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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Fire_in_the_Blood_%282013_film%29</id>
	<title>Fire in the Blood (2013 film) - Revision history</title>
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	<updated>2026-08-19T19:17:31Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://en.bharatpedia.org/w/index.php?title=Fire_in_the_Blood_(2013_film)&amp;diff=288925&amp;oldid=prev</id>
		<title>-&gt;CT55555: added missing citation, tidied up stephen lewis quote</title>
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		<updated>2022-01-10T00:44:25Z</updated>

		<summary type="html">&lt;p&gt;added missing citation, tidied up stephen lewis quote&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:14, 10 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Fire in the Blood&#039;&#039;&#039;&#039;&#039; is a 2013 [[documentary film]] by [[Dylan Mohan Gray]] depicting&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;what it claims is&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;the intentional obstruction of access to low-cost [[antiretroviral drug]]s used in the treatment of [[HIV/AIDS]] to people in [[Africa]] and other parts the global south, driven by multinational pharmaceutical companies holding [[patent]] monopolies and various Western governments (above all those of the United States, [[European Union]] and Switzerland) consistently supporting these companies. The film claims that the battle against&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;what it refers to as a &quot;genocidal blockade&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,  &lt;/del&gt;which it estimates to have resulted in no less than ten&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/del&gt;to twelve million completely unnecessary deaths, was fought and (at least temporarily) won.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Fire in the Blood&#039;&#039;&#039;&#039;&#039; is a 2013 [[documentary film]] by [[Dylan Mohan Gray]] depicting what it claims is the intentional obstruction of access to low-cost [[antiretroviral drug]]s used in the treatment of [[HIV/AIDS]] to people in [[Africa]] and other parts &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of &lt;/ins&gt;the global south, driven by multinational pharmaceutical companies holding [[patent]] monopolies and various Western governments (above all those of the United States, [[European Union]] and Switzerland) consistently supporting these companies. The film claims that the battle against what it refers to as a &quot;genocidal blockade&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/ins&gt;&quot; which it estimates to have resulted in no less than ten to twelve million completely unnecessary deaths, was fought and (at least temporarily) won.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Fire in the Blood&#039;&#039; features contributions from former US President [[Bill Clinton]], intellectual property activist [[James Love (NGO director)|James Love]], global health reporter [[Donald McNeil, Jr.]] of &#039;&#039;[[The New York Times]]&#039;&#039;, HIV/AIDS treatment activist [[Zackie Achmat]], pioneering generic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;drugmaker &lt;/del&gt;[[Yusuf Hamied]], former [[Pfizer]] executive-turned-[[whistleblower]] [[Peter Rost (doctor)|Peter Rost]], Ugandan AIDS [[physician]] [[Peter Mugyenyi]], and [[Nobel Prize]]-laureates [[Desmond Tutu]] and [[Joseph Stiglitz]].&amp;lt;ref&amp;gt;{{cite news |title=Where AIDS Steals Life by the Millions |url=https://www.nytimes.com/2013/09/06/movies/fire-in-the-blood-spotlights-aids-in-africa.html?_r=0 |newspaper=New York Times |author= Miriam Bale|date= 5 September 2013|accessdate=2013-11-08}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=mint/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Fire in the Blood&#039;&#039; features contributions from former US President [[Bill Clinton]], intellectual property activist [[James Love (NGO director)|James Love]], global health reporter [[Donald McNeil, Jr.]] of &#039;&#039;[[The New York Times]]&#039;&#039;, HIV/AIDS treatment activist [[Zackie Achmat]], pioneering generic &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;drug maker &lt;/ins&gt;[[Yusuf Hamied]], former [[Pfizer]] executive-turned-[[whistleblower]] [[Peter Rost (doctor)|Peter Rost]], Ugandan AIDS [[physician]] [[Peter Mugyenyi]], and [[Nobel Prize]]-laureates [[Desmond Tutu]] and [[Joseph Stiglitz]].&amp;lt;ref&amp;gt;{{cite news |title=Where AIDS Steals Life by the Millions |url=https://www.nytimes.com/2013/09/06/movies/fire-in-the-blood-spotlights-aids-in-africa.html?_r=0 |newspaper=New York Times |author= Miriam Bale|date= 5 September 2013|accessdate=2013-11-08}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=mint/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is narrated by [[Academy Award]]-winning actor [[William Hurt]], who lent his voice to the film on a &#039;&#039;[[pro bono]]&#039;&#039; basis because he felt the story and subject matter were so important.{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citation needed&lt;/del&gt;|date=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;October 2018&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is narrated by [[Academy Award]]-winning actor [[William Hurt]], who lent his voice to the film on a &#039;&#039;[[pro bono]]&#039;&#039; basis because he felt the story and subject matter were so important.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/ins&gt;|date=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2021-03-17|title=10 Acclaimed HIV Films to Watch After &#039;It&#039;s a Sin&#039;|url=https://www.hivplusmag.com/entertainment/2021/3/17/10-acclaimed-hiv-films-watch-after-its-sin|access-date=2022-01-10|website=www.hivplusmag.com|language=en&lt;/ins&gt;}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2013, &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; set a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history (five weeks).&amp;lt;ref name=&amp;quot;bollyspice.com&amp;quot;&amp;gt;[http://bollyspice.com/70483/indian-documentary-fire-blood-breaks-record-longest-run-indian-cinemas Bolly Spice, 2 November 2013: &amp;#039;&amp;#039;Indian documentary Fire in the Blood breaks record for longest run in Indian cinemas&amp;#039;&amp;#039;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2013, &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; set a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history (five weeks).&amp;lt;ref name=&amp;quot;bollyspice.com&amp;quot;&amp;gt;[http://bollyspice.com/70483/indian-documentary-fire-blood-breaks-record-longest-run-indian-cinemas Bolly Spice, 2 November 2013: &amp;#039;&amp;#039;Indian documentary Fire in the Blood breaks record for longest run in Indian cinemas&amp;#039;&amp;#039;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2018, Australian journalist and documentary filmmaker [[John Pilger]] included &#039;&#039;Fire in the Blood&#039;&#039; among his selection of &quot;26 landmark documentary films of the past seven decades&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;ref&amp;gt;[https://www.mca.com.au/whats-on/the-power-of-the-documentary/]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2018, Australian journalist and documentary filmmaker [[John Pilger]] included &#039;&#039;Fire in the Blood&#039;&#039; among his selection of &quot;26 landmark documentary films of the past seven decades&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&quot;&amp;lt;ref&amp;gt;[https://www.mca.com.au/whats-on/the-power-of-the-documentary/]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot;&gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 67:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film [[review aggregator]] website [[Rotten Tomatoes]] has given &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; a &amp;quot;92% fresh&amp;quot; rating based on 24 reviews as of January 2014.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/m/fire_in_the_blood/&amp;lt;/ref&amp;gt;  This ranks the film within the 5-10% best-reviewed films of 2013.&amp;lt;ref&amp;gt;{{Cite web|title=Top 100 Movies of 2013 - Rotten Tomatoes|url=https://www.rottentomatoes.com/top/bestofrt/?year=2013|access-date=2021-08-31|website=www.rottentomatoes.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film [[review aggregator]] website [[Rotten Tomatoes]] has given &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; a &amp;quot;92% fresh&amp;quot; rating based on 24 reviews as of January 2014.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/m/fire_in_the_blood/&amp;lt;/ref&amp;gt;  This ranks the film within the 5-10% best-reviewed films of 2013.&amp;lt;ref&amp;gt;{{Cite web|title=Top 100 Movies of 2013 - Rotten Tomatoes|url=https://www.rottentomatoes.com/top/bestofrt/?year=2013|access-date=2021-08-31|website=www.rottentomatoes.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Certain critics, such as Gary Goldstein of the &#039;&#039;[[Los Angeles Times]]&#039;&#039;, while acknowledging the enormous importance of the topic, felt the film should have taken a more emotional approach to its &quot;incendiary subject&quot;.&amp;lt;ref&amp;gt;{{Cite web&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|last2=|last3=|first3=&lt;/del&gt;|last4=Facebook&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|last5=|last6=|last7=|last8=|first8=|last9=&lt;/del&gt;|date=2013-09-12|title=Review: Chasing down delays that kept HIV a &#039;Fire in the Blood&#039;|url=https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-fire-in-the-blood-review-story.html|url-status=live|access-date=2021-08-31|website=Los Angeles Times|language=en-US}}&amp;lt;/ref&amp;gt; The English critic [[Philip French]], in his review for &#039;&#039;[[The Observer]]&#039;&#039; described the film as &quot;quietly devastating&quot;, praised Gray&#039;s choice in avoiding a [[polemical]] tone and allowing the material to speak for itself.&amp;lt;ref&amp;gt;{{Cite web|date=2013-02-24|title=Fire in the Blood – review|url=http://www.theguardian.com/film/2013/feb/24/fire-in-the-blood-review|access-date=2021-08-31|website=the Guardian|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Certain critics, such as Gary Goldstein of the &#039;&#039;[[Los Angeles Times]]&#039;&#039;, while acknowledging the enormous importance of the topic, felt the film should have taken a more emotional approach to its &quot;incendiary subject&quot;.&amp;lt;ref&amp;gt;{{Cite web|last4=Facebook|date=2013-09-12|title=Review: Chasing down delays that kept HIV a &#039;Fire in the Blood&#039;|url=https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-fire-in-the-blood-review-story.html|url-status=live|access-date=2021-08-31|website=Los Angeles Times|language=en-US}}&amp;lt;/ref&amp;gt; The English critic [[Philip French]], in his review for &#039;&#039;[[The Observer]]&#039;&#039; described the film as &quot;quietly devastating&quot;, praised Gray&#039;s choice in avoiding a [[polemical]] tone and allowing the material to speak for itself.&amp;lt;ref&amp;gt;{{Cite web|date=2013-02-24|title=Fire in the Blood – review|url=http://www.theguardian.com/film/2013/feb/24/fire-in-the-blood-review|access-date=2021-08-31|website=the Guardian|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Writing in &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;, Ashley Clark called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;stirring&amp;quot; and added &amp;quot;Gray deserves credit for his own restraint... Such is the clarity of his ideological stance that any grandstanding would feel redundant.&amp;quot;&amp;lt;ref&amp;gt;Sight &amp;amp; Sound, Review: Fire in the Blood, March 2013, p. 94.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Writing in &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;, Ashley Clark called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;stirring&amp;quot; and added &amp;quot;Gray deserves credit for his own restraint... Such is the clarity of his ideological stance that any grandstanding would feel redundant.&amp;quot;&amp;lt;ref&amp;gt;Sight &amp;amp; Sound, Review: Fire in the Blood, March 2013, p. 94.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David Rooney of &#039;&#039;[[The Hollywood Reporter]]&#039;&#039; echoed this view, stating that &quot;the admirable balance between impassioned argument and clear-sighted reporting in Dylan Mohan Gray&#039;s chronicle of the why and how makes &#039;&#039;Fire in the Blood&#039;&#039; indispensable viewing&quot;, adding that the &quot;very smart&quot;, &quot;extremely moving&quot; film is &quot;a shocking account of international trade terrorism sanctioned by Western governments&quot; and &quot;a powerful documentary that demands to be seen by as wide an audience as possible.&quot;&amp;lt;ref&amp;gt;{{Cite web|last=Rooney|first=David&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|last2=|first2=&lt;/del&gt;|date=2013-01-18|title=Fire in the Blood: Sundance Review|url=https://www.hollywoodreporter.com/movies/movie-reviews/fire-blood-sundance-review-413424/|url-status=live|access-date=2021-08-31|website=The Hollywood Reporter|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David Rooney of &#039;&#039;[[The Hollywood Reporter]]&#039;&#039; echoed this view, stating that &quot;the admirable balance between impassioned argument and clear-sighted reporting in Dylan Mohan Gray&#039;s chronicle of the why and how makes &#039;&#039;Fire in the Blood&#039;&#039; indispensable viewing&quot;, adding that the &quot;very smart&quot;, &quot;extremely moving&quot; film is &quot;a shocking account of international trade terrorism sanctioned by Western governments&quot; and &quot;a powerful documentary that demands to be seen by as wide an audience as possible.&quot;&amp;lt;ref&amp;gt;{{Cite web|last=Rooney|first=David|date=2013-01-18|title=Fire in the Blood: Sundance Review|url=https://www.hollywoodreporter.com/movies/movie-reviews/fire-blood-sundance-review-413424/|url-status=live|access-date=2021-08-31|website=The Hollywood Reporter|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Other reactions==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Other reactions==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author [[John le Carré]] (who became involved with the issue of pharmaceutical company abuses while researching his landmark 2001 novel &#039;&#039;[[The Constant Gardener]]&#039;&#039;) called &#039;&#039;Fire in the Blood&#039;&#039; &quot;a blessing... full of conviction, passion and unanswerable argument&quot;.&amp;lt;ref&amp;gt;Letter from John le Carré to Dylan Mohan Gray, 2012&amp;lt;/ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cn|date=June 2021}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author [[John le Carré]] (who became involved with the issue of pharmaceutical company abuses while researching his landmark 2001 novel &#039;&#039;[[The Constant Gardener]]&#039;&#039;) called &#039;&#039;Fire in the Blood&#039;&#039; &quot;a blessing... full of conviction, passion and unanswerable argument&quot;.&amp;lt;ref&amp;gt;Letter from John le Carré to Dylan Mohan Gray, 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Australian-British journalist and documentary film maker, [[John Pilger]] wrote &amp;quot;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039;  is one of the most powerful, important and humane documentaries I have ever seen. It&amp;#039;s the story of ordinary people standing up to unaccountable power. The struggle to save millions from the ravages of untreated HIV is revealed as a struggle against the new lords of the world, transnational corporations, their greed and lies. Genuine hope is rare these days -- you&amp;#039;ll find it in this film.&amp;quot;{{cn|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Australian-British journalist and documentary film maker, [[John Pilger]] wrote &amp;quot;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039;  is one of the most powerful, important and humane documentaries I have ever seen. It&amp;#039;s the story of ordinary people standing up to unaccountable power. The struggle to save millions from the ravages of untreated HIV is revealed as a struggle against the new lords of the world, transnational corporations, their greed and lies. Genuine hope is rare these days -- you&amp;#039;ll find it in this film.&amp;quot;{{cn|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Former (2001–06) [[United Nations]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(UN) &lt;/del&gt;Special Envoy for HIV/AIDS in Africa [[Stephen Lewis]] said &quot;I was enraged as I watched, thinking of those years I spent as the Envoy, watching people die. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;..&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.] &lt;/del&gt;I rarely watch &#039;AIDS documentaries&#039;; they&#039;re remarkably repetitive as a rule, largely uninspired and yielding almost nothing new. [Fire in the Blood] is in a wholly different category; a terrific, riveting documentary... dramatic, compelling, but most of all, wonderfully humane. [Gray is] a remarkably gifted documentary film-maker.&quot;{{cn|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Former (2001–06) [[United Nations]] Special Envoy for HIV/AIDS in Africa [[Stephen Lewis]] said &quot;I was enraged as I watched, thinking of those years I spent as the Envoy, watching people die...I rarely watch &#039;AIDS documentaries&#039;; they&#039;re remarkably repetitive as a rule, largely uninspired and yielding almost nothing new. [Fire in the Blood] is in a wholly different category; a terrific, riveting documentary...dramatic, compelling, but most of all, wonderfully humane. [Gray is] a remarkably gifted documentary film-maker.&quot;{{cn|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Special screenings==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Special screenings==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l108&quot;&gt;Line 108:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 108:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bill Clinton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bill Clinton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2013 directorial debut films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2013 directorial debut films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Cultural depictions of Indira Gandhi]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;CT55555</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Fire_in_the_Blood_(2013_film)&amp;diff=162851&amp;oldid=prev</id>
		<title>imported&gt;Ecangola: /* Critical response */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Fire_in_the_Blood_(2013_film)&amp;diff=162851&amp;oldid=prev"/>
		<updated>2021-08-31T09:36:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical response&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:06, 31 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is narrated by [[Academy Award]]-winning actor [[William Hurt]], who lent his voice to the film on a &amp;#039;&amp;#039;[[pro bono]]&amp;#039;&amp;#039; basis because he felt the story and subject matter were so important.{{citation needed|date=October 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is narrated by [[Academy Award]]-winning actor [[William Hurt]], who lent his voice to the film on a &amp;#039;&amp;#039;[[pro bono]]&amp;#039;&amp;#039; basis because he felt the story and subject matter were so important.{{citation needed|date=October 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2013, &#039;&#039;Fire in the Blood&#039;&#039; set a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history (five weeks).&amp;lt;ref name=&quot;bollyspice.com&quot;&amp;gt;[http://bollyspice.com/70483/indian-documentary-fire-blood-breaks-record-longest-run-indian-cinemas Bolly Spice, 2 November 2013: &#039;&#039;Indian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cocumentary &lt;/del&gt;Fire in the Blood breaks record for longest run in Indian cinemas] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2013, &#039;&#039;Fire in the Blood&#039;&#039; set a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history (five weeks).&amp;lt;ref name=&quot;bollyspice.com&quot;&amp;gt;[http://bollyspice.com/70483/indian-documentary-fire-blood-breaks-record-longest-run-indian-cinemas Bolly Spice, 2 November 2013: &#039;&#039;Indian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;documentary &lt;/ins&gt;Fire in the Blood breaks record for longest run in Indian cinemas&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2018, Australian journalist and documentary filmmaker [[John Pilger]] included &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; among his selection of &amp;quot;26 landmark documentary films of the past seven decades&amp;quot;.&amp;lt;ref&amp;gt;[https://www.mca.com.au/whats-on/the-power-of-the-documentary/]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In November 2018, Australian journalist and documentary filmmaker [[John Pilger]] included &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; among his selection of &amp;quot;26 landmark documentary films of the past seven decades&amp;quot;.&amp;lt;ref&amp;gt;[https://www.mca.com.au/whats-on/the-power-of-the-documentary/]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l65&quot;&gt;Line 65:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 65:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; received positive critical notices, both to its North American premiere at the 2013 [[Sundance Film Festival]], as well as to its subsequent theatrical releases in Ireland, [[United Kingdom|Britain]], the United States and India.&amp;lt;ref name=WebsiteReviews/&amp;gt;{{rs|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; received positive critical notices, both to its North American premiere at the 2013 [[Sundance Film Festival]], as well as to its subsequent theatrical releases in Ireland, [[United Kingdom|Britain]], the United States and India.&amp;lt;ref name=WebsiteReviews/&amp;gt;{{rs|date=June 2021}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film [[review aggregator]] website [[Rotten Tomatoes]] has given &#039;&#039;Fire in the Blood&#039;&#039; a &quot;92% fresh&quot; rating based on 24 reviews as of January 2014.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/m/fire_in_the_blood/&amp;lt;/ref&amp;gt;  This ranks the film within the 5-10% best-reviewed films of 2013.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/top/bestofrt/?year=2013&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film [[review aggregator]] website [[Rotten Tomatoes]] has given &#039;&#039;Fire in the Blood&#039;&#039; a &quot;92% fresh&quot; rating based on 24 reviews as of January 2014.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/m/fire_in_the_blood/&amp;lt;/ref&amp;gt;  This ranks the film within the 5-10% best-reviewed films of 2013.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|title=Top 100 Movies of 2013 - Rotten Tomatoes|url=&lt;/ins&gt;https://www.rottentomatoes.com/top/bestofrt/?year=2013&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=2021-08-31|website=www.rottentomatoes.com}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Certain critics, such as Gary Goldstein of the &#039;&#039;[[Los Angeles Times]]&#039;&#039;, while acknowledging the enormous importance of the topic, felt the film should have taken a more emotional approach to its &quot;incendiary subject&quot;.&amp;lt;ref&amp;gt;https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-fire-in-the-blood-review&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,0,1351271&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story#axzz2nvwblex9&lt;/del&gt;&amp;lt;/ref&amp;gt; The English critic [[Philip French]], in his review for &#039;&#039;[[The Observer]]&#039;&#039; described the film as &quot;quietly devastating&quot;, praised Gray&#039;s choice in avoiding a [[polemical]] tone and allowing the material to speak for itself.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;://www.theguardian.com/film/2013/feb/24/fire-in-the-blood-review&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Certain critics, such as Gary Goldstein of the &#039;&#039;[[Los Angeles Times]]&#039;&#039;, while acknowledging the enormous importance of the topic, felt the film should have taken a more emotional approach to its &quot;incendiary subject&quot;.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|last2=|last3=|first3=|last4=Facebook|last5=|last6=|last7=|last8=|first8=|last9=|date=2013-09-12|title=Review: Chasing down delays that kept HIV a &#039;Fire in the Blood&#039;|url=&lt;/ins&gt;https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-fire-in-the-blood-review&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-story&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;html|url-status=live|access-date=2021-08-31|website=Los Angeles Times|language=en-US}}&lt;/ins&gt;&amp;lt;/ref&amp;gt; The English critic [[Philip French]], in his review for &#039;&#039;[[The Observer]]&#039;&#039; described the film as &quot;quietly devastating&quot;, praised Gray&#039;s choice in avoiding a [[polemical]] tone and allowing the material to speak for itself.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|date=2013-02-24|title=Fire in the Blood – review|url=http&lt;/ins&gt;://www.theguardian.com/film/2013/feb/24/fire-in-the-blood-review&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=2021-08-31|website=the Guardian|language=en}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Writing in &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;, Ashley Clark called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;stirring&amp;quot; and added &amp;quot;Gray deserves credit for his own restraint... Such is the clarity of his ideological stance that any grandstanding would feel redundant.&amp;quot;&amp;lt;ref&amp;gt;Sight &amp;amp; Sound, Review: Fire in the Blood, March 2013, p. 94.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Writing in &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;, Ashley Clark called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;stirring&amp;quot; and added &amp;quot;Gray deserves credit for his own restraint... Such is the clarity of his ideological stance that any grandstanding would feel redundant.&amp;quot;&amp;lt;ref&amp;gt;Sight &amp;amp; Sound, Review: Fire in the Blood, March 2013, p. 94.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David Rooney of &#039;&#039;[[The Hollywood Reporter]]&#039;&#039; echoed this view, stating that &quot;the admirable balance between impassioned argument and clear-sighted reporting in Dylan Mohan Gray&#039;s chronicle of the why and how makes &#039;&#039;Fire in the Blood&#039;&#039; indispensable viewing&quot;, adding that the &quot;very smart&quot;, &quot;extremely moving&quot; film is &quot;a shocking account of international trade terrorism sanctioned by Western governments&quot; and &quot;a powerful documentary that demands to be seen by as wide an audience as possible.&quot;&amp;lt;ref&amp;gt;https://www.hollywoodreporter.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;review&lt;/del&gt;/fire-blood-sundance-review-413424&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David Rooney of &#039;&#039;[[The Hollywood Reporter]]&#039;&#039; echoed this view, stating that &quot;the admirable balance between impassioned argument and clear-sighted reporting in Dylan Mohan Gray&#039;s chronicle of the why and how makes &#039;&#039;Fire in the Blood&#039;&#039; indispensable viewing&quot;, adding that the &quot;very smart&quot;, &quot;extremely moving&quot; film is &quot;a shocking account of international trade terrorism sanctioned by Western governments&quot; and &quot;a powerful documentary that demands to be seen by as wide an audience as possible.&quot;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|last=Rooney|first=David|last2=|first2=|date=2013-01-18|title=Fire in the Blood: Sundance Review|url=&lt;/ins&gt;https://www.hollywoodreporter.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movies/movie-reviews&lt;/ins&gt;/fire-blood-sundance-review-413424&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/|url-status=live|access-date=2021-08-31|website=The Hollywood Reporter|language=en-US}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Other reactions==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Other reactions==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ecangola</name></author>
	</entry>
	<entry>
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		<title>&gt;AnomieBOT: Dating maintenance tags: {{Rs}} {{Cn}}</title>
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		<updated>2021-06-15T11:40:17Z</updated>

		<summary type="html">&lt;p&gt;Dating maintenance tags: {{Rs}} {{Cn}}&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name =Fire in the Blood&lt;br /&gt;
| image =Movie Poster, &amp;quot;Fire in the Blood&amp;quot;.jpg&lt;br /&gt;
| caption =&lt;br /&gt;
| director =[[Dylan Mohan Gray]]&lt;br /&gt;
| producer =Dylan Mohan Gray&lt;br /&gt;
| writer =Dylan Mohan Gray&lt;br /&gt;
| narrator =[[William Hurt]]&lt;br /&gt;
| music =[[Ashutosh Phatak]]&lt;br /&gt;
| cinematography =Jay Jay Odedra&lt;br /&gt;
| editing =Dylan Mohan Gray&lt;br /&gt;
| studio = Sparkwater India&lt;br /&gt;
| distributor =&lt;br /&gt;
| released = {{Film date|df=y|2013|01|23|Sundance Film Festival|2013|10|11|India}}&lt;br /&gt;
| runtime =87 minutes&lt;br /&gt;
| country =India&lt;br /&gt;
| language =English&lt;br /&gt;
| budget =&lt;br /&gt;
| gross =&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a 2013 [[documentary film]] by [[Dylan Mohan Gray]] depicting, what it claims is, the intentional obstruction of access to low-cost [[antiretroviral drug]]s used in the treatment of [[HIV/AIDS]] to people in [[Africa]] and other parts the global south, driven by multinational pharmaceutical companies holding [[patent]] monopolies and various Western governments (above all those of the United States, [[European Union]] and Switzerland) consistently supporting these companies. The film claims that the battle against, what it refers to as a &amp;quot;genocidal blockade&amp;quot;,  which it estimates to have resulted in no less than ten- to twelve million completely unnecessary deaths, was fought and (at least temporarily) won.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; features contributions from former US President [[Bill Clinton]], intellectual property activist [[James Love (NGO director)|James Love]], global health reporter [[Donald McNeil, Jr.]] of &amp;#039;&amp;#039;[[The New York Times]]&amp;#039;&amp;#039;, HIV/AIDS treatment activist [[Zackie Achmat]], pioneering generic drugmaker [[Yusuf Hamied]], former [[Pfizer]] executive-turned-[[whistleblower]] [[Peter Rost (doctor)|Peter Rost]], Ugandan AIDS [[physician]] [[Peter Mugyenyi]], and [[Nobel Prize]]-laureates [[Desmond Tutu]] and [[Joseph Stiglitz]].&amp;lt;ref&amp;gt;{{cite news |title=Where AIDS Steals Life by the Millions |url=https://www.nytimes.com/2013/09/06/movies/fire-in-the-blood-spotlights-aids-in-africa.html?_r=0 |newspaper=New York Times |author= Miriam Bale|date= 5 September 2013|accessdate=2013-11-08}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=mint/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The film is narrated by [[Academy Award]]-winning actor [[William Hurt]], who lent his voice to the film on a &amp;#039;&amp;#039;[[pro bono]]&amp;#039;&amp;#039; basis because he felt the story and subject matter were so important.{{citation needed|date=October 2018}}&lt;br /&gt;
&lt;br /&gt;
In November 2013, &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; set a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history (five weeks).&amp;lt;ref name=&amp;quot;bollyspice.com&amp;quot;&amp;gt;[http://bollyspice.com/70483/indian-documentary-fire-blood-breaks-record-longest-run-indian-cinemas Bolly Spice, 2 November 2013: &amp;#039;&amp;#039;Indian cocumentary Fire in the Blood breaks record for longest run in Indian cinemas] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In November 2018, Australian journalist and documentary filmmaker [[John Pilger]] included &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; among his selection of &amp;quot;26 landmark documentary films of the past seven decades&amp;quot;.&amp;lt;ref&amp;gt;[https://www.mca.com.au/whats-on/the-power-of-the-documentary/]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
Filmmaker [[Dylan Mohan Gray]] first came to know of the issue in 2004, after he read an article in &amp;#039;&amp;#039;[[The Economist]]&amp;#039;&amp;#039; about the battle between pharmaceutical companies and the global public health community over access to lower-cost AIDS drugs for Africa.&amp;lt;ref&amp;gt;{{cite web| title = Fire in the blood for Indian pharma firms |publisher= Business Standard| url = http://www.business-standard.com/article/companies/fire-in-the-blood-for-indian-pharma-firms-113093000774_1.html|date=1 October 2013| accessdate = 2013-11-08}}&amp;lt;/ref&amp;gt; He decided to make the film three years later.&amp;lt;ref name=ibn/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The film was shot on four continents from March 2008 to the end of 2010, while editing was completed in 2012.&amp;lt;ref name=mint&amp;gt;{{cite web| title = Fire in the Blood: Big Trouble for Big Pharma |publisher= Livemint| url = http://www.livemint.com/Leisure/zIWnlM65fmopukcVcgcq8L/Fire-in-the-Blood.html|date=3 October 2013|accessdate = 2013-11-08|author=Nandini Ramnath}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Release==&lt;br /&gt;
The film was first released theatrically in Ireland on 21 February 2013, with the UK premiere the following day. It was released theatrically in the US on 7 September 2013 and in India on 11 October the same year, to outstanding reviews.&amp;lt;ref name=ibn&amp;gt;{{cite web&lt;br /&gt;
| title = Fire In The Blood: Why this documentary is so important|publisher=CNN-IBN| url = http://ibnlive.in.com/news/fire-in-the-blood-why-this-documentary-is-so-important/428456-8.html| archive-url = https://web.archive.org/web/20131015153657/http://ibnlive.in.com/news/fire-in-the-blood-why-this-documentary-is-so-important/428456-8.html| url-status = dead| archive-date = 15 October 2013| date=15 October 2013|accessdate = 2013-11-08}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;http://fireintheblood.com/reviews&amp;quot;&amp;gt;[http://fireintheblood.com/reviews Official website: &amp;#039;&amp;#039;Reviews&amp;#039;&amp;#039;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The film was released on the [[iTunes]] UK Store in mid-2013, and worldwide on [[Video on Demand|VOD]] via its website in 2014.  It released in the UK and India on [[DVD]] in the first quarter of 2014.&lt;br /&gt;
&lt;br /&gt;
Thus far the film has been broadcast on [[television]] in the following countries, beginning in late 2013: Finland ([[YLE]]), Israel ([[Yes (Israel)]]), Norway ([[NRK]]), Spain ([[Televisión Española|TVE]]), Switzerland ([[Schweizer Radio und Fernsehen|SRF]]), Austria ([[ORF (broadcaster)|ORF]]), Poland ([[Telewizja Polska]]), Ireland ([[TG4]]), Brazil ([[Globosat]]), Denmark ([[Danmarks Radio|DR]]), the United States ([[Audience Network]]) and Japan ([[NHK]]).  Transnational broadcasters include [[Al Jazeera English|AJE]], [[Al Jazeera Arabic]] and [[Al Jazeera Balkans]], along with [[DStv]] and GOtv across Sub-Saharan Africa as part of the &amp;quot;AfriDocs&amp;quot; initiative.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; was the first Indian film to be selected for the World Cinema Documentary competition at the [[Sundance Film Festival]]&amp;lt;ref&amp;gt;[http://www.frontline.in/social-issues/indian-generics-and-aids/article5228850.ece?homepage=true Frontline, 1 November 2013: &amp;#039;&amp;#039;Indian generics and AIDS&amp;#039;&amp;#039;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt; and subsequently participated in over 100 leading [[film festivals]] in dozens of countries all over the world.&amp;lt;ref name=WebsiteReviews&amp;gt;[http://fireintheblood.com/festivals Official website: &amp;#039;&amp;#039;Festivals&amp;#039;&amp;#039;] Re-linked 2014-11-01&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Awards and nominations==&lt;br /&gt;
* Nominated for the Grand Jury Prize, World Documentary at the [[Sundance Film Festival]], January 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;&amp;gt;[http://fireintheblood.com/awards-news Official website: &amp;#039;&amp;#039;Awards News&amp;#039;&amp;#039;]&amp;lt;/ref&amp;gt;&lt;br /&gt;
* Shortlisted for the [[One World Media Award]], February 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt;&lt;br /&gt;
* Winner of the Justice Matters Award at the 27th Washington DC International Film Festival, April 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt;&lt;br /&gt;
* Winner of the DOXA Feature Documentary Award at the [[DOXA Documentary Film Festival]], May 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url=http://www.doxafestival.ca/festival/awards |title=Archived copy |accessdate=2013-12-20 |url-status=dead |archiveurl=https://web.archive.org/web/20131220072142/http://doxafestival.ca/festival/awards |archivedate=20 December 2013 |df=dmy-all }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://realscreen.com/2013/05/17/fire-in-the-blood-wins-top-prize-at-doxa/&amp;lt;/ref&amp;gt;&lt;br /&gt;
* Shortlisted for Best Cinema Documentary at the [[Grierson Awards|Grierson British Documentary Awards]], July 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url=http://www.griersontrust.org/grierson-awards-the-british-documentary-awards/shortlist.html |title=Archived copy |accessdate=2012-08-07 |url-status=dead |archiveurl=https://web.archive.org/web/20120805001529/http://www.griersontrust.org/grierson-awards-the-british-documentary-awards/shortlist.html |archivedate=5 August 2012 |df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* Winner of the [[Friedrich-Ebert-Stiftung]] Prize for Political Film at [[Filmfest Hamburg]], October 2013&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url=http://www.filmfesthamburg.de/de/presse/2013/2013.10.05_Abschluss.php |title=Archived copy |accessdate=2013-12-20 |url-status=dead |archiveurl=https://web.archive.org/web/20131219203344/http://www.filmfesthamburg.de/de/presse/2013/2013.10.05_Abschluss.php |archivedate=19 December 2013 |df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* Winner of the Audience Award for Best Documentary at the 16th Fairy Tales International Queer Film Festival in Calgary, June 2014&lt;br /&gt;
* Winner of the Best Documentary Award at the International Film Festival of Kashmir (IFFK) in Srinigar, August 2014&lt;br /&gt;
* Winner of the Grand Jury Award at [[The White Sands International Film Festival]], New Mexico, September 2014&lt;br /&gt;
* Winner of the Best Feature Documentary Award at the Montréal International Black Film Festival, September 2014&lt;br /&gt;
* Winner of the IDPA Gold Award for Excellence in Nonfiction (Direction), 11th Indian Documentary Producers Association (IDPA) Awards, Mumbai, March 2015&lt;br /&gt;
* Winner of the IDPA Silver Award for Excellence in Nonfiction (Script), Mumbai, March 2015 &lt;br /&gt;
* Winner of IDPA Jury Awards for Excellence in Cinematography (Jay Odedra), Excellence in Sound Design (Kunal Sharma), Mumbai, March 2015&lt;br /&gt;
* Winner of IDPA Jury Award for Best Film: Documentary over 30 Minutes, Mumbai, March 2015&lt;br /&gt;
&lt;br /&gt;
==Critical response==&lt;br /&gt;
&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; received positive critical notices, both to its North American premiere at the 2013 [[Sundance Film Festival]], as well as to its subsequent theatrical releases in Ireland, [[United Kingdom|Britain]], the United States and India.&amp;lt;ref name=WebsiteReviews/&amp;gt;{{rs|date=June 2021}}&lt;br /&gt;
&lt;br /&gt;
The film [[review aggregator]] website [[Rotten Tomatoes]] has given &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; a &amp;quot;92% fresh&amp;quot; rating based on 24 reviews as of January 2014.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/m/fire_in_the_blood/&amp;lt;/ref&amp;gt;  This ranks the film within the 5-10% best-reviewed films of 2013.&amp;lt;ref&amp;gt;https://www.rottentomatoes.com/top/bestofrt/?year=2013&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Certain critics, such as Gary Goldstein of the &amp;#039;&amp;#039;[[Los Angeles Times]]&amp;#039;&amp;#039;, while acknowledging the enormous importance of the topic, felt the film should have taken a more emotional approach to its &amp;quot;incendiary subject&amp;quot;.&amp;lt;ref&amp;gt;https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-fire-in-the-blood-review,0,1351271.story#axzz2nvwblex9&amp;lt;/ref&amp;gt; The English critic [[Philip French]], in his review for &amp;#039;&amp;#039;[[The Observer]]&amp;#039;&amp;#039; described the film as &amp;quot;quietly devastating&amp;quot;, praised Gray&amp;#039;s choice in avoiding a [[polemical]] tone and allowing the material to speak for itself.&amp;lt;ref&amp;gt;https://www.theguardian.com/film/2013/feb/24/fire-in-the-blood-review&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Writing in &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;, Ashley Clark called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;stirring&amp;quot; and added &amp;quot;Gray deserves credit for his own restraint... Such is the clarity of his ideological stance that any grandstanding would feel redundant.&amp;quot;&amp;lt;ref&amp;gt;Sight &amp;amp; Sound, Review: Fire in the Blood, March 2013, p. 94.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
David Rooney of &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; echoed this view, stating that &amp;quot;the admirable balance between impassioned argument and clear-sighted reporting in Dylan Mohan Gray&amp;#039;s chronicle of the why and how makes &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; indispensable viewing&amp;quot;, adding that the &amp;quot;very smart&amp;quot;, &amp;quot;extremely moving&amp;quot; film is &amp;quot;a shocking account of international trade terrorism sanctioned by Western governments&amp;quot; and &amp;quot;a powerful documentary that demands to be seen by as wide an audience as possible.&amp;quot;&amp;lt;ref&amp;gt;https://www.hollywoodreporter.com/review/fire-blood-sundance-review-413424&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other reactions==&lt;br /&gt;
Author [[John le Carré]] (who became involved with the issue of pharmaceutical company abuses while researching his landmark 2001 novel &amp;#039;&amp;#039;[[The Constant Gardener]]&amp;#039;&amp;#039;) called &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; &amp;quot;a blessing... full of conviction, passion and unanswerable argument&amp;quot;.&amp;lt;ref&amp;gt;Letter from John le Carré to Dylan Mohan Gray, 2012&amp;lt;/ref&amp;gt;{{cn|date=June 2021}}&lt;br /&gt;
&lt;br /&gt;
Australian-British journalist and documentary film maker, [[John Pilger]] wrote &amp;quot;&amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039;  is one of the most powerful, important and humane documentaries I have ever seen. It&amp;#039;s the story of ordinary people standing up to unaccountable power. The struggle to save millions from the ravages of untreated HIV is revealed as a struggle against the new lords of the world, transnational corporations, their greed and lies. Genuine hope is rare these days -- you&amp;#039;ll find it in this film.&amp;quot;{{cn|date=June 2021}}&lt;br /&gt;
&lt;br /&gt;
Former (2001–06) [[United Nations]] (UN) Special Envoy for HIV/AIDS in Africa [[Stephen Lewis]] said &amp;quot;I was enraged as I watched, thinking of those years I spent as the Envoy, watching people die. [...] I rarely watch &amp;#039;AIDS documentaries&amp;#039;; they&amp;#039;re remarkably repetitive as a rule, largely uninspired and yielding almost nothing new. [Fire in the Blood] is in a wholly different category; a terrific, riveting documentary... dramatic, compelling, but most of all, wonderfully humane. [Gray is] a remarkably gifted documentary film-maker.&amp;quot;{{cn|date=June 2021}}&lt;br /&gt;
&lt;br /&gt;
==Special screenings==&lt;br /&gt;
Special screenings of &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; for policymakers have been held in such fora as the [[United Nations]] headquarters in [[New York City]] and [[Vienna]], the [[European Parliament]] in [[Brussels]], the [[World Health Assembly]] and [[UNAIDS]] headquarters in [[Geneva]], along with dedicated screenings for lawmakers in [[Washington, D.C.|Washington]] and [[New Delhi]], and one hosted by the Indian Ministry of External Affairs (MEA) for ambassadors and consuls accredited to India.&lt;br /&gt;
&lt;br /&gt;
==Milestones==&lt;br /&gt;
* (November 2013) &amp;#039;&amp;#039;Fire in the Blood&amp;#039;&amp;#039; sets a new all-time record for the longest theatrical run by any non-fiction feature film in Indian history&amp;lt;ref name=&amp;quot;bollyspice.com&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url=http://www.timeoutdelhi.net/around-town/features/director%E2%80%99s-cut |title=Archived copy |accessdate=2014-01-17 |url-status=dead |archiveurl=https://web.archive.org/web/20141006072751/http://www.timeoutdelhi.net/around-town/features/director%E2%80%99s-cut |archivedate=6 October 2014 |df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* only feature-length Indian film to be selected in the main competition at a Top 5 international film festival between 2010 ([[Peepli Live]]) and 2014 ([[Liar&amp;#039;s Dice]])&amp;lt;ref name=&amp;quot;ReferenceB&amp;quot;&amp;gt;http://bollyspice.com/69171/fire-blood-wins-first-ever-prize-political-film-hamburg&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist|40em}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [http://fireintheblood.com/ Fire in the Blood, official website]&lt;br /&gt;
* {{IMDb title|1787067|Fire in the Blood}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian documentary films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:2013 films]]&lt;br /&gt;
[[Category:Pharmaceutical industry]]&lt;br /&gt;
[[Category:2013 documentary films]]&lt;br /&gt;
[[Category:Documentary films about health care]]&lt;br /&gt;
[[Category:Indian political films]]&lt;br /&gt;
[[Category:Documentary films about HIV/AIDS]]&lt;br /&gt;
[[Category:Politics of science]]&lt;br /&gt;
[[Category:Documentary films about science]]&lt;br /&gt;
[[Category:Works about patent law]]&lt;br /&gt;
[[Category:Desmond Tutu]]&lt;br /&gt;
[[Category:Bill Clinton]]&lt;br /&gt;
[[Category:2013 directorial debut films]]&lt;/div&gt;</summary>
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