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	<title>Dil Se.. - Revision history</title>
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	<updated>2026-07-28T13:50:17Z</updated>
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		<title>Bot at 07:03, 14 December 2022</title>
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		<updated>2022-12-14T07:03:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:33, 14 December 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Short description|1998 Hindi-language romantic thriller film}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Short description|1998 Hindi-language romantic thriller film}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Dil Se..&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Dil Se..&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| runtime        = 165 minutes&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| runtime        = 165 minutes&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&amp;lt;ref&amp;gt;{{cite news|url=https://www.business-standard.com/article/beyond-business/language-no-bar-110061300041_1.html|title=Language no bar|website=[[Business Standard]]|author=Shelly Walia and Tanushree Ghosh|date=21 January 2013|access-date=14 March &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; &amp;lt;br&amp;gt; Tamil&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&amp;lt;ref&amp;gt;{{cite news|url=https://www.business-standard.com/article/beyond-business/language-no-bar-110061300041_1.html|title=Language no bar|website=[[Business Standard]]|author=Shelly Walia and Tanushree Ghosh|date=21 January 2013|access-date=14 March &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; &amp;lt;br&amp;gt; Tamil&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = {{INR}}11 crore&amp;lt;ref name=&amp;quot;auto&amp;quot;&amp;gt;{{cite web|url=https://boxofficeindia.com/movie.php?movieid=2540|title=Dil Se.. – Movie|publisher=Box Office India}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = {{INR}}11 crore&amp;lt;ref name=&amp;quot;auto&amp;quot;&amp;gt;{{cite web|url=https://boxofficeindia.com/movie.php?movieid=2540|title=Dil Se.. – Movie|publisher=Box Office India}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{INR}}28.26 crore&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{INR}}28.26 crore&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Dil Se..&amp;#039;&amp;#039; was screened at the [[Era New Horizons Film Festival]] and the [[Helsinki International Film Festival]]. Noted for its aspects [[Nonlinear narrative|nonlinear storytelling]], the film was moderate success at the domestic box office; however it was a major success overseas earning $975,000 in the [[United States]] and £537,930 in the [[United Kingdom]],&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt; becoming the first Indian film to enter the top 10 in the United Kingdom box office charts,&amp;lt;ref name=&amp;quot;Aftab&amp;quot;&amp;gt;{{cite journal | last = Aftab | first = Kaleem |date=October 2002 | title = Brown: the new black! Bollywood in Britain | journal = Critical Quarterly | volume = 44 | issue = 3 | pages = 88–98 | publisher = Blackwell Synergy | doi = 10.1111/1467-8705.00435 | quote = The first Bollywood film to enter the UK top 10, &amp;#039;&amp;#039;Dil Se / Uyire&amp;#039;&amp;#039; was nevertheless a Average in India.  Such factors attest to the crucial role of the [[Non-resident Indian and person of Indian origin|NRI]] audience in the commercial fate of Bollywood produce.}}&amp;lt;/ref&amp;gt; and it was also a hit in [[Japan]].&amp;lt;ref name=&amp;quot;Kohli&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Dil Se..&amp;#039;&amp;#039; was screened at the [[Era New Horizons Film Festival]] and the [[Helsinki International Film Festival]]. Noted for its aspects [[Nonlinear narrative|nonlinear storytelling]], the film was moderate success at the domestic box office; however it was a major success overseas earning $975,000 in the [[United States]] and £537,930 in the [[United Kingdom]],&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt; becoming the first Indian film to enter the top 10 in the United Kingdom box office charts,&amp;lt;ref name=&amp;quot;Aftab&amp;quot;&amp;gt;{{cite journal | last = Aftab | first = Kaleem |date=October 2002 | title = Brown: the new black! Bollywood in Britain | journal = Critical Quarterly | volume = 44 | issue = 3 | pages = 88–98 | publisher = Blackwell Synergy | doi = 10.1111/1467-8705.00435 | quote = The first Bollywood film to enter the UK top 10, &amp;#039;&amp;#039;Dil Se / Uyire&amp;#039;&amp;#039; was nevertheless a Average in India.  Such factors attest to the crucial role of the [[Non-resident Indian and person of Indian origin|NRI]] audience in the commercial fate of Bollywood produce.}}&amp;lt;/ref&amp;gt; and it was also a hit in [[Japan]].&amp;lt;ref name=&amp;quot;Kohli&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the [[44th Filmfare Awards]], &#039;&#039;Dil Se..&#039;&#039; received 10 nominations, including [[Filmfare Best Actress Award|Best Actress]] (Koirala) and [[Filmfare Award for Best Supporting Actress|Best Supporting Actress]] (Zinta), and won 6 awards, including [[Filmfare Award for Best Female Debut|Best Female Debut]] (Zinta) and [[Filmfare Award for Best Music Director|Best Music Director]] (Rahman). At the [[46th National Film Awards]], the film won 2 awards – [[National Film Award for Best Cinematography|Best Cinematography]] and [[National Film Award for Best Audiography|Best Audiography]], while also receiving a  [[Network for the Promotion of Asian Cinema|Netpac Award]] at the [[Berlin International Film Festival]].&amp;lt;ref name=&quot;Aftab&quot; /&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url = http://www.bfi.org.uk/sightandsound/review/5 |title = Dil Se.. |access-date = 2008-02-16 |author = Cary Rajinder Sawhney |year = 2006 |publisher = British Film Institute |url-status=dead |archive-url = https://web.archive.org/web/20080201185025/http://www.bfi.org.uk/sightandsound/review/5 |archive-date = 1 February &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the [[44th Filmfare Awards]], &#039;&#039;Dil Se..&#039;&#039; received 10 nominations, including [[Filmfare Best Actress Award|Best Actress]] (Koirala) and [[Filmfare Award for Best Supporting Actress|Best Supporting Actress]] (Zinta), and won 6 awards, including [[Filmfare Award for Best Female Debut|Best Female Debut]] (Zinta) and [[Filmfare Award for Best Music Director|Best Music Director]] (Rahman). At the [[46th National Film Awards]], the film won 2 awards – [[National Film Award for Best Cinematography|Best Cinematography]] and [[National Film Award for Best Audiography|Best Audiography]], while also receiving a  [[Network for the Promotion of Asian Cinema|Netpac Award]] at the [[Berlin International Film Festival]].&amp;lt;ref name=&quot;Aftab&quot; /&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url = http://www.bfi.org.uk/sightandsound/review/5 |title = Dil Se.. |access-date = 2008-02-16 |author = Cary Rajinder Sawhney |year = 2006 |publisher = British Film Institute |url-status=dead |archive-url = https://web.archive.org/web/20080201185025/http://www.bfi.org.uk/sightandsound/review/5 |archive-date = 1 February &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2008&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l123&quot;&gt;Line 123:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 123:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Themes ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Themes ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Dil Se&#039;&#039; is said to be a journey through the seven shades of love that are defined in ancient Arabic literature. Those shades are defined as attraction, infatuation, love, reverence, worship, obsession, and death. The character played by Shahrukh Khan passes through each shade during the course of the film.&amp;lt;ref&amp;gt;{{cite web|url=http://www.rage-india.com/dilse/love.htm|title=Dil Se... A Mani Ratnam film|access-date=4 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; Authors Sangita Gopal and Sujata Moorti of &#039;&#039;Global Bollywood: Travels of Hindi Song and Dance&#039;&#039; also compared Khan&#039;s romance in the film to the trajectory of love in ancient Arabic literature, believing the lyrics in two of the songs to have delivered an &quot;apocalyptic fatalism&quot;.{{sfn|Gopal|Moorti|2008|p=166}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Dil Se&#039;&#039; is said to be a journey through the seven shades of love that are defined in ancient Arabic literature. Those shades are defined as attraction, infatuation, love, reverence, worship, obsession, and death. The character played by Shahrukh Khan passes through each shade during the course of the film.&amp;lt;ref&amp;gt;{{cite web|url=http://www.rage-india.com/dilse/love.htm|title=Dil Se... A Mani Ratnam film|access-date=4 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2011&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; Authors Sangita Gopal and Sujata Moorti of &#039;&#039;Global Bollywood: Travels of Hindi Song and Dance&#039;&#039; also compared Khan&#039;s romance in the film to the trajectory of love in ancient Arabic literature, believing the lyrics in two of the songs to have delivered an &quot;apocalyptic fatalism&quot;.{{sfn|Gopal|Moorti|2008|p=166}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is a dramatization of the attraction between a character from the heart of India and another from a peripheral state and a representation of opposites in the eyes of the law and society.&amp;lt;ref name=&quot;Chaudhuri2005&quot;&amp;gt;{{cite book|last=Chaudhuri|first=Shohini|title=Contemporary world cinema: Europe, the Middle East, East Asia and South Asia|url=https://books.google.com/books?id=qOXoeyesZOIC&amp;amp;pg=PA172|access-date=3 April 2011|year=2005|publisher=Edinburgh University Press|isbn=978-0-7486-1799-9|page=172}}&amp;lt;/ref&amp;gt; &#039;&#039;Dil Se&#039;&#039; is described as a film &quot;structured through deferment and unfulfilled teasing promises&quot;.&amp;lt;ref name=&quot;BoehmerMorton2009&quot;&amp;gt;{{cite book|last1=Boehmer|first1=Elleke|last2=Morton|first2=Stephen|title=Terror and the postcolonial|url=https://books.google.com/books?id=o9LOzKeFtMwC&amp;amp;pg=PA350|access-date=3 April 2011|date=October 2009|publisher=John Wiley and Sons|isbn=978-1-4051-9154-8|page=350}}&amp;lt;/ref&amp;gt; &#039;&#039;[[Rediff.com]]&#039;&#039; said about the film, &quot;The entire feel of the film is appropriately poetic, with a few romantic exchanges standing out quite memorable. Tigmanshu Dhulia has handled the film&#039;s dialogues adroitly. Amid moonlit desert dunes, there is a particularly stirring conversation between the leading pair. Amar reveals his hate for Meghna&#039;s eyes – because he can&#039;t see the world is hidden behind them and his love for the same, stunning eyes – because he can&#039;t see the world hidden behind them.&quot;&amp;lt;ref name=rediff1&amp;gt;{{cite web|url=http://in.rediff.com/movies/2005/oct/21dilse.htm|title=Weekend Watch: Dil Se|work=[[Rediff.com]]|date=21 October 2005|access-date=3 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film is a dramatization of the attraction between a character from the heart of India and another from a peripheral state and a representation of opposites in the eyes of the law and society.&amp;lt;ref name=&quot;Chaudhuri2005&quot;&amp;gt;{{cite book|last=Chaudhuri|first=Shohini|title=Contemporary world cinema: Europe, the Middle East, East Asia and South Asia|url=https://books.google.com/books?id=qOXoeyesZOIC&amp;amp;pg=PA172|access-date=3 April 2011|year=2005|publisher=Edinburgh University Press|isbn=978-0-7486-1799-9|page=172}}&amp;lt;/ref&amp;gt; &#039;&#039;Dil Se&#039;&#039; is described as a film &quot;structured through deferment and unfulfilled teasing promises&quot;.&amp;lt;ref name=&quot;BoehmerMorton2009&quot;&amp;gt;{{cite book|last1=Boehmer|first1=Elleke|last2=Morton|first2=Stephen|title=Terror and the postcolonial|url=https://books.google.com/books?id=o9LOzKeFtMwC&amp;amp;pg=PA350|access-date=3 April 2011|date=October 2009|publisher=John Wiley and Sons|isbn=978-1-4051-9154-8|page=350}}&amp;lt;/ref&amp;gt; &#039;&#039;[[Rediff.com]]&#039;&#039; said about the film, &quot;The entire feel of the film is appropriately poetic, with a few romantic exchanges standing out quite memorable. Tigmanshu Dhulia has handled the film&#039;s dialogues adroitly. Amid moonlit desert dunes, there is a particularly stirring conversation between the leading pair. Amar reveals his hate for Meghna&#039;s eyes – because he can&#039;t see the world is hidden behind them and his love for the same, stunning eyes – because he can&#039;t see the world hidden behind them.&quot;&amp;lt;ref name=rediff1&amp;gt;{{cite web|url=http://in.rediff.com/movies/2005/oct/21dilse.htm|title=Weekend Watch: Dil Se|work=[[Rediff.com]]|date=21 October 2005|access-date=3 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2011&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Elleke Boehmer and Stephen Morton in their book &amp;#039;&amp;#039;Terror and the Postcolonial&amp;#039;&amp;#039; (2009) believe that the songs and their exotic locations in the film were very important in masking the impossible reconciliation between a terrorist and an uptight government agent by evoking pure fantasy.&amp;lt;ref name=&amp;quot;BoehmerMorton2009&amp;quot; /&amp;gt; They argue that this is a phenomenon called the &amp;quot;liminal space of dreaming&amp;quot; in that the terrorist woman cannot fulfill her sexual desire so the songs fill the void of this desire by &amp;quot;their sumptuousness and exotic locales&amp;quot; in the [[Ladakh]] region.&amp;lt;ref name=&amp;quot;BoehmerMorton2009&amp;quot; /&amp;gt; The theme of the movie was reported to be paying homage to the 1981 British film &amp;#039;&amp;#039;[[The French Lieutenant&amp;#039;s Woman (film)|The French Lieutenant&amp;#039;s Woman]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web | url=https://www.dnaindia.com/entertainment/report-was-nayakan-inspired-by-the-godfather-1920072 | title=Was &amp;#039;Nayakan&amp;#039; inspired by &amp;#039;The Godfather&amp;#039;? }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Elleke Boehmer and Stephen Morton in their book &amp;#039;&amp;#039;Terror and the Postcolonial&amp;#039;&amp;#039; (2009) believe that the songs and their exotic locations in the film were very important in masking the impossible reconciliation between a terrorist and an uptight government agent by evoking pure fantasy.&amp;lt;ref name=&amp;quot;BoehmerMorton2009&amp;quot; /&amp;gt; They argue that this is a phenomenon called the &amp;quot;liminal space of dreaming&amp;quot; in that the terrorist woman cannot fulfill her sexual desire so the songs fill the void of this desire by &amp;quot;their sumptuousness and exotic locales&amp;quot; in the [[Ladakh]] region.&amp;lt;ref name=&amp;quot;BoehmerMorton2009&amp;quot; /&amp;gt; The theme of the movie was reported to be paying homage to the 1981 British film &amp;#039;&amp;#039;[[The French Lieutenant&amp;#039;s Woman (film)|The French Lieutenant&amp;#039;s Woman]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web | url=https://www.dnaindia.com/entertainment/report-was-nayakan-inspired-by-the-godfather-1920072 | title=Was &amp;#039;Nayakan&amp;#039; inspired by &amp;#039;The Godfather&amp;#039;? }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l154&quot;&gt;Line 154:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 154:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Though &amp;#039;&amp;#039;Dil Se&amp;#039;&amp;#039; received an average box office response in [[India]], it found success overseas. It was screened at the [[Era New Horizons Film Festival]] and the [[Helsinki International Film Festival]]. The film went on to win the [[Network for the Promotion of Asian Cinema|Netpac Award]] at the [[Berlin International Film Festival]], two [[National Film Awards]], and six [[Filmfare Awards]]. The intense political agenda of the film with the trials of the [[Assamese people|Assamese]] on the [[India-China border]], the love story and the fact that it coincided with the 50th Independence Anniversary celebrations became a major factor for its success overseas, particularly amongst the [[South Asian diaspora]] in the west.&amp;lt;ref name=&amp;quot;Dudrah2006&amp;quot;&amp;gt;{{cite book|last=Dudrah|first=Rajinder Kumar|title=Bollywood: sociology goes to the movies|url=https://books.google.com/books?id=zd9g09JZxLwC&amp;amp;pg=PA34|access-date=3 April 2011|year=2006|publisher=Sage|isbn=978-0-7619-3461-5|page=34}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Meyer2009&amp;quot;&amp;gt;{{cite book|last=Meyer|first=Michael|title=Word &amp;amp; image in colonial and postcolonial literatures and cultures|url=https://books.google.com/books?id=xDj68ypOf4kC&amp;amp;pg=PA230|access-date=11 April 2011|year=2009|publisher=Rodopi|isbn=9789042027435|page=230}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Though &amp;#039;&amp;#039;Dil Se&amp;#039;&amp;#039; received an average box office response in [[India]], it found success overseas. It was screened at the [[Era New Horizons Film Festival]] and the [[Helsinki International Film Festival]]. The film went on to win the [[Network for the Promotion of Asian Cinema|Netpac Award]] at the [[Berlin International Film Festival]], two [[National Film Awards]], and six [[Filmfare Awards]]. The intense political agenda of the film with the trials of the [[Assamese people|Assamese]] on the [[India-China border]], the love story and the fact that it coincided with the 50th Independence Anniversary celebrations became a major factor for its success overseas, particularly amongst the [[South Asian diaspora]] in the west.&amp;lt;ref name=&amp;quot;Dudrah2006&amp;quot;&amp;gt;{{cite book|last=Dudrah|first=Rajinder Kumar|title=Bollywood: sociology goes to the movies|url=https://books.google.com/books?id=zd9g09JZxLwC&amp;amp;pg=PA34|access-date=3 April 2011|year=2006|publisher=Sage|isbn=978-0-7619-3461-5|page=34}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Meyer2009&amp;quot;&amp;gt;{{cite book|last=Meyer|first=Michael|title=Word &amp;amp; image in colonial and postcolonial literatures and cultures|url=https://books.google.com/books?id=xDj68ypOf4kC&amp;amp;pg=PA230|access-date=11 April 2011|year=2009|publisher=Rodopi|isbn=9789042027435|page=230}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became the first Indian film to enter the top 10 in the United Kingdom box office charts.&amp;lt;ref name=&quot;Aftab&quot; /&amp;gt; Even months after its release in September 1998, the film was still screened on five screens, five times per day with an average of 3,000 spectators across all screens in the Cineworld complex in [[Feltham]], West London.&amp;lt;ref name=&quot;Dudrah2006&quot; /&amp;gt; Deepa Deosthalee wrote a positive review to the film, calling it &quot;a picture-perfect ode to love&quot; and praising the direction, writing and performances.&amp;lt;ref&amp;gt;{{cite news|newspaper=[[The Indian Express]]|author=Deosthalee, Deepa|date=22 August 1998|access-date=2011-12-07|title=A picture perfect ode to love, Dil Se|url=http://www.expressindia.com/ie/daily/19980822/23450914.html|url-status=dead|archive-url=https://web.archive.org/web/20121114053832/http://www.expressindia.com/ie/daily/19980822/23450914.html|archive-date=14 November &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt; [[Khalid Mohamed]] found the film disappointing, noting it &quot;fine performances, technique and music&quot; but panning its lack &quot;of that crucial element called a story&quot;.&amp;lt;ref&amp;gt;{{cite news |last1=Mohamed |first1=Khalid|title=QUITE A DISAPPOINTMENT |url=http://www.filmfare.com/site/btalkies/bomb33.htm |work=Filmfare  |archive-url=https://web.archive.org/web/19991002041154/http://www.filmfare.com/site/btalkies/bomb33.htm |archive-date=2 October 1999}}&amp;lt;/ref&amp;gt; [[Anupama Chopra]] of &#039;&#039;[[India Today]]&#039;&#039; wrote, &quot;Amid the reels of tripe churned out by Bollywood every week, &#039;&#039;Dil Se...&#039;&#039; is a noble attempt. But coming from Mani, that&#039;s simply not good enough.&quot;&amp;lt;ref&amp;gt;{{cite news |last1=Anupama |first1=Chopra |title=Movie review: Dil Se.., starring Shah Rukh Khan, Manisha Koirala |url=https://www.indiatoday.in/magazine/society-the-arts/films/story/19980831-movie-review-of-dil-se-shah-rukh-khan-manisha-koirala-826978-1998-08-31 |access-date=11 May 2020 |work=India Today|date=31 August 1998 |language=en}}&amp;lt;/ref&amp;gt; The film was included in [[Time (magazine)|&#039;&#039;Time&#039;&#039;]]&#039;s &quot;Best of Bollywood&quot; list in 2010.&amp;lt;ref&amp;gt;{{cite magazine|last=Corliss |first=Richard |url=http://content.time.com/time/specials/packages/article/0,28804,2022076_2022068_2022065,00.html |title=Dil Se – 1998|magazine=[[Time (magazine)|Time]] |date=27 October 2010 |access-date=30 July 2012 }}&amp;lt;/ref&amp;gt; &#039;&#039;Dil Se&#039;&#039; was also a hit in [[Japan]].&amp;lt;ref name=&quot;Kohli&quot;&amp;gt;{{cite book|last=Kohli-Khandekar|first=Vanita|title=The Indian Media Business|date=2013|publisher=[[SAGE Publications]]|isbn=9788132117889|page=188|url=https://books.google.com/books?id=1C4nAgAAQBAJ&amp;amp;pg=PA188|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became the first Indian film to enter the top 10 in the United Kingdom box office charts.&amp;lt;ref name=&quot;Aftab&quot; /&amp;gt; Even months after its release in September 1998, the film was still screened on five screens, five times per day with an average of 3,000 spectators across all screens in the Cineworld complex in [[Feltham]], West London.&amp;lt;ref name=&quot;Dudrah2006&quot; /&amp;gt; Deepa Deosthalee wrote a positive review to the film, calling it &quot;a picture-perfect ode to love&quot; and praising the direction, writing and performances.&amp;lt;ref&amp;gt;{{cite news|newspaper=[[The Indian Express]]|author=Deosthalee, Deepa|date=22 August 1998|access-date=2011-12-07|title=A picture perfect ode to love, Dil Se|url=http://www.expressindia.com/ie/daily/19980822/23450914.html|url-status=dead|archive-url=https://web.archive.org/web/20121114053832/http://www.expressindia.com/ie/daily/19980822/23450914.html|archive-date=14 November &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2012&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; [[Khalid Mohamed]] found the film disappointing, noting it &quot;fine performances, technique and music&quot; but panning its lack &quot;of that crucial element called a story&quot;.&amp;lt;ref&amp;gt;{{cite news |last1=Mohamed |first1=Khalid|title=QUITE A DISAPPOINTMENT |url=http://www.filmfare.com/site/btalkies/bomb33.htm |work=Filmfare  |archive-url=https://web.archive.org/web/19991002041154/http://www.filmfare.com/site/btalkies/bomb33.htm |archive-date=2 October 1999}}&amp;lt;/ref&amp;gt; [[Anupama Chopra]] of &#039;&#039;[[India Today]]&#039;&#039; wrote, &quot;Amid the reels of tripe churned out by Bollywood every week, &#039;&#039;Dil Se...&#039;&#039; is a noble attempt. But coming from Mani, that&#039;s simply not good enough.&quot;&amp;lt;ref&amp;gt;{{cite news |last1=Anupama |first1=Chopra |title=Movie review: Dil Se.., starring Shah Rukh Khan, Manisha Koirala |url=https://www.indiatoday.in/magazine/society-the-arts/films/story/19980831-movie-review-of-dil-se-shah-rukh-khan-manisha-koirala-826978-1998-08-31 |access-date=11 May 2020 |work=India Today|date=31 August 1998 |language=en}}&amp;lt;/ref&amp;gt; The film was included in [[Time (magazine)|&#039;&#039;Time&#039;&#039;]]&#039;s &quot;Best of Bollywood&quot; list in 2010.&amp;lt;ref&amp;gt;{{cite magazine|last=Corliss |first=Richard |url=http://content.time.com/time/specials/packages/article/0,28804,2022076_2022068_2022065,00.html |title=Dil Se – 1998|magazine=[[Time (magazine)|Time]] |date=27 October 2010 |access-date=30 July 2012 }}&amp;lt;/ref&amp;gt; &#039;&#039;Dil Se&#039;&#039; was also a hit in [[Japan]].&amp;lt;ref name=&quot;Kohli&quot;&amp;gt;{{cite book|last=Kohli-Khandekar|first=Vanita|title=The Indian Media Business|date=2013|publisher=[[SAGE Publications]]|isbn=9788132117889|page=188|url=https://books.google.com/books?id=1C4nAgAAQBAJ&amp;amp;pg=PA188|language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Awards and nominations ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Awards and nominations ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable plainrowheaders sortable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable plainrowheaders sortable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l249&quot;&gt;Line 249:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 249:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Malayalam lines for the song &amp;quot;Jiya Jale&amp;quot; was written by Malayalam lyricist [[Gireesh Puthenchery]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Malayalam lines for the song &amp;quot;Jiya Jale&amp;quot; was written by Malayalam lyricist [[Gireesh Puthenchery]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pink Floyd]] bass guitarist [[Guy Pratt]] for post-[[Roger Waters]] albums &#039;&#039;[[Delicate Sound of Thunder]]&#039;&#039;, &#039;&#039;[[The Division Bell]]&#039;&#039; and &#039;&#039;[[Pulse (Pink Floyd album)|Pulse]]&#039;&#039; played bass on title song &quot;[[Dil Se Re]]&quot;.&amp;lt;ref&amp;gt;{{cite web|url=http://www.arrahman.com/discography/films-hindi-dilse.html|title=Dil Se Soundtrack at arrahman.com|publisher=arrahman.com|access-date=2013-06-14|url-status=dead|archive-url=https://web.archive.org/web/20130718100328/http://arrahman.com/discography/films-hindi-dilse.html|archive-date=18 July &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pink Floyd]] bass guitarist [[Guy Pratt]] for post-[[Roger Waters]] albums &#039;&#039;[[Delicate Sound of Thunder]]&#039;&#039;, &#039;&#039;[[The Division Bell]]&#039;&#039; and &#039;&#039;[[Pulse (Pink Floyd album)|Pulse]]&#039;&#039; played bass on title song &quot;[[Dil Se Re]]&quot;.&amp;lt;ref&amp;gt;{{cite web|url=http://www.arrahman.com/discography/films-hindi-dilse.html|title=Dil Se Soundtrack at arrahman.com|publisher=arrahman.com|access-date=2013-06-14|url-status=dead|archive-url=https://web.archive.org/web/20130718100328/http://arrahman.com/discography/films-hindi-dilse.html|archive-date=18 July &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2013&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Original Version ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Original Version ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<title>Bot at 07:03, 14 December 2022</title>
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		<updated>2022-12-14T07:03:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Dil_Se..&amp;amp;diff=364215&amp;amp;oldid=137296&quot;&gt;Show changes&lt;/a&gt;</summary>
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		<updated>2021-08-12T06:05:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;clean up&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:35, 12 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{Estimation}} {{INR|28.58 crore}}&amp;lt;ref name=&amp;quot;Dil Se Box office&amp;quot;&amp;gt;{{cite web|url=http://www.boxofficeindia.com/Movies/movie_detail/dil_se|title=Dil Se Box office|publisher=Box Office India|date=22 July 2015|access-date=22 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{Estimation}} {{INR|28.58 crore}}&amp;lt;ref name=&amp;quot;Dil Se Box office&amp;quot;&amp;gt;{{cite web|url=http://www.boxofficeindia.com/Movies/movie_detail/dil_se|title=Dil Se Box office|publisher=Box Office India|date=22 July 2015|access-date=22 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Dil Se..&#039;&#039;&#039;&#039;&#039; ({{literal translation|&#039;&#039;From the Heart..&#039;&#039;}}) is a [[Bollywood films of 1998|1998]] [[India&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Indian&lt;/del&gt;]] [[Hindi]]-language [[romantic drama film]]  written and directed by [[Mani Ratnam]], and produced by Ratnam, [[Ram Gopal Varma]], and [[Shekhar Kapur]]. Set in the backdrop of [[Insurgency in Assam]], the film stars [[Shahrukh Khan]] and [[Manisha Koirala]], while [[Preity Zinta]] makes her film debut in a supporting role. Written by Ratnam and [[Tigmanshu Dhulia]], the film is an example of [[parallel cinema]] and is noted as the final installment of Ratnam&#039;s thematic trilogy that consists of &#039;&#039;[[Roja (film)|Roja]]&#039;&#039; (1992) and &#039;&#039;[[Bombay (film)|Bombay]]&#039;&#039; (1995).&amp;lt;ref name=&quot;Ciecko2006&quot;&amp;gt;{{cite book|last=Ciecko|first=Anne Tereska|title=Contemporary Asian cinema: popular culture in a global frame|url=https://books.google.com/books?id=9_PmysZli1cC&amp;amp;pg=PA142|access-date=11 April 2011|year=2006|publisher=Berg Publishers|isbn=978-1-84520-237-8|page=142}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url= http://www.cinescene.com/names/maniratnam.html&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Dil Se..&#039;&#039;&#039;&#039;&#039; ({{literal translation|&#039;&#039;From the Heart..&#039;&#039;}}) is a [[Bollywood films of 1998|1998]] [[India]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;n &lt;/ins&gt;[[Hindi]]-language [[romantic drama film]]  written and directed by [[Mani Ratnam]], and produced by Ratnam, [[Ram Gopal Varma]], and [[Shekhar Kapur]]. Set in the backdrop of [[Insurgency in Assam]], the film stars [[Shahrukh Khan]] and [[Manisha Koirala]], while [[Preity Zinta]] makes her film debut in a supporting role. Written by Ratnam and [[Tigmanshu Dhulia]], the film is an example of [[parallel cinema]] and is noted as the final installment of Ratnam&#039;s thematic trilogy that consists of &#039;&#039;[[Roja (film)|Roja]]&#039;&#039; (1992) and &#039;&#039;[[Bombay (film)|Bombay]]&#039;&#039; (1995).&amp;lt;ref name=&quot;Ciecko2006&quot;&amp;gt;{{cite book|last=Ciecko|first=Anne Tereska|title=Contemporary Asian cinema: popular culture in a global frame|url=https://books.google.com/books?id=9_PmysZli1cC&amp;amp;pg=PA142|access-date=11 April 2011|year=2006|publisher=Berg Publishers|isbn=978-1-84520-237-8|page=142}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |url= http://www.cinescene.com/names/maniratnam.html&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title= FROM THE HEART – The Films of Mani Ratnam&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title= FROM THE HEART – The Films of Mani Ratnam&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|access-date= 2011-04-04 |author= Pat Padua |publisher= cinescene.com}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|access-date= 2011-04-04 |author= Pat Padua |publisher= cinescene.com}}&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
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		<title>Flying Bee: Created page with &quot;{{Short description|1998 Hindi Movie}} {{Use dmy dates|date=November 2020}} {{Infobox film | name           = Dil Se.. | image          = Dil Se poster.jpg | caption        =...&quot;</title>
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		<updated>2021-08-12T04:22:54Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Short description|1998 Hindi Movie}} {{Use dmy dates|date=November 2020}} {{Infobox film | name           = Dil Se.. | image          = Dil Se poster.jpg | caption        =...&amp;quot;&lt;/p&gt;
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		<author><name>Flying Bee</name></author>
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