<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Chemmeen_%28novel%29</id>
	<title>Chemmeen (novel) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Chemmeen_%28novel%29"/>
	<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;action=history"/>
	<updated>2026-08-21T15:36:46Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=449398&amp;oldid=prev</id>
		<title>CleanupBot: Robot: Replacing encoded entity with character</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=449398&amp;oldid=prev"/>
		<updated>2026-03-22T04:42:46Z</updated>

		<summary type="html">&lt;p&gt;Robot: Replacing encoded entity with character&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:12, 22 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l46&quot;&gt;Line 46:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel was an immediate success although the critical reaction was mixed. Some critics wrote that the novel is the best social novel written in Malayalam since [[O. Chandhu Menon]]&#039;s &#039;&#039;[[Sarada (novel)|Sarada]]&#039;&#039;. Some thought that the central cord of superstition is a myth. Some critics wrote that the novel shows Thakazhi&#039;s decline as a progressive writer, as the story of &#039;&#039;Chemmeen&#039;&#039; is essentially romantic and does not bring in class struggle like Thakazhi&#039;s earlier novels &#039;&#039;Thottiyude Makan&#039;&#039; or &#039;&#039;[[Randidangazhi]]&#039;&#039;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite book |last1=George |first1=K. M. |title=A survey of Malayalam literature |date=1968 |publisher=Asia Publishing House |location=Bombay |page=178 |edition=1st}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel was an immediate success although the critical reaction was mixed. Some critics wrote that the novel is the best social novel written in Malayalam since [[O. Chandhu Menon]]&#039;s &#039;&#039;[[Sarada (novel)|Sarada]]&#039;&#039;. Some thought that the central cord of superstition is a myth. Some critics wrote that the novel shows Thakazhi&#039;s decline as a progressive writer, as the story of &#039;&#039;Chemmeen&#039;&#039; is essentially romantic and does not bring in class struggle like Thakazhi&#039;s earlier novels &#039;&#039;Thottiyude Makan&#039;&#039; or &#039;&#039;[[Randidangazhi]]&#039;&#039;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite book |last1=George |first1=K. M. |title=A survey of Malayalam literature |date=1968 |publisher=Asia Publishing House |location=Bombay |page=178 |edition=1st}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Inspiration and influences==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Inspiration and influences==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; is Pillai&#039;s best novel which expresses the aspirations, struggle and grief in the lives of the fishermen of Kerala. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel. The tragedy of the poor fisherman has been depicted on the epical scale. Thakazhi Sivasankara Pillai&#039;s (Malayalam) novel Chemmeen, accepted as part of the [[UNESCO]] Collection of Representative Works - Indian Series, was translated by V.K.Narayana Menon, and published by Victor Gollancz, London in 1962. It was the first significant Malayalam novel to be translated into English after Independence or, rather, during the early post-colonial era.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;[http://unesdoc.unesco.org/images/0008/000822/082219eo.pdf &quot;India: yesterday&#039;s heritage, tomorrow&#039;s hopes&quot;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; is Pillai&#039;s best novel which expresses the aspirations, struggle and grief in the lives of the fishermen of Kerala. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel. The tragedy of the poor fisherman has been depicted on the epical scale. Thakazhi Sivasankara Pillai&#039;s (Malayalam) novel Chemmeen, accepted as part of the [[UNESCO]] Collection of Representative Works - Indian Series, was translated by V.K.Narayana Menon, and published by Victor Gollancz, London in 1962. It was the first significant Malayalam novel to be translated into English after Independence or, rather, during the early post-colonial era.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;[http://unesdoc.unesco.org/images/0008/000822/082219eo.pdf &quot;India: yesterday&#039;s heritage, tomorrow&#039;s hopes&quot;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Widely successful, &#039;&#039;Chemmeen&#039;&#039; was translated into [[English language|English]], [[Hindi language|Hindi]], [[Russian language|Russian]], [[German language|German]], [[Italian language|Italian]], [[Arabic language|Arabic]] and [[French language|French]] along with several Indian languages.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;[http://findarticles.com/p/articles/mi_m1310/is_1989_Feb/ai_7546131/ &quot;Anger of the Sea-Goddess - excerpt from Indian novel Chemmeen&quot;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;Three years after the original publication, a translated Hindi version, titled &#039;&#039;मछुवारे/Machhuware&#039;&#039; (lit. fisherfolks) was published. The translation was done by Bharati Vidyarthi.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Widely successful, &#039;&#039;Chemmeen&#039;&#039; was translated into [[English language|English]], [[Hindi language|Hindi]], [[Russian language|Russian]], [[German language|German]], [[Italian language|Italian]], [[Arabic language|Arabic]] and [[French language|French]] along with several Indian languages.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;[http://findarticles.com/p/articles/mi_m1310/is_1989_Feb/ai_7546131/ &quot;Anger of the Sea-Goddess - excerpt from Indian novel Chemmeen&quot;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;Three years after the original publication, a translated Hindi version, titled &#039;&#039;मछुवारे/Machhuware&#039;&#039; (lit. fisherfolks) was published. The translation was done by Bharati Vidyarthi.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into English many times. Narayana Menon&#039;s translation titled &#039;&#039;Anger of the Sea-Goddess&#039;&#039; remains very popular even to this day. Another English translation is by [[Anita Nair]], titled &#039;&#039;Chemmeen&#039;&#039; as in Malayalam.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;[https://archive.today/20120707190115/http://books.hindustantimes.com/2011/12/shinie-antony-recommends-must-reads-of-2011/ &quot;Shinie Antony recommends: Must reads of 2011&quot;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;It has gone into several editions and is readily available at bookshops all over India.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into English many times. Narayana Menon&#039;s translation titled &#039;&#039;Anger of the Sea-Goddess&#039;&#039; remains very popular even to this day. Another English translation is by [[Anita Nair]], titled &#039;&#039;Chemmeen&#039;&#039; as in Malayalam.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;[https://archive.today/20120707190115/http://books.hindustantimes.com/2011/12/shinie-antony-recommends-must-reads-of-2011/ &quot;Shinie Antony recommends: Must reads of 2011&quot;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;It has gone into several editions and is readily available at bookshops all over India.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel was translated into [[Gujarati language|Gujarati]] by Kamal Jasapara, published in 1980.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;ref name=&quot;Rao2004&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/del&gt;{{cite book|last=Rao|first=D. S.|title=Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi|url=https://books.google.com/books?id=8JDsBBDoMccC&amp;amp;amp;pg=PA48|year=2004|publisher=Sahitya Akademi|location=New Delhi|isbn=978-81-260-2060-7|page=48}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; &lt;/del&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into Arabic as well by Muhiyudheen Aluway titled as &#039;&#039;Shemmeen&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel was translated into [[Gujarati language|Gujarati]] by Kamal Jasapara, published in 1980.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;ref name=&quot;Rao2004&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;{{cite book|last=Rao|first=D. S.|title=Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi|url=https://books.google.com/books?id=8JDsBBDoMccC&amp;amp;amp;pg=PA48|year=2004|publisher=Sahitya Akademi|location=New Delhi|isbn=978-81-260-2060-7|page=48}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; &lt;/ins&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into Arabic as well by Muhiyudheen Aluway titled as &#039;&#039;Shemmeen&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Film adaptation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Film adaptation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=448419&amp;oldid=prev</id>
		<title>DilKhus: Page refined with updated information</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=448419&amp;oldid=prev"/>
		<updated>2026-01-15T05:15:36Z</updated>

		<summary type="html">&lt;p&gt;Page refined with updated information&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:45, 15 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{short description|1956 novel by Thakazhi Sivasankara Pillai}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=June 2018}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Chemmeen&#039;&#039;&#039;&#039;&#039; ({{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang-&lt;/del&gt;ml|ചെമ്മീൻ}}, {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;transl&lt;/del&gt;|ml|ISO|cemmīn}} {{IPA&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/del&gt;ml|t͡ʃemmiːn|}}, lit. prawn) is a [[Malayalam]] [[novel]] written by [[Thakazhi Sivasankara Pillai]] in 1956. &#039;&#039;Chemmeen&#039;&#039; tells the story of the relationship between Karuthamma, the daughter of a [[Hindu]] fisherman, and Pareekutti, the son of a [[Muslim]] fish wholesaler&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The theme of the novel is a myth among the fishermen communities along the coastal [[Kerala]] State in the Southern India. The myth is about chastity. If the married fisher woman was adulterous when her husband was in the sea, the Sea Goddess (&#039;&#039;Kadalamma&#039;&#039; literally means Mother Sea) would consume him. It is to perpetuate this myth that Thakazhi wrote this novel. It was adapted into a [[Chemmeen|film of same name]], which won critical acclaim and commercial success&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Chemmeen&#039;&#039;&#039;&#039;&#039; ({{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;langx|&lt;/ins&gt;ml|ചെമ്മീൻ}}, {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;transliteration&lt;/ins&gt;|ml|ISO|cemmīn}} {{IPA&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;ml|t͡ʃemmiːn|}}, lit. prawn) is a [[Malayalam]] [[novel]] written by [[Thakazhi Sivasankara Pillai]] in 1956. &#039;&#039;Chemmeen&#039;&#039; tells the story of the relationship between Karuthamma, the daughter of a [[Hindu]] fisherman, and Pareekutti, the son of a [[Muslim]] fish wholesaler.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thakazhi made a departure from his a vowed commitment to realism as it appeared in his works till then he brought in a fresh breeze &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lyricism and romanticism. The &lt;/del&gt;novel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;acquires &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;quality of a fable in which life &lt;/del&gt;in the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fishermen’s community &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;depicted with great emotional detail&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The customs&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;taboos, beliefs, rituals and &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;day-&lt;/del&gt;to&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-day business &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;living through the pain of stark existence come alive magically through Thakazhi’s pen&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The theme &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;novel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is a myth among &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fishermen communities along the coastal [[Kerala]] State &lt;/ins&gt;in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Southern India. The myth &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;about chastity&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;If a married fisherwoman was adulterous when her husband was at sea&lt;/ins&gt;, the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sea Goddess (&#039;&#039;Kadalamma&#039;&#039; literally meaning Mother Sea) would consume him. It is &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;perpetuate this myth that Thakazhi wrote this novel. It was adapted into a [[Chemmeen|film &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;same name]], which won critical acclaim and commercial success&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; won the [[List of Sahitya Akademi Award winners for Malayalam|Kendra Sahitya Akademi Award]], India&#039;s second highest literary prize, in 1957.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thakazhi made a departure from his a vowed commitment to realism as it appeared in his works till then he brought in a fresh breeze of lyricism and romanticism. The novel acquires the quality of a fable in which life in the fishermen&#039;s community is depicted with great emotional detail. The customs, taboos, beliefs, rituals and the day-to-day business of living through the pain of stark existence come alive magically through Thakazhi&#039;s pen.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; won the [[List of Sahitya Akademi Award winners for Malayalam|Kendra Sahitya Akademi Award]], India&#039;s second highest literary prize, in 1957&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, becoming the first Malayalam novel to receive the national honor. &#039;&#039;Chemmeen&#039;&#039; was translated to more than 30 languages which include major Indian languages and foreign languages. The novel was accepted as part of the [[UNESCO]] collection of Representative Works - Indian series&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Chembankunju&#039;s  only aim in life is to own a boat and a net. He finally succeeds in buying both with the help of Pareekutty, a young Muslim trader, on condition that the fish hauled by the boat will be sold to him. Chembankunju&#039;s pretty daughter Karuthamma  and Pareekutty love each other. Karuthamma&#039;s mother, Chakki, knows about it and reminds her daughter about the life they lead within the boundaries of strict social tradition. Karuthamma sacrifices her love for Pareekutty and marries Palani, an orphan discovered by Chembankunju in the course of one of his fishing expeditions. Following the marriage, Karuthamma accompanies her husband to his village, despite her mother&#039;s sudden illness and her father&#039;s repeated requests to stay. In his fury, Chembankunju disowns her. On acquiring a boat and a net and subsequently adding one more, Chembankunju becomes more greedy and heartless. With his dishonesty, he drives Pareekutty to bankruptcy. After the death of his wife, Chembankunju marries Pappikunju, the widow of the man from whom he had bought his first boat. Panchami, Chembankunju&#039;s younger daughter, leaves home to join Karuthama, on arrival of her &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;step mother&lt;/del&gt;. Meanwhile, Karuthamma has endeavoured to be a good wife and mother. But scandal about her old love for Pareekutty spreads in the village. Palani&#039;s friends ostracize him and refuse to take him fishing with them. By a stroke of fate, Karuthamma and Pareekutty meet one night and their old love is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;awakened ..&lt;/del&gt;. Palani, at sea, alone and baiting a large shark, is caught in a huge whirlpool and is swallowed by the sea. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Next &lt;/del&gt;morning, Karuthamma and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Parekutty&lt;/del&gt;, are also found dead hand in hand, washed ashore. At a distance &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lie &lt;/del&gt;the washed-up corpse of Palani&#039;s baited shark.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Chembankunju&#039;s  only aim in life is to own a boat and a net. He finally succeeds in buying both with the help of Pareekutty, a young Muslim trader, on condition that the fish hauled by the boat will be sold to him. Chembankunju&#039;s pretty daughter Karuthamma  and Pareekutty love each other. Karuthamma&#039;s mother, Chakki, knows about it and reminds her daughter about the life they lead within the boundaries of strict social tradition. Karuthamma sacrifices her love for Pareekutty and marries Palani, an orphan discovered by Chembankunju in the course of one of his fishing expeditions. Following the marriage, Karuthamma accompanies her husband to his village, despite her mother&#039;s sudden illness and her father&#039;s repeated requests to stay. In his fury, Chembankunju disowns her. On acquiring a boat and a net and subsequently adding one more, Chembankunju becomes more greedy and heartless. With his dishonesty, he drives Pareekutty to bankruptcy. After the death of his wife, Chembankunju marries Pappikunju, the widow of the man from whom he had bought his first boat. Panchami, Chembankunju&#039;s younger daughter, leaves home to join Karuthama, on arrival of her &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stepmother&lt;/ins&gt;. Meanwhile, Karuthamma has endeavoured to be a good wife and mother. But scandal about her old love for Pareekutty spreads in the village. Palani&#039;s friends ostracize him and refuse to take him fishing with them. By a stroke of fate, Karuthamma and Pareekutty meet one night and their old love is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;revived&lt;/ins&gt;. Palani, at sea, alone and baiting a large shark, is caught in a huge whirlpool and is swallowed by the sea. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The next &lt;/ins&gt;morning, Karuthamma and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pareekutty&lt;/ins&gt;, are also found dead hand in hand, washed ashore. At a distance &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lies &lt;/ins&gt;the washed-up corpse of Palani&#039;s baited shark.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Characters==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Characters==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l40&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karuthamma   - Daughter of Chembankunju&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karuthamma   - Daughter of Chembankunju&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Palani       - Fisherman who marries Karuthamma&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Palani       - Fisherman who marries Karuthamma&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Panchami     - Chembankunju&#039;s younger daughter ...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Panchami     - Chembankunju&#039;s younger daughter&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Reception==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The novel was an immediate success although the critical reaction was mixed&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some critics wrote that the novel is the best social novel written in Malayalam since [[O&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chandhu Menon]]&#039;s &#039;&#039;[[Sarada (novel)|Sarada]]&#039;&#039;&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some thought that the central cord of superstition is a myth. Some critics wrote that the novel shows Thakazhi&#039;s decline as a progressive writer, as the story of &#039;&#039;Chemmeen&#039;&#039; is essentially romantic and does not bring in class struggle like Thakazhi&#039;s earlier novels &#039;&#039;Thottiyude Makan&#039;&#039; or &#039;&#039;[[Randidangazhi]]&#039;&#039;.&amp;amp;lt;ref&amp;amp;gt;{{cite book |last1=George |first1=K. M. |title=A survey of Malayalam literature |date=1968 |publisher=Asia Publishing House |location=Bombay |page=178 |edition=1st}}&amp;amp;lt;/ref&amp;amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Inspiration and influences==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Inspiration and influences==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pillai’s &lt;/del&gt;best novel which expresses the aspirations, struggle and grief in the lives of the fishermen of Kerala. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel. The tragedy of the poor fisherman has been depicted on the epical scale. Thakazhi Sivasankara &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pillai’s &lt;/del&gt;(Malayalam) novel Chemmeen, accepted as part of the [[UNESCO]] Collection of Representative Works - Indian Series, was translated by V.K.Narayana Menon, and published by Victor Gollancz, London in 1962. It was the first significant Malayalam novel to be translated into English after Independence or, rather, during the early post-colonial era.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;[http://unesdoc.unesco.org/images/0008/000822/082219eo.pdf &quot;India: yesterday&#039;s heritage, tomorrow&#039;s hopes&quot;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pillai&#039;s &lt;/ins&gt;best novel which expresses the aspirations, struggle and grief in the lives of the fishermen of Kerala. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel. The tragedy of the poor fisherman has been depicted on the epical scale. Thakazhi Sivasankara &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pillai&#039;s &lt;/ins&gt;(Malayalam) novel Chemmeen, accepted as part of the [[UNESCO]] Collection of Representative Works - Indian Series, was translated by V.K.Narayana Menon, and published by Victor Gollancz, London in 1962. It was the first significant Malayalam novel to be translated into English after Independence or, rather, during the early post-colonial era.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/ins&gt;[http://unesdoc.unesco.org/images/0008/000822/082219eo.pdf &quot;India: yesterday&#039;s heritage, tomorrow&#039;s hopes&quot;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Widely successful, &#039;&#039;Chemmeen&#039;&#039; was translated into [[English language|English]], [[Russian language|Russian]], [[German language|German]], [[Italian language|Italian]], [[Arabic language|Arabic]] and [[French language|French]] along with several Indian languages.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;[http://findarticles.com/p/articles/mi_m1310/is_1989_Feb/ai_7546131/ &quot;Anger of the Sea-Goddess - excerpt from Indian novel Chemmeen&quot;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Widely successful, &#039;&#039;Chemmeen&#039;&#039; was translated into [[English language|English&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]], [[Hindi language|Hindi&lt;/ins&gt;]], [[Russian language|Russian]], [[German language|German]], [[Italian language|Italian]], [[Arabic language|Arabic]] and [[French language|French]] along with several Indian languages.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;&lt;/ins&gt;[http://findarticles.com/p/articles/mi_m1310/is_1989_Feb/ai_7546131/ &quot;Anger of the Sea-Goddess - excerpt from Indian novel Chemmeen&quot;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; Three years after the original publication, a &lt;/ins&gt;translated &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hindi version, &lt;/ins&gt;titled &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;मछुवारे/Machhuware&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(lit. fisherfolks) was published&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/ins&gt;translation &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was done &lt;/ins&gt;by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bharati Vidyarthi&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Chemmeen&#039;&#039; has been &lt;/del&gt;translated &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;into English many times. Narayana Menon&#039;s translation &lt;/del&gt;titled &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anger of the Sea-Goddess&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;remains very popular even to this day&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Another English &lt;/del&gt;translation &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is &lt;/del&gt;by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anita Nair, titled &#039;&#039;Chemmeen&#039;&#039;as in Malayalam.&amp;lt;ref&amp;gt;[https://archive.is/20120707190115/http://books.hindustantimes.com/2011/12/shinie-antony-recommends-must-reads-of-2011/ &quot;Shinie Antony recommends: Must reads of 2011&quot;]&amp;lt;/ref&amp;gt; It has gone into several editions and is readily available at bookshops all over India&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The novel was &lt;/del&gt;translated into [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gujarati language|Gujarati&lt;/del&gt;]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by Kamal Jasapara&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;published &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1980&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;&lt;/del&gt;ref &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name=&quot;Rao2004&quot;&amp;gt;{{cite book|last=Rao|first=D&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S.|title=Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi|url=https&lt;/del&gt;://books.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;google&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;books?id=8JDsBBDoMccC&amp;amp;pg=PA48|year=2004|publisher=Sahitya Akademi|location=New Delhi|isbn=978&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;81&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;260&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2060&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;7|page=48}}&amp;lt;&lt;/del&gt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Chemmeen&#039;&#039; has been &lt;/ins&gt;translated into &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;English many times. Narayana Menon&#039;s translation titled &#039;&#039;Anger of the Sea-Goddess&#039;&#039; remains very popular even to this day. Another English translation is by &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anita Nair&lt;/ins&gt;]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;titled &#039;&#039;Chemmeen&#039;&#039; as &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Malayalam&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;&lt;/ins&gt;ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt;[https://archive&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;today/20120707190115/http&lt;/ins&gt;://books.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hindustantimes&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2011/12/shinie-antony&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recommends&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;must&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reads&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of-2011/ &quot;Shinie Antony recommends: Must reads of 2011&quot;]&amp;amp;lt;&lt;/ins&gt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;gt; It has gone into several editions and is readily available at bookshops all over India.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into Arabic as well by Muhiyudheen Aluway titled as &#039;&#039;Shemmeen&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The novel was translated into [[Gujarati language|Gujarati]] by Kamal Jasapara, published in 1980.&amp;amp;lt;ref name=&quot;Rao2004&quot;&amp;amp;gt;{{cite book|last=Rao|first=D. S.|title=Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi|url=https://books.google.com/books?id=8JDsBBDoMccC&amp;amp;amp;pg=PA48|year=2004|publisher=Sahitya Akademi|location=New Delhi|isbn=978-81-260-2060-7|page=48}}&amp;amp;lt;/ref&amp;amp;gt; &lt;/ins&gt;&#039;&#039;Chemmeen&#039;&#039; has been translated into Arabic as well by Muhiyudheen Aluway titled as &#039;&#039;Shemmeen&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Film adaptation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Film adaptation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot;&gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 71:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*https://web.archive.org/web/20110719085102/http://www.anukriti.net/ttoct/article4/page2.asp&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*https://web.archive.org/web/20110719085102/http://www.anukriti.net/ttoct/article4/page2.asp&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Novels by Thakazhi Sivasankara Pillai}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{UNESCO Collection}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{UNESCO Collection}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Malayalam Literature |state=collapsed}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Malayalam Literature |state=collapsed}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Authority control}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Chemmeen (Novel)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Chemmeen (Novel)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1956 novels]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian novels adapted into films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian novels adapted into films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Malayalam novels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Malayalam novels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels set in Kerala]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels set in Kerala]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels by Thakazhi Sivasankara Pillai]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels by Thakazhi Sivasankara Pillai]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Sahitya Akademi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Award-winning &lt;/del&gt;works]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Sahitya Akademi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Award–winning &lt;/ins&gt;works]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:DC Books books]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:DC Books books]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1956 Indian novels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1956 Indian novels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DilKhus</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=111948&amp;oldid=prev</id>
		<title>&gt;Vicharam: /* Translations */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chemmeen_(novel)&amp;diff=111948&amp;oldid=prev"/>
		<updated>2021-03-31T09:21:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Translations&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=June 2018}}&lt;br /&gt;
{{Use Indian English|date=June 2018}}&lt;br /&gt;
{{Infobox book &lt;br /&gt;
| name          = Chemmeen&lt;br /&gt;
| title_orig    = ചെമ്മീൻ&lt;br /&gt;
| translator    = &lt;br /&gt;
| image         = Chemmeen (novel) cover.jpg&lt;br /&gt;
| caption = First English edition cover&lt;br /&gt;
| author        = [[Thakazhi Sivasankara Pillai]] &lt;br /&gt;
| illustrator   = &lt;br /&gt;
| cover_artist  = &lt;br /&gt;
| country       = India&lt;br /&gt;
| language      = Malayalam&lt;br /&gt;
| genre         = [[Romance novel|Romance]], [[Drama]]&lt;br /&gt;
| publisher     = National Book Stall, [[D. C. Books]]&lt;br /&gt;
| release_date  = 1956&lt;br /&gt;
| english_release_date = 1962&lt;br /&gt;
| media_type    = &lt;br /&gt;
| pages         = 207&lt;br /&gt;
| isbn          = 9788171305506&lt;br /&gt;
| preceded_by   = [[Randidangazhi]]&lt;br /&gt;
| followed_by   = Enippadikal&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{lang-ml|ചെമ്മീൻ}}, {{transl|ml|ISO|cemmīn}} {{IPA-ml|t͡ʃemmiːn|}}, lit. prawn) is a [[Malayalam]] [[novel]] written by [[Thakazhi Sivasankara Pillai]] in 1956. &amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; tells the story of the relationship between Karuthamma, the daughter of a [[Hindu]] fisherman, and Pareekutti, the son of a [[Muslim]] fish wholesaler. The theme of the novel is a myth among the fishermen communities along the coastal [[Kerala]] State in the Southern India. The myth is about chastity. If the married fisher woman was adulterous when her husband was in the sea, the Sea Goddess (&amp;#039;&amp;#039;Kadalamma&amp;#039;&amp;#039; literally means Mother Sea) would consume him. It is to perpetuate this myth that Thakazhi wrote this novel. It was adapted into a [[Chemmeen|film of same name]], which won critical acclaim and commercial success.&lt;br /&gt;
&lt;br /&gt;
Thakazhi made a departure from his a vowed commitment to realism as it appeared in his works till then he brought in a fresh breeze of lyricism and romanticism. The novel acquires the quality of a fable in which life in the fishermen’s community is depicted with great emotional detail. The customs, taboos, beliefs, rituals and the day-to-day business of living through the pain of stark existence come alive magically through Thakazhi’s pen.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; won the [[List of Sahitya Akademi Award winners for Malayalam|Kendra Sahitya Akademi Award]], India&amp;#039;s second highest literary prize, in 1957.&lt;br /&gt;
&lt;br /&gt;
==Plot==&lt;br /&gt;
&lt;br /&gt;
Chembankunju&amp;#039;s  only aim in life is to own a boat and a net. He finally succeeds in buying both with the help of Pareekutty, a young Muslim trader, on condition that the fish hauled by the boat will be sold to him. Chembankunju&amp;#039;s pretty daughter Karuthamma  and Pareekutty love each other. Karuthamma&amp;#039;s mother, Chakki, knows about it and reminds her daughter about the life they lead within the boundaries of strict social tradition. Karuthamma sacrifices her love for Pareekutty and marries Palani, an orphan discovered by Chembankunju in the course of one of his fishing expeditions. Following the marriage, Karuthamma accompanies her husband to his village, despite her mother&amp;#039;s sudden illness and her father&amp;#039;s repeated requests to stay. In his fury, Chembankunju disowns her. On acquiring a boat and a net and subsequently adding one more, Chembankunju becomes more greedy and heartless. With his dishonesty, he drives Pareekutty to bankruptcy. After the death of his wife, Chembankunju marries Pappikunju, the widow of the man from whom he had bought his first boat. Panchami, Chembankunju&amp;#039;s younger daughter, leaves home to join Karuthama, on arrival of her step mother. Meanwhile, Karuthamma has endeavoured to be a good wife and mother. But scandal about her old love for Pareekutty spreads in the village. Palani&amp;#039;s friends ostracize him and refuse to take him fishing with them. By a stroke of fate, Karuthamma and Pareekutty meet one night and their old love is awakened ... Palani, at sea, alone and baiting a large shark, is caught in a huge whirlpool and is swallowed by the sea. Next morning, Karuthamma and Parekutty, are also found dead hand in hand, washed ashore. At a distance lie the washed-up corpse of Palani&amp;#039;s baited shark.&lt;br /&gt;
&lt;br /&gt;
==Characters==&lt;br /&gt;
&lt;br /&gt;
* Chembankunju - A Dishonest Fisherman&lt;br /&gt;
* Chakki       - Spouse of Chembankunju&lt;br /&gt;
* Pareekutty   - Muslim Trader who falls in love with Karuthamma &lt;br /&gt;
* Karuthamma   - Daughter of Chembankunju&lt;br /&gt;
* Palani       - Fisherman who marries Karuthamma&lt;br /&gt;
* Panchami     - Chembankunju&amp;#039;s younger daughter ...&lt;br /&gt;
&lt;br /&gt;
==Inspiration and influences==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; is Pillai’s best novel which expresses the aspirations, struggle and grief in the lives of the fishermen of Kerala. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel. The tragedy of the poor fisherman has been depicted on the epical scale. Thakazhi Sivasankara Pillai’s (Malayalam) novel Chemmeen, accepted as part of the [[UNESCO]] Collection of Representative Works - Indian Series, was translated by V.K.Narayana Menon, and published by Victor Gollancz, London in 1962. It was the first significant Malayalam novel to be translated into English after Independence or, rather, during the early post-colonial era.&amp;lt;ref&amp;gt;[http://unesdoc.unesco.org/images/0008/000822/082219eo.pdf &amp;quot;India: yesterday&amp;#039;s heritage, tomorrow&amp;#039;s hopes&amp;quot;]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Translations==&lt;br /&gt;
Widely successful, &amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; was translated into [[English language|English]], [[Russian language|Russian]], [[German language|German]], [[Italian language|Italian]], [[Arabic language|Arabic]] and [[French language|French]] along with several Indian languages.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_m1310/is_1989_Feb/ai_7546131/ &amp;quot;Anger of the Sea-Goddess - excerpt from Indian novel Chemmeen&amp;quot;]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; has been translated into English many times. Narayana Menon&amp;#039;s translation titled &amp;#039;&amp;#039;Anger of the Sea-Goddess&amp;#039;&amp;#039; remains very popular even to this day. Another English translation is by Anita Nair, titled &amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039;as in Malayalam.&amp;lt;ref&amp;gt;[https://archive.is/20120707190115/http://books.hindustantimes.com/2011/12/shinie-antony-recommends-must-reads-of-2011/ &amp;quot;Shinie Antony recommends: Must reads of 2011&amp;quot;]&amp;lt;/ref&amp;gt; It has gone into several editions and is readily available at bookshops all over India.&lt;br /&gt;
&lt;br /&gt;
The novel was translated into [[Gujarati language|Gujarati]] by Kamal Jasapara, published in 1980.&amp;lt;ref name=&amp;quot;Rao2004&amp;quot;&amp;gt;{{cite book|last=Rao|first=D. S.|title=Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi|url=https://books.google.com/books?id=8JDsBBDoMccC&amp;amp;pg=PA48|year=2004|publisher=Sahitya Akademi|location=New Delhi|isbn=978-81-260-2060-7|page=48}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; has been translated into Arabic as well by Muhiyudheen Aluway titled as &amp;#039;&amp;#039;Shemmeen&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Film adaptation==&lt;br /&gt;
{{Main|Chemmeen}}&lt;br /&gt;
It was adapted into a film in 1965, which won critical acclaim and commercial success. The film, titled &amp;#039;&amp;#039;Chemmeen&amp;#039;&amp;#039; itself, was directed by [[Ramu Kariat]]. [[Sheela]], [[Madhu (actor)|Madhu]], [[Kottarakkara Sreedharan Nair]] and [[Sathyaneshan Nadar|Sathyan]] played the lead characters in the film. It won the [[President of India|Indian President]]&amp;#039;s [[National Film Award for Best Feature Film|Gold Medal for the Best Film]] of 1965.&lt;br /&gt;
&lt;br /&gt;
The screenplay was written by [[S. L. Puram Sadanandan]], with cinematography by [[Marcus Bartley]], and editing by [[Hrishikesh Mukherjee]] and K.D. George. Songs were set to music by [[Salil Chowdhury]], with lyrics by [[Vayalar Ramavarma|Vayalar]], and featuring voices of [[Manna Dey]], [[K. J. Yesudas]] and [[P. Leela]].&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*https://web.archive.org/web/20110719085102/http://www.anukriti.net/ttoct/article4/page2.asp&lt;br /&gt;
&lt;br /&gt;
{{UNESCO Collection}}&lt;br /&gt;
{{Malayalam Literature |state=collapsed}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Chemmeen (Novel)}}&lt;br /&gt;
[[Category:1956 novels]]&lt;br /&gt;
[[Category:Indian novels adapted into films]]&lt;br /&gt;
[[Category:Malayalam novels]]&lt;br /&gt;
[[Category:Novels set in Kerala]]&lt;br /&gt;
[[Category:Novels by Thakazhi Sivasankara Pillai]]&lt;br /&gt;
[[Category:Sahitya Akademi Award-winning works]]&lt;br /&gt;
[[Category:DC Books books]]&lt;br /&gt;
[[Category:1956 Indian novels]]&lt;/div&gt;</summary>
		<author><name>&gt;Vicharam</name></author>
	</entry>
</feed>