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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Dhoom</id>
	<title>Dhoom - Revision history</title>
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	<updated>2026-09-25T03:20:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=381749&amp;oldid=prev</id>
		<title>Bot at 07:34, 7 March 2023</title>
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		<updated>2023-03-07T07:34:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Dhoom&amp;amp;diff=381749&amp;amp;oldid=306433&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Bot</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306433&amp;oldid=prev</id>
		<title>2409:4060:2D97:28B3:0:0:58C8:2011 at 12:44, 14 March 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306433&amp;oldid=prev"/>
		<updated>2022-03-14T12:44:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:14, 14 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot;&gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&amp;#039;&amp;#039;ibosnetwork.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &amp;#039;&amp;#039;Bollywood Hungama.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002 &amp;#039;&amp;#039;Yashrajfilms.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm &amp;#039;&amp;#039;Boxofficemojo.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&amp;#039;&amp;#039;ibosnetwork.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &amp;#039;&amp;#039;Bollywood Hungama.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002 &amp;#039;&amp;#039;Yashrajfilms.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm &amp;#039;&amp;#039;Boxofficemojo.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &#039;&#039;[[Rediff.com]]&#039;&#039; said that &quot;&#039;&#039;Dhoom&#039;&#039; does have a few loopholes but the film&#039;s fast-paced energy is more than enough to ensure your eyes don&#039;t stir from the screen for two-and-a-half hours&quot;, on the performance side, Chopra &quot;steals the show&quot;, Bachchan is &quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &#039;n&#039; leather flick&quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &#039;&#039;[[The Hindu]]&#039;&#039; said that the film takes the genre of &#039;&#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&#039;&#039;, &#039;&#039;[[Ocean&#039;s Eleven]]&#039;&#039; and similar others, and wrote that &quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&quot;. Appreciating the acting, she said, &quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&quot;Dhoom&quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &#039;&#039;[[Rediff.com]]&#039;&#039; said that &quot;&#039;&#039;Dhoom&#039;&#039; does have a few loopholes but the film&#039;s fast-paced energy is more than enough to ensure your eyes don&#039;t stir from the screen for two-and-a-half hours&quot;, on the performance side, Chopra &quot;steals the show&quot;, Bachchan is &quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &#039;n&#039; leather flick&quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Rediff.&#039;&#039;&lt;/ins&gt;&amp;lt;/ref&amp;gt; Chitra Mahesh from &#039;&#039;[[The Hindu]]&#039;&#039; said that the film takes the genre of &#039;&#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&#039;&#039;, &#039;&#039;[[Ocean&#039;s Eleven]]&#039;&#039; and similar others, and wrote that &quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&quot;. Appreciating the acting, she said, &quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&quot;Dhoom&quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;[[Time Out (magazine)|Time Out]]&amp;#039;&amp;#039; critic stated: &amp;quot;Shamelessly ripping off plot ideas and entire sequences from &amp;#039;&amp;#039;[[Tango &amp;amp; Cash]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Lethal Weapon]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;The Fast and Furious&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Ocean&amp;#039;s Eleven&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Thelma and Louise]]&amp;#039;&amp;#039;, this energetic and surprisingly enjoyable nonsense zooms along at full-throttle, braking only for the peppy songs&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom|url=https://www.timeout.com/en_gb/film/dhoom|publisher=[[Time Out (magazine)|Time Out]]|access-date=22 August 2020|date=2004}}&amp;lt;/ref&amp;gt; Rating 3 out of 5, David Parkinson from &amp;#039;&amp;#039;[[Radio Times]]&amp;#039;&amp;#039; called it a &amp;quot;slick and stylish Indian drama&amp;quot; and wrote: &amp;quot;Style unashamedly triumphs over substance throughout, but the story rattles along and the set pieces are very slickly staged ... this rousing adventure owes as much to [[Hollywood]] and [[Hong Kong]] as it does to the crime classics of the 1970s&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|last=Parkinson|first=David|title=Dhoom – review|url=https://www.radiotimes.com/film/sjtkf/dhoom/|publisher=[[Radio Times]]|access-date=22 August 2020|date=August 2004}}&amp;lt;/ref&amp;gt; Omar Ahmed from &amp;#039;&amp;#039;[[Empire (film magazine)|Empire]]&amp;#039;&amp;#039; rated 2 in 5 and said that &amp;quot;Clearly regarding itself as Bollywood&amp;#039;s answer to &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039;, director Gadhvi&amp;#039;s latest marks a departure for studio Yash Raj. Sadly, it&amp;#039;s not the good kind of departure, with the studio abandoning its usually innovative approach and replacing it with an anxious attempt to blind its audience with style ... Another film which falls into the classic trap of trying to beat Hollywood at its own game instead of focusing on its primary strength - cultural uniqueness&amp;quot;, but opined that the actors&amp;#039; performances are remarkable.&amp;lt;ref&amp;gt;{{cite web|last=Ahmed|first=Omar|title=Dhoom Review|url=https://www.empireonline.com/movies/reviews/dhoom-review/|publisher=[[Empire (film magazine)|Empire]]|access-date=22 August 2020|date=1 January 2000}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;[[Time Out (magazine)|Time Out]]&amp;#039;&amp;#039; critic stated: &amp;quot;Shamelessly ripping off plot ideas and entire sequences from &amp;#039;&amp;#039;[[Tango &amp;amp; Cash]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Lethal Weapon]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;The Fast and Furious&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Ocean&amp;#039;s Eleven&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Thelma and Louise]]&amp;#039;&amp;#039;, this energetic and surprisingly enjoyable nonsense zooms along at full-throttle, braking only for the peppy songs&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom|url=https://www.timeout.com/en_gb/film/dhoom|publisher=[[Time Out (magazine)|Time Out]]|access-date=22 August 2020|date=2004}}&amp;lt;/ref&amp;gt; Rating 3 out of 5, David Parkinson from &amp;#039;&amp;#039;[[Radio Times]]&amp;#039;&amp;#039; called it a &amp;quot;slick and stylish Indian drama&amp;quot; and wrote: &amp;quot;Style unashamedly triumphs over substance throughout, but the story rattles along and the set pieces are very slickly staged ... this rousing adventure owes as much to [[Hollywood]] and [[Hong Kong]] as it does to the crime classics of the 1970s&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|last=Parkinson|first=David|title=Dhoom – review|url=https://www.radiotimes.com/film/sjtkf/dhoom/|publisher=[[Radio Times]]|access-date=22 August 2020|date=August 2004}}&amp;lt;/ref&amp;gt; Omar Ahmed from &amp;#039;&amp;#039;[[Empire (film magazine)|Empire]]&amp;#039;&amp;#039; rated 2 in 5 and said that &amp;quot;Clearly regarding itself as Bollywood&amp;#039;s answer to &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039;, director Gadhvi&amp;#039;s latest marks a departure for studio Yash Raj. Sadly, it&amp;#039;s not the good kind of departure, with the studio abandoning its usually innovative approach and replacing it with an anxious attempt to blind its audience with style ... Another film which falls into the classic trap of trying to beat Hollywood at its own game instead of focusing on its primary strength - cultural uniqueness&amp;quot;, but opined that the actors&amp;#039; performances are remarkable.&amp;lt;ref&amp;gt;{{cite web|last=Ahmed|first=Omar|title=Dhoom Review|url=https://www.empireonline.com/movies/reviews/dhoom-review/|publisher=[[Empire (film magazine)|Empire]]|access-date=22 August 2020|date=1 January 2000}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>2409:4060:2D97:28B3:0:0:58C8:2011</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306432&amp;oldid=prev</id>
		<title>2409:4060:2D97:28B3:0:0:58C8:2011 at 12:43, 14 March 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306432&amp;oldid=prev"/>
		<updated>2022-03-14T12:43:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:13, 14 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot;&gt;Line 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 68:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &#039;&#039;Bollywood Hungama.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002 &#039;&#039;Yashrajfilms.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &#039;&#039;Bollywood Hungama.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002 &#039;&#039;Yashrajfilms.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Boxofficemojo.&#039;&#039;&lt;/ins&gt;&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>2409:4060:2D97:28B3:0:0:58C8:2011</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306431&amp;oldid=prev</id>
		<title>2409:4060:2D97:28B3:0:0:58C8:2011 at 12:42, 14 March 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306431&amp;oldid=prev"/>
		<updated>2022-03-14T12:42:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:12, 14 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot;&gt;Line 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 68:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &#039;&#039;Bollywood Hungama.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &#039;&#039;Bollywood Hungama.&#039;&#039;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Yashrajfilms.&#039;&#039;&lt;/ins&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>2409:4060:2D97:28B3:0:0:58C8:2011</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306430&amp;oldid=prev</id>
		<title>2409:4060:2D97:28B3:0:0:58C8:2011 at 12:40, 14 March 2022</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306430&amp;oldid=prev"/>
		<updated>2022-03-14T12:40:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:10, 14 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot;&gt;Line 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 68:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&#039;&#039;ibosnetwork.&#039;&#039;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Bollywood Hungama.&#039;&#039;&lt;/ins&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>2409:4060:2D97:28B3:0:0:58C8:2011</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306429&amp;oldid=prev</id>
		<title>2409:4060:2D97:28B3:0:0:58C8:2011: Fix.</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Dhoom&amp;diff=306429&amp;oldid=prev"/>
		<updated>2022-03-14T12:39:13Z</updated>

		<summary type="html">&lt;p&gt;Fix.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:09, 14 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot;&gt;Line 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It spawned a [[Dhoom (film series)|film series]], with its sequel &amp;#039;&amp;#039;[[Dhoom 2]]&amp;#039;&amp;#039;, released on 24 November 2006, and &amp;#039;&amp;#039;[[Dhoom 3]]&amp;#039;&amp;#039; released on 20 December 2013.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It spawned a [[Dhoom (film series)|film series]], with its sequel &amp;#039;&amp;#039;[[Dhoom 2]]&amp;#039;&amp;#039;, released on 24 November 2006, and &amp;#039;&amp;#039;[[Dhoom 3]]&amp;#039;&amp;#039; released on 20 December 2013.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The story starts in the city of [[Mumbai]], where a motorbike gang (a gang of robbers on hi-tech motorbikes, led by charismatic Kabir, is sweeping through Mumbai, outwitting the police at every turn) starts breaking into banks and other public places and vanishes onto the [[Western Express Highway]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The story starts in the city of [[Mumbai]], where a motorbike gang (a gang of robbers on hi-tech motorbikes, led by charismatic Kabir, is sweeping through Mumbai, outwitting the police at every turn) starts breaking into banks and other public places and vanishes onto the [[Western Express Highway]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Line 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kabir manages to escape from Dixit and goes back to the gang&amp;#039;s truck, where Ali has kept Sheena bound and gagged. Kabir then viciously beats up Ali for his betrayal, but Ali is saved by Dixit&amp;#039;s timely arrival at the scene. The gang flees, except for Sheena, while Dixit and Ali give chase to Kabir. They kill all the other gang members except Kabir, who tries to escape on his bike. He is cornered by Dixit and Ali with nowhere to go. Kabir decides to take his own life rather than let Dixit arrest him, and he rides his bike over the edge of a cliff into the water to his death. The film ends with Dixit and Ali arguing with each other, albeit in a friendly way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kabir manages to escape from Dixit and goes back to the gang&amp;#039;s truck, where Ali has kept Sheena bound and gagged. Kabir then viciously beats up Ali for his betrayal, but Ali is saved by Dixit&amp;#039;s timely arrival at the scene. The gang flees, except for Sheena, while Dixit and Ali give chase to Kabir. They kill all the other gang members except Kabir, who tries to escape on his bike. He is cornered by Dixit and Ali with nowhere to go. Kabir decides to take his own life rather than let Dixit arrest him, and he rides his bike over the edge of a cliff into the water to his death. The film ends with Dixit and Ali arguing with each other, albeit in a friendly way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;!-- John Abraham does NOT come first in the credits, so DON&#039;T CHANGE THE BILLING. He comes third, and is NOT the hero, let alone an anti-hero. He is 100% the villain. --&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Abhishek Bachchan]] as [[Assistant Commissioner of Police (India)|ACP]] Jai Dixit&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Abhishek Bachchan]] as [[Assistant Commissioner of Police (India)|ACP]] Jai Dixit&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Uday Chopra]] as Ali Khan&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Uday Chopra]] as Ali Khan&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot;&gt;Line 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Ayesha Raza Mishra|Ayesha Raza]] as a TV reporter&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Ayesha Raza Mishra|Ayesha Raza]] as a TV reporter&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Perizaad Zorabian]] in a special appearance&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Perizaad Zorabian]] in a special appearance&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Aditya Chopra initially had car chases in mind instead of bikes, but Sanjay Gadhvi convinced him otherwise as the rider&amp;#039;s faces can be seen, and he had a craze for bikes in his youth.&amp;lt;ref&amp;gt;{{cite web|last=Ashraf|first=Syed Firdaus|title=&amp;#039;People will love Dhoom!&amp;#039;|url=https://www.rediff.com/movies/2004/aug/26gadhvi.htm|work=[[Rediff.com]]|access-date=22 August 2020|date=26 August 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Aditya Chopra initially had car chases in mind instead of bikes, but Sanjay Gadhvi convinced him otherwise as the rider&amp;#039;s faces can be seen, and he had a craze for bikes in his youth.&amp;lt;ref&amp;gt;{{cite web|last=Ashraf|first=Syed Firdaus|title=&amp;#039;People will love Dhoom!&amp;#039;|url=https://www.rediff.com/movies/2004/aug/26gadhvi.htm|work=[[Rediff.com]]|access-date=22 August 2020|date=26 August 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Box office===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;ibosnetwork.&#039;&#039;&lt;/ins&gt;&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Critical response===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l80&quot;&gt;Line 80:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Taran Adarsh]] of &amp;#039;&amp;#039;[[IndiaFM]]&amp;#039;&amp;#039; rated 1.5 out of 5, and said: &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has style, but no substance. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has gloss, but no script. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has thrills in abundance, but the outcome is least exciting. In short, &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; ranks amongst Yash Raj&amp;#039;s weakest films&amp;quot; and that the film relies &amp;quot;too heavily on thrills&amp;quot;, the bike chase in the story are &amp;quot;far more interesting than the story itself. In fact, all you remember at the end of the show are some expertly executed chases [Allan Amin], not the drama&amp;quot;; the film also seems to take inspirations from &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Biker Boyz]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom : Movie Review |url=http://www.bollywoodhungama.com/moviemicro/criticreview/id/65066 |date=27 August 2004 |author-link=Taran Adarsh |first=Taran |last=Adarsh |publisher=[[Bollywood Hungama]] |access-date=6 January 2012}}&amp;lt;/ref&amp;gt; Calling &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; a &amp;quot;testosterone-overdose&amp;quot;, Anupama Chopra of &amp;#039;&amp;#039;[[India Today]]&amp;#039;&amp;#039; wrote that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; is adolescent heaven-fast bikes, hot babes, tons of kick-ass action with no strings attached ... But there are lots of trendy split screen shots of shiny bikes burning rubber and fast paced stunts involving boats and trucks. Not to mention sexy songs with water hoses. Acting isn&amp;#039;t the point here either. The performances are pure posture&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Chopra|first=Anupama|title=Film review: &amp;#039;Dhoom&amp;#039; starring Abhishek Bachchan, John Abraham, Uday Chopra|url=https://www.indiatoday.in/magazine/your-week/story/20040913-film-review-dhoom-starring-abhishek-bachchan-john-abraham-uday-chopra-789345-2004-09-13|access-date=22 August 2020|work=[[India Today]]|date=13 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Taran Adarsh]] of &amp;#039;&amp;#039;[[IndiaFM]]&amp;#039;&amp;#039; rated 1.5 out of 5, and said: &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has style, but no substance. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has gloss, but no script. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has thrills in abundance, but the outcome is least exciting. In short, &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; ranks amongst Yash Raj&amp;#039;s weakest films&amp;quot; and that the film relies &amp;quot;too heavily on thrills&amp;quot;, the bike chase in the story are &amp;quot;far more interesting than the story itself. In fact, all you remember at the end of the show are some expertly executed chases [Allan Amin], not the drama&amp;quot;; the film also seems to take inspirations from &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Biker Boyz]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom : Movie Review |url=http://www.bollywoodhungama.com/moviemicro/criticreview/id/65066 |date=27 August 2004 |author-link=Taran Adarsh |first=Taran |last=Adarsh |publisher=[[Bollywood Hungama]] |access-date=6 January 2012}}&amp;lt;/ref&amp;gt; Calling &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; a &amp;quot;testosterone-overdose&amp;quot;, Anupama Chopra of &amp;#039;&amp;#039;[[India Today]]&amp;#039;&amp;#039; wrote that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; is adolescent heaven-fast bikes, hot babes, tons of kick-ass action with no strings attached ... But there are lots of trendy split screen shots of shiny bikes burning rubber and fast paced stunts involving boats and trucks. Not to mention sexy songs with water hoses. Acting isn&amp;#039;t the point here either. The performances are pure posture&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Chopra|first=Anupama|title=Film review: &amp;#039;Dhoom&amp;#039; starring Abhishek Bachchan, John Abraham, Uday Chopra|url=https://www.indiatoday.in/magazine/your-week/story/20040913-film-review-dhoom-starring-abhishek-bachchan-john-abraham-uday-chopra-789345-2004-09-13|access-date=22 August 2020|work=[[India Today]]|date=13 September 2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and nominations==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Awards and nominations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{unreferenced section|date=October 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{unreferenced section|date=October 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l201&quot;&gt;Line 201:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 195:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|[[Yash Raj Films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|[[Yash Raj Films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Soundtrack==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Soundtrack==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox album&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox album&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l227&quot;&gt;Line 227:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 220:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pritam]] composed the songs for Dhoom while [[Salim-Sulaiman]] composed the original score. The title track &amp;#039;&amp;#039;[[Dhoom Dhoom]]&amp;#039;&amp;#039; was released in a remixed version song by the Thai-American singer [[Tata Young]]. The song and its music video featuring [[Tata Young]] proved to be a major hit in India during 2004 and 2005. The original song was sung by [[Sunidhi Chauhan]]. Other tracks on the soundtrack included &amp;quot;Dilbara&amp;quot;, &amp;quot;Dilbar Shikdum&amp;quot;, and &amp;quot;Salaame Salaame&amp;quot;, sung by singers like [[KK (singer)|KK]], [[Abhijeet Bhattacharya]], [[Shaan (singer)|Shaan]] and [[Kunal Ganjawala]]. The lyrics were penned by [[Sameer (lyricist)|Sameer]]. According to the Indian trade website [[Box Office India]], with around 22,00,000 units sold, this film&amp;#039;s soundtrack album was the year&amp;#039;s third highest-selling.&amp;lt;ref&amp;gt;{{cite web|title=Music Hits 2000–2009 (Figures in Units)|url=http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5|archive-url=https://web.archive.org/web/20080215081557/http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5&amp;amp;PHPSESSID=108b9056cd4ca14236f9c6119d34dcce|archive-date=15 February 2008|publisher=[[Box Office India]]}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Pritam]] composed the songs for Dhoom while [[Salim-Sulaiman]] composed the original score. The title track &amp;#039;&amp;#039;[[Dhoom Dhoom]]&amp;#039;&amp;#039; was released in a remixed version song by the Thai-American singer [[Tata Young]]. The song and its music video featuring [[Tata Young]] proved to be a major hit in India during 2004 and 2005. The original song was sung by [[Sunidhi Chauhan]]. Other tracks on the soundtrack included &amp;quot;Dilbara&amp;quot;, &amp;quot;Dilbar Shikdum&amp;quot;, and &amp;quot;Salaame Salaame&amp;quot;, sung by singers like [[KK (singer)|KK]], [[Abhijeet Bhattacharya]], [[Shaan (singer)|Shaan]] and [[Kunal Ganjawala]]. The lyrics were penned by [[Sameer (lyricist)|Sameer]]. According to the Indian trade website [[Box Office India]], with around 22,00,000 units sold, this film&amp;#039;s soundtrack album was the year&amp;#039;s third highest-selling.&amp;lt;ref&amp;gt;{{cite web|title=Music Hits 2000–2009 (Figures in Units)|url=http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5|archive-url=https://web.archive.org/web/20080215081557/http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5&amp;amp;PHPSESSID=108b9056cd4ca14236f9c6119d34dcce|archive-date=15 February 2008|publisher=[[Box Office India]]}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Track listing&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Track listing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| collapsed       = no&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| collapsed       = no&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l294&quot;&gt;Line 294:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 286:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| length7         = 3:21&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| length7         = 3:21&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Reflist}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb movie}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb movie}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l303&quot;&gt;Line 303:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 293:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{Mojo movie}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{Mojo movie}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{Rotten Tomatoes}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{Rotten Tomatoes}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Dhoom series}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Dhoom series}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Films by Sanjay Gadhvi}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Films by Sanjay Gadhvi}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key bharatpedia-enwiki:diff:1.41:old-115233:rev-306429:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>2409:4060:2D97:28B3:0:0:58C8:2011</name></author>
	</entry>
	<entry>
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		<title>&gt;Fad Ariff at 10:18, 7 July 2021</title>
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		<updated>2021-07-07T10:18:27Z</updated>

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{about|the 2004 film|the film franchise|Dhoom (franchise)|other uses|Dhoom (disambiguation)}}&lt;br /&gt;
{{short description|2004 Bollywood film by Sanjay Gadhvi}}&lt;br /&gt;
{{Use dmy dates|date=March 2013}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Dhoom&lt;br /&gt;
| image          = DhoomPoster.jpg&lt;br /&gt;
| alt            = &lt;br /&gt;
| caption        = Theatrical release poster&lt;br /&gt;
| director       = [[Sanjay Gadhvi]]&lt;br /&gt;
| producer       = [[Aditya Chopra]]&lt;br /&gt;
| screenplay     = Vijay Krishna Acharya&lt;br /&gt;
| story          = [[Aditya Chopra]]&lt;br /&gt;
| starring       = {{Plainlist|&amp;lt;!--John Abraham does NOT come first in the credits, so DON&amp;#039;T CHANGE THE BILLING. He comes third, and is NOT the hero, let alone an anti-hero. He is 100% the villain.--&amp;gt;&lt;br /&gt;
* [[Abhishek Bachchan]]              &lt;br /&gt;
* [[Uday Chopra]]&lt;br /&gt;
* [[John Abraham]] &lt;br /&gt;
* [[Esha Deol]]&lt;br /&gt;
* [[Rimi Sen]]&lt;br /&gt;
}}&lt;br /&gt;
| music          = &amp;lt;small&amp;gt;&amp;#039;&amp;#039;&amp;#039;Original Songs:&amp;#039;&amp;#039;&amp;#039;&amp;lt;/small&amp;gt;&amp;lt;br /&amp;gt;[[Pritam]]&amp;lt;br /&amp;gt; &amp;lt;small&amp;gt;&amp;#039;&amp;#039;&amp;#039;Background Score:&amp;#039;&amp;#039;&amp;#039; &amp;lt;/small&amp;gt;&amp;lt;br /&amp;gt;[[Salim-Sulaiman]]&lt;br /&gt;
| editing        = Rameshwar S. Bhagat&lt;br /&gt;
| cinematography = [[Nirav Shah]]&lt;br /&gt;
| distributor    = [[Yash Raj Films]]&lt;br /&gt;
| released       = {{Film date|df=y|2004|08|27}}&lt;br /&gt;
| runtime        = 129 minutes&amp;lt;!-- Theatrical runtime: 128:47 --&amp;gt;&amp;lt;ref&amp;gt;{{cite web | url=https://bbfc.co.uk/releases/dhoom-2004-1 | title=&amp;#039;&amp;#039;DHOOM&amp;#039;&amp;#039; (12A) | work=[[British Board of Film Classification]] | date=23 August 2004 | access-date=17 November 2014}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Hindi&lt;br /&gt;
| budget         = {{Estimation}}[[Indian Rupee|{{INR}}]]110 million&amp;lt;ref&amp;gt;[http://www.rediff.com/money/2006/nov/24dhoom.htm Rediff.com]&amp;lt;/ref&amp;gt;&lt;br /&gt;
| gross          = {{Estimation}}{{INR}}724.7 million&amp;lt;ref name=ww/&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{trans|Blast}}) is a 2004 Indian [[Hindi]]-language [[action-thriller film]] written by [[Vijay Krishna Acharya]] and directed by [[Sanjay Gadhvi]], from a story by [[Aditya Chopra]] who also produced the film through the well known company [[Yash Raj Films]].&lt;br /&gt;
The film stars [[Abhishek Bachchan]], [[Uday Chopra]], [[John Abraham]], [[Esha Deol]] and [[Rimi Sen]]. It is the first installment in the later famous [[Dhoom (franchise)|&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; franchise]]. The cinematography was done by [[Nirav Shah]], and the original soundtrack was composed by [[Pritam]], while [[Salim-Sulaiman]] provided the background score for the film.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; was the first action film produced by [[Yash Raj Films]] in 16 years, ever since [[Yash Chopra]] directed &amp;#039;&amp;#039;[[Vijay (1988 film)|Vijay]]&amp;#039;&amp;#039; (1988).&lt;br /&gt;
It tells the story of a cat &amp;amp; mouse game between a motorbike gang which commits robberies throughout Mumbai and a Mumbai police officer who teams up with a motorbike dealer to stop them.&lt;br /&gt;
&lt;br /&gt;
Earning over {{INRConvert|290|m}} Nett Gross in India, the film became one of the top-grossing Hindi films of 2004.&amp;lt;ref name=BOI&amp;gt;{{cite web | title= Box Office 2004 | url= http://www.boxofficeindia.com/showProd.php?itemCat=210&amp;amp;catName=MjAwNA== | publisher= BoxOffice India | access-date= 2009-05-03 | url-status= dead | archive-url= https://web.archive.org/web/20131014132208/http://boxofficeindia.com/showProd.php?itemCat=210&amp;amp;catName=MjAwNA%3D%3D | archive-date= 14 October 2013 | df= dmy-all }}&amp;lt;/ref&amp;gt; It received generally mixed reviews, with praise for its performances, action sequences and music, but criticism for its script and was compared to other Hollywood action-thriller heist like [[Fast &amp;amp; Furious|Fast and Furious(film series)]] and [[Ocean&amp;#039;s (film series)|Ocean&amp;#039;s(film series)]]. The movie developed into a [[cult]] over the years upon its release.&amp;lt;ref&amp;gt;{{Cite web|title=As Dhoom Clocks 15 Years, Esha Deol Shares a Heartfelt Long Note Celebrating the Film|url=https://www.news18.com/news/movies/as-dhoom-clocks-15-years-esha-deol-shares-a-heartfelt-long-note-celebrating-the-film-2288571.html|access-date=2021-06-21|website=News18|language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It spawned a [[Dhoom (film series)|film series]], with its sequel &amp;#039;&amp;#039;[[Dhoom 2]]&amp;#039;&amp;#039;, released on 24 November 2006, and &amp;#039;&amp;#039;[[Dhoom 3]]&amp;#039;&amp;#039; released on 20 December 2013.&lt;br /&gt;
&lt;br /&gt;
==Plot==&lt;br /&gt;
The story starts in the city of [[Mumbai]], where a motorbike gang (a gang of robbers on hi-tech motorbikes, led by charismatic Kabir, is sweeping through Mumbai, outwitting the police at every turn) starts breaking into banks and other public places and vanishes onto the [[Western Express Highway]].&lt;br /&gt;
&lt;br /&gt;
[[Assistant commissioner of police (India)|Assistant Commissioner of Police]] Jai Dixit ([[Abhishek Bachchan]]), a no-nonsense cop, is called onto the case. Dixit seeks the help of a local bike dealer/racer named Ali Akbar Fateh Khan ([[Uday Chopra]]) and devises a trap to catch the gang, but it fails. Kabir ([[John Abraham]]), the leader of the gang, eventually taunts Dixit, claiming that Dixit can&amp;#039;t catch him even if he is right in front of him. He is proven correct, and Dixit&amp;#039;s failure apparently causes him to part ways with Ali.&lt;br /&gt;
&lt;br /&gt;
Kabir then lures Ali into his gang as a substitute for Rohit, the gang member who was killed by Dixit. Ali falls in love with Sheena ([[Esha Deol]]), another gang member. The gang later goes to [[Goa]] to perform one last big heist before disbanding forever. Kabir sets his eyes on the largest casino in all of India. Kabir and his gang swiftly loot the casino on [[New Year&amp;#039;s Eve]], but they soon realize that Dixit has led them right into a trap. It is revealed that Ali was working for Dixit the whole time, and a fight ensues.&lt;br /&gt;
&lt;br /&gt;
Kabir manages to escape from Dixit and goes back to the gang&amp;#039;s truck, where Ali has kept Sheena bound and gagged. Kabir then viciously beats up Ali for his betrayal, but Ali is saved by Dixit&amp;#039;s timely arrival at the scene. The gang flees, except for Sheena, while Dixit and Ali give chase to Kabir. They kill all the other gang members except Kabir, who tries to escape on his bike. He is cornered by Dixit and Ali with nowhere to go. Kabir decides to take his own life rather than let Dixit arrest him, and he rides his bike over the edge of a cliff into the water to his death. The film ends with Dixit and Ali arguing with each other, albeit in a friendly way.&lt;br /&gt;
&lt;br /&gt;
==Cast==&amp;lt;!-- John Abraham does NOT come first in the credits, so DON&amp;#039;T CHANGE THE BILLING. He comes third, and is NOT the hero, let alone an anti-hero. He is 100% the villain. --&amp;gt;&lt;br /&gt;
* [[Abhishek Bachchan]] as [[Assistant Commissioner of Police (India)|ACP]] Jai Dixit&lt;br /&gt;
* [[Uday Chopra]] as Ali Khan&lt;br /&gt;
* [[John Abraham]] as Kabir&lt;br /&gt;
* [[Esha Deol]] as Sheena&lt;br /&gt;
* [[Rimi Sen]] as Sweety Dixit&lt;br /&gt;
* [[Manoj Joshi (actor)|Manoj Joshi]] as Shekhar Kamal&lt;br /&gt;
* Sanjay Keni (Cameo appearance)&lt;br /&gt;
* [[Aarav Chowdhary]] as Rahul&lt;br /&gt;
* Farid Amiri as Tony&lt;br /&gt;
* Rohit Chopra as Rohit&lt;br /&gt;
* Ajay Pande as Vinod&lt;br /&gt;
* [[Bhupinder]] as a Chor Bazaar Goon&lt;br /&gt;
* Mehul Bhojak as Manu&lt;br /&gt;
* Yusuf Hussain as Police Commissioner&lt;br /&gt;
* Mukesh Ahuja as Bookie&lt;br /&gt;
* [[Ayesha Raza Mishra|Ayesha Raza]] as a TV reporter&lt;br /&gt;
* [[Perizaad Zorabian]] in a special appearance&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
Aditya Chopra initially had car chases in mind instead of bikes, but Sanjay Gadhvi convinced him otherwise as the rider&amp;#039;s faces can be seen, and he had a craze for bikes in his youth.&amp;lt;ref&amp;gt;{{cite web|last=Ashraf|first=Syed Firdaus|title=&amp;#039;People will love Dhoom!&amp;#039;|url=https://www.rediff.com/movies/2004/aug/26gadhvi.htm|work=[[Rediff.com]]|access-date=22 August 2020|date=26 August 2004}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Reception==&lt;br /&gt;
===Box office===&lt;br /&gt;
The film became a commercial success.&amp;lt;ref name=BOI/&amp;gt; Dhoom ended up netting about Rs. 4.5 crores from Bombay circuit in 2004.&amp;lt;ref&amp;gt;http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21930&amp;amp;z=7&amp;lt;/ref&amp;gt; Its gross net amount in India was {{INRConvert|29|c}}, and its lifetime worldwide adjusted gross is {{INRConvert|72.5|c}}.&amp;lt;ref name=ww&amp;gt;{{cite web | title=Top Lifetime Grossers 2000-2009 (Figures in Ind Rs) | url=http://www.boxofficeindia.com/showProd.php?itemCat=127&amp;amp;catName=MjAwMC0yMDA5 | publisher= BoxOffice India | access-date=2012-04-26}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.bollywoodhungama.com/moviemicro/boxoffice/id/65066&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.yashrajfilms.com/AboutUs/BuisnessActivities.aspx?SectionCode=PRO002&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://boxofficemojo.com/franchises/chart/?id=dhoom.htm&amp;lt;/ref&amp;gt; Overseas gross of Dhoom stands at US$2 million with its US gross at $330,400.&lt;br /&gt;
&lt;br /&gt;
===Critical response===&lt;br /&gt;
Rajesh Karkera of &amp;#039;&amp;#039;[[Rediff.com]]&amp;#039;&amp;#039; said that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; does have a few loopholes but the film&amp;#039;s fast-paced energy is more than enough to ensure your eyes don&amp;#039;t stir from the screen for two-and-a-half hours&amp;quot;, on the performance side, Chopra &amp;quot;steals the show&amp;quot;, Bachchan is &amp;quot;impressive as the cool and confident cop. John Abraham stalks though his role with ease. Esha Deol and Rimi Sen only need to look beautiful in their limited presence in this sweat &amp;#039;n&amp;#039; leather flick&amp;quot;.&amp;lt;ref&amp;gt;https://www.rediff.com/movies/2004/aug/27dhoom.htm&amp;lt;/ref&amp;gt; Chitra Mahesh from &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; said that the film takes the genre of &amp;#039;&amp;#039;[[The Fast and the Furious (2001 film)|The Fast and the Furious]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ocean&amp;#039;s Eleven]]&amp;#039;&amp;#039; and similar others, and wrote that &amp;quot;the actions scenes are extremely well done with zooms and pacy editing, while the music is more raucous than melodious&amp;quot;. Appreciating the acting, she said, &amp;quot;Chopra is delightful. Abhishek as Jai does his role with style and grit and is proving to be a wonderful actor. John Abraham looks terrific and suits the role of the mean but savvy thief&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Mahesh|first=Chitra|title=&amp;quot;Dhoom&amp;quot;|url=https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/dhoom/article28577041.ece|access-date=22 August 2020|work=[[The Hindu]]|date=3 September 2004}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[Time Out (magazine)|Time Out]]&amp;#039;&amp;#039; critic stated: &amp;quot;Shamelessly ripping off plot ideas and entire sequences from &amp;#039;&amp;#039;[[Tango &amp;amp; Cash]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Lethal Weapon]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;The Fast and Furious&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Ocean&amp;#039;s Eleven&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Thelma and Louise]]&amp;#039;&amp;#039;, this energetic and surprisingly enjoyable nonsense zooms along at full-throttle, braking only for the peppy songs&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom|url=https://www.timeout.com/en_gb/film/dhoom|publisher=[[Time Out (magazine)|Time Out]]|access-date=22 August 2020|date=2004}}&amp;lt;/ref&amp;gt; Rating 3 out of 5, David Parkinson from &amp;#039;&amp;#039;[[Radio Times]]&amp;#039;&amp;#039; called it a &amp;quot;slick and stylish Indian drama&amp;quot; and wrote: &amp;quot;Style unashamedly triumphs over substance throughout, but the story rattles along and the set pieces are very slickly staged ... this rousing adventure owes as much to [[Hollywood]] and [[Hong Kong]] as it does to the crime classics of the 1970s&amp;quot;.&amp;lt;ref&amp;gt;{{cite web|last=Parkinson|first=David|title=Dhoom – review|url=https://www.radiotimes.com/film/sjtkf/dhoom/|publisher=[[Radio Times]]|access-date=22 August 2020|date=August 2004}}&amp;lt;/ref&amp;gt; Omar Ahmed from &amp;#039;&amp;#039;[[Empire (film magazine)|Empire]]&amp;#039;&amp;#039; rated 2 in 5 and said that &amp;quot;Clearly regarding itself as Bollywood&amp;#039;s answer to &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039;, director Gadhvi&amp;#039;s latest marks a departure for studio Yash Raj. Sadly, it&amp;#039;s not the good kind of departure, with the studio abandoning its usually innovative approach and replacing it with an anxious attempt to blind its audience with style ... Another film which falls into the classic trap of trying to beat Hollywood at its own game instead of focusing on its primary strength - cultural uniqueness&amp;quot;, but opined that the actors&amp;#039; performances are remarkable.&amp;lt;ref&amp;gt;{{cite web|last=Ahmed|first=Omar|title=Dhoom Review|url=https://www.empireonline.com/movies/reviews/dhoom-review/|publisher=[[Empire (film magazine)|Empire]]|access-date=22 August 2020|date=1 January 2000}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Taran Adarsh]] of &amp;#039;&amp;#039;[[IndiaFM]]&amp;#039;&amp;#039; rated 1.5 out of 5, and said: &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has style, but no substance. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has gloss, but no script. &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; has thrills in abundance, but the outcome is least exciting. In short, &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; ranks amongst Yash Raj&amp;#039;s weakest films&amp;quot; and that the film relies &amp;quot;too heavily on thrills&amp;quot;, the bike chase in the story are &amp;quot;far more interesting than the story itself. In fact, all you remember at the end of the show are some expertly executed chases [Allan Amin], not the drama&amp;quot;; the film also seems to take inspirations from &amp;#039;&amp;#039;The Fast and The Furious&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Biker Boyz]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web|title=Dhoom : Movie Review |url=http://www.bollywoodhungama.com/moviemicro/criticreview/id/65066 |date=27 August 2004 |author-link=Taran Adarsh |first=Taran |last=Adarsh |publisher=[[Bollywood Hungama]] |access-date=6 January 2012}}&amp;lt;/ref&amp;gt; Calling &amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; a &amp;quot;testosterone-overdose&amp;quot;, Anupama Chopra of &amp;#039;&amp;#039;[[India Today]]&amp;#039;&amp;#039; wrote that &amp;quot;&amp;#039;&amp;#039;Dhoom&amp;#039;&amp;#039; is adolescent heaven-fast bikes, hot babes, tons of kick-ass action with no strings attached ... But there are lots of trendy split screen shots of shiny bikes burning rubber and fast paced stunts involving boats and trucks. Not to mention sexy songs with water hoses. Acting isn&amp;#039;t the point here either. The performances are pure posture&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|last=Chopra|first=Anupama|title=Film review: &amp;#039;Dhoom&amp;#039; starring Abhishek Bachchan, John Abraham, Uday Chopra|url=https://www.indiatoday.in/magazine/your-week/story/20040913-film-review-dhoom-starring-abhishek-bachchan-john-abraham-uday-chopra-789345-2004-09-13|access-date=22 August 2020|work=[[India Today]]|date=13 September 2004}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Awards and nominations==&lt;br /&gt;
{{unreferenced section|date=October 2018}}&lt;br /&gt;
{| class=&amp;quot;wikitable plainrowheaders sortable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Awards&lt;br /&gt;
! Category&lt;br /&gt;
! Recipients&lt;br /&gt;
! Results&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;6&amp;quot;|[[Filmfare Awards]]&lt;br /&gt;
|[[Filmfare Award for Best Editing|Best Editing]]&lt;br /&gt;
|Rameshwar S. Bhagat&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot; {{won}}&lt;br /&gt;
|-&lt;br /&gt;
|[[Filmfare Award for Best Sound|Best Sound Design]]&lt;br /&gt;
|[[Dwarak Warrier]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Filmfare Award for Best Film|Best Film]]&lt;br /&gt;
|[[Yash Raj Films]]&lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot; {{nom}}&lt;br /&gt;
|-&lt;br /&gt;
|[[Filmfare Award for Best Music Director|Best Music Director]]&lt;br /&gt;
|[[Pritam Chakraborty|Pritam]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Filmfare Award for Best Female Playback Singer|Best Female Playback Singer]]&lt;br /&gt;
|[[Sunidhi Chauhan]] for &amp;quot;Dhoom Machale&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[Filmfare Award for Best Performance in a Negative Role|Best Villain]]&lt;br /&gt;
|[[John Abraham (actor)|John Abraham]]&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;7&amp;quot;|[[International Indian Film Academy Awards]]&lt;br /&gt;
|[[IIFA Award for Best Female Playback|Best Female Playback Singer]]&lt;br /&gt;
|[[Sunidhi Chauhan]] for &amp;quot;Dhoom Machale&amp;quot;&lt;br /&gt;
|rowspan=&amp;quot;3&amp;quot; {{won}}&lt;br /&gt;
|-&lt;br /&gt;
|[[IIFA Award for Best Performance in a Negative Role|Best Villain]]&lt;br /&gt;
|[[John Abraham (actor)|John Abraham]]&lt;br /&gt;
|-&lt;br /&gt;
|[[IIFA Award for Best Action|Best Action]]&lt;br /&gt;
|[[Allan Amin]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Picture&lt;br /&gt;
|[[Aditya Chopra]] &amp;amp; [[Yash Raj Films]]&lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot; {{nom}}&lt;br /&gt;
|-&lt;br /&gt;
|[[IIFA Award for Best Supporting Actress|Best Supporting Actress]]&lt;br /&gt;
|[[Esha Deol]]&lt;br /&gt;
|-&lt;br /&gt;
|[[IIFA Award for Best Performance in a Comic Role|Best Comedian]]&lt;br /&gt;
|[[Uday Chopra]]&lt;br /&gt;
|-&lt;br /&gt;
|[[IIFA Award for Best Music Director|Best Music Director]]&lt;br /&gt;
|[[Pritam Chakraborty|Pritam]]&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;7&amp;quot;|Screen Weekly Awards&lt;br /&gt;
|Best Background Score&lt;br /&gt;
|[[Salim-Sulaiman]]&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot; {{won}}&lt;br /&gt;
|-&lt;br /&gt;
|Best Editing&lt;br /&gt;
|Rameshwar S. Bhagat&lt;br /&gt;
|-&lt;br /&gt;
|Best Music Director&lt;br /&gt;
|[[Pritam Chakraborty|Pritam]]&lt;br /&gt;
|rowspan=&amp;quot;5&amp;quot; {{nom}}&lt;br /&gt;
|-&lt;br /&gt;
|Best Performance in a Comic Role&lt;br /&gt;
|[[Uday Chopra]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Cinematography&lt;br /&gt;
|[[Nirav Shah]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Action&lt;br /&gt;
|[[Allan Amin]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Sound Design&lt;br /&gt;
|[[Dwarak Warrier]]&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;13&amp;quot;|[[Zee Cine Awards]]&lt;br /&gt;
|[[Zee Cine Award for Best Track of the Year|Best Song of the Year]]&lt;br /&gt;
|&amp;quot;Dhoom Machale&amp;quot;&lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot; {{won}}&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Playback Singer - Female|Best Female Playback Singer]]&lt;br /&gt;
|[[Sunidhi Chauhan]] for &amp;quot;Dhoom Machale&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Actor in a Negative Role|Best Villain]]&lt;br /&gt;
|[[John Abraham (actor)|John Abraham]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Action|Best Action]]&lt;br /&gt;
|[[Allan Amin]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Actor in a Comic Role|Best Comedian]]&lt;br /&gt;
|[[Uday Chopra]]&lt;br /&gt;
|rowspan=&amp;quot;9&amp;quot; {{nom}}&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Costume Design|Best Costume Design]]&lt;br /&gt;
|[[Anaita Shroff]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Editing|Best Editing]]&lt;br /&gt;
|Rameshwar S. Bhagat&lt;br /&gt;
|-&lt;br /&gt;
|Best Sound Re-Recording&lt;br /&gt;
|Leslie Fernandes&lt;br /&gt;
|-&lt;br /&gt;
|Best Special Effects&lt;br /&gt;
|Pankaj Khandpur&lt;br /&gt;
|-&lt;br /&gt;
|Best Dialogue&lt;br /&gt;
|[[Vijay Krishna Acharya]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Audiography&lt;br /&gt;
|[[Dwarak Warrier]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Zee Cine Award for Best Background Music|Best Background Score]]&lt;br /&gt;
|[[Salim-Sulaiman]]&lt;br /&gt;
|-&lt;br /&gt;
|Best Film Processing&lt;br /&gt;
|[[Yash Raj Films]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Soundtrack==&lt;br /&gt;
{{Infobox album&lt;br /&gt;
| italic_title = no&lt;br /&gt;
| name         = Dhoom&lt;br /&gt;
| type         = soundtrack&lt;br /&gt;
| artist       = [[Pritam]]&lt;br /&gt;
| cover        = &lt;br /&gt;
| alt          =&lt;br /&gt;
| released     = {{Start date|df=yes|2004|07|16}} (CD)&amp;lt;br&amp;gt;{{Start date|df=yes|2004|07|27}} (Film)&lt;br /&gt;
| recorded     = 2003-2004&lt;br /&gt;
| venue        =&lt;br /&gt;
| studio       = YRF Studios&amp;lt;br /&amp;gt;[[Mumbai]], [[India]]&lt;br /&gt;
| genre        = [[Film soundtrack|Feature film soundtrack]]&lt;br /&gt;
| length       = {{Duration|m=34|s=47}}&lt;br /&gt;
| language     = [[Hindi]]&lt;br /&gt;
| label        = [[Yash Raj Films|YRF Music]]&lt;br /&gt;
| director     = [[Sanjay Gadhvi]]&lt;br /&gt;
| producer     = [[Aditya Chopra]]&lt;br /&gt;
| chronology   = [[Pritam]]&lt;br /&gt;
| prev_title   = [[Raghu Romeo]]&lt;br /&gt;
| prev_year    = 2004&lt;br /&gt;
| next_title   = [[Chocolate (2005 film)|Chocolate]]&lt;br /&gt;
| next_year    = 2004&lt;br /&gt;
}}&lt;br /&gt;
[[Pritam]] composed the songs for Dhoom while [[Salim-Sulaiman]] composed the original score. The title track &amp;#039;&amp;#039;[[Dhoom Dhoom]]&amp;#039;&amp;#039; was released in a remixed version song by the Thai-American singer [[Tata Young]]. The song and its music video featuring [[Tata Young]] proved to be a major hit in India during 2004 and 2005. The original song was sung by [[Sunidhi Chauhan]]. Other tracks on the soundtrack included &amp;quot;Dilbara&amp;quot;, &amp;quot;Dilbar Shikdum&amp;quot;, and &amp;quot;Salaame Salaame&amp;quot;, sung by singers like [[KK (singer)|KK]], [[Abhijeet Bhattacharya]], [[Shaan (singer)|Shaan]] and [[Kunal Ganjawala]]. The lyrics were penned by [[Sameer (lyricist)|Sameer]]. According to the Indian trade website [[Box Office India]], with around 22,00,000 units sold, this film&amp;#039;s soundtrack album was the year&amp;#039;s third highest-selling.&amp;lt;ref&amp;gt;{{cite web|title=Music Hits 2000–2009 (Figures in Units)|url=http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5|archive-url=https://web.archive.org/web/20080215081557/http://www.boxofficeindia.com/showProd.php?itemCat=286&amp;amp;catName=MjAwMC0yMDA5&amp;amp;PHPSESSID=108b9056cd4ca14236f9c6119d34dcce|archive-date=15 February 2008|publisher=[[Box Office India]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Track listing&lt;br /&gt;
| collapsed       = no&lt;br /&gt;
| headline        = &lt;br /&gt;
| extra_column    = Singer(s)&lt;br /&gt;
| total_length    = 34:27&lt;br /&gt;
&lt;br /&gt;
| all_writing     = &lt;br /&gt;
| all_lyrics      = [[Sameer (lyricist)|Sameer]]&lt;br /&gt;
| all_music       = [[Pritam]]&lt;br /&gt;
&lt;br /&gt;
| title1          = Dhoom Machale&lt;br /&gt;
| note1           = &lt;br /&gt;
| writer1         = &lt;br /&gt;
| lyrics1         = &lt;br /&gt;
| music1          = &lt;br /&gt;
| extra1          = [[Sunidhi Chauhan]], [[Shankar Mahadevan]]&lt;br /&gt;
| length1         = 6:15&lt;br /&gt;
&lt;br /&gt;
| title2          = Shikdum&lt;br /&gt;
| note2           = &lt;br /&gt;
| writer2         = &lt;br /&gt;
| lyrics2         = &lt;br /&gt;
| music2          = &lt;br /&gt;
| extra2          = [[Shaan (singer)|Shaan]], [[Shreya Ghoshal]]&lt;br /&gt;
| length2         = 5:27&lt;br /&gt;
&lt;br /&gt;
| title3          = Dilbara&lt;br /&gt;
| note3           = &lt;br /&gt;
| writer3         = &lt;br /&gt;
| lyrics3         = &lt;br /&gt;
| music3          = &lt;br /&gt;
| extra3          = [[Abhijeet Bhattacharya]], [[Sowmya Raoh]]&lt;br /&gt;
| length3         = 4:32&lt;br /&gt;
&lt;br /&gt;
| title4          = Salaame&lt;br /&gt;
| note4           = &lt;br /&gt;
| writer4         = &lt;br /&gt;
| lyrics4         = &lt;br /&gt;
| music4          = &lt;br /&gt;
| extra4          = [[Kunal Ganjawala]], [[Vasundhara Das]]&lt;br /&gt;
| length4         = 5:17&lt;br /&gt;
&lt;br /&gt;
| title5          = Shikdum&lt;br /&gt;
| note5           = The Bedroom Mix&lt;br /&gt;
| writer5         = &lt;br /&gt;
| lyrics5         = &lt;br /&gt;
| music5          = &lt;br /&gt;
| extra5          = [[KK (singer)|KK]], [[Gayatri Ganjawala]], Indee&lt;br /&gt;
| length5         = 4:19&lt;br /&gt;
&lt;br /&gt;
| title6          = Dilbara&lt;br /&gt;
| note6           = Reprisal Edit&lt;br /&gt;
| writer6         = &lt;br /&gt;
| lyrics6         = &lt;br /&gt;
| music6          = &lt;br /&gt;
| extra6          = Abhijeet Bhattacharya, Sowmya Raoh, [[Abhishek Bachchan]]&lt;br /&gt;
| length6         = 4:36&lt;br /&gt;
&lt;br /&gt;
| title7          = [[Dhoom Dhoom]]&lt;br /&gt;
| note7           = &lt;br /&gt;
| writer7         = &lt;br /&gt;
| lyrics7         = &lt;br /&gt;
| music7          = &lt;br /&gt;
| extra7          = [[Tata Young]]&lt;br /&gt;
| length7         = 3:21&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb movie}}&lt;br /&gt;
* {{BH movie|dhoom&amp;lt;!-- id# 65066 --&amp;gt;}}&lt;br /&gt;
* {{Mojo movie}}&lt;br /&gt;
* {{Rotten Tomatoes}}&lt;br /&gt;
&lt;br /&gt;
{{Dhoom series}}&lt;br /&gt;
{{Films by Sanjay Gadhvi}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Dhoom}}&lt;br /&gt;
[[Category:2004 films]]&lt;br /&gt;
[[Category:2004 action thriller films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Indian action thriller films]]&lt;br /&gt;
[[Category:2000s Hindi-language films]]&lt;br /&gt;
[[Category:Films directed by Sanjay Gadhvi]]&lt;br /&gt;
[[Category:Films set in Mumbai]]&lt;br /&gt;
[[Category:Films shot in Mumbai]]&lt;br /&gt;
[[Category:Indian heist films]]&lt;br /&gt;
[[Category:Yash Raj Films films]]&lt;br /&gt;
[[Category:Films featuring songs by Pritam]]&lt;br /&gt;
[[Category:Fictional portrayals of the Maharashtra Police]]&lt;br /&gt;
[[Category:2000s heist films]]&lt;/div&gt;</summary>
		<author><name>&gt;Fad Ariff</name></author>
	</entry>
</feed>