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	<title>Gaudiya Nritya - Revision history</title>
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	<updated>2026-08-29T20:11:13Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>UpdateBot at 07:17, 8 May 2022</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:47, 8 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:GuruMahua.jpg|thumb|right|alt=Bengali classical dance.|Performance of Gaudiya Nritya by [[Mahua Mukherjee]]]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:GuruMahua.jpg|thumb|right|alt=Bengali classical dance.|Performance of Gaudiya Nritya by [[Mahua Mukherjee]]]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Gaudiya nritya mahua.jpg|thumb|upright|Gaudiya Nritya]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Gaudiya nritya mahua.jpg|thumb|upright|Gaudiya Nritya]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Gaudiya Nritya&#039;&#039;&#039; ({{lang-bn|গৌড়ীয় নৃত্য}}) or &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gauriya Nritya&lt;/del&gt;&#039;&#039;, is a [[Culture of Bengal|Bengali]] dance tradition.&amp;lt;ref name=roma2&amp;gt;Roma Chatterji (2005). [http://indianfolklore.org/journals/index.php/IFL/article/view/359/400 Folklore and the Construction of National Tradition]. &#039;&#039;Indian Folklife&#039;&#039; &#039;&#039;&#039;19&#039;&#039;&#039; (Folklore Abroad: On the Diffusion and Revision of Sociocultural Categories): 9. Accessed January 2014. &quot;a classical dance tradition that has vanished from the urban areas&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=West Bengal Tourism: Dance |url=http://www.westbengaltourism.gov.in/web/guest/dance |publisher=Department of Tourism, Government of West Bengal |year=2011 |access-date=January 11, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20131021225635/http://www.westbengaltourism.gov.in/web/guest/dance |archive-date=October 21, 2013 |df=mdy-all }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=kumu/&amp;gt; It originates from [[Gauḍa (city)|Gauda]], also known as Gaur, in [[Bengal]].&amp;lt;ref&amp;gt;{{Cite book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Gaudiya Nritya&#039;&#039;&#039; ({{lang-bn|গৌড়ীয় নৃত্য&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, IAST: Gaur̤īẏa Nṛtya&lt;/ins&gt;}}) or &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gôuriyo Nrityô&lt;/ins&gt;&#039;&#039;, is a [[Culture of Bengal|Bengali]] dance tradition.&amp;lt;ref name=roma2&amp;gt;Roma Chatterji (2005). [http://indianfolklore.org/journals/index.php/IFL/article/view/359/400 Folklore and the Construction of National Tradition]. &#039;&#039;Indian Folklife&#039;&#039; &#039;&#039;&#039;19&#039;&#039;&#039; (Folklore Abroad: On the Diffusion and Revision of Sociocultural Categories): 9. Accessed January 2014. &quot;a classical dance tradition that has vanished from the urban areas&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=West Bengal Tourism: Dance |url=http://www.westbengaltourism.gov.in/web/guest/dance |publisher=Department of Tourism, Government of West Bengal |year=2011 |access-date=January 11, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20131021225635/http://www.westbengaltourism.gov.in/web/guest/dance |archive-date=October 21, 2013 |df=mdy-all }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=kumu/&amp;gt; It originates from [[Gauḍa (city)|Gauda]], also known as Gaur, in [[Bengal]].&amp;lt;ref&amp;gt;{{Cite book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=Gaudiya Nritya&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=Gaudiya Nritya&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|last=Mukherjee&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|last=Mukherjee&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has been reconstructed by [[Mahua Mukherjee]].&amp;lt;ref name=kumu&amp;gt;{{cite news|first=Kumudha |last=Bharatram |url=http://www.thehindu.com/features/friday-review/dance/dance-of-the-ancients/article1608014.ece |title=Dance of the ancients |newspaper=The Hindu |date=April 9, 2011 |access-date=November 15, 2013}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=anjana&amp;gt;{{cite news|last=Rajan |first=Anjana |url=http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|archive-url=https://web.archive.org/web/20121108051652/http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|url-status=dead|archive-date=November 8, 2012|work=[[The Hindu]] |title=The wheel has come full circle|date=December 26, 2006 }}&amp;lt;/ref&amp;gt; It is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;not &lt;/del&gt;recognised as an [[Indian classical dance]] by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sangeet Natak Akademi&lt;/del&gt;]],&amp;lt;ref &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;anjana&lt;/del&gt;/&amp;gt; but study of it is eligible for scholarships from the [[Ministry of Culture (India)|Ministry of Culture]] of India.&amp;lt;ref&amp;gt;{{cite web|url=http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|title=Scholarship to Young Artistes, 2005|publisher=Ministry of Culture. Government of India|url-status=dead|archive-url=https://web.archive.org/web/20131021161953/http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|archive-date=October 21, 2013|df=mdy-all}}&amp;lt;/ref&amp;gt; Scholarly reception of the reconstruction ranges from caution to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scepticism&lt;/del&gt;.&amp;lt;ref name=utpal&amp;gt;Utpal Kumar Banerjee (2006). [https://books.google.com/books?id=RdsJAQAAMAAJ&amp;amp;focus=searchwithinvolume&amp;amp;q=mahua+mukherjee &#039;&#039;Indian performing arts: a mosaic&#039;&#039;]. New Delhi: Harman Publishing House. {{ISBN|9788186622759}}. p.&amp;amp;nbsp;79: &quot;re-creating Gaudiya Nritya as one of the acceptable classical styles will need a formal framework&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=leela&amp;gt;Leela Venkataraman (2006). [https://www.jstor.org/stable/23005939 Negotiating the Extremes: dance]. &#039;&#039;India International Centre Quarterly&#039;&#039;, &#039;&#039;&#039;33&#039;&#039;&#039; (1): 93-102. {{subscription required}} &quot;one may have reservations about the classical dance repertoire visualised by [Mukherjee]&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=roma&amp;gt;Roma Chatterji (2005). p.&amp;amp;nbsp;9: &quot;Mukherjee tries to reconstitute a Bengali aesthetic within the perspective of pan-Indian civilisation&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=susan&amp;gt;Susan Leigh Foster (2009). [https://books.google.com/books?id=xfvzAAAAMAAJ&amp;amp;focus=searchwithinvolume&amp;amp;q=gaudiya+nritya &#039;&#039;Worlding dance: Studies in international performance&#039;&#039;]. Basingstoke; New York: Palgrave Macmillan. {{ISBN|9780230205949}}. p.&amp;amp;nbsp;125: &quot;I urgently distance my project from that of Kolkata-based scholar, Mahua Mukherjee&lt;/del&gt;&quot;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has been reconstructed by [[Mahua Mukherjee]].&amp;lt;ref name=kumu&amp;gt;{{cite news|first=Kumudha |last=Bharatram |url=http://www.thehindu.com/features/friday-review/dance/dance-of-the-ancients/article1608014.ece |title=Dance of the ancients |newspaper=The Hindu |date=April 9, 2011 |access-date=November 15, 2013}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=anjana&amp;gt;{{cite news|last=Rajan |first=Anjana |url=http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|archive-url=https://web.archive.org/web/20121108051652/http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|url-status=dead|archive-date=November 8, 2012|work=[[The Hindu]] |title=The wheel has come full circle|date=December 26, 2006 }}&amp;lt;/ref&amp;gt; It is recognised as an [[Indian classical dance]] by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ministry of Culture (India)|Ministry of Culture&lt;/ins&gt;]],&amp;lt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{Cite web|title=Gaudiya Nritya|url=http://indianculture.gov.in/intangible-cultural-heritage/performing-arts/gaudiya-nritya|access-date=2022-01-25|website=INDIAN CULTURE|language&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;en}}&amp;lt;&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/ins&gt;&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;not recognized by [[Sangeet Natak Akademi]] ,&lt;/ins&gt;but study of it is eligible for scholarships from the [[Ministry of Culture (India)|Ministry of Culture]] of India.&amp;lt;ref&amp;gt;{{cite web|url=http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|title=Scholarship to Young Artistes, 2005|publisher=Ministry of Culture. Government of India|url-status=dead|archive-url=https://web.archive.org/web/20131021161953/http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|archive-date=October 21, 2013|df=mdy-all}}&amp;lt;/ref&amp;gt; Scholarly reception of the reconstruction ranges from caution to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;skepticism&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{Cite web|title=Feet forgotten and found|url=https://www.telegraphindia.com/culture/gaudiya-nritya-bengals-forsaken-native-dance-form/cid/1816444|access-date=2022-01-25|website=www.telegraphindia.com}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&amp;lt;ref name=utpal&amp;gt;Utpal Kumar Banerjee (2006). [https://books.google.com/books?id=RdsJAQAAMAAJ&amp;amp;focus=searchwithinvolume&amp;amp;q=mahua+mukherjee &#039;&#039;Indian performing arts: a mosaic&#039;&#039;]. New Delhi: Harman Publishing House. {{ISBN|9788186622759}}. p.&amp;amp;nbsp;79: &quot;re-creating Gaudiya Nritya as one of the acceptable classical styles will need a formal framework&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=leela&amp;gt;Leela Venkataraman (2006). [https://www.jstor.org/stable/23005939 Negotiating the Extremes: dance]. &#039;&#039;India International Centre Quarterly&#039;&#039;, &#039;&#039;&#039;33&#039;&#039;&#039; (1): 93-102. {{subscription required}} &quot;one may have reservations about the classical dance repertoire visualised by [Mukherjee]&quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=roma&amp;gt;Roma Chatterji (2005). p.&amp;amp;nbsp;9: &quot;Mukherjee tries to reconstitute a Bengali aesthetic within the perspective of pan-Indian civilisation&quot;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{india-dance-stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{india-dance-stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Bengali classical dance tradition}}&lt;br /&gt;
{{Use mdy dates|date=January 2014}}&lt;br /&gt;
[[Image:GuruMahua.jpg|thumb|right|alt=Bengali classical dance.|Performance of Gaudiya Nritya by [[Mahua Mukherjee]]]]&lt;br /&gt;
[[File:Gaudiya nritya mahua.jpg|thumb|upright|Gaudiya Nritya]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gaudiya Nritya&amp;#039;&amp;#039;&amp;#039; ({{lang-bn|গৌড়ীয় নৃত্য}}) or &amp;#039;&amp;#039;Gauriya Nritya&amp;#039;&amp;#039;, is a [[Culture of Bengal|Bengali]] dance tradition.&amp;lt;ref name=roma2&amp;gt;Roma Chatterji (2005). [http://indianfolklore.org/journals/index.php/IFL/article/view/359/400 Folklore and the Construction of National Tradition]. &amp;#039;&amp;#039;Indian Folklife&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;19&amp;#039;&amp;#039;&amp;#039; (Folklore Abroad: On the Diffusion and Revision of Sociocultural Categories): 9. Accessed January 2014. &amp;quot;a classical dance tradition that has vanished from the urban areas&amp;quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=West Bengal Tourism: Dance |url=http://www.westbengaltourism.gov.in/web/guest/dance |publisher=Department of Tourism, Government of West Bengal |year=2011 |access-date=January 11, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20131021225635/http://www.westbengaltourism.gov.in/web/guest/dance |archive-date=October 21, 2013 |df=mdy-all }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=kumu/&amp;gt; It originates from [[Gauḍa (city)|Gauda]], also known as Gaur, in [[Bengal]].&amp;lt;ref&amp;gt;{{Cite book&lt;br /&gt;
|title=Gaudiya Nritya&lt;br /&gt;
|last=Mukherjee&lt;br /&gt;
|first=Mahua&lt;br /&gt;
|publisher=The Asiatic Society&lt;br /&gt;
|year=2000&lt;br /&gt;
|location=Kolkata&lt;br /&gt;
|language=bn&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It has been reconstructed by [[Mahua Mukherjee]].&amp;lt;ref name=kumu&amp;gt;{{cite news|first=Kumudha |last=Bharatram |url=http://www.thehindu.com/features/friday-review/dance/dance-of-the-ancients/article1608014.ece |title=Dance of the ancients |newspaper=The Hindu |date=April 9, 2011 |access-date=November 15, 2013}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=anjana&amp;gt;{{cite news|last=Rajan |first=Anjana |url=http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|archive-url=https://web.archive.org/web/20121108051652/http://www.hindu.com/ms/2006/12/26/stories/2006122600040100.htm|url-status=dead|archive-date=November 8, 2012|work=[[The Hindu]] |title=The wheel has come full circle|date=December 26, 2006 }}&amp;lt;/ref&amp;gt; It is not recognised as an [[Indian classical dance]] by the [[Sangeet Natak Akademi]],&amp;lt;ref name=anjana/&amp;gt; but study of it is eligible for scholarships from the [[Ministry of Culture (India)|Ministry of Culture]] of India.&amp;lt;ref&amp;gt;{{cite web|url=http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|title=Scholarship to Young Artistes, 2005|publisher=Ministry of Culture. Government of India|url-status=dead|archive-url=https://web.archive.org/web/20131021161953/http://indiaculture.nic.in/indiaculture/scholarship-to-young-artist.html|archive-date=October 21, 2013|df=mdy-all}}&amp;lt;/ref&amp;gt; Scholarly reception of the reconstruction ranges from caution to scepticism.&amp;lt;ref name=utpal&amp;gt;Utpal Kumar Banerjee (2006). [https://books.google.com/books?id=RdsJAQAAMAAJ&amp;amp;focus=searchwithinvolume&amp;amp;q=mahua+mukherjee &amp;#039;&amp;#039;Indian performing arts: a mosaic&amp;#039;&amp;#039;]. New Delhi: Harman Publishing House. {{ISBN|9788186622759}}. p.&amp;amp;nbsp;79: &amp;quot;re-creating Gaudiya Nritya as one of the acceptable classical styles will need a formal framework&amp;quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=leela&amp;gt;Leela Venkataraman (2006). [https://www.jstor.org/stable/23005939 Negotiating the Extremes: dance]. &amp;#039;&amp;#039;India International Centre Quarterly&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;33&amp;#039;&amp;#039;&amp;#039; (1): 93-102. {{subscription required}} &amp;quot;one may have reservations about the classical dance repertoire visualised by [Mukherjee]&amp;quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=roma&amp;gt;Roma Chatterji (2005). p.&amp;amp;nbsp;9: &amp;quot;Mukherjee tries to reconstitute a Bengali aesthetic within the perspective of pan-Indian civilisation&amp;quot;.&amp;lt;/ref&amp;gt;&amp;lt;ref name=susan&amp;gt;Susan Leigh Foster (2009). [https://books.google.com/books?id=xfvzAAAAMAAJ&amp;amp;focus=searchwithinvolume&amp;amp;q=gaudiya+nritya &amp;#039;&amp;#039;Worlding dance: Studies in international performance&amp;#039;&amp;#039;]. Basingstoke; New York: Palgrave Macmillan. {{ISBN|9780230205949}}. p.&amp;amp;nbsp;125: &amp;quot;I urgently distance my project from that of Kolkata-based scholar, Mahua Mukherjee&amp;quot;.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
{{Commons category-inline}}&lt;br /&gt;
* [http://www.gaudiyanritya.org/ www.gaudiyanritya.org]&lt;br /&gt;
* [https://www.youtube.com/watch?v=u0Ys1V9FcIk Video of Gaudiya Nritya performance]&lt;br /&gt;
&lt;br /&gt;
{{Culture of West Bengal}}&lt;br /&gt;
{{Dance in India}}&lt;br /&gt;
{{Bengali Hindu people}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Bengali culture]]&lt;br /&gt;
[[Category:Dances of India]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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