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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Cilappatikaram</id>
	<title>Cilappatikaram - Revision history</title>
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	<updated>2026-10-27T12:47:19Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Cilappatikaram&amp;diff=566368&amp;oldid=prev</id>
		<title>2405:201:E006:48A2:9C9E:BADC:6330:A957: Similar to the Tamil epic Cilappathikaram, the Greek epics Argonautica and Medea link chastity with fire. In these works as well, the male protagonist is depicted as less capable than the heroine and is portrayed wearing a single sandal. Greek scholars have highlighted the connections between Cilappathikaram and these Greek epics.&quot; (Tamil Silappathikaram and the Greek Argonautica and Medea - Comparative Literary Mythological Studies on Characterising and the Philosophy of Fate and Chastity. D.Pu</title>
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		<updated>2026-10-09T00:27:23Z</updated>

		<summary type="html">&lt;p&gt;Similar to the Tamil epic Cilappathikaram, the Greek epics Argonautica and Medea link chastity with fire. In these works as well, the male protagonist is depicted as less capable than the heroine and is portrayed wearing a single sandal. Greek scholars have highlighted the connections between Cilappathikaram and these Greek epics.&amp;quot; (Tamil Silappathikaram and the Greek Argonautica and Medea - Comparative Literary Mythological Studies on Characterising and the Philosophy of Fate and Chastity. D.Pu&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:57, 9 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l135&quot;&gt;Line 135:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 135:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Rewritings===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Rewritings===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Veteran Tamil writer [[Jeyamohan]] rewrote the whole epic into a novel as Kotravai in 2005. The novel having adapted the original plot and characters, it revolves around the ancient South Indian traditions, also trying to fill the gaps in the history using multiple narratives.{{citation needed|date=November 2019}} [[H. S. Shivaprakash]] a leading poet and playwright in Kannada has also re-narrated a part from the epic namely &amp;#039;&amp;#039;Madurekanda&amp;#039;&amp;#039;.{{citation needed|date=November 2019}} It has also been re-narrated in [[Hindi]] by famous Hindi writer [[Amritlal Nagar]]  in his novel Suhag Ke Nupur which was published in 1960. He had also written a 1.25-hour radio-play on the story which was broadcast on [[Akashvani (radio broadcaster)|Aakashvani]] in 1952.{{citation needed|date=November 2019}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Veteran Tamil writer [[Jeyamohan]] rewrote the whole epic into a novel as Kotravai in 2005. The novel having adapted the original plot and characters, it revolves around the ancient South Indian traditions, also trying to fill the gaps in the history using multiple narratives.{{citation needed|date=November 2019}} [[H. S. Shivaprakash]] a leading poet and playwright in Kannada has also re-narrated a part from the epic namely &amp;#039;&amp;#039;Madurekanda&amp;#039;&amp;#039;.{{citation needed|date=November 2019}} It has also been re-narrated in [[Hindi]] by famous Hindi writer [[Amritlal Nagar]]  in his novel Suhag Ke Nupur which was published in 1960. He had also written a 1.25-hour radio-play on the story which was broadcast on [[Akashvani (radio broadcaster)|Aakashvani]] in 1952.{{citation needed|date=November 2019}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Similar to the Tamil epic Cilappathikaram, the Greek epics Argonautica and Medea link chastity with fire. In these works as well, the male protagonist is depicted as less capable than the heroine and is portrayed wearing a single sandal. Greek scholars have highlighted the connections between Cilappathikaram and these Greek epics.&quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Tamil Silappathikaram and the Greek Argonautica and Medea - Comparative Literary Mythological Studies on Characterising and the Philosophy of Fate and Chastity. D.Pugazhendhi. Global Journal of Human-Social Science, 21(A10), 25-67. https://socialscienceresearch.org/index.php/GJHSS/article/view/103386)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==In popular culture==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==In popular culture==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>2405:201:E006:48A2:9C9E:BADC:6330:A957</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Cilappatikaram&amp;diff=426157&amp;oldid=prev</id>
		<title>Ajay Kumar: Created a new article</title>
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		<updated>2023-09-07T15:08:58Z</updated>

		<summary type="html">&lt;p&gt;Created a new article&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Cilappatikaram&amp;amp;diff=426157&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Ajay Kumar</name></author>
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