan]] (1922 {{ndash}} 1980), son and disciple of Jamalo Khan who also learned from Seendo Khan.
* [[Kumar Gandharva]] (1924 {{ndash}} 1992), disciple of B. R. Deodhar.
* [[Gajananrao Joshi|Gajananbuwa Joshi]] (1911 {{ndash}} 1987), son and disciple of Anant Manohar Joshi. Also learned from [[Vilayat Hussain Khan]] of [[Agra gharana]] and [[Bhurji Khan]] of [[Jaipur-Atrauli gharana]].
* [[D. V. Kanebuwa]], disciple of Neelkanthbuwa Jangam, Vinayakrao Patwardhan, and Yashwantbuwa Mirashi. Also learned from [[Vilayat Hussain Khan]] of [[Agra gharana]].

===Contemporary artists===
* [[Ghulam Hassan Shaggan]] (1928 {{ndash}} 2015), disciple of Bhai Lal Muhammad, awarded [[Sitara-e-Imtiaz]] (2000).
* [[Vasundhara Komkali]] (1931 {{ndash}} 2015), wife and disciple of [[Kumar Gandharva]]. Awarded [[Sangeet Natak Akademi Award]] and the [[Padma Shri]].
* [[Sharad Sathe]] (1932 {{ndash}} 2019), disciple of Dattatreya Vishnu Paluskar. Also learned from B. R. Deodhar and Sharadchandra Arolkar.
* [[Narayanrao Bodas]] (1933 {{ndash}} 2017), son and disciple of Laxmanrao Bodas. Also learned from [[Pralhad Ganu]].<ref>https://www.thehindu.com/news/national/other-states/pandit-narayanrao-bodas-no-more/article21011681.ece</ref>
* [[Sunanda Patnaik]] (1934 {{ndash}} 2020), disciple of Vinayakrao Patwardhan.
* [[Shankar Abhyankar]] (b. 1934), disciple of Narayanrao Vyas.<ref>https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100459372</ref>
* [[Kashinath Shankar Bodas]] (1935 {{ndash}} 1995), son and disciple of Shankar Bodas.
* [[Ashok Ranade]] (1937 {{ndash}} 2011), disciple of B. R. Deodhar, Gajananrao Joshi, and Laxman Bodas. Also learned from [[Pralhad Ganu]] of [[Agra gharana]].
* [[Laxman Krishnarao Pandit]] (b. 1938), son and disciple of Krishnarao Shankar Pandit.
* [[Malini Rajurkar]] (b. 1941), disciple of Govindrao Rajurkar, awarded [[Sangeet Natak Akademi]] award.
* [[Neela Bhagwat]] (b. 1942), disciple of Sharadchandra Arolkar and Jal Balporia.
* [[Iqbal Hussain Khan Bandanawazi|Iqbal Hussain Khan]] (1942 {{ndash}} 2010), son and disciple of Qurban Hussain Khan.
* [[Arun Kashalkar]] (b. 1943), disciple of [[Gajananrao Joshi]]. Also learned from [[Ram Marathe]], D. V. Panke, Rajabhau Kogje, and [[Babanrao Haldankar]].
* [[Vidyadhar Vyas]] (b. 1944), son and disciple of Narayanrao Vyas.
* [[Veena Sahasrabuddhe]] (1948 {{ndash}} 2016), daughter and disciple of Shankar Bodas, also learned from older broter, Kashinath.
* [[Vinayak Torvi]] (b. 1948), disciple of Gururao Deshpande, also learned from [[Bhimsen Joshi]] of [[Kirana gharana]].
* [[Vijay Sardeshmukh]] (1952 {{ndash}} 2019), disciple of Kumar Gandharva.
* [[Vikas Kashalkar]] (b. 1955), disciple of [[Gajananrao Joshi]].
* [[Ulhas Kashalkar]] (b. 1955), disciple of [[Gajananrao Joshi]]. Also learned from [[Ram Marathe]] of [[Agra gharana]].
* [[Kedar Bodas]] (b. c. 1970s), son and disciple of Narayanrao Bodas. Also learned from [[Ashok Ranade]].
* [[Meeta Pandit]] (b. 1967), daughter and disciple of [[Laxman Krishnarao Pandit]]. Also learned from grandfather, Krishnarao Shankar Pandit.
* [[Shashwati Mandal]] (b. 1971), disciple of Balasaheb Poonchwale.<ref>{{cite news | url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/the-eternal-note/article3966369.ece | title=The eternal note | date=5 October 2012 | agency=The Hindu | access-date=7 October 2014 | author=Sarvamangala, C.S.}}</ref>
* [[Manjusha Kulkarni-Patil]] (b. 1971), disciple of D. V. Kanebuwa.
* [[Pallavi Joshi]] (b. c. 1970s), disciple of Gajananrao Joshi, Madhukar Joshi, Sucheta Bidkar, Manohar Joshi, and Arun Kashalkar.
* [[Apoorva Gokhale]] (b. c. 1970s), disciple of Gajananrao Joshi, Madhukar Joshi, Sucheta Bidkar, Manohar Joshi, Arun Kashalkar, and Ulhas Kashalkar. Also studied with [[Manik Bhide]], Yashwant Mahale, [[Shankar Abhyankar]], and [[Ashwini Bhide-Deshpande]].
* [[Ateeq Hussain Khan]] (b. 1980), son and disciple of Iqbal Hussain Khan.

==References==
{{Reflist}}

{{Authority control}}

{{DEFAULTSORT:Gwalior Gharana}}
[[Category:Gwalior gharana| ]]
[[Category:Gwalior culture]]
[[Category:Indian classical music]]
[[Category:Music schools in India]]