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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Chilla_katna</id>
	<title>Chilla katna - Revision history</title>
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	<updated>2026-09-07T11:04:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chilla_katna&amp;diff=165065&amp;oldid=prev</id>
		<title>imported&gt;SdkbBot: /* top */removed erroneous space</title>
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		<updated>2021-06-04T17:34:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;removed &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:REFPUNCT&quot; class=&quot;extiw&quot; title=&quot;wp:REFPUNCT&quot;&gt;erroneous&lt;/a&gt; space&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:04, 4 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In [[Hindustani classical music]], &amp;#039;&amp;#039;&amp;#039;chilla&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;chilla katna&amp;#039;&amp;#039;&amp;#039; is a stage of training or [[ritual]] where the student is fully isolated from the outside world and lives for music only. Some musicians spend long periods of their training in varying degrees of isolation and describe these as their chilla; for others, it&amp;#039;s a shorter, more extreme retreat, traditionally lasting 40 days. In either form, it is thought to have the power of transforming not only the student&amp;#039;s music, but his whole life. Chilla is widely used in the [[Punjab gharānā]] (school) of [[tabla]] playing.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In [[Hindustani classical music]], &amp;#039;&amp;#039;&amp;#039;chilla&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;chilla katna&amp;#039;&amp;#039;&amp;#039; is a stage of training or [[ritual]] where the student is fully isolated from the outside world and lives for music only. Some musicians spend long periods of their training in varying degrees of isolation and describe these as their chilla; for others, it&amp;#039;s a shorter, more extreme retreat, traditionally lasting 40 days. In either form, it is thought to have the power of transforming not only the student&amp;#039;s music, but his whole life. Chilla is widely used in the [[Punjab gharānā]] (school) of [[tabla]] playing.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Abdul Karim Khan]], a singer of the [[Kirana Gharana]], described chilla as &quot;lighting a fire under your life. You either cook or you burn. If you cook, everyone can enjoy your flavour – otherwise, you&#039;ll be a mass of cinders, a heap of ash.&quot; &amp;lt;ref&amp;gt;[http://www.themusicmagazine.com/alaaprev.html &#039;&#039;Guided Tour into a Fabulous World&#039;&#039;] {{Webarchive|url=https://web.archive.org/web/20080703215510/http://www.themusicmagazine.com/alaaprev.html |date=3 July 2008 }}, The Music Magazine, 2001)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Abdul Karim Khan]], a singer of the [[Kirana Gharana]], described chilla as &quot;lighting a fire under your life. You either cook or you burn. If you cook, everyone can enjoy your flavour – otherwise, you&#039;ll be a mass of cinders, a heap of ash.&quot;&amp;lt;ref&amp;gt;[http://www.themusicmagazine.com/alaaprev.html &#039;&#039;Guided Tour into a Fabulous World&#039;&#039;] {{Webarchive|url=https://web.archive.org/web/20080703215510/http://www.themusicmagazine.com/alaaprev.html |date=3 July 2008 }}, The Music Magazine, 2001)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Forego your sense of self if you want to achieve greatness. It’s only when a seed is thrown in the soil, does it blossom into a flower of a lush garden&quot;. This was the famous Ghalib couplet, late Sitar maestro Ustad Abdul Halim Jaffer Khan often quoted, to sum-up the intensely grueling process of becoming a successful Hindustani musician.&amp;lt;ref&amp;gt;https://www.tribuneindia.com/news/features/masters-of-music-self-quarantined-for-creativity-95776 Tribune India&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Forego your sense of self if you want to achieve greatness. It’s only when a seed is thrown in the soil, does it blossom into a flower of a lush garden&quot;. This was the famous Ghalib couplet, late Sitar maestro Ustad Abdul Halim Jaffer Khan often quoted, to sum-up the intensely grueling process of becoming a successful Hindustani musician.&amp;lt;ref&amp;gt; https://www.tribuneindia.com/news/features/masters-of-music-self-quarantined-for-creativity-95776 Tribune India&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The word Chilla can also refer to the forty days after childbirth during which the mother is said to be &amp;quot;unclean&amp;quot;, or quarantined, or more generally a period of religious fasting and worship.&amp;lt;ref&amp;gt;Shakespear, John, [https://dsal.uchicago.edu/cgi-bin/philologic/search3advanced?dbname=shakespear&amp;amp;query=chilla&amp;amp;matchtype=exact&amp;amp;display=utf8 &amp;#039;&amp;#039;A Dictionary, Hindustani and English]{{Dead link|date=July 2020 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;#039;&amp;#039;, Digital Dictionaries of South Asia&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The word Chilla can also refer to the forty days after childbirth during which the mother is said to be &amp;quot;unclean&amp;quot;, or quarantined, or more generally a period of religious fasting and worship.&amp;lt;ref&amp;gt;Shakespear, John, [https://dsal.uchicago.edu/cgi-bin/philologic/search3advanced?dbname=shakespear&amp;amp;query=chilla&amp;amp;matchtype=exact&amp;amp;display=utf8 &amp;#039;&amp;#039;A Dictionary, Hindustani and English]{{Dead link|date=July 2020 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;#039;&amp;#039;, Digital Dictionaries of South Asia&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Well known musicians who have documented their Chilla experience include Ravi Shankar &amp;lt;ref&amp;gt;https://www.genesis-publications.com/book/0904351467/raga-mala Ravi Shankar autobiography&amp;lt;/ref&amp;gt; and Zakir Hussein &amp;lt;ref&amp;gt;https://www.pramanaresearch.org/gallery/prj-p670.pdf Pranama Research Journal&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Well known musicians who have documented their Chilla experience include Ravi Shankar &amp;lt;ref&amp;gt;https://www.genesis-publications.com/book/0904351467/raga-mala Ravi Shankar autobiography &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;  &lt;/ins&gt;&amp;lt;/ref&amp;gt; and Zakir Hussein &amp;lt;ref&amp;gt; https://www.pramanaresearch.org/gallery/prj-p670.pdf Pranama Research Journal&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>imported&gt;SdkbBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chilla_katna&amp;diff=94301&amp;oldid=prev</id>
		<title>CleanupBot: clean up, add source tag</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chilla_katna&amp;diff=94301&amp;oldid=prev"/>
		<updated>2021-06-02T04:42:14Z</updated>

		<summary type="html">&lt;p&gt;clean up, add source tag&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:12, 2 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Abdul Karim Khan]], a singer of the [[Kirana Gharana]], described chilla as &amp;quot;lighting a fire under your life. You either cook or you burn. If you cook, everyone can enjoy your flavour – otherwise, you&amp;#039;ll be a mass of cinders, a heap of ash.&amp;quot; &amp;lt;ref&amp;gt;[http://www.themusicmagazine.com/alaaprev.html &amp;#039;&amp;#039;Guided Tour into a Fabulous World&amp;#039;&amp;#039;] {{Webarchive|url=https://web.archive.org/web/20080703215510/http://www.themusicmagazine.com/alaaprev.html |date=3 July 2008 }}, The Music Magazine, 2001)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Abdul Karim Khan]], a singer of the [[Kirana Gharana]], described chilla as &amp;quot;lighting a fire under your life. You either cook or you burn. If you cook, everyone can enjoy your flavour – otherwise, you&amp;#039;ll be a mass of cinders, a heap of ash.&amp;quot; &amp;lt;ref&amp;gt;[http://www.themusicmagazine.com/alaaprev.html &amp;#039;&amp;#039;Guided Tour into a Fabulous World&amp;#039;&amp;#039;] {{Webarchive|url=https://web.archive.org/web/20080703215510/http://www.themusicmagazine.com/alaaprev.html |date=3 July 2008 }}, The Music Magazine, 2001)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Forego your sense of self if you want to achieve greatness. It’s only when a seed is thrown in the soil, does it blossom into a flower of a lush garden&quot;. This was the famous Ghalib couplet, late Sitar maestro Ustad Abdul Halim Jaffer Khan often quoted, to sum-up the intensely grueling process of becoming a successful Hindustani musician.&amp;lt;ref&amp;gt; https://www.tribuneindia.com/news/features/masters-of-music-self-quarantined-for-creativity-95776 Tribune India&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Forego your sense of self if you want to achieve greatness. It’s only when a seed is thrown in the soil, does it blossom into a flower of a lush garden&quot;. This was the famous Ghalib couplet, late Sitar maestro Ustad Abdul Halim Jaffer Khan often quoted, to sum-up the intensely grueling process of becoming a successful Hindustani musician.&amp;lt;ref&amp;gt;https://www.tribuneindia.com/news/features/masters-of-music-self-quarantined-for-creativity-95776 Tribune India&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The word Chilla can also refer to the forty days after childbirth during which the mother is said to be &amp;quot;unclean&amp;quot;, or quarantined, or more generally a period of religious fasting and worship.&amp;lt;ref&amp;gt;Shakespear, John, [https://dsal.uchicago.edu/cgi-bin/philologic/search3advanced?dbname=shakespear&amp;amp;query=chilla&amp;amp;matchtype=exact&amp;amp;display=utf8 &amp;#039;&amp;#039;A Dictionary, Hindustani and English]{{Dead link|date=July 2020 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;#039;&amp;#039;, Digital Dictionaries of South Asia&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The word Chilla can also refer to the forty days after childbirth during which the mother is said to be &amp;quot;unclean&amp;quot;, or quarantined, or more generally a period of religious fasting and worship.&amp;lt;ref&amp;gt;Shakespear, John, [https://dsal.uchicago.edu/cgi-bin/philologic/search3advanced?dbname=shakespear&amp;amp;query=chilla&amp;amp;matchtype=exact&amp;amp;display=utf8 &amp;#039;&amp;#039;A Dictionary, Hindustani and English]{{Dead link|date=July 2020 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;#039;&amp;#039;, Digital Dictionaries of South Asia&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Well known musicians who have documented their Chilla experience include Ravi Shankar &amp;lt;ref&amp;gt;https://www.genesis-publications.com/book/0904351467/raga-mala Ravi Shankar autobiography &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;  &lt;/del&gt;&amp;lt;/ref&amp;gt; and Zakir Hussein &amp;lt;ref&amp;gt; https://www.pramanaresearch.org/gallery/prj-p670.pdf Pranama Research Journal&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Well known musicians who have documented their Chilla experience include Ravi Shankar &amp;lt;ref&amp;gt;https://www.genesis-publications.com/book/0904351467/raga-mala Ravi Shankar autobiography&amp;lt;/ref&amp;gt; and Zakir Hussein &amp;lt;ref&amp;gt;https://www.pramanaresearch.org/gallery/prj-p670.pdf Pranama Research Journal&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-music-stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-music-stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chilla_katna&amp;diff=64405&amp;oldid=prev</id>
		<title>&gt;Ralphscheider42: Ustad Abdul Halim Jaffer Khan quote</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chilla_katna&amp;diff=64405&amp;oldid=prev"/>
		<updated>2021-03-06T10:54:10Z</updated>

		<summary type="html">&lt;p&gt;Ustad Abdul Halim Jaffer Khan quote&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=August 2019}}&lt;br /&gt;
In [[Hindustani classical music]], &amp;#039;&amp;#039;&amp;#039;chilla&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;chilla katna&amp;#039;&amp;#039;&amp;#039; is a stage of training or [[ritual]] where the student is fully isolated from the outside world and lives for music only. Some musicians spend long periods of their training in varying degrees of isolation and describe these as their chilla; for others, it&amp;#039;s a shorter, more extreme retreat, traditionally lasting 40 days. In either form, it is thought to have the power of transforming not only the student&amp;#039;s music, but his whole life. Chilla is widely used in the [[Punjab gharānā]] (school) of [[tabla]] playing.&lt;br /&gt;
&lt;br /&gt;
[[Abdul Karim Khan]], a singer of the [[Kirana Gharana]], described chilla as &amp;quot;lighting a fire under your life. You either cook or you burn. If you cook, everyone can enjoy your flavour – otherwise, you&amp;#039;ll be a mass of cinders, a heap of ash.&amp;quot; &amp;lt;ref&amp;gt;[http://www.themusicmagazine.com/alaaprev.html &amp;#039;&amp;#039;Guided Tour into a Fabulous World&amp;#039;&amp;#039;] {{Webarchive|url=https://web.archive.org/web/20080703215510/http://www.themusicmagazine.com/alaaprev.html |date=3 July 2008 }}, The Music Magazine, 2001)&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Forego your sense of self if you want to achieve greatness. It’s only when a seed is thrown in the soil, does it blossom into a flower of a lush garden&amp;quot;. This was the famous Ghalib couplet, late Sitar maestro Ustad Abdul Halim Jaffer Khan often quoted, to sum-up the intensely grueling process of becoming a successful Hindustani musician.&amp;lt;ref&amp;gt; https://www.tribuneindia.com/news/features/masters-of-music-self-quarantined-for-creativity-95776 Tribune India&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The word Chilla can also refer to the forty days after childbirth during which the mother is said to be &amp;quot;unclean&amp;quot;, or quarantined, or more generally a period of religious fasting and worship.&amp;lt;ref&amp;gt;Shakespear, John, [https://dsal.uchicago.edu/cgi-bin/philologic/search3advanced?dbname=shakespear&amp;amp;query=chilla&amp;amp;matchtype=exact&amp;amp;display=utf8 &amp;#039;&amp;#039;A Dictionary, Hindustani and English]{{Dead link|date=July 2020 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;#039;&amp;#039;, Digital Dictionaries of South Asia&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Well known musicians who have documented their Chilla experience include Ravi Shankar &amp;lt;ref&amp;gt;https://www.genesis-publications.com/book/0904351467/raga-mala Ravi Shankar autobiography   &amp;lt;/ref&amp;gt; and Zakir Hussein &amp;lt;ref&amp;gt; https://www.pramanaresearch.org/gallery/prj-p670.pdf Pranama Research Journal&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindustani music terminology]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{India-music-stub}}&lt;/div&gt;</summary>
		<author><name>&gt;Ralphscheider42</name></author>
	</entry>
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